OH BOY!
As recorded by Buddy Holly
(From the 1957 Album THE CHIRPING CRICKETS)
Words and Music by West/Tilgham/Petty
x x 2 1 2 0 C
Gtr I (E A D G B E) - 'Buddy Holly - Fender Stratocaster'
1st, 2nd, 4th - 6th Verses
Q=188(8=s8)
$
$$
A
4/4
Gtr I
H E E E E H +E E E E H +E E E E
| 0 0 0 | 0 (0) 0 0 0 | 0 (0) 0 0 0 |
| 2 2 2 | o 2 (2) 2 2 2 | 2 (2) 2 2 2 |
| 2 2 2 | 2 (2) 2 2 2 | 2 (2) 2 2 2 |
| 2 2 2 | 2 (2) 2 2 2 | 2 (2) 2 2 2 |
| 0 0 0 | o 0 (0) 0 0 0 | 0 (0) 0 0 0 |
| | | |
D
H H H H Q E E E E E E Q E E E E E E
| 0 0 | 0 0 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 2 2 | 2 2 | 3 3 3 3 3 3 3 | 3 3 3 3 3 3 3 |
| 2 2 | 2 2 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 2 2 | 2 2 | 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 |
| 0 0 | 0 0 | | |
| | | | |
To Coda
A E7 D
Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E E E
| 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 | 0 0 0 0 0 0 | 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 3 3 3 3 3 3 | 3 3 3 3 3 3 3 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 1 1 1 1 1 1 | 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 0 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 | 2 | |
| | | 0 | |
1. 2.
A D A E A
Q E E E E E E E E E E E E E E Q E E E E E E
| 0 0 0 2 2 0 | 0 0 0 0 0 0 0 0 | |
| 2 2 2 3 3 0 | 2 2 0 0 0 0 0 0 o | 2 2 2 2 |
| 2 2 2 2 2 0 | 2 2 1 1 1 1 1 1 | 2 2 2 2 2 |
| 2 2 2 0 0 0 | 2 2 2 2 2 2 2 2 | 2 2 2 |
| 0 0 0 | 0 0 2 2 2 2 2 2 o | 0 |
| | 0 0 0 0 0 0 | 4 2 |
Bridge
E
E E E E +E E E E E E E E +E E E E
| 0 0 0 0 (0) 0 0 0 | 0 0 0 0 (0) 0 0 0 |
| 3 3 3 3 (3) 3 3 3 | 3 3 3 3 (3) 3 3 3 |
| 1 1 1 1 (1) 1 1 1 | 1 1 1 1 (1) 1 1 1 |
| 2 2 2 2 (2) 2 2 2 | 2 2 2 2 (2) 2 2 2 |
| 2 2 2 2 (2) 2 2 2 | 2 2 2 2 (2) 2 2 2 |
| 0 0 0 0 (0) 0 0 0 | 0 0 0 0 (0) 0 0 0 |
A D
Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E E E
| 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 3 3 3 3 3 3 3 | 3 3 3 3 3 3 3 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 | | |
| | | | |
3rd Verse
D.S.S. al Coda
E A
Q Q Q Q E E E E E E E E E E Q E E E E E E Q E E E E
| | 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 |
| 0 0 | 0 0 0 0 0 0 0 0 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 1 1 | 1 1 1 1 1 1 1 1 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 2 2 | 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 2 2 | 2 2 2 2 2 2 2 2 | 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 |
| 0 0 | 0 0 0 0 0 0 0 0 | | |
D
Q E E Q E E Q E E Q E E Q E E E E E E Q E E E E E E
| 0 0 0 0 0 0 | 0 0 0 0 0 0 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 | 2 2 2 2 2 2 | 3 3 3 3 3 3 3 | 3 3 3 3 3 3 3 |
| 2 2 2 2 2 2 | 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 | 2 2 2 2 2 2 | 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 |
| 0 0 0 0 0 0 | 0 0 0 0 0 0 | | |
| | | | |
A E7 D
Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E E E
| 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 | 0 0 0 0 0 0 | 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 3 3 3 3 3 3 | 3 3 3 3 3 3 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 1 1 1 1 1 1 | 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 | 0 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 | 2 | |
| | | 0 | |
Interlude
A D A E A
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
| 0 0 0 0 2 2 2 2 | 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
| 2 2 2 2 3 3 3 3 | 2 2 0 0 0 0 0 0 | 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 2 | 2 2 1 1 1 1 1 1 | 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 |
| 2 2 2 2 0 0 0 0 | 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 |
| 0 0 0 0 | 0 0 2 2 2 2 2 2 | 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
| | 0 0 0 0 0 0 | | |
Guitar Solo
A7 D E D
E E E E E E E E E E E E E E E E E E E E E E E E +E Q E E E E E
| 0 0 0 0 0 0 0 0 | 0 0 0 0 3 3 3 3 | 2 2 2 2 0 2 | (2) 2 2 2 2 2 5 |
| 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 | 3 3 3 3 0 3 | (3) 3 3 3 3 3 5 |
| 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 | (2) 2 2 2 2 2 |
| 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 | | |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 | | |
| | | | |
E D A
E E E E E E E E E E E E E E E E Q Q +E E Q E E E E +E Q E
| 5 5 | | 0 (0) | 2 2 (2) 2 5 |
| 5 5 7 7 5 5 | | 0 (0) 3p0 | 3 |
| 6 7 7 5 5 6 6 | 5 5 | | 2 |
| 7 7 | 5 5 7 7 5 5 5 | 2 | 0 |
| | 7 7 5 5 7 | | |
| | 7 | 0 | |
Outro
D.S. &
E A D A
E E E E E E E E E E E E E E E E E E E E E E E E E E E E H
| 5 5 5 5 | 0 0 0 0 0 0 0 | 0 0 0 0 2 2 2 2 | 0 0 0 0 * |
| 5 5 5 5 | 0 0 0 0 0 0 0 | 2 2 2 2 3 3 3 3 | 2 2 2 2 * |
| 7 6 | 6 1 1 1 1 1 1 1 | 2 2 2 2 2 2 2 2 | 2 2 2 2 * |
| 7 7 | 7 2 2 2 2 2 2 2 | 2 2 2 2 0 0 0 0 | 2 2 2 2 * |
| | | 0 0 0 0 | 0 0 0 0 * |
| | | | * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers -
<e .="">
= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths