Arch Enemy - Enter The Machine Tab

                                ENTER THE MACHINE
                            As recorded by Arch Enemy
                     (From the 2005 Album DOOMSDAY MACHINE)

Words by (No Words)

Music by Arch Enemy

          C5                   D5                   E5                   B5
      x 3 5 x x x          x 5 7 x x x          0 2 x x x x          x 2 4 x x x

          Eb5                  F5                    E
      x 6 8 x x x         x 8 10 x x x          0 2 2 1 0 0

Gtr I (C F Bb Eb G C) - Michael Amott (Rhythm)
Gtr II (C F Bb Eb G C) - Christopher Amott (Rhythm)
Gtr III (C F Bb Eb G C) - Michael Amott (lead)
Gtr IV (C F Bb Eb G C) - Christopher Amott (lead)

Intro

E=200 N.C. 1/8 4/4 Gtr I E E E E E E E E E E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0 0 0 0 0
/4
N.C. E5 E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
| | Gtr II | W W W E E H.
2 2
0 0
E5 E5 E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
| | E E Q E E Q E E H. E E Q E E Q E E H.
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
Main Rhythm E5 E5 E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
| | E E Q E E Q E E H. W W
^0
^0
^1
^2
2 2 2 2 2 2 ^2
0 0 0 0 0 0 ^0
C5 D5 E5 C5 D5 E5 E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
| | H H W H H W
^0 ^0
^0 ^0
^1 ^1
5 7 ^2 5 7 ^2
3 5 ^2 3 5 ^2
^0 ^0
C5 D5 E Gtr II H H W | | | / / / E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0
| | Gtr III | W W
| | Gtr IV | W W
Harmonization C5 D5 E5 H H W | | | / / / E E E E E E E E W
0 2 0 2
0 0 0 0
| | ~~~ | Q Q Q S S S S H. S S S S
7 9 7
7 9 10 7 9 10
| | ~~~ | Q Q Q S S S S H. S S S S
10 12 10
9 11 12 9 11 12
C5 D5 E5 Gtr II Q. Q +Q. W
5 7 (7)
3 5 (5) 2
0
| | Gtr III | ~~~ | Q E Q. S S S S H. S S S S
9 10 7 7 9 7
7 9 10 7 9 10
| | Gtr IV | ~~~ | Q E Q. S S S S H. S S S S
12 13 10 10 12 10
9 11 12 9 11 12
C5 D5 E5 Q. Q +Q. W
5 7 (7)
3 5 (5) 2
0
| | ~~~ | Q E Q. S S S S H. S S S S
9 10 7 7 9 7
7 9 10 7 9 10
| | ~~~ | Q E Q. S S S S H. S S S S
12 13 10 10 12 10
9 11 12 9 11 12
C5 D5 B5 C5 Eb5 F5 Q. Q +Q. Q. Q +Q. E E E E E E E E
5 7 (7) 4 5 (5) 8 8 8 8 10 10 10 10
3 5 (5) 2 3 (3) 6 6 6 6 8 8 8 8
| | Q E H +E Q E H +E E E E E H
10S12 12S14 14
9 10 7 (7) 7 9
10 (10)
| | Q E Q. +Q Q E H E E E E E H
12 13 10 (10) 10 12
12 12
15S17 17S19 19
Rhythm E5 C5 D5 E5 C5 D5 Gtr I E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
| | Gtr II | W H H W H H
^0 ^0
^0 ^0
^1 ^1
^2 5 7 ^2 5 7
^2 3 5 ^2 3 5
^0 ^0
E C5 D5 Gtr II W H H | | | / / / Gtr I E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0
| | Gtr III | W W
| | Gtr IV | W W
2nd Harmonization E C5 D5 W H H | | | / / / E E E E E E E E E E E E E E E E
0 2 0 2 0 2 0 2
0 0 0 0 0 0 0 0
| | W Q Q Q S S S S
17
17 19 20
| | W Q Q Q S S S S
10
9 11 12
E5 C5 D5 Gtr II W Q. Q +Q.
5 7 (7)
2 3 5 (5)
0
| | Gtr III | ~~~ | H. S S S S Q E Q. S S S S
19 17 19 20 17 17
17 19 20 17 19 20
| | Gtr IV | H. S S S S Q E Q. S S S S
12 10 12 13 10 10
9 11 12 9 11 12
E5 C5 D5 W Q. Q +Q.
5 7 (7)
2 3 5 (5)
0
| | ~~~ | H. S S S S Q E Q. S S S S
19 17 19 20 17 17
17 19 20 17 19 20
| | H. S S S S Q E Q. S S S S
12 10 12 13 10 10
9 11 12 9 11 12
E5 C5 D5 B5 C5 W Q. Q +Q. Q. Q +Q.
5 7 (7) 4 5 (5)
2 3 5 (5) 2 3 (3)
0
| | ~~~ | H. S S S S Q E Q. +Q Q E H +E
19 17 19 20 17 (17) 17 19
17 19 20 20 (20)
| | H. S S S S Q E Q. +Q Q E H +E
12 10 12 13 10 (10) 10 12
9 11 12 12 (12)
Eb5 F5 E5 C5 |-3--| |-3-| E E E E E E E E W Q Q Q Q Q Q W
8 8 8 8 10 10 10 10 5
6 6 6 6 8 8 8 8 2 2 2 2 2 2 2 3
0 0 0 0 0 0 0
| | /1\ | ~~~~ | E E E E H +W +W W
13S15 15S17 17 (17) (17) [23]
| | ~~~~~~~~~~~~~~~~~~~ | E E E E H Q +H +Q +W W
[24] (24) (24) (24)
10S12 12S14 14

Outro

Q=170 D5 E5 Gtr II W W
7
5 2
0
| | Gtr IV | T T T T T T T T | |----6-----| |----6-----| |----6-----| |----6-----| | W S S S S S S S S S S S S S S S S S S S S S S S S
13p5h8 13p5h8 13p5h8 13p5h8 12p5h8 12p5h8 12p5h8 12p5h8
E5 |--------3--------| |--------3--------| Q Q Q Q Q Q
2 2 2 2 2 2
0 0 0 0 0 0
| | T T T T T T T T | |----6-----| |----6-----| |----6-----| |----6-----| | S S S S S S S S S S S S S S S S S S S S S S S S
13p5h8 13p5h8 13p5h8 12p5h8 12p5h8 13p5h8 13p5h8 12p5h8
C5 W
5
3
| | T T T T T T T T | |-----6------| |-----6------| |-----6------| |-----6------| | S S S S S S S S S S S S S S S S S S S S S S S S
17p7h10 17p7h10 17p7h10 17p7h10 17p7h10 17p7h10 17p7h10 17p7h10
D5 W
7
5
| | T T T T T T T T | |-----6------| |-----6------| |-----6------| |-----6------| | S S S S S S S S S S S S S S S S S S S S S S S S
15p7h10 15p7h10 15p7h10 15p7h10 15p7h10 15p7h10 15p7h10 15p7h10
| | Gtr III | W
E5 W +W
2 (2)
0 (0)
| | ~~~ | W W
10s 12
| | ~~~ | W W
10s 12
Gtr III > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +W +W +W +W
(12) (12) (12) (12) *
*
*
*
*
*
| | Gtr I | > | W +W +W +W
*
*
*
2 (2) (2) (2) *
2 (2) (2) (2) *
0 (0) (0) (0) *
| | > | ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ | +W +W +W +W
(12) (12) (12) (12) *
*
*
*
*
*
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

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