Emmure - Sound Wave Superior Tab

SOUND WAVE SUPERIOR
As recorded by Emmure
(From the 2008 Album THE RESPECT ISSUE)

Transcribed by Jonathan Rose

Words and Music by Emmure

Gtr I (Bb F Bb Eb G C) - 'Left Channel'
Gtr II (Bb F Bb Eb G C) - 'Right Channel'
Gtr III (Bb F Bb Eb G C) - 'Guitar III'

Intro

Dancefight Q=123 N.C. 4/4 Gtrs I, II (w/ flanger) S E E E E E S E E S E E E E E S E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 PM S E E E E E S E E S E E E E E S E E
0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
"I draw my line in the.." D5 Gtr I (w/o flanger) PM| PM----| PM--------| S S H. E S S H S S S S S S
o
o 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
| | Gtr II (w/o flanger) | PM-------------| PM------------------| PM | S E E E E E S E E S E E E E E S E E
o
o 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
EbF5EbF5 PM| PM----| PM S S H. E S S Q S S E E E E
o
0 0 0 0 0 0 1s3 1s3 o
0 0 0 0 0 0 1s3 1s3
| | PM-------------| PM--------------| | S E E E E E S E E S E E E S E E E E
o
0 0 0 0 0 0 0 0 0 0 0 0 0 0 1s3 1s3 o
0 0 0 0 0 0 0 0 0 0 0 0 0 0 1s3 1s3
N.C. < /2______________________| Q +Q +Q +E. +S
16 (16) (16) (16) (16)
19 (19) (19) (19) (19)
| | < | /2______________________| | Q +Q +Q +E. +S
16 (16) (16) (16) (16)
19 (19) (19) (19) (19)

"I'm here to break the.."

D5 3/4 Gtrs I, II PM--------------------------------- S S S E E S E E S S S E E S E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
N.C. 7/8 5/4 -----------------------------------------| S S S E E E S E E S S S E E S E E S S E Q a
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 15s 0
"I never wanted it to.." Db5 4/4 Gtr I PM------------------------| S S E H E S S S S E H.
0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1
| | Gtr II | PM---------------------------------------- | E E E E E E E E E E E E E E E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
N.C. PM| PM--------| PM--| E E H E S S S S E Q. S S E E a
0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 15s0
| |--------------------------------------| | E E E E E E E E E E E E E S S E E a
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 15s0
Bb/D PM----------------------------------------- S E. S E. S E. S E. S E. S E. S E. S E.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
| | PM----------------------------------------- | S E. S E. S E. S E. S E. S E. S E. S E.
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
N.C. < ------------------------------| ~~~~~~~~ ~~~~~~ S E. S E. S E. S E. S E. S E. E +E +Q
[17]b18r(17) ([17])
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
| | < |------------------------------| ~~~~~~~~ ~~~~~~ | S E. S E. S E. S E. S E. S E. E +E +Q
[14]b15r(14) ([14])
1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
Db5 PM------------------------| S S E H E S S S S E H.
0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1
| | PM---------------------------------------- | S S E E E E E E E E E E E E E E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
PM------------------------------------| S S E E E E E E S S S S E E E E E E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
| |---------------------------------------| | S S E E E E E E S S S S E E E E E E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
"..of my righteousness." D5 TP TP TP W +H. Q
14 (14) 17
x (x) x
12 (12) 15
| | PM----------| PM------------------------------------- | S S S E E S S E. S S S S +S E S E E S S S E E S
0 0 0 0 0 0 0 0 0 0 0 (0) 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 (0) 0 0 0 0 0 0 0 0 0 0
TP TP TP W +H. Q
15 (15) 17
x (x) x
13 (13) 15
| |-| PM------------| PM---------| | +S Q.. S S S E E S S Q.. S S S S E E
(0) 0 0 0 0 0 0 0 0 0 0 0 0
(0) 0 0 0 0 0 0 0 0 0 0 0 0
TP TP TP W +H. Q
14 (14) 17
x (x) x
12 (12) 15
| | PM----------| PM-----------| | S S S E E S S Q.. S S S E E S S Q..
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
TP TP TP TP TP TP W +H +E +E +E +E
15 (15) (15)b16 (15) (15) (15)r
x (x) (x) (x) (x) (x)
13 (13) (13)b14 (13) (13) (13)r
| | PM------------------------| | S S S S E E S S S E E S S H.. S
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
"...watch you fail." D5 N.C. Gtrs I, II PM--------------------------------| S E S S E S S E S S E S S E S S E S S S S S S S S S
o o
o 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 o
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1p0 1h2 1p0 1h3
D5 N.C. D5 N.C. PM--------------| PM--------| S E S S E S S E S S S S S S E S S E S S S S S S S S S
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 1p0 1 1 0 0 0 0 0 0 1p0 1 1 1p0 1 1
D5 N.C. PM------------------------------------| S E S S E S S E S S S S S S E S S E S S S S S S S S S
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1p0 1 1 1p0 1 1
Gtrs I, II (w/ flanger) S E E E E E S E E S E E E E E S E E
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
"I draw my line in the.." D5 N.C. Gtrs I, II (w/ flanger) PM| PM----| PM----------- S S H. E S S H S S S S S S
o
o 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
D5 N.C. ---| PM----| PM------| S S H. E S S H E S S S S
o
0 0 0 0 0 0 0 0 0 0 o
0 0 0 0 0 0 0 0 0 0

Breakdown

D5 N.C. Gtrs I, II PM----------------------------------| PM----------- S H. +S E S S H S S S S S S
0 0 (0) 0 0 0 0 0 0 0 0 0
0 0 (0) 0 0 0 0 0 0 0 0 0
| | Gtr III | PM | H +Q +E +S. +T E H..
5 (5)b6 (5) (5) (5)r 6
D5 N.C. -------------------------------------| PM--------| S H. +S E S S H S S S S S S
0 0 (0) 0 0 0 0 0 0 0 0 0
0 0 (0) 0 0 0 0 0 0 0 0 0
| | PM | H +Q +E +S. +T E H..
5 (5)b6 (5) (5) (5)r 6
PM----------------------------------| PM----------- S H. +S E S S H S S S S S S
0 0 (0) 0 0 0 0 0 0 0 0 0
0 0 (0) 0 0 0 0 0 0 0 0 0
| | PM | H +Q +E +S. +T E H..
5 (5)b6 (5) (5) (5)r 6
-------------------------------------| PM--| S H. +S E S S H E E E
0 0 (0) 0 0 0 0 0 0
0 0 (0) 0 0 0 0 0 0
| | PM | H +Q +E +S. +T E H..
5 (5)b6 (5) (5) (5)r 6
H.=H Slower Q=103 H=H Ebb5 5/4 Gtr I PM--------| PM----------| W +W +H S S E S S E Q S S E S S S S H
0 (0) (0)
0 (0) (0) 0 0 0 0 0 0 0 0 0 0 0 0 0
0 (0) (0) 1 1 1 1 1 1 1 1 1 1 1 1 1
| | Gtr II | W +W +H H W Q
0 (0) (0)
0 (0) (0)
0 (0) (0)
Beatdown A Little Faster Q=108 Ebb5 4/4 Gtrs I, II | PM-----| PM----------------- S E. S E. +Q +E. +S +E E S S E S E. S E.
0 0 0 0 (0) (0) (0) (0) 0 0 0 0 0 0 0 0
1 1 1 1 (1)b2.5 (1) (1) (1)r 1 1 1 1 1 1 1 1
| --------| PM-----------------| S E. S E. +Q +E. +S +E S S S S S S S E. S E.
0 0 0 0 (0) (0) (0) (0) 0 0 0 0 0 0 0 0 0 0
1 1 1 1 (1)b2.5 (1) (1) (1)r 1 1 1 1 1 1 1 1 1 1
| PM-----| PM--------------- S E. S E. +Q +E. +S +E E E E S E. S E.
0 0 0 0 (0) (0) (0) (0) 0 0 0 0 0 0 0
1 1 1 1 (1)b2.5 (1) (1) (1)r 1 1 1 1 1 1 1
N.C. | --------| PM--------| S E. S E. +Q +E. +S +E S S S S S S E E E E
0 0 0 0 (0) (0) (0) (0) 0 0 0 0 0 0
1 1 1 1 (1)b2.5 (1) (1) (1)r 1 1 1 1 1 1 2s3 4s5

Outro

Faster Q=118 D5 E Q E Q. E Q. E Q E E E Q E Q. E Q. E Q E E
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
E H.. W
*
*
*
0 *
0 *
0 *
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

Affiliate Program | Terms and Privacy | API | How to Read Guitar Tab |

Follow us: Twitter | Facebook