gtr.1 clean tone, let ring
| E | 2 | 0h2p0 |
| B | 3 3 | 3 3 |
| G | 2 2 2 2 | 2 2 |
| D | 0 | 0 0 |
| A | | |
| E | | 2 |
| 3 | 0 |
| 3 | 3 3 3 |
| 0 0 | 0h2 2 |
| 0 | 0 |
| 0h2 | 4 4 |
| 3 3 | |
| 2 | 2 |
| 3 3 | 3 3 |
| 4 4 | 4 4 |
| 4 | 4 |
| 2 2 | 0 0 |
| | |
| 0 | 0 |
| 3 3 | 2 3 |
| 4 4 | 2 0h2 2 |
| 2 | 2 |
| | 0 |
| 4 4 | |
| 2 | 0h2p0 |
| 3 3 | 3 3 |
| 2 2 2 | 2 2 |
| 0 0 | 0 0 |
| | |
| | 2 |
| | 0 |
| 0 | 0 |
| 0 0h2 2 0h2p0 | 0 0 0 |
| 0 4 | 2 2 |
| | 2 |
| 3 | 0 |
| | 0 |
| 2 | 2h3 3 2 0 |
| 2 2 | 2 |
| 2 2 2 | 2 |
| 4 4 | 0 |
| | |
| 2 | |
| 2 2 | 3 |
| 3 3 | 4 4 4 |
| 4 | 4 4 3 |
| 4 | 2 0 |
| 2 2 | 4 |
4x
| 3 | | |
| 2 2 2 2 | 4 | |
| 3 3 3 | * 4 4 * | |
| 2 1 | * 8 8 8 8 * | |
| | | |
| 3 0 | 4 | 4 |
Friday...
gtr.1
| | | 4~ |
| 4~ 5~ 7~ 7/h9~ | 4~ 5~ 4~h5p4\p2~ | 4~ 5~ 7~ |
| 4/h6~ | | 4/h6~ |
| | | |
| | | |
| | | |
He'd seem...
*here enters gtr.2
The following chords are strummed, listen to the record for the rhythm
|-- |--
gtr.2 , acoustic |1. |2.
| 4 | | 0 | 2 2 | 6 | 4 |
| 4 | 4 8 | 9 0 | 4 2 2 | 4 7 | 4 |
| * 4 | 3 8 | 9 6 | 4 4 3 * | 4 8 | 4 |
| * 6 | 1 8 | 9 6 | 4 4 4 * | 4 8 | 6 |
| 6 | x 6 | 7 4 | 6 4 4 | 6 6 | 6 |
| 4 | 3 | 0 | 0 2 2 | | 4 |
let ring
gtr.1 , distortion ----------|
| | | | |
| 7/h9 9 9 | | | 0 |
| 6/h8 8 8 | | 9 9 9 9 | 8 3 |
| 4/h6 6 6 | 6 8 5 8 8 | 9 9 9 9 | 9 4 |
| 4/h6 | 6 6 6 4/h6 6 | 7 | 6 6 4 |
| | | 9 | 2~ |
Feeling good...
let ring
-------|
| | | | |
| 7/h9 9 9 | | | |
| 6/h8 8 8 | | 9 9 9 9 | 8 8 |
| 4/h6 6 6 | 6 8 5 8 8 | 9 9 9 9 | 9 8 8 |
| 4/h6 | 6 6 6 4/h6 6 | 7 | 6 6 6 |
| | | 9 | |
In the following part there are VERY smooth slides!
(I think John Petrucci uses an E-Bow)
|--
gtr.1, neck pickup |1.
| | | | |
| | | | |
| * 16\p8~ /16 | 15\p8~ /15 | 13\p4/h8\p6~ /13 | 11\p8\p4/h6~ 13 15 * |
| * | | | * |
| | | | * |
| | | | * |
This feeling...
| | | | | |
| | | | | |
| 11\p8\p4\p3~ /h8~ | /11~ | 13~ | 11~ | 4~ 6~ 8~ 8 9 |
| | | | | |
| | | | | |
| | | | | |
Their love...
1 1
| | 16~ 16~ 18~ 19~ | 19b~ 19~ | 18~ | |
| 16 19 | | | 21b | 21~ |
| 11~ 15h16h18 | | | | |
| | | | | |
| | | | | |
| | | | | |
gtr.1, distortion
| | | | | | |
| | | | | | |
| | | 6 | 2 | * | |
| 6 | 4 | 6 | 2 | * | |
| 6 | 4 | 4 | 0 | /7 6~ /7 6 | /7 6~ /7 6 |
| 4 | 2 | 4 | | 4~ 4 | 2~ 2 |
3x 3x
| | | | | | | | | | |
| | | | | | | | | | |
| | * | * 6 | 4 | | 2 * | 6 | 4 | 2 | |
| | * | * 6 | 4 | | 2 * | 6 | 4 | 2 | |
| 4~ /7 6~ 4 /7 6 | /7 6~ /7 6 | 4 | 2 | | 0 | 4 | 2 | 0 | |
| | 5~ 5 | | | 4~ | | | | | 4~ |
Chords under Solo 1
| | | | | | | | | | |
| | | | | | | | | | |
| 6 | 4 | | 2 | 6 | 4 | 2 | 4 | 6 6 | 8 8 |
| 6 | 4 | 6 | 2 | 6 | 4 | 2 | 4 | 7 7 | 9 9 |
| 4 | 2 | 6 | 0 | 4 | 2 | 0 | 2 | 4 4 | 6 6 |
| | | 4 | | | | | | | |
Solo 1:
1 1
| | | | |
| | 5~ 7~ 7b | 4~ | |
| 4 6 8 | | (4h6) 4~ 1/h4 | 4~ h/6~ 6b 6~ |
| 4 6 7 | | | |
| 4 6 7 | | | |
| 4 5 7 | | | |
| 11 12 14 | 12~ 14~ 16~ 16/h | 19~ 16 19 |
| 12 14 | | |
| 11 13 | | |
| 11 13 14 | | |
| 11 14 | | |
| 11h12h14 | | |
1 1 1 1/2 1/2 1 1
| 19b~ 19br p17 | 21b~ /21 23 | 23b~ 23br p21 | 24b 24b | 24~ |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
End Solo 1
| | | |
| | | |
| | | |
| | | |
| /7~ 2 | 4~ 3~ 2~ | 2 |
| 0 0 2 4 5 | /6 5~ 4~ | 7~ 6~ 5~ 2 4 5 |
light pm
. . . .
| | 2 4 4/h5~ 4 5 |
| | 2 4 5 4 5 7 |
| | 2 4 4 6 |
| | 2 |
| 4~ 3~ 2~ 1~ | 0 |
| | |
| 7~ 9 | 11~ |
| 9 10 12 | 14 16 17 16 17 19 |
| 8 9 11 | 13 14 16 13 14 16 |
| 9 11 | 13 14 16 |
| | |
| | |
| 16~ /20~ 16 | 21p16 16\p12 12 | |
| | 14 14 | |
| | 13 13 | |
| | 14 14 11 11 | |
| | 11 11 | /13~ 12~ |
| | 12 | |
Next, the acoustic part: same chords as before, strummed
|-- |--
gtr.2, acoustic |1. |2.
| 4 | | 0 | 2 2 | 6 | 4 |
| 4 | 4 8 | 9 0 | 4 2 2 | 4 7 | 4 |
| * 4 | 3 8 | 9 6 | 4 4 3 * | 4 8 | 4 |
| * 6 | 1 8 | 9 6 | 4 4 4 * | 4 8 | 6 |
| 6 | x 6 | 7 4 | 6 4 4 | 6 6 | 6 |
| 4 | 3 | 0 | 0 2 2 | | 4 |
|-- |--
gtr.1, distortion |1. |2.
| | | | | |
| | | | | |
| * | | 9 6 | 8 3 * | 8 8 |
| * 6 | | 9 6 | 9 4 * | 9 8 |
| 6 | /8~ 6~ 6 | 7 /6~ 4 | 6 4 | 6 6 |
| 4 | 3~ 9 | | 0 2 | |
| (0) (0) | | |
| (0) (0) | | |
| 9 6 | 8 3 | 3 |
| 9 6 | 9 4 | 4 |
| 7 4 | 6 4 | 4 |
| | 2 | 2 |
We'll meet...
Rhy.Fig.1
| | | | |
| | | | |
| * | | 8 | 6 |
| * | | 2 9 | 6 |
| | 4~ | 2 6 | 4 |
| 4~ 6~ 7~ | 6~ 7 7 6 | 4~ 0 | 7~ 6~ |
| | | | |
| | | | |
| | | | * |
| | | 4 | 2 * |
| | 4~ | 4 | 2 |
| 4~ 6~ 7~ | 6~ 7 7 6 | 4~ 2 | 0 2~ |
|--
|2. End Rhy.Fig.1
| | | | |
| | | | |
| | | 8 | 6 8 |
| | | 2 9 | 6 8 |
| | | 2 6 | 4 6 |
| 4~ 6~ 7~ | 6~ 4 3~ 4/h6 | 4~ 0 | |
Next, we have the Harmony guitars;to save space, I've tabbed both guitars
on a single staff: gtr.2 is downstemmed, gtr.3 is upstemmed.
Harmony 2 (gtr.3)
| | | | |
| | 5~ | 5/h7 | 5~ |
| * 4~ 6~ 8~ | 6~ 8 6~ 8 6 | 4~ 6/h8 | 6~ 8~ 6~ |
| * 6~ 8~ 9~ | 8~ 9 9 8 | 6~ 6~ | 9~ 8~ |
| | | 7~ | |
| | | | |
Harmony 1 (gtr.2)
|--
|1.
| | | | |
| | 5~ | | |
| 4~ 6~ 8~ | 6~ 8 6~ 8 6 | 4~ | * |
| 6~ 8~ 9~ | 8~ 9 9 8 | 6~ 8~ | 6~ 8~ * |
| | | 9~ | 7~ 9~ |
| | | | |
| | | | |
| | | 5/h7 | 5~ 8~ |
| 4~ 6~ 8~ | 6~ 4 3~ 4/h6 | 4~ 6/h8 | 6~ 8~ |
| 6~ 8~ 9~ | 8~ 6 5~ 6/h8 | 6~ 6~ | |
| | | 7~ | |
| | | | |
The end of the song is a bit difficult to explain : listen to the record
and all will become clear!
-Rhy.Fig.1 is repeated until the end of the song
-At the second repetition of Rhy.Fig.1, gtr.2 enters with Harmony 1;
-At the third repetition, gtr.3 enters with Harmony 2
-Each Harmony is repeated until the end of the song
-During the third repetition of Rhy.Fig.1,at the point
marked by a square () enters a fourth guitar which doubles
Harmony 1 one octave up;
-At the beginning of the fourth repetition of Rhy.Fig.1,
enters a fifth guitar which doubles Harmony 2 one octave up!
I think it's all!
Symbol explanation
p : pull off
h : hammer on
/,\ : slide up, slide down
/h : slide up,pick only the first note
\p : slide down,pick only the first note
~ : vibrato
( ) : ghost note
b, br : bend, bend and release; the amount is written above the staff
pm .. : dotted notes are palm muted