Eric Clapton - Signe Tab

version (thanks a lot for posting it!) which was already at OLGA
(I believe in Eric's directory in the file 'unplugged.tab').
To get the rhythm right, there's only one way: listen to the CD!
Any questions, comments, corrections etc. are -of course- welcome.
Have fun!

Here it is:

Signe - Eric Clapton
>From the Unplugged Album

Intro:
                 ................. ..........
                  1.2.3.         |  4.      |
      A   E/A       A       E/A  |     A    |

  
             0  
     0         
         
             
  
     2    0     
  2        0   
    2    
          0  
  
     2    1     
  2        1  o
    2    
     1h2     
  
     2    2     
  2        2  o
    2    
             
  
  0     0       
  0     0      
    0    
             
  
                
               
         
  0          

Part One:
                  A                F#                  Bm             E

  
     0          
     2             
     2          
     0            
  
  2        2p0  
                2  
  3        3p2  
  0        3p2 0  
  
o 2        2    
  3        3h4     
  4        4    
  1              o
  
o               
  4                
                
                 o
  
  0     0       
                   
  2     2       
                  
  
                
  2     2          
                
  0     0         

Part Two:
    A               D9/F#             D9/E              E7/A

  
     0        0  
     0        0  
     0        0  
     0             
  
  2        2     
  3        3     
  3        3     
  3        3p2 0   
  
o 2        2     
  2        2     
  2        2     
  1               o
  
o                
                 
                 
                  o
  
  0     0        
                 
                 
                   
  
                 
  2     2        
  0     0        
  0     0          

(Repeat Part One (only the stuff between ||: :||) and then Part Two)

Part Three:
                                                   ....................
                                                    1.                |
    C#m7          F#m7               Bm               E               ||

  
        4  4  
     2        2  
     2          
     0            
  
     5  5  5  
  2        2     
  3        3p2  
  0        3p2 0  
  
o    4  4  4  
  2        2     
  4        4    
  1              o
  
o             
                 
                
                 o
  
  4           
                 
  2     2       
                  
  
              
  2     2        
                
  0     0         

....................
 2.                |
   E               |  C#m7        F#m7              Bm               E

  
     0            
  4  4  4  
     2        2  
     2          
     0    
  
                                                                             
  
  0            0  
  5  5  5  
  2        2     
  3        3p2  
  0       
  
  3p2 0                                                                      
  
  1        1h2    
  4  4  4  
  2        2     
  4        4    
  1       
  
                                                                             
  
                  
           
                 
                
          
  
                                                                             
  
                  
  4  4  4  
                 
  2     2       
          
  
                                                                             
  
  0     0         
           
  2     2        
                
  0     0 
  
                                                                             

(Repeat Part Two)

Part Four:

   A   D9/F#  C#m7  F#m7      Bm               E

  
     0     0     4     2  
     3          
     0            
  
  2     3     5     2     
  3        3p2  
  0        3p2 0  
  
  2     2     4     2     
  4        4    
  1               
  
                          
                
                  
  
  0           4           
  2     2       
                  
  
        2           2     
                
  0     0         

   A                F#                  Bm             E

  
     0          
     2             
     2          
     0            
  
  2        2p0  
                2  
  3        3p2  
  0        3p2 0  
  
  2        2    
  3        3h4     
  4        4    
  1               
  
                
  4                
                
                  
  
  0     0       
                   
  2     2       
                  
  
                
  2     2          
                
  0     0         

Ending:
                                                       .....................
                                                        1.2.3.4.5          |
    A               D9/F#             D9/E               E7/A              |

  
     0        0  
     0        0  
     0        0  
     0             
  
  2        2     
  3        3     
  3        3     
  3        3p2 0   
  
o 2        2     
  2        2     
  2        2     
  1               o
  
o                
                 
                 
                  o
  
  0     0        
                 
                 
                   
  
                 
  2     2        
  0     0        
  0     0          

......................
 6.                  |
  E7/A               |

  
     0              
  5  
  
  3        3  2  0  
  2  
  
  1                 
  2  
  
                    
  2  
  
                    
  0  
  
  0     0           
     

   A   D9/F#  C#m7  F#m7      Bm               E

  
     0     0     4     2  
     3          
     0            
  
  2     3     5     2     
  3        3p2  
  0        3p2 0  
  
  2     2     4     2     
  4        4    
  1               
  
                          
                
                  
  
  0           4           
  2     2       
                  
  
        2           2     
                
  0     0         

Instead of the D9/F#, I tried a G#7.  It sounded better to me:

   A    G#7   C#m7  F#m7      Bm               E

  
     0           4     2  
     3          
     0            
  
  2     4  7  5     2     
  3        3p2  
  0        3p2 0  
  
  2     5     4     2     
  4        4    
  1               
  
                          
                
                  
  
  0           4           
  2     2       
                  
  
        4           2     
                
  0     0         

It's a quick jump from the A to the G#7, but I made it easy after
a few tries.  I tried the A as a bar on the 5th fret, but went
back to the standard chord because it just sounded better and
played smoother.