Accept - Dogs On Leads Tab

DOGS ON LEADS
As recorded by Accept
(From the 1985 Album METAL HEART)

Transcribed by Asmogriff (ComfortablyDumb)

Words and Music by P. Baltes, U. Dirkschneider, J. Fischer, W. Hoffmann, S. Kaufmann and Deaffy Arranged by Accept Gtr I (E A D G B E) - 'Steel' Gtr II (E A D G B E) - 'Dist 1' Gtr III (E A D G B E) - 'Dist 2'

Intro

Q=127 A5 E5 F#5 4/4 Gtr I Wx4 H Q. E +W +W 3x
o o
^2
^2 ^2 ^4 (4) (4)
o ^0 ^2 ^4 (4) (4) o
^0 ^2 (2) (2)

Intro-Verse

1.,2.,3. 4. A5 E5 F#5 B5 Gtr II H Q. E +W +W 4x +H.. E
o o
^2 4
^2 ^2 ^4 (4) (4) (4) 4
o ^0 ^2 ^4 (4) (4) o (4) 2
^0 ^2 (2) (2) (2)
C5 +H.. S S H.. S S H.. S S H Q Q
(4) 4 4 4 4 4 4 4 4 4 4 5
(4) 4 4 4 4 4 4 4 4 4 4 5
(2) 2 2 2 2 2 2 2 2 2 2 3
C#5 Q. E +Q. S S Q. E +Q. E E E E E E E Q E Q E E Q E
6 6 (6) 6 6 6 6 (6) 6 6 6 6 6 6 6 6\ 6 6 6
6 6 (6) 6 6 6 6 (6) 6 6 6 6 6 6 6 6\ 6 6 6
4 4 (4) 4 4 4 4 (4) 4 4 4 4 4 4 4 4\ 4 4 4

Verse

A5 E5 F#5 Gtr II PM------------------------------------------------------------------------| E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
| | Gtr I | W W H Q. E +W
^2
^0 ^2 ^4 (4)
^0 ^2 (2)
A5 E5 F#5 PM-------------------------------------- E E E E E E E E E E E E E E E E
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
| | +W H Q. E
^2
(4) ^0 ^2 ^4
(2) ^0 ^2
-------------------------------------| E E E E E E E E E E E E E E E E
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
| | +W +W
(4) (4)
(2) (2)
A5 E5 F#5 B5 PM-----------------------------------------------------| E E E E E E E E E E E E E E E E E E E E E E E E
4
4
2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
| | H Q. E +W +W
^2
^0 ^2 ^4 (4) (4)
^0 ^2 (2) (2)

Pre-Chorus

$ B5 C5 +H.. S S Q. E +Q. S S Q. E +H Q. E E E E E
(4) 4 4 4 4 (4) 4 4 4 4 (4) 4 4 4 4 5
(4) 4 4 4 4 (4) 4 4 4 4 (4) 4 4 4 4 5
(2) 2 2 2 2 (2) 2 2 2 2 (2) 2 2 2 2 3
C#5 A5 Q. E +Q. S S Q. E +H Q E E Q Q E E E E Q Q
6 6 (6) 6 6 6 6 (6) 6\ 6 6\ x 6 6 6 2
6 6 (6) 6 6 6 6 (6) 6\ 6 6\ x 6 6 6 2
4 4 (4) 4 4 4 4 (4) 4\ 4 4\ x 4 4 4 0

Chorus

F#5 A5 B5 B5 F#m/B5C#A5 F#5 A5 E5 PM-| H Q. E +Q E E E E Q H Q. E +H E Q.
2 4 (4) 4S6 2 2
4 2 4 (4) (4) (4) 4S6 2 4 2 2 (2)
4 0 2 (2) 2 0 2S4 0 4 0 2 (2)
2 2 0 (0) [1]

To Coda

F#5 A5 B5 B5C#A5 F#5 A5 E5 F5 PM-| H Q. E +Q E E E E Q H Q. E +H Q Q
2 4 (4) 4S6 2 2
4 2 4 (4) (4) (4) 4S6 2 4 2 2 (2) 2 3
4 0 2 (2) 2 0 2S4 0 4 0 2 (2) 2 3
2 2 0 (0) 0 1
F#5 A5 E5 F#5 Gtr III ~~~~ E H.. +Q. E +H +H +E E Q E H..
[4]b6 (4) (4)r (4) [2]
4 (4) [4]
| | Gtr II Gtr I | > | W +W H Q. E +W
^2
4 (4) ^0 ^2 ^4 (4)
2 (2) ^0 ^2 (2)

Verse

A5 E5 F#5 > ~~~ +H H Q +Q +Q. +S S W +W
(4)
2tr4 2b4r (2)b4 (2)b4r (2)p0
2 (2)
| | +W H Q. E +W +W
^2
(4) ^0 ^2 ^4 (4) (4)
(2) ^0 ^2 (2) (2)
A5 E5 F#5 A5 E5 F#5 Gtr I H Q. E +W +W H Q. E
^2 ^2
^0 ^2 ^4 (4) (4) ^0 ^2 ^4
^0 ^2 (2) (2) ^0 ^2
Gtr I +W +W
(4) (4)
(2) (2)
| | Gtr II | W H E E E a E
12
14 17b19

D.S. al Coda

A5 E5 F#5 B5 H Q. E +W +W
^ 2
^ 0 ^ 2 ^4 (4) (4)
^ 0 ^2 (2) (2)
| | +E +S S S E. +Q Q W H.. E
(17)r(17)p14 17 [17]b19 (17)r\
4
4
2
& F#5 A5 E5 F#5 A5 B5 Gtr II H Q. E +H E Q. H Q E E +W
2 2 4 4 (4)
4 2 2 (2) 4 2 4 4 (4)
4 0 2 (2) 4 0 2 2 (2)
2 0 (0) [1] 2

Bridge

B5 G5 E5 Gtr II > +W W W W
(4)
(4)
(2)
| | Gtr III | W W W +W
^8 ^5 (5)
^4 ^7 ^4 (4)
^4 ^5 ^2 (2)
^2
D5 A5 G5 E5 Gtr III W W W W
^3 ^8 ^5
^2 ^2 ^7 ^4
^0 ^2 ^5 ^2
^0
B5 G5 E5 W W W +W
^8 ^5 (5)
^4 ^7 ^4 (4)
^4 ^5 ^2 (2)
^2
| | Gtr II | PM-----------------------------------------------------| | q q q q q q q q q q q q q q q q
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
D5 A5 G5 E5 W W W W
^3 ^8 ^5
^2 ^2 ^7 ^4
^0 ^2 ^5 ^2
^0
| | < | PM-------------------------------| | q q q q q q q q q q Q Q Q E E H
4 4 4 4 xSx\
2 2 2 2 2 2 2 2 2 2 2 2 2 2 xSx\

Guitar Solo

F#5 A5 B5 B5 C#5 A5 ~~~~~~~~ |--3--| |---3---| Q +E E +Q E E E Q. E E E E T T T T T T T T
14 17b19 17 16 14 14
2b4 (2) 14 17 17p16p14 14h16p14
2b4 (2) [4] (4)S 14 17
| | PM| | Q. Q. Q +Q E E E E Q
2 4 (4) 4S 6 2
4 0 2 (2) 2 0 2S 4 0
2
F#5 A5 E5 ~~~~~~~~ |------6-------| |-3--| S S S S S S S S S E +Q Q E +E +Q +E Q.
14
17p16 17p16p14 14 16 (16) [4]b6r(4)b6 (4) (4)r\
x x\
x x\
x\ x\
| | Q. Q. Q +H E Q.
2
4 0 2 (2)
2 0 (0) [1]
F#5 A5 B5 ~~ PM-------------------------- |---5---| |----6----| Q. S S S S S S S S S S S S S
2 2 2 2 2
0 2 4 5 2 4 5 5 5
| | Q. Q. Q
2 4
4 0 2
2
B5 C#5 A5 ---------------------------| ~~~~~~~~~ |----6-----| |----5----| S S S S S S S S S S S S S +E +Q
2 4 4 4 4 5 5 5 6 7 8 9 9b11 (9) (9)r\
| | PM----| | +Q E E E E Q
(4) 4S 6 2
(2) 2 0 2S 4 0
F#5 A5 E5 |---3----| E Q +E +S +S +S +S S S +S S S
17b19r (17)b19 (17)r(17)b19 (17)r(17)p14 14
9 17b19 (17) 17b19
| | Q. Q. Q
2
4 0 2
2 0
|--3---| |--3--| +S S S +S S S +S S S S S S S S S S E
14 14 14 14 14 14 14 14
(17) 17b19 (17) 17b19 (17) 17b19 18p16 14
| | +H E Q.
(2)
(0) [1]
F#5 A5 B5 |--------6--------| |--------6---------| S S S S S S S S S S S S T T T T T +T T T E E
14 14 17p14 14 14 17p14 17
16b18 16b18 16 16 16 16 16 16 16r(16)p14 14 16b18
16
| | Q. Q. Q
2 4
4 0 2
2
B5 C#5 A5 E S S Q a S S S S +E +S S
x
17 x
16r 14 16b18 (16)r(16) 14
xS xS14 16
| | PM| | +Q E E E E Q
(4) 4S 6 2
(2) 2 0 2S 4 0
F#5 A5 E5 |-----5-----| |------5-------| S S S S S S S S S S S S T T S S S S S
17p16p14 16p14 14
16 16 16p15p14 16p14 14
16 16 14b16 14 12
| | Q. Q. Q
2
4 0 2
2 0
\2_____________\3 | E E +H E.. +T
14 0 (0) 0 (0)
| | +H E Q.
(2)
(0) [1]

Out-Chorus

F#5 A5 B5 B5 C#5 A5 ~~~~~ W E Q +S S E Q.
[4]b6r (4)p2 [4]b6 [4]b6
| | PM| | H Q. E +Q E E E E Q
2 4 (4) 4S 6 2
4 0 2 (2) 2 0 2S 4 0
2
F#5 A5 E5 ~~~~~ W E a E E E E Q.
16 17 17b19 17b19
14S16
| | H Q. E +H E Q.
2
4 0 2 (2)
2 0 (0) [1]
F#5 A5 B5 B5 C#5 A5 PM--------| |-3-| |-3-| |----6----| W S S S S S S S S S E S S S S S S S S S
2 2
5p2 2 5p2h5p2
2 2 x 2 4 4 [4]b6
4 4
| | PM----| | H Q. E +Q E E E E Q
2 4 (4) 4S 6 2
4 0 2 (2) 2 0 2S 4 0
2
F#5 A5 E5 ~~~~~ ~ |----6----| |----6----| |----6-----| |----6----| S S S S S S S S S S S S S S S S S S S S S S S S H E S.. +X Q
2 2 2 2
2 5p2h5p2 2 5p2h5p2 2 5p2h5p2 2 5p2h5p2
[4]b6 [2]b4 (2)
4
| | H Q. E +H E Q.
2
4 0 2 (2)
2 0 (0) [1]
F#5 A5 B5 B5 C#5 A5 TP TP TP TP |------6-------| H Q Q +Q Q S S S S S S E E
17b19
14
4 14
14 15 16 14 15 16
2s 7 (7)s 14
| | PM| | H Q. E +Q E E E E Q
2 4 (4) 4S 6 2
4 0 2 (2) 2 0 2S 4 0
2
F#5 A5 E5 |--3--| +E +S S S S S S S S T T S S T T S S T T
(17)r(17)p14 17p14 13 14p13 14 17p14 14 17p14 14 17p14
17 14
| | H Q. E
2
4 0 2
2 0
S S T T S S T T S S S T T S S Q
17b19
14 17p14 14 17p14 14 14 17p14 14
14 14 14 14
| | +H E Q.
(2)
(0) [1]
F#5 A5 B5 +E +E +S +S +S S S S S S S +S S S
(17)r(17)b19 (17)r(17)b19 (17) 17 16 14 14
17 17b19 (17) 15
16
| | H Q. E
2 4
4 0 2
2
B5 B5 C#5 F#5 |--------7---------| |---------7---------| |---------7---------| S S S S S S S S S S S S S S S S S S S S S Q
14h19p14 14h19p14 14h19p 14 14h19p14 14
17 17 17 17 17 17h19p17 17b19\
| | PM---------| | +Q E E E E E E
(4) 4S 6
(2) 2 0 2S 4 0 4
2
A5 F#5 Q E E +E E Q
17 (17)\ *
17b19 (17)r\ *
*
*
*
*
| | H E E E E
*
*
*
2 *
0 4 *
0 2 *

Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

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