FAST FORWARD TO 2012
As recorded by A Day To Remember
(From the 2007 Album FOR THOSE WHO HAVE HEART)
Transcribed by jonathanonfire
Words and Music by A Day To Remember
Arranged by A Day To Remember
Gtr I (C G C F A D) - 'Gtr I'
Gtr II (C G C F A D) - 'Gtr II'
Gtr III (C G C F A D) - 'Gtr I Pickscrape'
Gtr IV (C G C F A D) - 'Gtr 2 Pickscrape'
"We welcome you to.."
Pop-Mosh Q=180
Bb5 G5
4/4
Gtr I
E Q E E Q E E Q E E Q E E Q E E Q E E Q E E Q E
| | | | |
| o | | | |
| | | | |
| 7 7 7 7 7 7 | 5 5 5 5 5 5 | 7 7 7 7 7 7 | 5 5 5 5 5 5 |
| o | | | |
| | | | |
|
| Gtr II
| E Q E E Q E E Q E E Q E E Q E E Q E E Q E E Q E
| | | | |
| o | | | |
| | | | |
| 8 8 8 8 8 8 | 8 8 8 8 8 8 | 5 5 5 5 5 5 | 5 5 5 5 5 5 |
| o 8 8 8 8 8 8 | 8 8 8 8 8 8 | 5 5 5 5 5 5 | 5 5 5 5 5 5 |
| 8 8 8 8 8 8 | 8 8 8 8 8 8 | 5 5 5 5 5 5 | 5 5 5 5 5 5 |
D5 F5
E Q E E Q E E Q E E Q E E Q E E Q E E Q E E Q E
| | | | |
| | | | o |
| | | | |
| 3 3 3 3 3 3 | 3 3 3 3 3 3 | 3 3 3 3 3 3 | 3 3 3 3 3 3 |
| | | | o |
| | | | |
|
| E Q E E Q E E Q E E Q E E Q E E Q E E Q E E Q E
| | | | |
| | | | o |
| | | | |
| 0 0 0 0 0 0 | 0 0 0 0 0 0 | 3 3 3 3 3 3 | 3 3 3 3 3 3 |
| 0 0 0 0 0 0 | 0 0 0 0 0 0 | 3 3 3 3 3 3 | 3 3 3 3 3 3 o |
| 0 0 0 0 0 0 | 0 0 0 0 0 0 | 3 3 3 3 3 3 | 3 3 3 3 3 3 |
"We'll keep this short.."
G5 Bb5 G5
Gtrs I, II
W +W W E. E. E. E. Q
| | | | |
| | | | |
| | | 10 | |
| 5 | (5) | 8 | 5 5 5 5 |
| 5 | (5) | 8 | 5 5 5 5 |
| 5 | (5) | 8 | 5 5 5 5 |
"My friends come first.."
Slower Q=150
D5
Gtr I
W +W W +W
| | | | |
| | | | |
| | | | |
| 0 | (0) | 0 | (0) |
| 0 | (0) | 0 | (0) |
| 0 | (0) | 0 | (0) |
|
| Gtr II
| W +W +W +W
| | | | |
| | | | |
| | | | |
| 0 | (0) | (0) | (0) |
| 0 | (0) | (0) | (0) |
| 0 | (0) | (0) | (0) |
N.C.
Gtr III
PM--------| TP
W +W Q E E E E E E W a
| | | | |
| | | | |
| | | 7 | |
| 0 | (0) | x | |
| 0 | (0) | 5 0 0 0 0 0 0 | xs 0 |
| 0 | (0) | 0 0 0 0 0 0 | xs 0 |
|
| Gtr IV
| PM--------| TP
| W +W Q E E E E E E W a
| | | | |
| | | | |
| | | | |
| 0 | (0) | 0 | |
| 0 | (0) | 0 0 0 0 0 0 0 | xs 0 |
| 0 | (0) | 0 0 0 0 0 0 0 | xs 0 |
"That's the bottom line."
D5 C D D5Bb D5F5G5F5D5 C D D5Bb D5
Gtrs I, II
PM--|
Q E E Q E E E E E E E E E E +Q E E Q E E E E E E E E E E
| | | | |
| | | | |
| 5 7 7 3 | 3 3 3 | 5 7 7 3 | 3 3 3 |
| 0 x x x 0 x | x x x 0 3 5 3 0 | (0) x x x 0 x | x x x 0 0 |
| 0 3 5 5 0 1 | 1 1 1 0 3 5 3 0 | (0) 3 5 5 0 1 | 1 1 1 0 0 0 0 0 |
| 0 0 | 0 3 5 3 0 | (0) 0 | 0 0 0 0 0 |
C D D5Bb D5F5G5F5D5 C D D5Bb D5
PM----|
+Q E E Q E E E E E E E E E E +Q E E Q E E E E E E E E E E
| | | | |
| | | | |
| 5 7 7 3 | 3 3 3 | 5 7 7 3 | 3 3 3 |
| (0) x x x 0 x | x x x 0 3 5 3 0 | (0) x x x 0 x | x x x 0 |
| (0) 3 5 5 0 1 | 1 1 1 0 3 5 3 0 | (0) 3 5 5 0 1 | 1 1 1 0 0 0 0 0 |
| (0) 0 | 0 3 5 3 0 | (0) 0 | 0 0 0 0 0 |
W +W +W +W
| | | | |
| | | | |
| | | | |
| 0 | (0) | (0) | (0) |
| 0 | (0) | (0) | (0) |
| 0 | (0) | (0) | (0) |
PM---------------------| PM------| PM---------------------|
E E E Q S S S S S S E Q. S S S S E E E E E Q S S S S S S E H..
| | | | |
| | | | |
| | | | |
| | | | |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 | 0 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 | 0 |
Breakdown Outro
D5
PM--------------------------------------
E E Q. S S S S S S H S S S S Q
| | |
| | |
| | |
| | |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
-------------------------------------|
E E Q. S S S S S S H S S S S Q
| | |
| | |
| | |
| | |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
PM--------------------------------------
E E Q. S S S S S S H S S S S Q
| | |
| | |
| | |
| | |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
-------------------------------------|
E E Q. S S S S S S H S S S S E E
| | |
| | |
| | |
| | |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
PM---------------------| PM------|
E E E Q S S S S S S E Q. S S S S E E
| | |
| | |
| | |
| | |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
PM---------------------| PM------|
E E E Q S S S S S S E Q. S S S S E E
| | |
| | |
| | |
| | |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 |
PM---------------------| PM------| PM---------------------|
E E E Q S S S S S S E Q. S S S S E E E E E Q S S S S S S E H..
| | | | * |
| | | | * |
| | | | * |
| | | | * |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 | 0 * |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 | 0 * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash