DEMANUFACTURE
As recorded by Fear Factory
(From the 1995 Album DEMANUFACTURE)
Words and Music by Fear Factory
Gtr I (B E A D G B E) - 'Dino Cazares'
Intro
Q=190
N.C.
4/4
Gtr I
PM-----------------------------------
Wx7 H S S S S S S S S E E E E E E E E
| | | |
| | | |
| | | o |
| | | |
| | | o |
| | | |
| | 3 3 3 3 3 3 3 3 | 2 2 3 2 2 3 2 |
1.
-----------------------------------|
E E E E E E E E S S E E E E E E E W
| | | |
| | | |
| | | o |
| | | |
| | | o |
| | | |
| 2 3 2 2 3 5 | 2 2 2 3 2 2 3 2 | |
2.
PM----------------------------------------------------------------|
H S S E S S E E E E E E E E E E E E E E E E E S S E E E E E E E
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| 3 3 3 3 3 3 | 2 2 3 2 2 3 2 | 2 3 2 2 3 5 | 2 2 2 3 2 2 3 2 |
PM---------------------------------------
E E E E S S S S S S S S E E E E E E E E
| | |
| | |
| | |
| | |
| | |
| | |
| 2 3 2 3 3 3 3 3 3 3 3 | 2 2 3 2 2 3 2 |
-----------------------------------| PM--|
E E E E E E E E S S E E E E E E E E E E E E Q.
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| 2 3 2 2 3 5 | 2 2 2 3 2 2 3 2 | 2 3 2 3 |
Pre-Verse
C#5 D5C#5 D5C#5 D5C#5 D5E5
E E E E E E E E E E E E E E E E
| | |
| | |
| o | |
| | |
| o | |
| 4 4 5 4 4 5 4 | 4 5 4 4 5 7 |
| 2 2 3 2 2 3 2 | 2 3 2 2 3 5 |
C#5 D5C#5 D5C#5 D5C#N.C.
PM------------|
S S E E E E E E E E E E E S S S S S S S S
| | |
| | |
| | o |
| | |
| | o |
| 4 4 4 5 4 4 5 4 | 4 5 4 |
| 2 2 2 3 2 2 3 2 | 2 3 2 3 3 3 3 3 3 3 3 |
Verse 1 & 2
$
N.C.
PM---------------------------------
E E E E E E E E E E E E E E E E
| | |
| | |
| o | |
| | |
| o | |
| | |
| 2 2 3 2 2 3 2 | 2 3 2 2 3 5 |
-----------------| PM------------------|
S S E E E E E E E E E E E S S S S S S S S
| | |
| | |
| | o |
| | |
| | o |
| | |
| 2 2 2 3 2 2 3 2 | 2 3 2 3 3 3 3 3 3 3 3 |
C#5 D5C#5 D5C#5 D5C#5 D5E5
E E E E E E E E E E E E E E E E
| | |
| | |
| o | |
| | |
| o | |
| 4 4 5 4 4 4 5 4 | 4 4 5 4 4 4 5 7 |
| 2 2 3 2 2 2 3 2 | 2 2 3 2 2 2 3 5 |
To Coda
C#5 D5C#5 D5C#5 D5C#N.C.
PM------------|
E E E E E E E E E E E E S S S S S S S S
| | |
| | |
| | o |
| | |
| | o |
| 4 4 5 4 4 4 5 4 | 4 4 5 4 |
| 2 2 3 2 2 2 3 2 | 2 2 3 2 3 3 3 3 3 3 3 3 |
Pre-Verse
N.C. C#5 D5C#5 D5C#5 D5C#5 D5C#5
PM----|
E E E E H W E E E E E E E E E E E E E E E E
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | 4 4 5 4 4 5 4 | 4 5 4 4 5 4 |
| 2 2 3 2 | | 2 2 3 2 2 3 2 | 2 3 2 2 3 2 |
D.S. al Coda
D5C#5 D5C#5 D5C#N.C.
PM------------|
E E E E E E E E E E E E S S S S S S S S
| | |
| | |
| | |
| | |
| | |
| 4 5 4 4 5 4 | 4 5 4 |
| 2 3 2 2 3 2 | 2 3 2 2 5 5 5 2 5 5 5 |
Bridge
&
N.C.
PM--------------------------------------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | |
| | |
| | |
| | |
| | |
| | |
| 2 5 5 5 5 5 2 5 5 5 5 5 2 5 5 5 | 2 6 6 6 6 6 2 5 5 5 5 5 2 3 3 3 |
PM----------------------------------------------|
S S S S S S S S E E E E S S S S S S S S E E E E
| | |
| | |
| | |
| | |
| | |
| | |
| 2 2 2 2 2 2 2 2 0 3 5 | 2 2 2 2 2 2 2 2 2 3 0 |
PM--------------------------------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S E.
| | |
| | |
| | |
| | |
| | |
| | |
| 2 5 5 5 5 5 2 5 5 5 5 5 2 5 5 5 | 2 6 6 6 6 6 2 5 5 5 5 5 3 |
PM----------------------------------------------|
S S S S S S S S E E E E S S S S S S S S E E E E
| | |
| | |
| | |
| | |
| | |
| | |
| 2 2 2 2 2 2 2 2 0 3 5 | 2 2 2 2 2 2 2 2 2 3 0 |
Pre-Chorus
N.C.
PM----------------------------------------------|
S S S S S S S S E E E E S S S S S S S S E E E E 4x
| | |
| | |
| o | o |
| | |
| o | o |
| | |
| 2 2 2 2 2 2 2 2 0 3 5 | 2 2 2 2 2 2 2 2 2 3 0 |
Chorus 1
D5 F5 Eb5
E E +E E E E +E E E E +E E E E +E E
| | |
| | |
| o | |
| | |
| o | |
| 5 5 (5) 5 5 (5) 5 | 8 8 (8) 6 6 (6) 6 |
| 3 3 (3) 0 3 3 (3) 3 | 6 6 (6) 0 4 4 (4) 4 |
D5 F5 G5
E E +E E E E +E E E E +E E E E +E E
| | |
| | |
| | o |
| | |
| | o |
| 5 5 (5) 5 5 (5) 5 | 8 8 (8) 10 10 (10) 10 |
| 3 3 (3) 0 3 3 (3) 3 | 6 6 (6) 0 8 8 (8) 8 |
Interlude
1.
N.C.
PM|
H. Q W Q. E +Q Q H. E E
| | | | |
| | | | |
| o | | | o |
| 7 | | 7 | |
| o 6 | 8 | 6 6 (6) | 8 o |
| 5 | | 5 | 6 6 |
| 4 | 6 | 4 4 (4) | 6 4 4 |
2.
PM--------------------|
W Q H. Wx2 S S S S S S S S E E E E
| | | | |
| | | | |
| | | | |
| | | | |
| 8 | 6 | | |
| | | | |
| 6 | 4 | | 4 4 4 4 4 4 4 4 3 4 3 4 |
Chorus 2
D5 F5 Eb5
E E +E E E E +E E E E +E E E E +E E
| | |
| | |
| o | |
| | |
| o | |
| 5 5 (5) 5 5 (5) 5 | 8 8 (8) 6 6 (6) 6 |
| 3 3 (3) 0 3 3 (3) 3 | 6 6 (6) 0 4 4 (4) 4 |
D5 F5 G5
E E +E E E E +E E E E +E E E E +E E
| | |
| | |
| | o |
| | |
| | o |
| 5 5 (5) 5 5 (5) 5 | 8 8 (8) 10 10 (10) 10 |
| 3 3 (3) 0 3 3 (3) 3 | 6 6 (6) 0 8 8 (8) 8 |
Interlude
1. 2.
N.C.
PM----| PM|
H. Q W Q. E +Q Q H. S S S S H. E E
| | | | | |
| | | | | |
| o | | | o | |
| 7 | | 7 | | |
| o 6 | 8 | 6 6 (6) | 8 o | 8 |
| 5 | | 5 | | 6 6 |
| 4 | 6 | 4 4 (4) | 6 4 4 4 4 | 6 4 4 |
Half-time feel
N.C.
H. Q W Q. E +Q Q
| | | |
| | | |
| o | | |
| 7 | | 7 |
| o 6 | 8 | 6 6 (6) |
| 5 | | 5 |
| 4 | 6 | 4 4 (4) |
1. 2.
PM------------| PM------|
H S S S S S S S S H S S S S Q
| | |
| | |
| o | |
| | |
| 8 o | 8 |
| | |
| 6 4 4 4 4 4 4 4 4 | 6 4 4 4 4 4 |
PM------------|
H. Q W Q. E +Q Q H S S S S S S S S
| | | | |
| | | | |
| | | | |
| 7 | | 7 | |
| 6 | 8 | 6 6 (6) | 8 |
| 5 | | 5 | |
| 4 | 6 | 4 4 (4) | 6 4 4 4 4 4 4 4 4 |
PM------------| PM------------|
H. Q H S S S S S S S S Q. E +Q Q H S S S S S S S S
| | | | |
| | | | |
| | | | |
| 7 | | 7 | |
| 6 | 8 | 6 6 (6) | 8 |
| 5 | | 5 | |
| 4 | 6 4 4 4 4 4 4 4 4 | 4 4 (4) | 6 4 4 4 4 4 4 4 4 |
A Tempo
C#5 D5C#5 D5C#5
5/4 4/4 5/4
PM----| PM----|
E E E E Q H +W 4x E E E E Q Q Q
| | | |
| | | |
| o | o | |
| | | |
| o 4 | (4) o | 4 |
| 4 4 5 4 4 | (4) | 4 4 5 4 4 |
| 2 2 3 2 2 | (2) | 2 2 3 2 2 |
C#5 D5C#5 D5C#5 D5C#5 D5E5
4/4
E E E E E E E E E E E E E E E E
| | |
| | |
| o | |
| | |
| o | |
| 4 4 5 4 4 4 5 4 | 4 4 5 4 4 4 5 7 |
| 2 2 3 2 2 2 3 2 | 2 2 3 2 2 2 3 5 |
C#5 D5C#5 D5C#5 D5C#N.C.
PM------------|
E E E E E E E E E E E E S S S S S S S S
| | |
| | |
| | o |
| | |
| | o |
| 4 4 5 4 4 4 5 4 | 4 4 5 4 |
| 2 2 3 2 2 2 3 2 | 2 2 3 2 3 3 3 3 3 3 3 3 |
Pre-Chorus
N.C.
PM----------------------------------------------|
S S S S S S S S E E E E S S S S S S S S E E E E 4x Wx4
| | | |
| | | |
| o | o | |
| | | |
| o | o | |
| | | |
| 2 2 2 2 2 2 2 2 0 3 5 | 2 2 2 2 2 2 2 2 2 3 0 | |
PM-------------------------------------
S E. E S S Q E E S E. E S S Q E E
-------------------------------------|
S E. E S S Q E E S E. E S S Q E E
PM--------------------------------------------------|
S S S S S S S S S S E E E S S S S S S S S S S E E E
| | |
| | |
| o | o |
| | |
| o | o |
| | |
| 2 2 2 2 2 2 2 2 2 2 0 3 5 | 2 2 2 2 2 2 2 2 2 2 2 3 0 |
1.
C#5 D5
W +W W
| | | |
| | | |
| o | | |
| | | |
| o 4 | (4) | 5 |
| 4 | (4) | 5 |
| 2 | (2) | 3 |
2.
N.C.
PM------------|
+H S S S S S S S S W H H
| | | |
| | | |
| o | | |
| | | |
| (5) o | 10 | 9 7 |
| (5) | | |
| (3) 3 3 3 3 3 3 3 3 | 8 | 7 5 |
Outro
1.
N.C.
PM-------------------------------------------------------------
S S S S S S S S S S S S S S S S S S S S S S S S S S E E E
| | |
| | |
| o | o |
| | |
| o | o |
| | |
| 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 0 3 5 |
2.
-------------------------------|
S S S S S S S S S S S S S S S S
| |
| |
| |
| |
| |
| |
| 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 |
PM-------------------------------
S S S S S S S S S S S S S S S S
| |
| |
| o |
| |
| o |
| |
| 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 |
C#5 D5C#5
-------------------------------------------|
S S S S S S S S S S S S S S S S E E E E H
| | * |
| | * |
| o | * |
| | * |
| o | * |
| | 4 4 5 4 * |
| 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 | 2 2 3 2 * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers -
<e .="">
= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths