Slash E D
| 12h15p12 |
| 12 |
| 12 14b16r14p12 |
| 12 14~~~~ |
| |
| |
Paul
Slash A E
| 12h15p12 |
| 12 12\ |
| 14b16 r14 12 12\ |
| 14 14~~~ |
| |
| |
Paul
Slash
Paul
Slash D A
| 17b19 17b19 |
| 12 15b17~~~~~ |
| 12 |
| 14 |
| |
| |
Paul
Slash E
| 15 15b 17b19r17p15 17 |
| 17~~~~~ |
| |
| |
| |
| |
Paul
Slash D
| 17b19r17p15 15 |
| 17 17~~~~~ |
| |
| |
| |
| |
Paul
Slash A E
| 15 17 17b19 17 15 17 15^ |
| 17 17~~~ |
| |
| |
| |
| |
Paul
Slash D
| 12 12 12 12 12 |
| 15b17 15b17 15b17 15b17 15 |
| |
| |
| |
| |
(Paul doubles Slash for the rest of the solo)
Slash A E
| 17b19 17 17b19 17 15 17 15^ 12~~~ |
| |
| |
| |
| |
| |
| 12 15p12 17p15 |
| 15 17p15 17~~~~~ |
| |
| |
| |
| |
Now, for a while the song goes back to lyrics and follows
the same patterns of chords as before. The next real
Challenge is the outro solo. This solo is pretty hard
if you're not used to Slash's maniacal slurs. There
are some parts played with blistering speed and aggression.
You'll be able to tell what those parts are because there
will be a lot of notes before you see a notated chord
change. Remember your 16th note triplets. Good luck!!!
| ! |
| ! |
| ! |
| 5~~~~~ ! |
| 7 7 5 ! 7 7 5 5 |
| ! 7 7 6 5 7 6 5 |
D A
| |
| |
| |
| 5 5h6h7 |
| 5s7~~~~ 5h7 7 |
| 5 3 0 0 3 0 |
E
| |
| 8 10 11 10 11 10h11p10p8 |
| 7 7 9 |
| 9 7h8h9 9 |
| |
| |
| ! 10 10 10 |
| ! 10b12 10b12 10b12 10b12 |
| 9~~~~ ! |
| ! |
| ! |
| ! |
D A
| 10 10 |
| 10b12r10 8 10~~~~ 8 10b12 10b12r10p8 |
| |
| |
| |
| |
E
| ! 12 |
| 10 8 10 10b12r10p8 ! 12 15b17 |
| 9 9~~~~~ ! |
| ! |
| ! |
| ! |
D
| 12 12 12 12 |
| 12 15b17 12 15b17 12 15b17 12 15b17 |
| |
| |
| |
| |
A
| 12 12 12 12 |
| 12 15b17 12 15b17 14 15 14 15 14 |
| |
| |
| |
| |
E
| 12 12 |
| 15 14 15 15 14 14b15 14 12 12 |
| 12 13 |
| |
| |
| |
E D
| ! |
| ! |
| 13 ! 9 7 7s9~~~~ |
| 12 ! 9 7b9r7 5 |
| ! 7 7 |
| ! |
A E
| |
| 14 12 14 15 14 12 |
| 14 12 14 14b16 14 12 |
| 14 14 14 14 |
| |
| |
| ! 16 14h16p14p12 16 14h16p14p12 |
| ! 12 12 |
| ! |
| 14~~~~ ! |
| ! |
| ! |
D
| 16 14h16p14p12 16 14h16p14p12 15 14h15p14p12 |
| 12 14 |
| |
| |
| |
| |
| 15 14h15p14p12 15 14h15p14p12 15 14h15p14p12 |
| 14 14 14 |
| |
| |
| |
| |
A E
| 12 |
| 15p14 15p14p12 14p12 12 |
| 14 14p12 14p12p11 11h12p11 11 |
| 14 |
| |
| |
| 12 14b16 r14 12 12~~~ 17b19 17 15 17~~ |
| |
| |
| |
| |
| |
| 15 17b19 17 16 17~~~ 16 17 16 17 16 |
| 17 |
| 16 14 |
| |
| |
| |
E (This is the really tough part)
| ! |
| ! |
| 13~~~ ! |
| ! 4h6h7 4h6h7 |
| ! 4h5h7 4h5h7 4h5 4h5h7 |
| ! 4h5h7 7 |
D
| |
| 7h9p7 9h10p9 |
| 6h7h9p7p6 6h7h9 |
| 6h7 6h7h9p7p6 6h7h9 9 |
| 9 9 |
| |
A
| 9h10 9h10 9h10 12 10h12p10p9 |
| 9h10h12 9h10h12 12 |
| 11 |
| |
| |
| |
E
| 10 9h10p9 9 9 |
| 12 12 12 10h12p10p9h10p9h10p9 9 |
| 12 12 |
| |
| |
| |
| ! |
| 9 ! |
| 12 11h12p11p9 11 9h11p9 9 9~~~~ ! |
| 11 11 ! |
| 12 11 ! |
| ! |
E (grad. release) D
| |
| 5 7b9r7 5 5~~~~~ 8b10 8~~~~ |
| 9 7 |
| |
| |
| |
A (Guitar noise & feedback) E
| |
| 9 7 5 3 |
| X X |
| X x /9 7 6 4 |
| X X |
| |
Etc. Etc.
... the rest of it is pretty easy stuff. Some of it is
buried in the mix and tough to make out, while other
parts are clearer. To tab it out would be confusing...
but all the difficult parts from the beginning to this
point are here. Pay attention to your Mixolydian and
blues scales.