Gtr I (A D G C F A D) - 'Gtr. 1 (elec. w/heavy dist.)'
Gtr II (A D G C F A D) - 'Gtr. 2 (elec. w/heavy dist.)'
Gtr III (A D G C F A D) - 'Gtr. 1 (elec. w/pick scrapes)'
Intro
Moderate Rock Q=88
N.(B) Db5
4/4
Gtr I
S S S S S S S S S S S S S S S S
| |
| |
| o |
| 10 10 10 10 |
| o 9 9 9 9 |
| 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 0 |
N.C. Db5
S S S S S S S S S S S S S S S S
| |
| |
| o |
| 10 10 10 10 |
| 9 9 9 9 o |
| 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 0 |
N.C. Db5 N.C. Db5
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | |
| | |
| | |
| 10 10 10 10 | 10 10 10 10 |
| 9 9 9 9 | 9 9 9 9 |
| 7 8 8 8 8 | 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
N.C. Db5 N.C. Gb5
PM--------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S E
| | |
| | |
| | |
| 10 10 10 10 | |
| 9 9 9 9 | |
| 7 8 8 8 8 | 7 7 8 7 9 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 9 7 8 |
Pre-chorus
N.C. Db5 N.C. Gb5
Gtrs I, II
PM--------|
E S S S S S S S S S S S S S S E S S S S S S S S S S S S E 4x
| | |
| | |
| o | o |
| 10 10 10 10 | |
| o 9 9 9 9 | o |
| 7 8 8 8 8 | 7 7 8 7 9 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 9 7 8 |
1st and 2nd Verses
$
N.C.
Gtr II
Q. H +E W
|
| Gtr I
| PM PM--| PM| PM-----------------| PM--| PM| PM----------|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | |
| | |
| | |
| | |
| | |
| 7 8 8 8 8 | 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
Q. E +H
|
| PM PM--| PM| PM-------------
| S S S S S S S S S S S S S S S S
| |
| |
| |
| |
| |
| 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 |
Q. E +H
|
|-| PM--| PM| PM----------|
| S S S S S S S S S S S S S S S S
| |
| |
| |
| |
| |
| 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 |
Q. H +E W
|
| PM PM--| PM| PM-----------------| PM--| PM| PM----------|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | |
| | |
| | |
| | |
| | |
| 7 8 8 8 8 | 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
Q. H +E E Q Q E Q
|
| PM PM--| PM| PM-----------------| PM--| PM| PM-----------|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | |
| | |
| | |
| | |
| | |
| 7 8 8 8 8 | 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
Pre-chorus
$$ D.S.
N.C. Db5 N.C. Gb5
Gtrs I, II
PM--------|
E S S S S S S S S S S S S S S E S S S S S S S S S S S S E 4x
| | |
| | |
| o | o |
| 10 10 10 10 | |
| o 9 9 9 9 | o |
| 7 8 8 8 8 | 7 7 8 7 9 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 9 7 8 |
Chorus
To Coda
B5 Dm/F B5 Dm/F
Gtrs I, II
PM--| PM--|
S S S S S S S S S S S S E E S S S S S S S S S S S S E E
| 0 0 | 0 0 |
| 0 0 | 0 0 |
| o 0 0 | 0 0 o |
| | |
| o 2 2 2 2 2 2 | 2 2 2 2 2 2 o |
| 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
3rd Verse
N.C.
Gtr II
Q. H +E W
|
| Gtr I
| PM PM--| PM| PM-----------------| PM--| PM| PM----------|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | |
| | |
| | |
| | |
| | |
| 7 8 8 8 8 | 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
Q. H +E W
|
| PM PM--| PM| PM-----------------| PM--| PM| PM----------|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | |
| | |
| | |
| | |
| | |
| 7 8 8 8 8 | 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
Q. H +E W
|
| PM PM--| PM| PM-----------------| PM--| PM| PM----------|
| S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | |
| | |
| | |
| | |
| | |
| 7 8 8 8 8 | 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
Q. Q. +Q
|
| PM PM--| PM-| PM-----------------
| S S S S S S S S S S S S S S S S
| |
| |
| |
| |
| |
| 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 |
D.S.S. al Coda
E E E E +H
|
|-| PM--| PM| PM----------|
| S S S S S S S S S S S S S S S S
| |
| |
| |
| |
| |
| 7 8 8 8 8 |
| 0 0 0 0 0 0 0 0 0 |
Interlude
&
N.C.
Gtr II
PM------| PM------------------------| PM----------|
S S S S S E E S S S S S S S S S S S S E E S S S S S S S
| | |
| | |
| o | o |
| | |
| o | o |
| 7 8 8 | 7 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
Gtr III
S S S S S S S S S S S S S S S S
| |
| |
| o |
| |
| o |
| |
| /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ |
|
| Gtr II
| PM-------------| PM--------------------------
| S S S S S E E S S S S S S S
| |
| |
| o |
| |
| o |
| 7 8 8 |
| 0 0 0 0 0 0 0 0 0 |
S S S S S S S S S S S S S S S S 3x
| |
| |
| o |
| |
| o |
| |
| /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ |
|
|---------------------| PM---------------------|
| S S S S S E E S S S S S S S 3x
| |
| |
| o |
| |
| o |
| 7 8 8 |
| 0 0 0 0 0 0 0 0 0 |
<
S S S S S S S S S S S S S S S S
| |
| |
| |
| |
| |
| |
| /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ /x\ |
|
| PM-------------| PM--------------------------
| S S S S S E E S S S S S S S
9/8
S S S S S H Q S
|
|-----------------|
| S S S S S H Q S
Bridge
N.C. B5(typN.C. C5 N.C. N.C. B5(typN.C. C5 N.C.
4/4
Gtrs I, II
S S S S S E E S S S S S S S S S S S S E S S S S S S S S S 4x
| | |
| | |
| o | o |
| | |
| o 9 10 10 | 9 10 10 o |
| 7 8 8 | 7 8 8 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
B5 F#C5(tF#G5F#5 B5 F#C5(tyF#G5F#5
Gtr I
Q. H E Q. H E
| | |
| | |
| 11 12 \9 | 11 /14 \12 |
| x x x | x x x |
| 9 10 \7 | 9 /12 \10 |
| | |
| | |
|
| Gtr II
| Q E Q E E E Q E Q E E E
| | |
| | |
| | |
| | |
| 4 4 5 4 | 4 4 5 4 |
| 2 2 3 2 3 2 | 2 2 3 2 3 2 |
| 0 1 | 0 1 |
B5 F#C5(F#G5F#5 B5 F#C5(tF#G5F#5
Q. H +E Q. H E
| | |
| | |
| 11 7 (7) | 11 12 \9 |
| x x | x x x |
| 9 5 (5) | 9 10 \7 |
| | |
| | |
|
| Q E Q E E E Q E Q E E E
| | |
| | |
| | |
| | |
| 4 4 5 4 | 4 4 5 4 |
| 2 2 3 2 3 2 | 2 2 3 2 3 2 |
| 0 1 | 0 1 |
B5 F#C5(type F#G5F#5 B5 F#C5(tF#G5F#5
Q. E +H Q. H E
| | |
| | |
| 11 12 (12) | 11 12 14 |
| x x | x x x |
| 9 10 (10) | 9 10 12 |
| | |
| | |
|
| Q E Q E E E Q E Q E E E
| | |
| | |
| | |
| | |
| 4 4 5 4 | 4 4 5 4 |
| 2 2 3 2 3 2 | 2 2 3 2 3 2 |
| 0 1 | 0 1 |
B5 F#C5(type F#G5F#5 B5 F#5 F#G5F#5
Q. E +H Q. H E
| | |
| | |
| 11 12 (12) | 11 12 /14 |
| x x | x x x |
| 9 10 (10) | 9 10 /12 |
| | |
| | |
|
| Q E Q E E E Q E Q E E E
| | |
| | |
| | |
| | |
| 4 4 5 4 | 4 4 5 4 |
| 2 2 3 2 3 2 | 2 2 3 2 3 2 |
| 0 1 | 0 1 |
B5 F#C5(type F#G5F#5 B5 F#C5(tF#G5F#5
Q. E +H Q. H E
| | |
| | |
| 11 12 (12) | 11 12 14 |
| x x | x x x |
| 9 10 (10) | 9 10 12 |
| | |
| | |
|
| Q E Q E E E Q E Q E E E
| | |
| | |
| | |
| | |
| 4 4 5 4 | 4 4 5 4 |
| 2 2 3 2 3 2 | 2 2 3 2 3 2 |
| 0 1 | 0 1 |
B5 C5C5(type F#G5F#5 B5 F#C5(type F#G5F#5
Q. E +H Q. E +H
| | |
| | |
| 11 12 (12) | 11 12 (12) |
| x x | x x |
| 9 10 (10) | 9 10 (10) |
| | |
| | |
|
| Q E Q E E E Q E Q E E E
| | |
| | |
| | |
| | |
| 4 4 5 4 | 4 4 5 4 |
| 2 2 3 2 3 2 | 2 2 3 2 3 2 |
| 0 1 | 0 1 |
N.C.
Gtr I
PM PM--| PM| PM--------------| PM--| PM| PM----------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S 3x
| | |
| | |
| o | o |
| | |
| o | o |
| 7 7 7 7 7 7 7 7 7 8 8 8 8 | 7 7 7 7 7 7 7 7 7 8 8 8 8 |
| | |
PM PM--| PM| PM--------------| PM--|
S S S S S S S S S S S S S S S S S S S S S H E S
| | |
| | |
| | |
| | |
| | |
| 7 7 7 7 7 7 7 7 7 8 8 8 8 | 7 7 7 7 |
| | |
Pre-chorus
N.C. Db5 N.C. Gb5
Gtrs I, II
PM--------|
E S S S S S S S S S S S S S S E S S S S S S S S S S S S E 4x
| | |
| | |
| o | o |
| 10 10 10 10 | |
| o 9 9 9 9 | o |
| 7 8 8 8 8 | 7 7 8 7 9 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 9 7 8 |
Outro Chorus
B5 Dm/F B5 Dm/F
Gtrs I, II
PM--| PM--|
S S S S S S S S S S S S E E S S S S S S S S S S S S E E 4x
| 0 0 | 0 0 |
| 0 0 | 0 0 |
| o 0 0 | 0 0 o |
| | |
| o 2 2 2 2 2 2 | 2 2 2 2 2 2 o |
| 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash