Arch Enemy - Dehumanization Tab

DEHUMANIZATION
As recorded by Arch Enemy
(From the 2003 Album ANTHEMS OF REBELLION)

Transcribed by SoggieMufin

Words by Angela Gossow Music by Michael Amott

Gtr I (A E A D Gb B) - 'Rhythm 1'
Gtr II (A E A D Gb B) - 'Rhythm 2'
Gtr III (A E A D Gb B) - 'Synth'
Gtr IV (A E A D Gb B) - 'Lightly Distorted'

Gtr V (A E A D Gb B) - 'solo'

Intro

Q=140 N.C. 4/4 Gtr I Wx4 S T T S S T T S S T T S S T T S S S S S
2 3p2p0 2 3p2p0 2 3p2p0 2 3p2p0 2 3p2p0
S T T S S T T S S T T S S E q
2 3p2p0 2 3p2p0 2 3p2p0 0
0 1
S T T S S T T S S T T S S T T S S S S S S T T S S T T S S T T S S E q
2 3p2 0 2 3p2 0 2 3p2 0 2 3p2 0 5 3 2 0 2 3p2 0 2 3p2 0 2 3 2 0 0
0 1
Gtrs I, II S T T S S T T S S T T S S T T S S S S S S T T S S T T S S T T S S E q
2 3p2 0 2 3p2 0 2 3p2p0 2 3p2 0 2 3p2p0 2 3p2 0 2 3p2 0 2 3p2 0 0
0 1
S T T S S T T S S T T S S T T S S S S S S T T S S T T S S T T S S E q
2 3p2 0 2 3p2 0 2 3p2 0 2 3p2 0 5 3 2 0 2 3p2 0 2 3p2 0 2 3 2 0 0
0 1
E5 D5 E5 E5 D5 E5 Gtr I PM----| PM--------| S S S S E S S S S S S Q W
4
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
| | Gtr II | PM----| PM--------| | W S S S S E S S S S S S Q
4
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
E5 D5 E5 E5 D5 E5 Gtrs I, II PM----| PM--------| PM----| PM--------| S S S S E S S S S S S Q S S S S E S S S S S S Q
o o
4 4
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
o 2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2 o
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2

Verse

E5 D5 E5 E5 D5 E5 Gtrs I, II PM----| PM------| PM----| PM------| S S S S E S S S S S S Q S S S S E S S S S S S Q
o o
4 4
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
o 2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2 o
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
D5 PM------------------------------------------------------| S S S S E S S S S E S S S S S S S S E S S S S E S S S S
o o
o 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 o
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E5 D5 E5 E5 D5 E5 PM----| PM------| PM----| PM------| S S S S E S S S S S S Q S S S S E S S S S S S Q
o o
4 4
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
o 2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2 o
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
D5 PM------------------------------------------------------| S S S S E S S S S E S S S S S S S S E S S S S E S S S S
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 PM------------------------------------------------| S S S S E S S S S E S S S S S S S S E S S E E E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Chorus

D5 C#5 Bb5 A5 Bb5 C5 A5 Gtrs I, II H. Q Q. E +Q Q 3x H. Q W
o o
o 0 12 11 8 (8) 7 o 8 10 7
0 12 11 8 (8) 7 8 10 7
| | Gtr III | H. Q Q. E +Q Q 3x H. Q W
17 16 18 20 17
o 15 18 (18) 17 o
o o
Dm C#m Bb A D5 C#5 Bb5 A5 Gtr I H. Q Q. E +Q Q H. Q Q. E +Q Q
0 12 11 8 (8) 7 0 12 11 8 (8) 7
0 12 11 8 (8) 7 0 12 11 8 (8) 7
| | Gtr II | H. Q Q. E +Q Q H. Q Q. E +Q Q
7 10 9 7 (7) 6 14 14 13 10 (10) 9
x x x x x x x x x x
5 8 7 5 (5) 4 12 12 11 8 (8) 7
0 0
| | Gtr III | H. Q Q. E +Q Q H. Q Q. E +Q Q
17 16 17 16
15 18 (18) 17 15 18 (18) 17
D5 Dm C#m Bb A Bb5 C A H. Q Q. E +Q Q H. Q W
0 12 11 8 (8) 7 8 10 7
0 12 11 8 (8) 7 8 10 7
| | H. Q Q. E +Q Q H. Q W
7 10 9 7 (7) 6 7 9 6
x x x x x x x x
5 8 7 5 (5) 4 5 7 4
0
| | H. Q Q. E +Q Q H. Q W
17 16 18 20 17
15 18 (18) 17

Second Verse

E5 D5 E5 E5 D5 E5 Gtrs I, II PM----| PM------| PM----| PM------| S S S S E S S S S S S Q S S S S E S S S S S S Q
o o
4 4
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
o 2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2 o
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
D5 D5 PM------------------------------------------------------| S S S S E S S S S E S S S S S S S S E S S S S E S S S S
o o
o 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 o
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E5 D5 E5 E5 D5 E5 PM----| PM------| PM----| PM------| S S S S E S S S S S S Q S S S S E S S S S S S Q
o o
4 4
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
o 2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2 o
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
D5 D5 PM------------------------------------------------------| S S S S E S S S S E S S S S S S S S E S S S S E S S S S
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 D5 PM------------------------------------------------| S S S S E S S S S E S S S S S S S S E S S E E E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Second Chorus

D5 C#5 Bb5 A5 Bb5 C5 A5 Gtrs I, II H. Q Q. E +Q Q 3x H. Q W
o o
o 0 12 11 8 (8) 7 o 8 10 7
0 12 11 8 (8) 7 8 10 7
| | Gtr III | H. Q Q. E +Q Q 3x H. Q W
17 16 18 20 17
o 15 18 (18) 17 o
o o
Dm C#m Bb A D5 C#5 Bb5 A5 Gtr I H. Q Q. E +Q Q H. Q Q. E +Q Q
0 12 11 8 (8) 7 0 12 11 8 (8) 7
0 12 11 8 (8) 7 0 12 11 8 (8) 7
| | Gtr II | H. Q Q. E +Q Q H. Q Q. E +Q Q
7 10 9 7 (7) 6 14 14 13 10 (10) 9
x x x x x x x x x x
5 8 7 5 (5) 4 12 12 11 8 (8) 7
0 0
| | Gtr III | H. Q Q. E +Q Q H. Q Q. E +Q Q
17 16 17 16
15 18 (18) 17 15 18 (18) 17
D5 Dm C#m Bb A Bb C A H. Q Q. E +Q Q H. Q W
0 12 11 8 (8) 7 8 10 7
0 12 11 8 (8) 7 8 10 7
| | H. Q Q. E +Q Q H. Q W
7 10 9 7 (7) 6 7 9 6
x x x x x x x x
5 8 7 5 (5) 4 5 7 4
0
| | H. Q Q. E +Q Q H. Q W
17 16 18 20 17
15 18 (18) 17

Bridge

N.(G5) N.C. (A5) Gtr III < W W +W W
22 (22) 17
| | Gtr IV | W +W W +W
5 (5) 7 (7)
N.C(G5) N.C(A5) < < W W W +W
22 (22)
17 18
| | W +W W +W
5 (5) 7 (7)
Gm N.C(A5) Gtr V < < < < W H. Q W +W
18 17 15 17 (17)
| | Gtr IV | W +W W +W
5 (5) 7 (7)
N.C(G5) N.C(F5) N.C(E5) N.CEb5 < < < < W W W W +W
15 13 12 11 (11)
| | W W W W +W
5 3 2 1 (1)

Solo/Verse

E5 D5 E5 E5 D5 E5 Gtr V ~~ H H H +Q. E
[15]b17 [15]b17 15b18 (15)pb18
17
| | Gtrs I, II | PM--------| PM------------| PM-------| PM-------------| | S S S S E S S S S S S Q S S S S E S S S S S S Q
4 4
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
E5 D5 E5 ~~~~ +H S S S S S S S S
14 15 14 14 15
(17) 17 16 17
| | PM-----| PM--------| | S S S S E S S S S S S Q
4
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
E5 D5 E5 ~~ S S S S S S S S S S S S S S S S
14 14 15 14 15s19 15
17 16 17 17 17
16
17
19 14
| | PM------| PM---------| | S S S S E S S S S S S Q
4
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
D5 D5 > ~~~~~~~~~~~~~~~~~~~ H +E Q. W
14 (14)
| | PM----------------------------------------------------------| | S S S S E S S S S E S S S S S S S S E S S S S E S S S S
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 D5 Gtrs I, II PM------------------------------------------------------| S S S S E S S S S E S S S S S S S S E S S S S E S S S S
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E5 D5 E5 E5 D5 E5 Gtr V ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ W Q. E +H
12 12 12 (12)
15b17 15b17 15b17 (15)pb17
| | Gtrs I, II | PM-------| PM------| PM-------| PM----------------| | S S S S E S S S S S S Q S S S S E S S S S S S Q
4 4
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
E5 D5 E5 |--------5--------| |-------5-------| |--------6---------| |------6-------| S S S S S S S S S S S S S S S S S S S S S S
15 15 15 15 15
14 15 16 16 14 16 16 14 16 16 14 16 14 16 16 14 16
| | PM-------------| PM-------------------| | S S S S E S S S S S S Q
4
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
E5 D5 E5 |--------5--------| S S S S S S S S S +Q. E
15 15 15 (15)b17
16 14 16 16 14 16 7s
| | PM-------------| PM-------------| | S S S S E S S S S S S Q
4
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
2 2 2 2 2 0 0 2 2 2 2
D5 |----3----| |---3---| |----3----| |----3----| E E E E E E E E E E E E
15 16 17 18
13 14 14 15 15 16 16 17
| | PM------------------------------------------------------ | S S S S E S S S S E S S S S
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 W
20b22
| |-------------------------------| | S S S S E S S S S E S S S S
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 D5 < ~~ W W
17b19
15
| | PM----------------------------------------------------| | S S S S E S S S S E S S S S S S S S E S S E E E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Third Chorus

D5 C#5 Bb5 A5 Bb5 C5 A5 Gtrs I, II H. Q Q. E +Q Q 3x H. Q W
o o
o 0 12 11 8 (8) 7 o 8 10 7
0 12 11 8 (8) 7 8 10 7
| | Gtr III | H. Q Q. E +Q Q 3x H. Q W
17 16 18 20 17
o 15 18 (18) 17 o
o o
D5 Dm C#m Bb A D5 C#5 Bb5 A5 Gtr I H. Q Q. E +Q Q H. Q Q. E +Q Q
0 12 11 8 (8) 7 0 12 11 8 (8) 7
0 12 11 8 (8) 7 0 12 11 8 (8) 7
| | Gtr II | H. Q Q. E +Q Q H. Q Q. E +Q Q
7 10 9 7 (7) 6 14 14 13 10 (10) 9
x x x x x x x x x x
5 8 7 5 (5) 4 12 12 11 8 (8) 7
0 0
| | Gtr III | H. Q Q. E +Q Q H. Q Q. E +Q Q
17 16 17 16
15 18 (18) 17 15 18 (18) 17
D5 Dm C#m Bb A Bb C5 A H. Q Q. E +Q Q H. Q W
0 12 11 8 (8) 7 8 10 7
0 12 11 8 (8) 7 8 10 7
| | H. Q Q. E +Q Q H. Q W
7 10 9 7 (7) 6 7 9 6
x x x x x x x x
5 8 7 5 (5) 4 5 7 4
0
| | H. Q Q. E +Q Q H. Q W
17 16 18 20 17
15 18 (18) 17

Outro

D5 Gtrs I, II W +W +W +W
0 (0) (0) (0)
0 (0) (0) (0)
0 (0) (0) (0)
| | Gtr III | H. Q Q. E +Q Q H. Q Q. E +Q Q
17 16 17 16
15 18 (18) 17 15 18 (18) 17
> +W +W +W +W
(0) (0) (0) (0)
(0) (0) (0) (0)
(0) (0) (0) (0)
| | H. Q Q. E +Q Q H. Q W
17 16
15 18 (18) 17
15 17 14
N.C. Gtr III H. Q Q. E +Q Q 3x H. Q W
17 16 *
o 15 18 (18) 17 o *
15 17 14 *
*
o o *
*
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

Affiliate Program | Terms and Privacy | API | How to Read Guitar Tab |

Follow us: Twitter | Facebook