CONTACT
As recorded by Anthrax
(From the 2001 Album WE'VE COME FOR YOU ALL)
Transcribed by MetalVital the "Frantic Machine"
Music by Anthrax
Db5
0 0 0 x x x
Gtr I (Db Ab Db Gb Bb Eb) - 'Gtr I'
Gtr II (Db Ab Db Gb Bb Eb) - 'Gtr II'
Gtr III (Db Ab Db Gb Bb Eb) - 'Gtr III'
Gtr IV (Db Ab Db Gb Bb Eb) - 'Gtr IV'
Gtr V (Db Ab Db Gb Bb Eb) - 'Gtr V'
Gtr VI (Db Ab Db Gb Bb Eb) - 'Gtr VI'
Acoustic only Part
Slowly Q=80
Db5
4/4
Gtr II
q q q q q q q q q q q q q q q q
| | | | | | | | | | | | | | | |
/ / / / / / / / / / / / / / / /
Gtr I
W E E E E H W E E E E H
| | | | |
| ^3 | 3 3 | ^3 | 3 3 |
| ^2 | 0 | ^2 | 0 |
| ^0 | 0 0 0 | ^0 | 0 0 0 |
| | 1 2 3 | | 1 2 3 |
| | | | |
Gtr II
q q q q q q q q q q q q q q q q
| | | | | | | | | | | | | | | |
/ / / / / / / / / / / / / / / /
Gtr I
W E E E E H W E E E E H
| | | | |
| ^3 | 3 3 | ^3 | 3 3 |
| ^2 | 0 | ^2 | 0 |
| ^0 | 0 0 0 | ^0 | 0 0 0 |
| | 1 2 3 | | 1 2 3 |
| | | | |
|
| Gtr III
| W E E E E H W E E E E H
| | | | |
| ^3 | 3 3 | ^3 | 3 3 |
| ^2 | 0 | ^2 | 0 |
| ^0 | 0 0 0 | ^0 | 0 0 0 |
| ^0 | 1 2 3 | ^0 | 1 2 3 |
| ^0 | | ^0 | |
Acoustic + Electric Part
Db5
q q q q q q q q q q q q q q q q
| | | | | | | | | | | | | | | |
/ / / / / / / / / / / / / / / /
Gtrs I, III
W E E E E H W E E E E H
| | | | |
| ^3 | 3 3 | ^3 | 3 3 |
| ^2 | 0 | ^2 | 0 |
| ^0 | 0 0 0 | ^0 | 0 0 0 |
| ^0 | 1 2 3 | ^0 | 1 2 3 |
| ^0 | | ^0 | |
|
| Gtr IV
| W Q Q H W Q Q H
| | | | |
| | | | |
| | | | |
| | | | |
| 0 | 8 9 10 | 0 | 8 9 10 |
| 0 | 8 9 10 | 0 | 8 9 10 |
Gtr II
q q q q q q q q q q q q q q q q
| | | | | | | | | | | | | | | |
/ / / / / / / / / / / / / / / /
Gtrs I, III
W E E E E H W E E E E H
| | | | |
| ^3 | 3 3 | ^ 3 | 3 3 |
| ^2 | 0 | ^ 2 | 0 |
| ^0 | 0 0 0 | ^ 0 | 0 0 0 |
| ^0 | 1 2 3 | ^ 0 | 1 2 3 |
| ^0 | | ^ 0 | |
|
| Gtr IV
| W Q Q H W Q Q H
| | | | |
| | | | |
| | | | |
| | | | |
| 0 | 8 9 10 | 0 | 8 9 10 |
| 0 | 8 9 10 | 0 | 8 9 10 |
|
| Gtrs V, VI
| < >
| W W +H +H W
Electric only Part
Db5
Gtr II
q q q q q q q q q q q q q q q q
| | | | | | | | | | | | | | | |
/ / / / / / / / / / / / / / / /
Gtrs V, VI
W Q Q H W Q Q H
| | | | |
| | | | |
| | | | |
| 0 | | 0 | |
| 0 | 8 9 10 | 0 | 8 9 10 |
| 0 | 8 9 10 | 0 | 8 9 10 |
q q q q q q q q q q q q q q s Q..
| | | | | | | | | | | | | | |
/ / / / / / / / / / / / / / /
W Q Q H W Q Q S Q..
| | | | * |
| | | | * |
| | | | * |
| 0 | | 0 | * |
| 0 | 8 9 10 | 0 | 8 9 10 * |
| 0 | 8 9 10 | 0 | 8 9 10 * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers -
<e .="">
= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths