INVITATION
As recorded by Helloween
(From the 1988 Album KEEPER OF THE SEVEN KEYS PT. 2)
Music by Michael Weikath
Arranged by Tommy Hansen
D
x 5 4 x 3 5
Gtr I (E A D G B E) - 'Dist'
Gtr II (E A D G B E) - 'Dist'
Gtr III (E A D G B E) - 'Strings'
Gtr IV (E A D G B E) - 'Trumpet'
00:00
Q=157
E5 B/Eb B5
4/4
Gtrs I, II
Wx5 W W H H
|
| Gtr III
| Wx5 H q q H H H H
C#5 G#5 A5 A5 E/Ab
W W W H H
| | | | |
| | | | 10 9 |
| 6 | | | 9 9 |
| 6 | 6 | 7 | 7 6 |
| 4 | 6 | 7 | |
| | 4 | 5 | |
|
| W W W H H
00:27
B5 F#5 B5/F# E5
W H H W
|
| W +W W
| Q E E E E E E
|
| Gtr IV
| |---3---| |---3---|
| W W Q E E E E E E E E
F#5 G#5
H H
|
| H H
| Q E E E E E E
|
| |--3--| |---3---| |---3---|
| E E E E E E E E E E E
| |
| 12 12 12 12 12 12 12 12 12 12 |
| |
| |
| |
| |
G#5 D#5
W W
|
| W W
| Q E E E E E E Q E E E E E E
|
| |---3---| |---3---| |---3---| |---3---|
| E E E E E E E E E E Q E E E Q E E E
| | |
| | |
| 13 13 13 13 13 13 13 13 | |
| | 16 16 16 16 16 16 16 16 |
| | |
| | |
C#5 C#5 G#5
W H H
|
| W H H
| Q E E E E E E Q E E E E E E
|
| |---3---| |---3---| |--3--| |---3---| |---3---|
| E E E E E E E E E E E E E E E E E E E E E
| | |
| 14 14 14 14 14 14 14 14 | 14 14 14 14 14 14 |
| | 13 13 13 13 |
| | |
| | |
| | |
B5 F#5 B5
W H H
|
| W W
| Q E E E E E E E E E E E E E E
|
| |---3---| |---3---| |---3---| |---3---| |---3---| |---3---|
| E E E E E E E E E E E E E E E E E E E E E E
| | 14 16 19 |
| 12 12 12 12 12 12 12 12 | 12 12 12 12 12 12 12 14 16 |
| | |
| | |
| | |
| | |
00:39
E/Ab F#m/A G#m/B
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
W H H
| W H H
|
| W H H
| | |
| | |
| 1 1 | |
| 2 4 2 | 4 4 2 1 |
| 4 6 | 6 4 2 |
| | 11 |
| Q E E E E E E Q E E E E E E
|
| E E E E Q E E W
C#m/E B/EC#m/B/Eb C#m B C#5/Ab
~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
H. E E W W H H
| 9 9 | | 12 | 11 9 |
| 5 12 5 | 12 | | |
| 8 | 8 | 6 | 4 |
| | | | 6 |
| | | | |
| | | | |
| H. E E W W H H
|
| W W W H H
| | | | |
| | 0 | | |
| 1 | 1 | | 1 1 |
| 2 4 2 | 1 1 | 2 1 2 | 2 2 2 2 |
| 4 4 6 | 2 4 2 | 4 4 2 4 | 2 |
| | | | 4 |
| Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E E E
|
| W W Q E E E E Q Q E E H
B5/F#
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
W +W
| W +W
|
| W +W
| | |
| | 0 |
| | |
| 4 | (4) 4 2 1 |
| 6 7 9 | 6 4 2 |
| 7 9 11 | |
| Q E E E E E E E E E E E E E E
|
| Q E E H Q E E E E E E
00:51
Em/G F#m/A G#m/B
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
W H H
| W H H
|
| W H H
| | |
| 0 | 0 |
| 1 | 2 |
| 2 4 2 | 4 2 1 |
| 4 6 | 6 4 2 |
| | |
| Q E E E E E E Q E E E E E E
|
| Q E E H W
C#m/E B/EC#m/Bm/D C# B G#
~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
H. E E W W H H
| 9 9 | | 9 | |
| 5 12 5 | 12 | | 12 9 |
| 8 | 8 | 6 | 4 |
| | | | 6 |
| | | | |
| | | | |
| H. E E W W H H
|
| W W W H H
| | | | 0 |
| | 0 | | 4 |
| 1 1 | 1 | | 1 |
| 2 4 2 | 4 1 1 | 2 2 1 2 | 2 2 2 |
| 4 6 | 4 2 | 4 2 4 | 2 |
| | | | 4 |
| Q E E E E E E Q E E E E E E Q E E E E E E Q E E E E E E
|
| W W Q E E E E Q Q E E H
F# D#
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
W +H H
| W +H H
|
| W +W
| | |
| 0 | (0) |
| | 4 |
| 1 2 4 | 4 4 2 1 |
| 2 4 6 | 6 4 2 |
| | |
| Q E E E E E E E E E E E E E E
|
| Q E E H Q E E E E E E
| 19 | 19 14 19 19 19 |
| 12 12 12 12 12 12 12 | 19 19 19 19 19 19 24 24 24 16 |
| | |
| | |
| | |
| | |
Q E E E E E E E E E E E E E E E E E E E E
|---3---| |---3---| |---3----| |---3---| |---3---| |---3---|
1:03
E
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
W +W +W
| | | * |
| | | * |
| 9 | (9) | (9) * |
| | | * |
| 7 | (7) | (7) * |
| | | * |
| W +W +W
|
| W W W
|
| Q Q H W W
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers -
<e .="">
= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths