Intro:
A A2 A A4 A A2 A A A2 A (No E strings this line only.)
/ / / / / / / / / /
A A2 A A4 A A2 A A A2 A A A2 A A4 A A2 A A A2 A
The rea-son why. Oh, I can say- ay.
A A2 A A4 A A2 A A A2 A E F#m B7
I have to let you go ba-by. And right a-way-ay.
B7 A A A2 A A4 A A2 A A A2 A D D
Af-ter what you did. I can't stay o-on.
D A E
And I'll prob-a-bly feel a whole lot bet-ter,
E D E7 A
when you're go-one. /////// /
A A A2 A A4 A A2 A A A2 A A4 A
Ba-by for a long time.(Ba-by for a long time.)
A A4 A
You had me be - lieve.
(You had me be-lieve.)
A E E7 E
That your love was all mi-ine.(That your love was all mi-ine.)
E F#m B7
And that's the way it would be. (Ah ah ah ah.)
B7 A A4 A
But I didn't know.(But I didn't know.)
A D D
That you were put-ting me on-o-on.
D A E
And I'll prob-a-bly feel a whole lot bet-ter,
E D E A2 A A2 A A4 A A2 A A2
when you're go-o-one. Ah, when you're go-one.
A2 A A2 A A2 A A2
| E 14 14 12 |
| B 12h14 14 14 12h14 12 12 12h14 14 14 14 |
| G 14 14 |
| D |
| A |
| E |
A2 A A2 A A2 A A2
| E 17 17 |
| B 12 12h14 14 14 12h14 14 14 12 14 12 12 |
| G 14 |
| D |
| A |
| E |
A2 E A2 E A2
| E 7 7 7 7 7 7 7 7 7 7 |
| B 10 10 10 10 10 10 |
| G |
| D |
| A |
| E |
F#m B7 A A2 A A4 A A2 A A2
| E 7h9 7 7\9 |
| B 7 7 7 7 7 10 10 7 10 |
| G 9 9 |
| D |
| A |
| E |
A2 A A2 A A2 A A2 A A2
| E 7 9 9 7 9 7h9 9 14 12 |
| B 14 14 14 12 |
| G |
| D |
| A |
| E |
A2 A A2 A A4 A A2 A A2 A A2
| E |
| B 12 14 12 15 14 12 12 14 12 14 12 |
| G 14 14 14 14 |
| D |
| A |
| E |
A2 A A2 A A2 E A2
| E |
| B 12h14 14 14 14 12h14 14 12 12 10 12 12 12 12 12 10 |
| G |
| D |
| A |
| E |
A2 D Gmaj7/E A2 A
| E |
| B 7h10 10 10 10 10 7 3 3h5 5 5 3 |
| G 9 4 2 |
| D |
| A |
| E |
A A2 A A4 A A2 A A A2 A A4 A
/ / / / / / / / / /
Now I've got to say.(Now I've got to say.)
A A4 A
That's it's not like be-fore-ore.(That it's not like be-fore.)
A E E7 E
And I'm not gon-na play-ay-ay.
(And I'm not gon-na play.)
E F#m B7
Your games any-more-or-ore.
B7 A A4 A D D
Af-ter what you did.(Af-ter what you did.) I can't stay on-o-on.
D A E D E
And I'll prob-a-bly feel a whole lot bet-ter when you're go-one.
E A2 A E A2 A
Ah, when you're go-one. Ah, when you're go-one.
E A2 A A2 A A2 A
Ah, when you're go-one.
| E |
| B 12h14 14 14 12h14 14 12 |
| G 14 14 |
| D |
| A |
| E |
A A2 A A2 A A2
| E |
| B 10h12 12 12 10h12 12 10 |
| G 14 |
| D |
| A |
| E |
A2 D A Gmaj7/E A2 A
| E 0 |
| B 7h10 10 10 7h10 10 7 3h5 5 5 3h5 5 3 2 |
| G 9 9 6 4 2 2 |
| D 2 |
| A 0 |
| E x |
Chord diagrams:
A Asus2(A2) Asus4(A4) F#m E7 E B7
x02220 x02200 x02230 244222 022130 022100 x21202
D Gmaj7/E
x00232 x55430
E,B,G,D,A,E = guitar strings, \ = slide up, h = hammer on.
The A chord sequences are not as hard as they might appear.
From the standard A chord add the little finger for the A4
and remove the ring finger for the A2
Tabbed from: The Byrds Mr.Tambourine Man. Original Mono LP
from the 1960's and the same titled stereo CD. Same for both.