Antonio Carlos Jobim - One Note Samba Chords

Main Riff

Cm7

variations
4 fr
X
1
3
1
2
1
9 fr
1
3
1
1
1
1
4 fr
X
1
X
2
4
3
X
2
1
3
1
4
4 fr
X
1
3
1
2
4
X
4
2
1

9 fr
1
3
1
1
4
1
11 fr
X
X
1
3
2
2
3 fr
X
1
3
1
4
1
8 fr
1
3
1
2
1
1
3 fr
X
1
X
1
4
1
3 fr
X
1
3
3
3
4
5 fr
4
3
1
1
1
2
8 fr
1
3
1
2
X
1

8 fr
1
3
1
2
4
1
10 fr
X
X
1
3
2
4

Dmaj7

variations
X
X
1
1
1
5 fr
X
1
3
2
4
1
5 fr
X
X
2
4
1
5 fr
X
1
3
2
4
X
2 fr
X
4
3
1
1
1
9 fr
X
X
4
3
2
1

10 fr
1
4
2
3
1
1
12 fr
X
X
1
3
3
3
14 fr
X
X
X
X
2
1
1
5 fr
X
1
3
1
2
1
5 fr
X
1
X
2
4
3
5 fr
X
1
3
1
2
4
3 fr
X
2
1
3
1
4
10 fr
1
3
X
1
4
1

10 fr
1
3
1
1
4
1
10 fr
1
3
1
1
1
1
12 fr
X
X
1
3
2
2
5 fr
X
X
3
2
1
3 fr
1
3
1
2
1
1
5 fr
X
X
1
3
2
4
1
X
2
4
3
X
3 fr
1
3
1
2
4
1
10 fr
X
1
3
3
3
4

10 fr
X
1
3
1
4
1
12 fr
4
3
1
1
1
2

Cmaj7

variations
X
3
2
3 fr
X
1
3
2
4
1
3 fr
X
1
X
3
4
2
8 fr
1
X
3
4
2
X
7 fr
X
X
4
3
2
1
8 fr
1
4
2
3
1
1

10 fr
X
X
1
3
3
3
12 fr
X
4
3
1
1
X
3 fr
X
1
3
1
2
1
8 fr
1
3
1
1
1
1
X
1
X
2
4
3
X
2
1
3
1
4
3 fr
X
1
3
1
2
4
8 fr
1
3
1
1
4
1

10 fr
X
X
1
3
2
2
1
3
1
2
1
1
3 fr
X
X
1
3
2
4
8 fr
X
1
3
1
4
1
1
3
1
2
4
1
1
X
2
4
3
X
8 fr
X
1
3
3
3
4

10 fr
4
3
1
1
1
2

Bmaj7

variations
X
1
3
2
4
1
X
1
3
4
2
6 fr
1
X
3
4
2
X
8 fr
X
X
1
4
4
4
5 fr
X
X
4
3
2
1
6 fr
1
4
2
3
1
1

10 fr
X
4
3
1
1
X
10 fr
X
4
3
1
1
1
3 fr
X
1
3
3
3
3
5 fr
4
3
1
1
1
1
10 fr
X
X
1
3
1
4
X
2
1
3
4
X
1
3
1
4
1
7 fr
1
3
1
2
1
1
7 fr
1
X
2
4
3
X
2 fr
X
1
3
3
3
4
4 fr
4
3
1
1
1
2

7 fr
1
3
1
2
X
1
7 fr
1
3
1
2
4
1
9 fr
X
X
1
3
2
4
X
1
1
1
3
5 fr
1
3
1
2
1
1
X
1
3
7 fr
X
1
3
2
4
2 fr
4
3
1
1
1
2
5 fr
1
3
1
2
4
1

7 fr
X
X
1
3
2
4
10 fr
X
3
2
4
1
12 fr
X
1
3
3
3
4
No chord
Standard guitar tuning:
E
A
D
G
B
E
No capo
This is Cm7just a little C7samba, B7/4 Bb7/-5 Built upon a single note Other Cm7notes are bound to C7follow, B7/4 Bb7/-5 But the root is still that note Em7/9 A7/+5 Now this new one is the consequence, Of the Dmaj7one we've just been Dm7through G7 Cm7 C7 B7/4 Bb7/-5 [A6/9] As I'm bound to be the unavoidable consequence of you Dm7There's so many people who can G7talk And talk and talk and just say Cmaj7nothing, Or nearly nothing Cm7I have used up all the scale I F7know, And at the end I've come to Bmaj7nothing, Bdim Bb7/-5 Or nearly no.....thing So I Cm7came back to my C7first note, B7/4 Bb7/-5 As I must come back to you I will Cm7pour into that C7one note, B7/4 Bb7/-5 All the love I feel for you Em7/9 A7/+5 Anyone who wants the whole show, Re mi Dmaj7fa sol la si Dm7do G7 He will C6find himself with B7no show, Better Bmaj7play the note you A7know

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