Gtr I (A D G C F A D) - 'Head'
Gtr II (A D G C F A D) - 'Munky'
Gtr III (A D G C F A D) - 'Extra w/effects'
Intro
Moderately Fast Rock Q=119
4/4
Gtrs I, II
H Q E E E H Q E E H Q E 3x E H Q E
E S S S S E E E E E E S S S S E E E E E 4x
| | |
| | |
| o | o |
| | |
| o | o |
| | |
| 0 3 3 3 3 1 0 1 1 | 0 3 3 3 3 2 0 1 1 |
Pre-Verse
B5 C5 B5 C5D5 G5 F#5G5 A5
e. S e. S e. E. E e. S e. S e. E. E Q. E Q. E Q. E E. E. E
| | | | |
| | | | |
| o | o | | |
| | | | 5 5 4 5 7 |
| o 2 2 2 2 3 | 2 2 2 2 3 o | 2 3 5 5 | 5 5 4 5 7 |
| 2 2 2 2 3 | 2 2 2 2 3 | 2 3 5 5 | 3 3 2 3 5 |
| 0 0 0 0 1 | 0 0 0 0 1 | 0 1 3 3 | |
Verse
$
B5 C5 B5 C5
e. S e. S e. E. E e. S e. S e. E. E
| | |
| | |
| | |
| | |
| 2 2 2 2 3 | 2 2 2 2 3 |
| 2 2 2 2 3 | 2 2 2 2 3 |
| 0 0 0 0 1 | 0 0 0 0 1 |
B5 C5 B5 C5
e. S e. S e. E. E e. S e. S e. E. E
| | |
| | |
| | |
| | |
| 2 2 2 2 3 | 2 2 2 2 3 |
| 2 2 2 2 3 | 2 2 2 2 3 |
| 0 0 0 0 1 | 0 0 0 0 1 |
E5 F#5VD5 E5
e. S e. S e. E. E e. S e. S e. E. E
| | |
| | |
| | |
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| 7 7 7 7 9 | 5 5 5 5 7 |
| 7 7 7 7 9 | 5 5 5 5 7 |
| 5 5 5 5 7 | 3 3 3 3 5 |
B5 C5 B5 C5
e. S e. S e. E. E e. S e. S e. E. E
| | |
| | |
| | |
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| 2 2 2 2 3 | 2 2 2 2 3 |
| 2 2 2 2 3 | 2 2 2 2 3 |
| 0 0 0 0 1 | 0 0 0 0 1 |
E5 F#5VD5 E5
e. S e. S e. E. E e. S e. S e. E. E
| | |
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| 7 7 7 7 9 | 5 5 5 5 7 |
| 7 7 7 7 9 | 5 5 5 5 7 |
| 5 5 5 5 7 | 3 3 3 3 5 |
Chorus
To Coda
E S S S S E E E E E E S S S S E E E E E 4x
| | |
| | |
| o | o |
| | |
| o | o |
| | |
| 0 3 3 3 3 1 0 1 1 | 0 3 3 3 3 2 0 1 1 |
D.S. al Coda
B5 C5D5 G5 F#5G5 A5
Q. E Q. E Q. E E. E. E
| | |
| | |
| | |
| | 5 5 4 5 7 |
| 2 3 5 5 | 5 5 4 5 7 |
| 2 3 5 5 | 3 3 2 3 5 |
| 0 1 3 3 | |
Bridge
&
B5 C5D5 G5 F#5 G5 A5 B5 F#D5 G5 F#5G5 F#5
Q. E Q. E Q. E E. E. E Q. E Q. E Q. E E. E. E
| | | | |
| | | | |
| | | | |
| | 5 5 4 5 7 | | 5 5 4 5 4 |
| 2 3 5 5 | 5 5 4 5 7 | 2 3 5 5 | 5 5 4 5 4 |
| 2 3 5 5 | 3 3 2 3 5 | 2 3 5 5 | 3 3 2 3 2 |
| 0 1 3 3 | | 0 1 3 3 | |
|
| Gtr III
| H H H E. E. E H H W
| | | | |
| | 12 | | |
| 11 | 9 11 | 11 | 9 |
| 9 | 9 | 9 | |
| 9 | 7 | 9 | 7 |
| 7 | | 7 | |
| | | | |
B5 C5D5 G5 F#5 G5 A5 B5 C5D5 G5 F#5G5 F#5
Q. E Q. E Q. E E. E. E Q. E Q. E Q. E E. E. E
| | | | |
| | | | |
| | | | |
| | 5 5 4 5 7 | | 5 5 4 5 4 |
| 2 3 5 5 | 5 5 4 5 7 | 2 3 5 5 | 5 5 4 5 4 |
| 2 3 5 5 | 3 3 2 3 5 | 2 3 5 5 | 3 3 2 3 2 |
| 0 1 3 3 | | 0 1 3 3 | |
|
| H H H E. E. E H H W
| | | | |
| | 12 | | |
| 11 | 9 11 | 11 | 7 |
| 9 | 9 | 9 | |
| 9 | 7 | 9 | 5 |
| 7 | | 7 | |
| | | | |
Interlude
B5 C5 B5 C5 B5 C5 B5 C5
H.. E H.. E H.. E H.. E
| | | | |
| | | | |
| | | | |
| | | | |
| 2 3 | 2 3 | 2 3 | 2 3 |
| 2 3 | 2 3 | 2 3 | 2 3 |
| 0 1 | 0 1 | 0 1 | 0 1 |
B5 C5 B5 C5 B5
H e. E. E H e. Q S H e. E. E H e. Q S
| | | | |
| | | | |
| | | | |
| | | | |
| 2 2 3 | 2 2 | 2 2 3 | 2 2 |
| 2 2 3 | 2 2 | 2 2 3 | 2 2 |
| 0 0 1 | 0 0 | 0 0 1 | 0 0 |
C5 B5 C5 B5
H e. E. E H e. Q S H e. E. E H e. Q S
| | | | |
| | | | |
| | | | |
| | | | |
| 2 2 3 | 2 2 | 2 2 3 | 2 2 |
| 2 2 3 | 2 2 | 2 2 3 | 2 2 |
| 0 0 1 | 0 0 | 0 0 1 | 0 0 |
|
| Gtr III
| \3 \3 \3 \3
| W W W W
2/4 4/4
W E S S S S E E Q. E S S S S E E Q.
| | | |
| | | |
| | o | o |
| | | |
| | o | o |
| | | |
| | 0 3 3 3 3 1 0 1 | 0 3 3 3 3 2 0 1 |
E S S S S E E E Q E S S S S E E E Q
| | |
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| 0 3 3 3 3 1 0 1 | 0 3 3 3 3 2 0 1 |
E S S S S E E E Q E S S S S E E E E E
| | |
| | |
| | |
| | |
| | |
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| 3 3 3 3 1 0 1 | 0 3 3 3 3 2 0 1 1 |
Out-Chorus
E S S S S E E E E E E S S S S E E E E E
| | |
| | |
| o | o |
| | |
| o | o |
| | |
| 0 3 3 3 3 1 0 1 1 | 0 3 3 3 3 2 0 1 1 |
Outro
1.,2.,3. 4.
B5 C5 B5 C5
Q Q E. E. E 4x Q Q E. E. e
| | * |
| | * |
| o o | * |
| | * |
| o 2 2 2 2 3 o | 2 2 2 2 3 * |
| 2 2 2 2 3 | 2 2 2 2 3 * |
| 0 0 0 0 1 | 0 0 0 0 1 * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash