Foreigner - Blue Morning, Blue Day Tab

BLUE MORNING, BLUE DAY
As recorded by

 Words and Music by Mick Jones and Lou Gramm

Bm
x x 9 7 7 7 B°/D
x 5 x 7 6 7 Bm/F#
x 9 9 7 7 7 G7
x 10 12 10 12 10
F#
x 9 11 11 11 x A
x x 7 6 5 5 G
x 10 12 12 12 10 F#7sus4
x 9 11 9 12 x
F#7
x 9 11 9 11 9 F#°/A
x 12 10 11 10 x F#m/C#
9 x 11 11 10 9 D7
10 x 10 11 10 10
F#m
x 9 11 11 10 9

Gtr I (E A D G B E) - 'Gtr 1'
Gtr II (E A D G B E) - 'Gtr II'
Gtr III (E A D G B E) - 'Piano'

Intro

Moderate Rock Q=120 Bm B°/D Bm/F# G7 4/4 Gtr III Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q | | | | | | | | | | | | | | | | / / / / / / / / / / / / / / / / Gtr I E E E E E E E E E E E E E E E E E E E E E E E E +H. +Q
9 8 9 8 9 10 (10) (10)\
7 6 7 6 7 9 10 9 10 9 10
Bm B°/D Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / Gtr II E E E E E E E E E E E E E E E E
14 13 14 13 14 16 17 16 17 16 17
| | Gtr I | E E E E E E E E E E E E E E E E
7 6 7 6 7 9 10 9 10 9 10
Bm/F# G7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / E E E E E E E E +Q. E +E E Q
15\
16 (16)
16 15 16 15 16 17 (17) 17
| | E E E E E E E E +Q. E +E Q E
9 8 9 8 9 10 (10) 8 (8) 7
10

Verse

F# Bm A G Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q | | | | | | | | | | | | | | | | / / / / / / / / / / / / / / / / W W W W
o o
o o
F# Bm A Q Q Q Q Q Q Q Q Q Q Q Q | | | | | | | | | | | | / / / / / / / / / / / / Gtr I H H Q. E +Q Q H H
o
o 1 2 5 (5) 2 4
2 5
1. 2. G G F# Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / PM| PM| Q. E +Q Q H +E S S E S S
o
2 (2) 5 o 4 0 0
3 3 (3) 0 0 2

Chorus

$ $$ Bm G7 F#7susF#7 Bm Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q | | | | | | | | | | | | | | | | / / / / / / / / / / / / / / / / PM| PM| ~~~~~~ H +Q. S S H +Q. S S H H E E +E E +Q. E
2 (2) 3 (3) 2 2
3 (3) 3 (3) 2 2
4 (4) 4 (4) 4 3
4 (4) 3 (3) 2 2
2 (2) 5 (5) 4 4 2 (2) 0
2 2 3 (3) 0 0 2 2 5b5.5 (5)

To Coda

To Coda

Bm G7 F#7susF#7 Bm Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q | | | | | | | | | | | | | | | | / / / / / / / / / / / / / / / / PM| PM| ~~~~~~ H +Q. S S H +Q. S S H H E Q E +Q. E
2 (2) 3 (3) 2 2
3 (3) 3 (3) 2 2
4 (4) 4 (4) 4 3
4 (4) 3 (3) 2 2
2 (2) 5 (5) 4 4 2 (2)
2 2 3 (3) 0 0 2 2 5b5.5 (0)
Bm B°/D Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / Gtr II E E E E E E E E E E E E E E E E
14 13 14 13 14 16 17 16 17 16 17
| | Gtr I | E E E E E E E E E E E E E E E E
7 6 7 6 7 9 10 9 10 9 10
Bm/F# G7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / E E E E E E E E +H. +Q
16 15 16 15 16 17 (17) (17)\
| | E E E E E E E E +H. +Q
9 8 9 8 9 10 (10) (10)\

Verse

F# Bm A Q Q Q Q Q Q Q Q Q Q Q Q | | | | | | | | | | | | / / / / / / / / / / / / H H Q. E +Q Q H H
o
o 1 2 5 (5) 2 4
2 5
1.,2.,3. 4.

D.S. al Coda

G G F# Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / PM| PM| Q. E +Q Q 3x H +E S S E S S
o
2 (2) 5 o 4 0 0
3 3 (3) 0 0 2

Guitar Solo

& F#m F#°/A Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / Gtr II e S +S H. E +E E E +H
10 9pb10r(9) 7 9b10r(9) 7
7 (7)
| | Gtr I | E E E E E E E E E E E E E E E E
2 1 2 1 2 4 5 4 5 4 5
F#m/C# D7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / E E E E E E E E +Q. E +E E E E
9 /14 14 (14) 17
10 14 15 (15) 15
11
/11
| | ~~ | E E E E E E E E +Q. E +E E Q
4 (4) 7
4 3 4 3 4 5 (5) 5
F#m Q Q Q Q | | | | / / / / |-3-| |-3-| |-3-| S S S S S E S S S S S E S S S E
4h5p4 2 4h5p4 2 4h5p4 2
5 2 5 2
| | E E E E E E E E
2 1 2 1 2 4
F#°/A Q Q Q Q | | | | / / / / |--3--| |--3--| |--3--| S S S S S E S S S S S E S S S E
10h12p10 10h12p10
12 10 12 10 13p12p10
11 11 11
| | E E E E E E E E
5 4 5 4 5

D.S.S. al Dbl. Coda

F#m/C# D7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / E E E E E +E E E +Q. E +Q E +E
14 16pb17r(16) 14 16 (16) 17 (17)\
14 17b19 (17)r
14
| | PM--| | E E E E E E E E +H +Q. S S
4 3 4 3 4 5 (5) (5) 0 0
&& Bm G7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / Gtr II W E Q E +E Q E
12
12 (12) 10 11
| | Gtr I | PM| | H +Q. S S W
2 (2) 3
3 (3) 3
4 (4) 4
4 (4) 3
2 (2) 5
2 2 3
Bm G7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / +W E Q E +E Q E
17
12 (12) 15
(11) 12
| | PM| | H +Q. S S W
2 (2) 3
3 (3) 3
4 (4) 4
4 (4) 3
2 (2) 5
2 2 3
Bm G7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / W E Q E +E Q E
14
12
12 (12) 10 11
| | PM| | H +Q. S S W
2 (2) 3
3 (3) 3
4 (4) 4
4 (4) 3
2 (2) 5
2 2 3
Bm G7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / +W W
(11) 10
| | E E E E E E E E E E E E E E E E
2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3

Outro

Bm B°/D Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / E E E E E E E E E E E E E E E E
o
o 14 13 14 13 14 16 17 16 17 16 17
| | E E E E E E E E E E E E E E E E
o
o
7 6 7 6 7 9 10 9 10 9 10
1. Bm/F# G7 Q Q Q Q Q Q Q Q | | | | | | | | / / / / / / / / E E E E E E E E +Q. E +E E Q
15\ o
16 (16)
16 15 16 15 16 17 (17) 17
o
| | E E E E E E E E +Q. E +E Q E
o
9 8 9 8 9 10 (10) 8 (8) 7 o
10
2. G7 Bm Q Q Q Q Q Q Q Q q Q H | | | | | | | | | / / / / / / / / / Q. E +E E Q Q. E +Q Q q Q H
15 (15) 17 19 *
15 18 *
16 (16) *
17 17 *
*
*
| | W +W q Q H
*
*
*
*
10 (10) *
7 *

Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

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