Gtr I (E A D G B E) - 'Guitar 1 (clean)'
Gtr II (E A D G B E) - 'Guitar 2 (dist)'
Gtr III (E A D G B E) - 'Guitar 3 (acous)'
Intro
moderately slow Q=70
G D Bsus2 Csus2
4/4
Gtr I
Q E. S S S S S T T S S S E S S E. S +S S S S S S S S
| ^3 3 0 2 2 3p2 | 2 2 (2) 3 |
| ^3 3 3 3 | 2 2 (2) 3 |
| ^0 0 2 0 | 4 4 4 (4) 5 5 |
| ^0 0 0 | 4 4 4 (4) 5 0 |
| ^2 2 | 2 3 |
| ^3 3 | |
G D Bsus2 Csus2
E S S E. S S S S S T T S S S E S S E. S +S S S S S S S S
| 3 0 2 2h3p2 | 2 2 (2) 3 |
| 3 3 3 | 2 2 (2) 3 |
| 0 2 0 | 4 4 4 (4) 5 5 |
| 0 0 | 4 4 4 (4) 5 0 |
| 2 | 2 3 |
| 3 | |
Verse
$
G D Bsus2 Csus2
E S S E. S S S S S T T S S S E S S E. S +S S S S S S S S 3x
| 3 0 2 2h3p2 | 2 2 (2) 3 |
| o 3 3 3 | 2 2 (2) 3 o |
| 0 2 0 | 4 4 4 (4) 5 5 |
| 0 0 | 4 4 4 (4) 5 0 |
| o 2 | 2 3 o |
| 3 | |
G D G/B G/C
Gtr II
E S S E. S S S S S T T S S S E E E S S +S S E S S a S S
| 3 0 2 2h3p2 | |
| 3 3 3 | 0 0 0 0 0 (0) 0 0 0 0 |
| 0 2 0 | 0 0 0 0 0 (0) 0 0 0 0 |
| 0 0 | 0 0 0 0 0 (0) 0 0 0 0 |
| 2 | 2 2 2 2 3 (3) 3 3 3 3 3s7s5 |
| 3 | |
Chorus
G D5 B5 C5
E E E S S S S E E S S E E E S S S S E E S S
| | |
| | |
| 4 4 4 4 4 4 7 7 7 7 7 | 4 4 4 4 4 4 5 5 5 5 5 |
| 5 5 5 5 5 5 7 7 7 7 7 | 4 4 4 4 4 4 5 5 5 5 5 |
| 5 5 5 5 5 5 5 5 5 5 5 | 2 2 2 2 2 2 3 3 3 3 3 |
| 3 3 3 3 3 3 | |
G D5 B5 C5
E E E S S S S E E S S E E E S S S S E E S S
| | |
| | |
| 4 4 4 4 4 4 7 7 7 7 7 | 4 4 4 4 4 4 5 5 5 5 5 |
| 5 5 5 5 5 5 7 7 7 7 7 | 4 4 4 4 4 4 5 5 5 5 5 |
| 5 5 5 5 5 5 5 5 5 5 5 | 2 2 2 2 2 2 3 3 3 3 3 |
| 3 3 3 3 3 3 | |
G D5 B5 C5
E E E S S S S E E S S E E E S S S S E E S S
| | |
| | |
| 4 4 4 4 4 4 7 7 7 7 7 | 4 4 4 4 4 4 5 5 5 5 5 |
| 5 5 5 5 5 5 7 7 7 7 7 | 4 4 4 4 4 4 5 5 5 5 5 |
| 5 5 5 5 5 5 5 5 5 5 5 | 2 2 2 2 2 2 3 3 3 3 3 |
| 3 3 3 3 3 3 | |
To Coda
G D5 B5 C5
2/4
E E E S S S S E E S S E E S S E H +H
| | | |
| | | |
| 4 4 4 4 4 4 7 7 7 7 7 | 4 4 4 4 4 5 | (5) |
| 5 5 5 5 5 5 7 7 7 7 7 | 4 4 4 4 4 5 | (5) |
| 5 5 5 5 5 5 5 5 5 5 5 | 2 2 2 2 2 3 | (3) |
| 3 3 3 3 3 3 | | |
Interlude
D.S. al Coda
G D Bsus2 Csus2
4/4
Gtr I
Q E. S S S S S T T S S S E S S E. S +S S S S S S S S
| 3 3 0 2 2h3p2 | 2 2 (2) 3 |
| 3 3 3 3 | 2 2 (2) 3 |
| 0 0 2 0 | 4 4 4 (4) 5 5 |
| 0 0 0 | 4 4 4 (4) 5 0 |
| 2 2 | 2 3 |
| 3 3 | |
Outro
&
G
Gtr II Gtr III
W Q E. S S S E +S S S S
| | 3 3 3 3 3 (3) 3 3 3 |
| | 3 3 3 3 3 (3) 3 3 3 |
| (5) | 0 0 0 0 0 (0) 0 0 0 |
| (5) | 0 0 0 0 0 (0) 0 0 0 |
| (3) | 2 2 2 2 2 (2) 2 2 2 |
| | 3 3 3 3 3 (3) 3 3 3 |
$$
C Cmaj7 C Cmaj7
Q E. S S S E +S S S S E. S S S E +S S S S S S S S
| 3 3 3 3 3 (3) 3 3 3 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 3 3 3 3 3 (3) 3 3 3 | 1 1 1 1 0 (0) 0 0 0 1p0 0 0 |
| 0 0 0 0 0 (0) 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 0 0 0 0 0 (0) 0 0 0 | 2 2 2 2 2 (2) 2 2 2 2 2 2 |
| 2 2 2 2 2 (2) 2 2 2 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
| 3 3 3 3 3 (3) 3 3 3 | |
Am Asus2 AmAsus2 D Dsus4 D
E S S S S E +S S S S S S E E. S S S E +S S S S S S S S
| 0 0 0 0 0 0 (0) 0 0 0 0 0 | 2 2 2 2 3 (3) 3 3 3 3p2 2 2 |
| 1 1 1 1 1 0 (0) 0 0 0 1p0 0 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
| 2 2 2 2 2 2 (2) 2 2 2 2 2 | 2 2 2 2 2 (2) 2 2 2 2 2 2 |
| 2 2 2 2 2 2 (2) 2 2 2 2 2 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 0 0 0 0 0 0 (0) 0 0 0 0 0 | |
| | |
To Dbl. Coda
C Cmaj7 C Cmaj7 G
E S S S S E +S S S S S S S S E. S S S E +S S E S S E
| 0 0 0 0 0 0 (0) 0 0 0 0 0 0 | 3 3 3 3 3 (3) 3 3 3 3 3 |
| 1 1 1 1 1 0 (0) 0 0 0 1p0 0 0 | 3 3 3 3 3 (3) 3 3 3 3 3 |
| 0 0 0 0 0 0 (0) 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 |
| 2 2 2 2 2 2 (2) 2 2 2 2 2 2 | 0 0 0 0 0 (0) 0 0 0 0 0 |
| 3 3 3 3 3 3 (3) 3 3 3 3 3 3 | 2 2 2 2 2 (2) 2 2 2 2 2 |
| | 3 3 3 3 3 (3) 3 3 3 3 3 |
E. S S S E S S S S S S E E. S S S E +S S S S S S S S
| 3 3 3 3 3 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
| 3 3 3 3 3 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
| 0 0 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 0 |
| 2 2 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 (2) 2 2 2 2 2 2 2 |
| 3 3 3 3 3 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
D.S.S. al Dbl. Coda &&
G
Gtrs II, III
E. S S S E +S S S S S S S S E. S S S E +S S E S S S S
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
| 0 0 0 0 0 (0) 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 0 0 0 0 0 (0) 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 2 2 2 2 2 (2) 2 2 2 2 2 2 2 | 2 2 2 2 2 (2) 2 2 2 2 2 2 |
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
E. S S S E S S S S S S E E. S S S E +S S S S S S S S
| 3 3 3 3 3 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
| 3 3 3 3 3 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
| 0 0 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 0 |
| 0 0 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 0 |
| 2 2 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 (2) 2 2 2 2 2 2 2 |
| 3 3 3 3 3 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
C Csus2 C Csus2
E. S S S E +S S S S S S S S E. S S S E +S S S S S S S S
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 1 1 1 1 0 (0) 0 0 0 1p0 0 0 |
| 0 0 0 0 0 (0) 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 0 0 0 0 0 (0) 0 0 0 0 0 0 0 | 2 2 2 2 2 (2) 2 2 2 2 2 2 |
| 2 2 2 2 2 (2) 2 2 2 2 2 2 2 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | |
Am Asus2 AmAsus2 D Dsus4 D
E S S S S E +S S S S S S E E. S S S E +S S S S S S S S
| 0 0 0 0 0 0 (0) 0 0 0 0 0 | 2 2 2 2 3 (3) 3 3 3 3p2 2 2 |
| 1 1 1 1 1 0 (0) 0 0 0 1p0 0 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
| 2 2 2 2 2 2 (2) 2 2 2 2 2 | 2 2 2 2 2 (2) 2 2 2 2 2 2 |
| 2 2 2 2 2 2 (2) 2 2 2 2 2 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 0 0 0 0 0 0 (0) 0 0 0 0 0 | |
| | |
C Cmaj7 C Cmaj7 G
E S S S S E +S S S S S S S S E. S S S E +S S E S S E
| 0 0 0 0 0 0 (0) 0 0 0 0 0 0 | 3 3 3 3 3 (3) 3 3 3 3 3 |
| 1 1 1 1 1 0 (0) 0 0 0 1p0 0 0 | 3 3 3 3 3 (3) 3 3 3 3 3 |
| 0 0 0 0 0 0 (0) 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 |
| 2 2 2 2 2 2 (2) 2 2 2 2 2 2 | 0 0 0 0 0 (0) 0 0 0 0 0 |
| 3 3 3 3 3 3 (3) 3 3 3 3 3 3 | 2 2 2 2 2 (2) 2 2 2 2 2 |
| | 3 3 3 3 3 (3) 3 3 3 3 3 |
E. S S S E +S S S S S S S S E. S S S E +S S S S S S S S
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
| 0 0 0 0 0 (0) 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 0 |
| 0 0 0 0 0 (0) 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 0 |
| 2 2 2 2 2 (2) 2 2 2 2 2 2 2 | 2 2 2 2 2 (2) 2 2 2 2 2 2 2 |
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 3 3 3 3 3 (3) 3 3 3 3 3 3 3 |
C Cmaj7 C Cmaj7
E. S S S E +S S S S S S S S E. S S S E +S S S S S S S S
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | 1 1 1 1 0 (0) 0 0 0 1p0 0 0 |
| 0 0 0 0 0 (0) 0 0 0 0 0 0 0 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 0 0 0 0 0 (0) 0 0 0 0 0 0 0 | 2 2 2 2 2 (2) 2 2 2 2 2 2 |
| 2 2 2 2 2 (2) 2 2 2 2 2 2 2 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
| 3 3 3 3 3 (3) 3 3 3 3 3 3 3 | |
Am Asus2 AmAsus2 D Dsus4 D
E S S S S E +S S S S S S E E. S S S E +S S S S S S S S
| 0 0 0 0 0 0 (0) 0 0 0 0 0 | 2 2 2 2 3 (3) 3 3 3 3p2 2 2 |
| 1 1 1 1 1 0 (0) 0 0 0 1p0 0 | 3 3 3 3 3 (3) 3 3 3 3 3 3 |
| 2 2 2 2 2 2 (2) 2 2 2 2 2 | 2 2 2 2 2 (2) 2 2 2 2 2 2 |
| 2 2 2 2 2 2 (2) 2 2 2 2 2 | 0 0 0 0 0 (0) 0 0 0 0 0 0 |
| 0 0 0 0 0 0 (0) 0 0 0 0 0 | |
| | |
C G
E S S S S E S S S S S S S S W
| 0 0 0 0 0 0 0 0 0 0 0 0 0 0 | 3 * |
| 1 1 1 1 1 1 1 1 1 1 1 1 1 1 | 3 * |
| 0 0 0 0 0 0 0 0 0 0 0 0 0 0 | 0 * |
| 2 2 2 2 2 2 2 2 2 2 2 2 2 2 | 0 * |
| 3 3 3 3 3 3 3 3 3 3 3 3 3 3 | 2 * |
| | 3 * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash