CHIEF REBEL ANGEL
As recorded by Entombed
(From the 2004 Album MORNING STAR)
Transcribed by The Foreverlorn
Gtr I (C F Bb Eb G C) - 'Acoustic'
Gtr II (C F Bb Eb G C) - 'Distortion 1'
Gtr III (C F Bb Eb G C) - 'Distortion 2'
Gtr IV (C F Bb Eb G C) - 'Piano 1'
Gtr V (C F Bb Eb G C) - 'Piano 2'
Gtr VI (C F Bb Eb G C) - 'Distortion 3'
Intro Acoustic/Piano Intro
Q=110
N.C. F5
4/4
Gtrs I, IV
Wx10 H Q. E +Q H. H Q. E +Q Q H
|
| Gtrs II, III
| Wx10 W W W H E E Q
N.C. F5G5
Gtrs I, IV
H Q. E +Q H. H Q. E +Q Q H
|
| Gtr V
| W H E S S Q +W W
|
| Gtrs II, III
| W W W H E E Q
N.C. F5
H Q. E +Q H. H Q. E +Q Q H
|
| W H E S S Q +W W
|
| W +W +W +H E E Q
| | | | |
| | | | |
| | | | |
| 2 | (2) | (2) | (2) 3 3 |
| 2 | (2) | (2) | (2) 3 3 |
| 0 | (0) | (0) | (0) 1 1 |
N.C. F5G5
H Q. E +Q H. H Q. E +Q Q H
|
| W H E S S Q +W W
|
| W W W H E E Q
Break
Q=150
E5
12/8
Gtr II
PM---------------------------------------------------------|
E E E E E E E E E E E E E E E E E E E E E E E E
| | |
| | |
| | |
| 9 9 9 9 | 9 9 9 9 |
| 10 7 10 7 10 7 10 7 | 10 7 10 7 10 7 10 7 |
| | |
|
| Gtr III
| W. +W.
E5
PM---------------|
E E E E E E E E E E E E E E E E E E E E E E E E
| | |
| | |
| | |
| 9 9 9 9 | 9 9 9 9 |
| 10 7 10 7 10 7 10 7 | 10 7 10 7 10 7 10 7 |
| | |
|
| +W. +W.
Chorus
N.C. G5/D N.C. F#5/C# N.C. F5/C
12/8
E S S E E E E E S S E E E E E S S E E E E E S S E E E E
| | |
| o | o |
| 9 9 9 12 12 12 | 11 11 11 10 10 10 |
| | |
| o 7 7 7 10 10 10 | 9 9 9 8 8 8 o |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
|
| E S S E E E E E S S E E E E E S S E E E E E S S E E E E
| | |
| o | o |
| | |
| | |
| o 7 7 7 10 10 10 | 9 9 9 8 8 o |
| 0 0 0 0 0 0 0 0 0 0 0 10 10 10 | 0 0 0 0 9 9 9 0 0 0 0 8 0 8 |
E5 N.C. G5/D
Gtr VI
H. H.
|
| Gtrs II, III
| E S S E E E E E S S E E E E
| |
| o |
| 9 9 9 12 12 12 |
| 2 |
| o 2 7 7 7 10 10 10 |
| 0 0 0 0 0 0 0 0 0 0 0 10 10 10 |
N.C. F#5/C# N.C. F5/C
H. H.
|
| E S S E E E E E S S E E E E
| |
| o |
| 11 11 11 10 10 |
| |
| 9 9 9 8 8 o |
| 0 0 0 0 9 9 9 0 0 0 0 8 0 8 |
Break #2
N.C.
4/4
W +W
|
| W +W
TPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTP
T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T
|-xSxSxSxSxSxSxSxSxSxSxSxSxSxSxSx-xSxSxSxSxSxSxSxSxSxSxSxSxSxSxSx---|
|-------------------------------------------------------------------|
|
| TPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTP
| T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T
|-xSxSxSxSxSxSxSxSxSxSxSxSxSxSxSx-xSxSxSxSxSxSxSxSxSxSxSxSxSxSxSx---|
Verse
$
N.C.
12/8
Gtrs II, III
PM--------------------------------------------------------------|
E S S E E S S E E S S E E S S E E S S E E S S E E S S E E S S E
| | |
| o | |
| | |
| | |
| o 2 2 2 2 | 1 1 1 1 3 |
| 3 3 0 3 3 0 3 3 0 3 3 0 | 3 3 0 3 3 0 3 3 0 3 3 |
N.C.
PM--------------------------------------------------------------|
E S S E E S S E E S S E E S S E E S S E E S S E E S S E E S S E
| | |
| | o |
| | |
| | |
| 2 2 2 2 | 1 1 2 1 3 o |
| 3 3 0 3 3 0 3 3 0 3 3 0 | 3 3 0 3 3 0 3 3 0 3 3 |
Interlude
1.
F#5 E5F#G5F5 F#5 E5F#G5F5E5F5
PM----| PM----------| PM----| PM----------| PM|
E S S S S E S S S S E E E Q. E S S S S E S S S S E E E E E E
| | |
| o | o |
| | |
| 4 4 3 | 4 4 3 |
| o 4 4 2 4 5 3 | 4 4 2 4 5 3 2 3 o |
| 2 2 2 2 2 2 2 2 2 2 0 2 3 1 | 2 2 2 2 2 2 2 2 2 2 0 2 3 1 0 1 |
2.
F#5 N.C.
PM----| PM----|
E S S S S E S S S S E E E E E E
| |
| |
| |
| 4 4 |
| 4 4 |
| 2 2 2 2 2 2 2 2 2 2 6 5 4 6 5 3 |
Chorus
D.S.
N.C. G5/D N.C. F#5/C# N.C. F5/C
Gtr II
E S S E E E E E S S E E E E E S S E E E E E S S E E E E 4x
| | |
| o | o |
| 9 9 9 12 12 12 | 11 11 11 10 10 10 |
| | |
| o 7 7 7 10 10 10 | 9 9 9 8 8 8 o |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
|
| Gtr III
| E S S E E E E E S S E E E E E S S E E E E E S S E E E E 4x
| | |
| o | o |
| | |
| | |
| o 7 7 7 10 10 10 | 9 9 9 8 8 o |
| 0 0 0 0 0 0 0 0 0 0 0 10 10 10 | 0 0 0 0 9 9 9 0 0 0 0 8 0 8 |
Interlude #2
N.C.
H. H. H. H. H. H.
|
| W. +W. +W.
N.C.
W. +W. +W.
|
| +W. H. H. H. H.
N.C.
+W. +W. H. H.
|
| H. H. W. +W.
N.C.
H. H. H. H +E E W.
|
| +W. +W. +W.
Interlude #2 (Variation)
E5/B F5/C C#5/Ab Bb5
Gtrs II, III
H. H. H. H.
E5/B F5/C G5 N.C.
TPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTPTP
H. H. H. T T T T T T T T T T T T T T T T T T T T T T T T
| | |
| | |
| | |
| 9 10 | 5 |
| 7 8 | 5 |
| 7 8 | 3 xSxSxSxSxSxSxSxSxSxSxSxSxSxSxSxSxSxSxSxSxSxSxSx |
Verse (Break)
N.C.
Gtr II
PM--------------------------------------------------------------|
E S S E E S S E E S S E E S S E E S S E E S S E E S S E E S S E
| | |
| o | |
| | |
| | |
| o 2 2 2 2 | 1 1 1 1 3 |
| 3 3 0 3 3 0 3 3 0 3 3 0 | 3 3 0 3 3 0 3 3 0 3 3 |
PM--------------------------------------------------------------|
E S S E E S S E E S S E E S S E E S S E E S S E E S S E E S S E
| | |
| | o |
| | |
| | |
| 2 2 2 2 | 1 1 2 1 3 o |
| 3 3 0 3 3 0 3 3 0 3 3 0 | 3 3 0 3 3 0 3 3 0 3 3 |
Chorus
N.C. G5/D
Gtr VI
H. H.
|
| Gtr II
| E S S E E E E E S S E E E E
| |
| o |
| 9 9 9 12 12 12 |
| |
| o 7 7 7 10 10 10 |
| 0 0 0 0 0 0 0 0 |
|
| Gtr III
| E S S E E E E E S S E E E E
| |
| o |
| |
| |
| o 7 7 7 10 10 10 |
| 0 0 0 0 0 0 0 0 0 0 0 10 10 10 |
N.C. F#5/C# N.C. F5/C
H. H.
|
| E S S E E E E E S S E E E E
| |
| |
| 11 11 11 10 10 10 |
| |
| 9 9 9 8 8 8 |
| 0 0 0 0 0 0 0 0 |
|
| E S S E E E E E S S E E E E
| |
| |
| |
| |
| 9 9 9 8 8 |
| 0 0 0 0 9 9 9 0 0 0 0 8 0 8 |
G5/D N.C. F#5/C# N.C. F5/C
W. +W.
|
| E S S E E E E E S S E E E E E S S E E E E E S S E E E E
| | |
| | o |
| 9 9 9 12 12 12 | 11 11 11 10 10 10 |
| | |
| 7 7 7 10 10 10 | 9 9 9 8 8 8 o |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
|
| E S S E E E E E S S E E E E E S S E E E E E S S E E E E
| | |
| | o |
| | |
| | |
| 7 7 7 10 10 10 | 9 9 9 8 8 o |
| 0 0 0 0 0 0 0 0 0 0 0 10 10 10 | 0 0 0 0 9 9 9 0 0 0 0 8 0 8 |
Outro
N.C. G5/D N.C. F#5/C# N.C. F5/C
Gtr II
E E E E E E E S S E E E E E S S E E E E E S S E E E E
| | |
| | |
| 9 9 9 12 12 12 | 11 11 11 10 10 10 |
| | |
| 2 7 7 7 10 10 10 | 9 9 9 8 8 8 |
| 3 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
|
| Gtr III
| E E E E E E E S S E E E E E S S E E E E E S S E E E E
| | |
| | |
| | |
| | |
| 2 7 7 7 10 10 10 | 9 9 9 8 8 |
| 3 0 0 0 0 0 0 0 0 10 10 10 | 0 0 0 0 9 9 9 0 0 0 0 8 0 8 |
N.C. G5/D
E S S E E E E E S S E E E E
| |
| |
| 9 9 9 12 12 12 |
| |
| 7 7 7 10 10 10 |
| 0 0 0 0 0 0 0 0 |
|
| E S S E E E E E S S E E E E
| |
| |
| |
| |
| 7 7 7 10 10 10 |
| 0 0 0 0 0 0 0 0 0 0 0 10 10 10 |
N.C. F#5/C# N.C. E5
PM------------|
E S S E E E E E S S E E S S E E W Q.
| | * |
| | * |
| 11 11 11 | * |
| | 2 * |
| 9 9 9 2 2 | 2 * |
| 0 0 0 0 3 3 0 3 3 0 | 0 * |
|
| PM------------|
| E S S E E E E E S S E E S S E E W Q.
| | * |
| | * |
| | * |
| | 2 * |
| 9 9 9 2 2 | 2 * |
| 0 0 0 0 9 9 9 3 3 0 3 3 0 | 0 * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash