BLACK ALBUM
1.Enter Sandman
2.Sad But True
3.Holier Than Thou
4.The Unforgiven
5.Wherever I May Roam
6.Don't Tread On Me
7.Through The Never
8.Nothing Else Matters
9.Of Wolf & Man
10.The God That Failed
11.My Friend Of Misery
12.The Struggle Within
1.Enter Sandman
Intro : 6x
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^
W/ Wah - Listen to recording, he does it twice. At 0:07 and 0:16
0:23
Play this Twice
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| 2 |
| 2 2 2 2 2 2 2 5/7 2 2 2 2 2 2 2 2 5/7 |
| 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 |
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| 2 (2) (2) (2) |
| 2 (2) (2) (2) |
| 0 (0) (0) (0) |
0:32
Play this twice
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| 2 2 5/7 2 2 2 3 2 2 5/7 2 2 2 3 |
| 0 0 6 0 0 0 1 0 0 6 0 0 0 1 |
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| 2 |
| 2 (2) (2) (2) 2 |
| 2 (2) (2) (2) 0 |
| 0 (0) (0) (0) |
0:39
Play this 4 times.
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| 2 2 5/7 2 2 3 2 2 5/7 2 2 3 |
| 0 0 6 5 0 0 1 0 0 6 5 0 0 1 |
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| 2 (2) (2) (2) |
| 2 (2) (2) (2) |
| 0 (0) (0) (0) |
0:55
Main Riff : play twice
<-------3x------------->
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| 2 2 7 | 5 4 4 5 4 |
| 0 0 6 5 | 3 0 2 0 2 3 2 |
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| 2 2 7 | 5 4 4 5 4 |
| 0 0 6 5 | 3 0 2 0 2 3 2 |
Verse Riff
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| 2 |
| 2 2 2 2 2 2 2 3 2 2 2 2 2 2 2 2 3 |
| 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 |
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| 32 32 |
| 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 |
1Say your prayers little one, Don\'t forget my son
2 I tuck you in, warm within, Keep you free from sin
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| 2 2 2 2 2 2 2 5 4 4 5 4 |
| 0 0 0 0 0 0 0 3 0 2 0 2 3 2 |
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| 5 4 4 5 4 |
| 0 0 0 0 0 0 0 3 0 2 0 2 3 2 |
1 To include Every One
2 Till the sandman he comes. Ah
Pre chorus.
|--------3x---------|
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| 2 | |
| 4 | |
| 3 2 | 4 4 4 4 2 3 4 |
| 2 | 2 2 2 2 0 1 2 |
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Sleep with one eye open, Gripping your pillow tight.
Chorus
|------3x------|
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Exit Light
Enter Ni-ight
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Take my hand
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We\'re off to never-never land
<-------3x------------>
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| 2 2 7 | 5 4 4 5 4 |
| 0 0 6 5 | 3 0 2 0 2 3 2 |
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| 2 2 7 | 5 4 4 5 4 |
| 0 0 6 5 | 3 0 2 0 2 3 2 |
<-------3x------------->
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| 2 2 7 | 5 4 4 5 4 |
| 0 0 6 5 | 3 0 2 0 2 3 2 |
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| Gradually Bend 12/ |
| 12hb 14 12 14 14fb 14/ |
| 12 14 12 14 14fb |
| 15 12 |
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W/Wah
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| 2 |
| 2 2 2 2 2 2 2 3 2 2 2 2 2 2 2 2 3 |
| 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 |
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| 32 32 |
| 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 |
Somethings wrong, shut the light, heavy thoughts tonight
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| 2 2 2 2 2 2 2 5 4 4 5 4 |
| 0 0 0 0 0 0 0 3 0 2 0 2 3 2 |
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| 12fb 12fb 12fb |
| 12hb 12fb 12fb |
| 14/ |
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| 0 0 0 0 0 0 0 |
W/Wah
And they arent of snow wh-------ite
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| 2 |
| 2 2 2 2 2 2 2 3 2 2 2 2 2 2 2 2 3 |
| 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 |
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| 32 32 |
| 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1 |
Dreams of war, dreams of lies, dreams of dragons fire
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| 2 2 2 2 2 2 2 5 4 4 5 4 |
| 0 0 0 0 0 0 0 3 0 2 0 2 3 2 |
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| 5 4 4 5 4 |
| 0 0 0 0 0 0 0 3 0 2 0 2 3 2 |
And of things that will bite, yeah!
Pre chorus.
| 3x |
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| 3 2 | 4 4 4 4 2 3 4 |
| 2 | 2 2 2 2 0 1 2 |
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Sleep with one eye open, Gripping your pillow tight.
Chorus
|------3x------|
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Exit Light
Enter Ni-ight
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Take my hand
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| 2 |
| 5 4 4 5 4 2 |
| 3 0 2 0 2 3 2 0 |
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We\'re off to never-never land
For the solo, James plays the main riff twice, then his part of
The prechorus, and his part of the chorus. Its amazing how well
The solo fits in.
W/Wah
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| 15 15 15 12 15 12 12 15fb 15bfb / |
| 14hb 14hb 14hb 14fb 14fb 14hb 14 |
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Rock back and forth on pedal
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| 12/14 14 14 1412 12 12 12/14 14 14 1412 12 12 |
| 10/12 12 12 1210 10 10 10/12 12 12 1210 10 10 |
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| 14p12 |
| 14 14p12 |
| 14 14p12 |
| 15 12~~ |
| 12 10 12 12 10 12 12 12 12 12 12 12 |
| 15fb 15fb 15fb 15fb |
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| 12 12 12 15 12 15p12h15 12h15p12 12 15 12 12 14 14 |
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| 17p14 17p14 17p14 19p15 19p15 19p15 |
| 14 14 17 17 |
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| 21p17 21p17 21p17 22fb~~~~~~(R)/ |
| 17 17 17 9hb 9hb 9 |
| 9fb 9fb 9 |
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| 9hb 9hb 10 10 8 7 7/87 7 |
| 9fb 9fb 7 9 7 9 9 9 7 7 |
| 7h9 9 |
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Lots of wah. Treble on all notes in
16th fret. Bass on 14th.(toe up)
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| 9p7 16fb 14 14 16 16fb 14 14 |
| 9p7 7 9 7 16 16 |
| 9 9 6 7 |
| 10 7 |
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| 16 16fb 14 14 16 16fb 14 14 |
| 16 16 16 |
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Note : Slowly release bend while tremelo picking.
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| 17 17 17 |
| 16bfb 16hb 16fb 16fb (R) |
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| 21p17 21p17 21p17 21p17 21p17 21p17 |
| 17 17 17 17 17 17 |
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| 22fb 21 22 22fb 21 22 22fb~~~~~ 22 |
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| 10p9p8p7 |
| 9 9p7 |
| 9 9p7 5 7fb 5~~ |
| 7~~~~~~~~~ 5h7 |
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| 4~~~~~~~~~~ 0 2 2 2 2 2 2 2 2 2 2 2 |
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Wah off. Dip bar and release on each stroke.
Back to the usual tab form.
Play 4x
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| 8x |
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| 2 | |
| 4 | |
| 3 2 | 4 4 4 4 2 3 4 |
| 2 | 2 2 2 2 0 1 2 |
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Chorus
|------3x------|
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Exit Light
Enter Ni-ight
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Grain of sand
|------3x------|
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Exit Light
Enter Ni-ight
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Take my hand
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| 2 |
| 5 4 4 5 4 2 |
| 3 0 2 0 2 3 2 0 |
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We\'re off to never-never land
<-------2x-------------->
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<-------4x-------------->
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| 2 2 7 | 5 4 4 5 4 |
| 0 0 6 5 | 3 0 2 0 2 3 2 |
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| 2 2 7 | 5 4 4 5 4 |
| 0 0 6 5 | 3 0 2 0 2 3 2 |
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| 2 2 5/7 2 2 3 2 2 5/7 2 2 3 |
| 0 0 6 5 0 0 1 0 0 6 5 0 0 1 |
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Repeat and fade.
===================
For a Big ending while plaing it Live just do this:
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| 2 |
| 5 4 4 5 4 2 |
| 3 0 2 0 2 3 2 0 |
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| 2 |
| 5 4 4 5 4 2 |
| 3 0 2 0 2 3 2 0 |
2.Sad But True
FIG 1 END FIG 1
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| 2 2 2 2 | 3 3 | 2 | |
| 2 2 2 2 | 3 3 | 2 /7 6 5 | 3H5P3H5P3H5P3H5P3H5P3H5P3H5P3H5P3H5 |
| 0 0 0 0 | 1 1 | 0 | |
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PLAY FIG 1.
FIG 2
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| 2 2 2 |
| 2 2 2 5P0 1P0 |
| 0 0 0 3P0 |
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| 2 2 2 |
| 2 2 2 5P0 5 5 |
| 0 0 0 |
VERSES 1,2 AND 3
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| | 3 | X 4 EACH T | ME |
| 2 2 2 2 2 0 2 2 | 2 2 2 2 2 3 2 2 |
| 2 2 2 2 2 0 2 2 | 2 2 2 2 2 1 2 2 |
| 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 |
CHOURS
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| 3 3 0 3 2 | 3 3 0 |
| 3 3 0 3 2 | 3 3 0 7 7 7 7 |
| 0 0 0 0 0 | 0 0 0 5 5 5 5 |
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| 7 7 8 8 5 7 5 5 5 5 |
| 5 5 6 6 3 5 3 3 3 3 |
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| | X 2 |
| 5 5 5 5 |
| 5 5 3 3 3 3 3 3 |
| 3 3 0 1 1 0 |
REPEAT FIG 2 FIVE TIMES.THEN
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| 2 2 2 5P0 5 5 | 2 2 2 0H1P0 |
| 0 0 0 | 0 0 0 0 3 3 |
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| /7 6 5 2 ~~~~~~~~~~ | /7 6 5 3 ~~~~~~~~~ | /7 6 5 2 ~~~~~~~~ |
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| 5 4 3 | 5 4 3 | |
| | 2 | 3 2 |
| /7 6 5 4 | | 2 3 5 3 5 3 |
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Solo 1
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| 2/12 12 12 12 |
| 3/13 12 12 12 |
| 14\ 12 14 |
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| 12 |
| 12 |
| 14 14 12 14 12 \ 12 14 |
| 14 ** 14 |
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| 12 |
| 12 9p7p6 |
| 14 12 14 9 7 9 \ |
| 14 ** ** |
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| 4 h 5p4 4 |
| 7 7 5 4 9 s 5 s |
| 5 7 |
| ** |
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| 12 15p12 15p12 12 12 15p12 12h15p12 12h15p12 |
| 14^ 14^ 14^ 14 14 12 |
| 14 14 |
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| 12 |
| 12 14 12 |
| 12 h14 14 14 12 |
| 14 12 s10 12 10 |
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| 14^ r 14^ r 14^ r 12 |
| 14^ r 14^ r 14^r12 12 14 14^ r 12 12 12 |
| 14 14 14 |
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| 14^ r 12 14^ r 12 14^ r 12 14^ r |
| 14^ r 12 14^ r 12 14^ r 12 14^ r 12 14^ |
| 12 |
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| 12 12 13 12 13 15 15 15 |
| 12 12 14 12 14 14^ |
| 12 12 14 12 14 14 |
| 14 12 14 14 |
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| 12h15p12 12 12 12 15p12 12 12 12 12 12 15p12 |
| 15 15p13 13 15p13 13 15 |
| 14 14 |
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Solo 2
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| 4^ 4^ 4^ 4^ 4^ 0 |
| Semi harmonics 2 |
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| 12 12 x 12 12 12 12 12 12 x 12 12 12 |
| 12 12 x 12 12 12 12 12 12 x 12 12 12 |
| /14 14 |
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| 12 12 12 |
| 12 15^ 15^ 15^ \ |
| 14^ |
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3.Holier Than Thou
Intro Rhythm 1
____ ___3___ ___3___ ____ repeat umpteen times....
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| /^\ | | | | | | | | | | / | |
| 2 | [2] | | | | | | | | 2 | |
| 2 | [2] | | | | | | | | 2 | |
| 0 | [0] 0 0 0 0 0 0 0 0 0 | |
(brackets signify the chord is held over from previous measure..)
Lead in to rhythm 2
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| | 0 1 0 /^\ 0^1 /^\ 0^1 | |
| | 3 5 3 0 | [0] 0 3 5 3 0 | [0] 0 3 5 3~~~~ | |
/\ P.M.-------| P.M.---| (~ = vibrato)
Hold on 1st time only ___/
P.M. and pick otherwise...
Rhythm 3 (accompanies lyrics)
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| 2 | 5 | |
| 0 1 0 2 | 0 1 0 5 | |
| 3 5 0 | 3 5 3 | |
PM-|
End of verse riff
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| 2 | |
| 0 1 0 2 | |
| 3 5 3 6 6 6 6 6 5 3 0 | |
Riff before solo (Repeat once) (Repeat twice with this added to end)
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| 5 7 8 8 7 5. | 5 7 |
| 7 4 6 7 7 4 6 7 | 8 |
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Repeat the riff and the extra end and end it like this
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| 5 7 5 7 5 7>slide>14 | |
| 9 10 11 | |
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4.The Unforgiven
Intro:Starts with a horn
rythm: clean electric
or acoustic guitar:Jaymz
(with fingers)
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| 0 0 0 0 1 |
| 2 2 2 2 2 |
| 2 2 2 2 2 |
| 0 |
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Keep repeating along with the lead
Guitar until the verse starts.
lead:clean electric guitar:Kirk
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| 2 4 4h5 5 4 2 2 4 4h5 5 2 |
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Repeat this one more time, then the drums and
bass come in, and a similar sounding but
different line is played....
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| 2 4 4h5 5 5 5 4 4\ 2 2h4 2 |
| 5 2 |
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| 5 5 5 3 |
| 2 4 4h5 4 4\ 1 /4 1 2h4 2 |
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Verse 1: Im going to put in Kirk's part of the song.
If you want Jaymz's part of the verses,which is nothing
but a few power chords, go to the CHORD section for the
unforgiven in OLGA..I recently added a correct file to that also.
Kirk's part (Played right along with the words.)
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| 8 8 7 7 |
| 7 5 4 4h5 5 5 7 |
| 5 |
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Keep repeating throughtout..
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| 5 4 2 0 |
| 0 0 0 0 |
| 00 00 00 00 |
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"on and on. He's known"
Play Kirk's intro part for the chorus
Then for the next verse, repeat the same
As the first verse.
Then, we get ready for the interlude and the solo
(for all of you who dont know, an interlude is
The part right before the distortion sounding solo)
Interlude w/ reverb
Played by Kirk
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| 0 1 3 5 3 1 0h1/3 |
| 4 5 7 5 4h5p4 4 |
| 7 7 5 5h7 |
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| 3\5 3 2 |
| 3\5 3 3 3h5h3 3 |
| 4 5 |
| 5 5 5 5/7 |
| 3/5 6 7 |
| 3 5 |
| 7 7 10 12 14 15 17 |
| 8 7h8p7 7 8 10 8 8 8 8 8/10 10 10/12 12 12 14 |
| 9 |
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Solo: also by Kirk (i didnt figure this out, my friend did)
w/ distortion
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| 7^ 7^ |
| 7^ 7^ 5 5 7 5 7 7/9 7 9 |
| 7 7^ 5 /7 |
| 7 5/3 5 3 3^ |
| 5 3 5 |
(extreme repeated bending)
| 10 8 10 |
| 7 7 8 7h8 10 10 10 10 10 10 20^^^^^^^^^ 17 |
| 9 |
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| 20^ 20^^^ 17 17 20p17 17 10p9 7 9 9 |
| 20 20^ 10 8 7 7 |
| \9 9 |
| 17\ |
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| 12 12 12 12 |
| 13 13 13 13 13 |
| 9 7\5 7 5\4 5 4 2 \14 14 14 14 14 |
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| 12 12 12 17 19 20 |
| 13 13 13 20^ 20^ |
| 14 14 14 19^ 19^ 17 |
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| 19 17 19 17h19p17 17 |
| 20^ 20 17 20 17 |
| 19^ 19 19^p17 19^p17 19^ 19^ 17 |
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| 20~~~ 18h20p18 17~~~~~ 18p17~~~~~~~~~~ |
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5.Wherever I May Roam
(INTRO) (SYNTHIZIZED GUITAR 1)(SITAR ARR.)(2x)
| E | |
| B | 5 5/6 5 8 8/10 6 5 5 5/6 5 |
| G | |
| D | 2 2/3 2 5 5/7 3 2 2 2/3 2 |
| A | |
| E | 0 0 |
THEN YOU PLAY THIS ONCE...
| E | |
| B | 5 5/6 5 8 8/10 10/6 5 |
| G | |
| D | 2 2/3 2 5 5/7 7 /3 2 |
| A | |
| E | 0 0 0 |
(INTRO) (GUITAR 2)(PLAYED SIMALTAINIOUSLY WITH GUITAR 1)(2x)
| E |
| B |
| G 7 7h8 7~~~ 12 12h13 8~ 7~~~7 7h8 7~~~ |
| D |
| A |
| E |
(RIFF A) (BOTH GUITARS) (2x)
In this riff you can add the strings in
the optional indications to give the chord extra power.
It sounds more accurate to the way METALLICA plays it.
You can also add vibrato to give a cool sound.)
| E | |
| B | |
| G | 7 7/9 |
| D | 9 9/10 9 5 5/7 10 9 9 9/10 9 |
| A | 2 7 7/8 7 8 7 7 7/8 7 |
| E | 0 (0) (0) 0 (0) (0) |
THEN...
| E | |
| B | |
| G | |
| D | 7 8 9 10\\ |
| A | 7 8 9 10\\ |
| E | 5 6 7 8 \\ |
(MAIN RIFF) (BOTH GUITARS)
| E | |
| B | |
| G | 7 7/9 |
| D | 9 9/10 9 5 5/7 10~ 9 9 9/10 9 7 8 9 10 |
| A | 2 7 7/8 7 7 8 ~ 7 7 7/8 7 7 8 9 10 |
| E | 0 0 0 5 6 7 8 |
| E | |
| B | |
| G | 7 7/9 |
| D | 9 9/10 9 5 5/7 10~ 9 9 9/10 9 7 8 9 10 |
| A | 2 7 7/8 7 7 8 ~ 7 7 7/8 7 7 8 9 10 |
| E | 0 0 0 5 6 7 8 |
| E | |
| B | |
| G | 7 7/9 |
| D | 9/10 9 5 5/7 10~ 9 9 9/10 9 7 8 9 10 |
| A | 5 6 7 8 7/8 7 7 8 ~ 7 7 7/8 7 7 8 9 10 |
| E | 0 0 5 6 7 8 |
THEN YOU PLAY THIS...
| E | |
| B | |
| G | 0 |
| D | 2 3 2 |
| A | 5 6 7 8 2 3 2 |
| E | 0 1 0 |
(VERSE 1) (GUITAR 1)(MEASURE 1)
| E | |
| B | |
| G | (2) |
| D | 2 8 2 8 |
| A | /12 2 8 0 8 |
| E | /10 0 6 6 |
(MEASURE 2)
| E | |
| B | |
| G | (2) |
| D | 2 8 2 8 |
| A | 2 8 0 8 |
| E | 0 0 0 6 6 |
(VERSE 1) (GUTIAR 2)(Once guitar 1 plays measure 1,
Then guitar 2 comes in with this clean riff over guitar 1 measure 2)
(PRE-CHORUS)
| E | |
| B | |
| G | 7 7/9 |
| D | 3 3 4 5 9 10 9 5 5/7 10~ 9 9 9/10 9 |
| A | 1 1 2 3 5 6 7 8 7 8 7 7 8 ~ 7 7 7/8 7 |
| E | 0 0 |
(CHORUS)
| E | |
| B | |
| G | |
| D | 7 8 9 10 3 3 3 3 3 2h3 2 2 2 2 2 2 2h3 2 |
| A | 7 8 9 10 3 3 3 3 3 2 2 2 2 2 |
| E | 5 6 7 8 1 1 1 1—1 1 1 1 1 0 0 0 0 0 0 0 0 0 |
| E | |
| B | |
| G | 3 3 3 3 3 |
| D | 3 3 3 3 3 2h3 2 |
| A | 1 1 1 1 1 1 1 1 1 |
| E | |
(BRIDGE)
| E | |
| B | |
| G | 7 7/9 |
| D | 9 9/10 9 5 5/7 10~ 9 9 9/10 9 7 8 9 10 |
| A | 2 7 7/8 7 7 8 ~ 7 7 7/8 7 7 8 9 10 |
| E | 0 0 0 5 6 7 8 |
| E | |
| B | |
| G | 7 7/9 |
| D | 9 9/10 9 5 5/7 10~ 9 9 9/10 9 7 8 9 10 |
| A | 2 7 7/8 7 7 8 ~ 7 7 7/8 7 7 8 9 10 |
| E | 0 0 0 5 6 7 8 |
| E | |
| B | |
| G | |
| D | 2 3 |
| A | 5 6 7 8 2 3 |
| E | 0 1 |
(VERSE 2) (GUITAR 1)(MEASURE 1)
| E | |
| B | |
| G | (2) |
| D | 2 8 2 8 |
| A | /12 2 8 0 8 |
| E | /10 0 6 6 |
(MEASURE 2)
| E | |
| B | |
| G | (2) |
| D | 2 8 2 8 |
| A | 2 8 0 8 |
| E | 0 0 0 6 6 |
(VERSE 2) (GUTIAR 2)
(Just do the same thing as you did in verse 1)
(PRE-CHORUS)
| E | |
| B | |
| G | 7 7/9 |
| D | 3 3 4 5 9 10 9 5 5/7 10~ 9 9 9/10 9 |
| A | 1 1 2 3 5 6 7 8 7 8 7 7 8 ~ 7 7 7/8 7 |
| E | 0 0 |
(CHORUS)
| E | |
| B | |
| G | |
| D | 7 8 9 10 3 3 3 3 3 2h3 2 2 2 2 2 2 2h3 2 |
| A | 7 8 9 10 3 3 3 3 3 2 2 2 2 2 |
| E | 5 6 7 8 1 1 1 1—1 1 1 1 1 0 0 0 0 0 0 0 0 0 |
| E | |
| B | |
| G | 3 3 3 3 3 |
| D | 3 3 3 3 3 2h3 2 |
| A | 1 1 1 1 1 1 1 1 1 |
| E | |
(BRIDGE)
(SOLO 1) (WELL, IT ISN'T MUCH OF A SOLO, BUT WHO CARES)(GUITAR 1)
| E | |
| B | |
| G | 9~~ |
| D | 6h7 6~~ 9h10 |
| A | 2 /7 7h8 7~~ |
| E | 0 |
| E | |
| B | |
| G | 8 9 11/12 8~~~ |
| D | 6 7 9 10 |
| A | 2 7 8 |
| E | 0 0 0 |
(GUITARS 1&2)
| E | |
| B | 8 |
| G | 4 5 4 8 9 9 |
| D | 6 7 6 6 7 6 9 10 |
| A | 2 2 7 8 7 |
| E | 0 0 0 |
| E | |
| B | 7 8 10 12 7~~~ |
| G | 4 5 8 9 8 9 11 12 8~~~ |
| D | 6 7 6 7 9 10 |
| A | 2 2 7 8 |
| E | 0 0 0 |
(CHORUS)
| E | |
| B | |
| G | |
| D | 3 3 3 3 3 2h3 2 2 2 2 2 2 2h3 2 |
| A | 3 3 3 3 3 2 2 2 2 2 |
| E | 1 1 1 1—1 1 1 1 1 0 0 0 0 0 0 0 0 0 |
| E | |
| B | |
| G | 3 3 3 3 3 |
| D | 3 3 3 3 3 2h3 2 |
| A | 1 1 1 1 1 1 1 1 1 |
| E | |
(BRIDGE)
(FINAL BRIDGE)
| E | 3 1 |
| B | 0 1 |
| G | 5 3 3 1 0 2 |
| D | 2 5 5 3 3 2 0 3 |
| A | 0 5 3 1 1 2 2 3 |
| E | 3 3 1 0 3 1 |
6.Don't Tread On Me
Rhy. Fig 1---------------------------------------------------------------|
12/8 time two guitars
p.m. -| p.m. -| p.m. ------| (cont muting pattern)
| | | |
| | | |
| | | 9 9 9 |
| | | 9 9 9 2 2 2 9/11 |
| 2 2 2 2 2 | 2 2 2 2 2 | 2 2 2 2/4 12 7 |
| 0 0 0 0 0 | 0 0 0 0 0 | 5 0 |
| | |
| | |
| 9 9 9 9/11 | 121212 11 |
| 9 9 9 2 2 2 2/4 13 | 121212 5 5 5 4 12 |
| 2 2 2 8 9 | 5 5 5 5 12 |
| 7 | 5 |
6/8 time 12/8 time
p.m.---------------| let ring--------------------------| w/Rhy Fig 1 (3x)
| | | | |
| | | | |
| | 9 | | |
| 10 10 10 | 9 2 9 | (9) | |
| 10 10 10 3 3 3 | 2 2 | (2) | |
| 3 3 3 | | | |
Rhy. Fig. 2
p.m.--| p.m.---| p.m.-----| (sim.)
| | | |
| | | |
| | | |
| | 3 3 | 3 |
| | 2 2 2 1 3 2 2 1 3 | 2 2 2 1 3 2 3/5 3 |
| | 0 0 0 1 0 0 1 | 0 0 0 1 0 1/3 1 |
(end Rhy Fig 2) w/Rhy Fig 2 (2x)
| | | |
| | | |
| | | |
| 3 3 | 3 | |
| 2 2 2 1 3 2 2 1 3 | 2 2 2 1 3 2 3/5 3 | |
| 0 0 0 1 0 0 1 | 0 0 0 1 0 1/3 1 | |
Riff A w/slide
| | | | |
| | | | |
| | /12 \ 11 9 | (9) /12\11 9 9 | /12 \ 11 9 |
| | | | |
| | | | |
| | 0 | | 0 |
Don't tread on me
(end Riff A) Rhy Fig 3
| | | | |
| | | | |
| (9) /12\11 9 9 | o | | |
| | o | | |
| | 2 2 2 2 2 | 2 2 2 3 3 | 4 4 4 5 5 |
| | 0 0 0 0 0 | 0 0 0 1 1 | 2 2 2 3 3 |
Liberty or...
(end Rhy Fig 3) w/Rhy Fig 2
| | | | |
| | | | |
| | | | |
| 7 | | | |
| 6 6 6 7 8 5 | | | |
| 4 4 4 5 6 7 | | | |
Never begins...
w/Rhy Fig 2 (1st 2 bars only)
...rage. Say,
Rhy Fig 4
| | | |
| | | |
| | | |
| 4 | 2 | |
| 2 222 2 2 2 222 5 2 2 | 2 222 0 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 0 000 0 0 000 3 0 0 | 0 000 0 0 6 0 5 0 3 0 | 0 0 0 0 0 0 0 0 0 0 |
don't tread on me So be it
(end Rhy Fig 4)
| | | |
| | | |
| | | |
| 2 | 8 8 8 8 8 8 8 | 2 3 |
| 2 2 2 2 2 2 0 | 5 5 5 5 5 5 5 | 5 5 6 0 1 |
| 0 0 0 0 0 0 2 3 | | 3 3 4 |
threaten no more to secure peace war
w/Rhy Fig 4 (1st 3 bars only)
| | | | |
| 9 | | | |
| 7/9 | | | |
| | | | |
| | | | 5 5 5 5 5 |
| | | | 3 3 3 3 3 |
|--------------------------------------------------
|1.
w/Rhy Fig 2 & Riff A
| | | | |
| | | | |
| | | | |
| | | | |
| 2 222 5 2 222 5 2 2 | | | |
| 0 000 3 0 000 3 0 0 | | | |
--------------------| |-------------------- Guitar Solo
| |2. FINE|w/Rhy Fig 2 (2x)
| | 6/8 time 12/8 time
| | | | |
| | | | tr~~~tr~~~tr~~~tr~~ |
| o | | | 12(0)11(0)12(0)11(0 |
| o | | | |
| | 5 555 5 8 5 3 | | |
| | 3 333 3 6 3 1 | | |
Don't tread on me!
1/2
F F F
| | 12 F 12 | |
| /12 11 10\ | 15^ 15^ 15 12 12 | 15 |
| 12 (0) 11 (0) | 14^ | 12 H 14^ |
| | | 14 12 12 14 14^ |
| | | 14 |
| | | |
1/2 1/2
F F F F F F F 2
| P | | |
| (14) 12 | 12 14^ 12 | 12 14^ 12 |
| (14) 12 | 14^ 12 14^ 14^ 14^ 12~~~~~ | 14^ 14 14^ 14^ 14^ 12~~~~~ |
| 14~~~~~ | | |
| | | |
| | | |
F H P P H P P P H P
| 15^ 15141514121412 | |
| 14151412 1412\1012 | 14 12 14 12 14 12 |
| 14 121412 | 14 12 14 12 14 12 |
| 14 | 14 14 |
| | |
| | |
P
| | 1712 12 12 | |
| | 17 12 12 12 P | |
| | 12 1712121212 P | |
| 14 14~~~~~~ | 121712121212 | H |
| | | 12 17 12\1012 10 |
| | | |
H P ph P p h P ph H P
| | |
| | 13 |
| 12 | 9129 1310 11 129 101310 13 14 |
| 14~~~~\ | 10910 111011 1091010 11 |
| 10 12/14 | |
| 12 | |
H F F
| | 19 / 13 14 |
| 16 14 16 14 17 15 17 15 | 19 17 1517 16^ 17^ |
| 16 14 16 14 17 15 17 15 | 16 19 |
| 16 16 17 17 | |
| | |
| | |
F
| 22^ ~~~~~ | | |
| | | |
| | | |
| | | 2 |
| | 2 222 5 2 2 222 5 2 2 | 2 222 0 2 2 P P |
| | 0 000 3 0 0 0 000 3 0 0 | 0 000 0 0 6 0 0 5 0 0 |
| | | |
| | | |
| | | |
| | 2 | |
| 2 222 5 2 2 2 222 5 2 2 | 2 222 0 2 2 P P | 2 222 5 2 2 2 222 5 22 |
| 0 000 3 0 0 0 000 3 0 0 | 0 000 0 0 6 0 5 0 3 0 | 0 000 3 0 0 0 000 3 00 |
Chorus
w/Rhy Fig 4
So be it threaten... to secure peace ...war
w/Rhy Fig 3 F 1/2 F
| | | H |
| F | 17^15^ | 1517 \ 14 12 12 |
| 12 \ | \ | | 14 12 12 |
| 12 \ 14 12^ | (12) | |
| | | |
| | | |
Liberty or...
1/2 1/2 1/2
F F F D.S. (take 2nd ending) al Fine
| | |
| | | ^^^ |
| 14^ 14^ 14^ 12 \ | 9 | What this means is go back to |
| 14^ 14^ 14^ 12 \ | 7/9 | the repeat, take 2nd ending |
| | | again, and then stop at Fine. |
| | |
tail. So be it,
7.Through The Never
16x Riff A 3x Fill 1 Riff A 3x
| | | | | | |
| | | | | | |
| . . | | . . | | | |
| . . | | . . | | | |
| 4 | 2 2 5 | 4 3 | 4 5 | | 2 2 5 |
| 0 2 2 | 0 0 3 | 0 2 2 0 2 2 | 0 2 2 0 2 3 | | 0 0 3 |
PM..... PM............. PM.........
Riff A 3x Fill 1 Riff A 3x
| | |
| | |
| | 2 3 2 0 |
| | 2 3 2 0 3 2 0 3 |
| | 2 2 3 2 0 3 |
| | 0 0 |
PM.....
Rhy Fig 1
| | | | | | |
| | | | | | |
| . | | | | 2 3 | 2 3 2 0 . |
| . | | | | 2 3 | 3 2 0 2 3P2. |
| | | | | | |
| 0 0 0 0 | 0 0 0 0 | 0 0 0 0 | 0 0 0 0 | 0 0 | |
PM................................... PM PM
3x
| | | | | | | |
| | | | | | | |
| . | | | . | 2 3 | | |
| . | | | . | 2 3 | | |
| | | | | | | |
| 0 0 0 0 | 0 0 0 0 | 0 0 0 0 | 0 0 0 0 | 0 0 | 0 0 0 0 | 0 0 0 0 |
PM................................... PM PM PM...............
| | | | | | | |
| | | | | | | |
| | | | | | | |
| | | | | | | |
| | | | | | | |
| 0 0 0 0 | 0 0 0 0 | 3 3 3 3 | 3 3 3 3 | 3 3 3 3 | 3 3 3 3 | 2 2 2 2 |
PM.................................................................
end Rhy Fig 1
| | | | | |
| | | | | |
| | | | 2 3 | 2 3 2 0 |
| | | | 2 3 | 3 2 0 3 |
| | | | | |
| 2 2 2 2 | 2 2 2 2 | 2 2 2 2 | 0 0 | |
PM......................... PM PM
GTR I (Rhy Fig 2) (end Rhy Fig 2)
| | | | |
| | | | |
| | | | |
| | | | |
| 4 3 | 4 3 | 4 3 | 4 3 |
| 0 2 2 0 2 2 | 0 2 2 0 2 2 | 0 2 2 0 2 2 | 0 2 2 0 2 2 |
| PM............. | ............... | ............... | ............... |
| | | | |
|GTR II(Rhy Fig 2)| | | (end Rhy Fig 2)|
| | | | |
| | | 7 | |
| | | 6 5 4 | |
| | | | 4 |
| 4 3 | 4 3 | | 4 3 2 |
| 0 2 2 0 2 2 | 0 2 2 0 2 2 | | |
PM............. ...............
________________________
Rhy Fig 3 |
3x 3x Riff A 3x Fill 1 Riff A 3x
| | | |
| | | |
| . . | . . | |
| . . | . . | |
| 2 4 4 | 2 4 2 4 | 5 |
| 0 2 2 2 2 | 0 2 0 2 | 3 |
Rhy Fig 1 Rhy Fig 2 Rhy Fig 3
| | | |
| | | |
| 2 3 2 0 | | 2 3 2 0 |
| 2 3 2 0 3 2 0 3 | | 3 2 0 |
| 2 2 3 2 0 3 | | |
| 0 0 | | |
PM.....
(solo) 14x 14x 3x 6x
| | | | | | |
| | | | | | |
| | . . | . | . . | . . | . . |
| | .2 4 4 4. | . | . . | . . | . . |
| 4 2 2 2 2 | 0 2 2 2 | 4 2 2 2 2 | 5 7 7 7 | 2 4 4 | 2 4 |
| 2 0 0 0 0 | | 2 0 0 0 0 | 3 5 5 5 | 0 2 2 2 2 | 0 2 |
Heavy PM... Heavy PM... PM..................
| | | | | | | |
| | | | | | | |
| | | | | | | |
| | | | | | | |
| | | | | | | |
| 0 0 0 0 | 0 0 0 0 | 0 0 0 0 | 0 0 0 0 | 0 0 0 0 | 0 0 0 0 | 0 0 0 0 |
PM.................................................................
12x 4x
| | | | | | |
| | | | | | |
| | | . | . | | . . |
| | | . | . | | . . |
| | | 2 5 | 5 7P5 | 2 4 2 4 | 3 |
| 0 0 0 0 | 0 0 0 0 | 0 0 0 3 | 0 0 /6(6) 6 | 0 2 0 2 | 0 2 2 |
PM............... PM. PM.
| Rhy Fig 2 Rhy Fig 3 | | Riff A 3x | |
| | | | |
| | | | |
| | | | |
| | 5 | | 5 5 |
| | 3 | | 3 3 |
8.Nothing Else Matters
Intro -
| 0 | 0 | 0 |
| 0 0 | 0 0 | 0 0 |
| 0 0 | 0 0 | 0 0 |
| | | |
| | | |
| 0 | 0 | 0 |
| 0 7 | 7 7p0 | 7 8 7h8/5 | 7 5/2 |
| 0 0 | 0 0 0 | 0 0 0 | 5 |
| 0 | 0 0 | 0 | |
| | | | |
| | | | |
| 0 | 0 | 0 | |
| 2p0 | 0 0 0 | 0 3p0 0 |
| 5 5 5 | 5 5 5 | 5 5 5 5 |
| 5 5 | 5 5 5 | 5 5 5 5 5 |
| | | |
| 0 | 0 0 2 | 3 3 3 |
| | | |
| 0h5p0 | 12^ |
| 7 7 7p0 0h5 | 12^ 12^ 0 |
| 7 7 7 | 12^ 0 | ^ harmonic |
| | |
| 5 5 | |
| | 0 |
| 0 | 0 | 0 |
| 0 0 | 0 0 | 0 0 |
| 0 0 | 0 0 | 0 0 |
| | | |
| | | |
| 0 | 0 | 0 |
| 7 | | 7 | |
| 8 | 7 5 | 8 | 7 5 |
| 9 | 7 5 | 9 | 7 5 |
| 9 | 7 5 | 9 | 7 5 |
| 7 | 5 3 | 7 | 5 3 |
| 0 | | 0 | |
| 7 | | |
| 8 | 7 5 | 3 4 |
| 9 | 7 5 | 4 2 |
| 9 | 7 5 | 5 4 |
| 7 | 5 3 | 2 |
| 0 | | 3 |
| 0 | 0 | 0 | 12^ |
| 0 0 | 0 0 | 0 0 | 12^ |
| 0 0 | 0 0 | 0 0 | 12^ |
| | | | |
| | | | |
| 0 | 0 | 0 | |
Verse -
| 3 0 | 2 3 0 |
| 0 0 | 3 3 |
| 0 0 0 | 0 0 |
| | 0 0 |
| | 3 |
| 0 | 3 2 |
| 3 0 | 2 |
| 0 0 | 3 3 3 |
| 0 0 0 | 2p0 0 |
| | 0 0 |
| | 3 |
| 0 | 3 2 |
| 3 0 | 2 3 3 | 3 2 2 |
| 0 0 | 3 3 | 3 0 0 |
| 0 0 0 | 0 0 | 0 2 |
| | 0 0 | |
| | 3 | 2 2 |
| 0 | | 3 |
| 0 0 | 0 |
| 0 0 | 0 0 |
| 0 0 | 0 |
| | |
| | |
| 0 | 0 3 2 |
Chorus -
| 0 | 2 2 2 2 3 2 0 2 | 0 | 2 2 2 2 3 2 0 2 |
| 1 2 | 3 3 3 3 3 3 3 3 | 1 2 | 3 3 3 3 3 3 3 3 |
| 0 2 | 2 2 2 2 2 2 2 2 | 0 2 | 2 2 2 2 2 2 2 2 |
| 2 2 | 0 0 0 0 0 0 0 0 | 2 2 | 0 0 0 0 0 0 0 0 |
| 3 0 | | 3 0 | |
| | | | |
| 0 | 2 2 2 2 | 0 |
| 1 2 | 3 3 3 3 | 0 |
| 0 2 | 2 2 2 2 | 0 |
| 2 2 | 0 0 0 0 | 2 |
| 3 0 | | 2 |
| | | 0 |
Solo I �
Guitar I -
| 12 14 | 15 17 | 8 8 |
| 12 12 | 12 12 | 5 5 |
| | | 5 5 |
| | | |
| | | |
| | | |
Guitar II -
| 15 17 | 19 20 | 12 |
| 17 17 | 17 17 | 13 |
| | | |
| | | |
| | | |
| | | |
Guitar I -
-5-----------5\\----|--------0-----------|--------2-----------|
Guitar II -
Guitar I -
| 0 7 7 0 | 0 | 12 14 |
| 0 0 | 0 | 12 12 |
| 0 0 | 0 | |
| | | |
| | | |
| | 0 | |
Guitar II -
Guitar I -
| 15 17 | 8 8 | 8 |
| 12 12 | 5 5 | 5 5 |
| | 5 5 | 5 5\\ |
| | | |
| | | |
| | | |
Guitar II -
Guitar -
| 0 0 | 0 0 | 0 7 7 0 |
| 1 1 | 3 3 | 0 0 |
| 0 | 2 | 0 0 |
| | | |
| | | |
| | | |
Guitar II -
| 11/12 | | |
| 13 | | 12 12 |
| 12 | 12 12h14 12h14 14b | 12 |
| | | 14 |
| | | |
| | | |
Guitar I -
Guitar II -
| | |
| 15 15 15 | |
| 14 14b 14r 12 12 | |
| 14 12h14 | 14 |
| | |
| | |
Lead into solo -
| |
| |
| |
| |
| 7 7 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 0 |
Played Under Solo � (distorted)
| | |
| | |
| 9 9 | 7 7 5 |
| 9 9 | 7 7 5 |
| 2 2/7 7 7 | 5 5 3 |
| 0 | 3 2 |
Solo II � (distorted)
| 12 |
| 15 12 |
| 14b 14br 12 14 12 11h12p11 11 12 14 12 14b |
| 14 12 14 |
| |
| |
| 12 14/15 |
| 12 15p12 12 14 14 13 |
| 14b 15 15 14 12br 14 14 13 12\\ |
| 14 |
| |
| |
| 14 15 14 15/17 15 14h15p14/12 15 14 |
| 12 12 12 15 |
| 12 14 12 14b |
| |
| |
| |
| 12 |
| 12 15 15b 12 15b |
| 12 12 14b |
| 14 |
| |
| |
-------------------|--------------------|
-12h15p12/-----7\\--|--5h7p5-------------|
Ending � repeat and fade out . . . .
| 0 0 | 0 7 | 7 7p0 |
| 0 0 | 0 0 | 0 0 |
| 0 0 | 0 | 0 0 |
| | | |
| | | |
| 0 | 0 | 0 |
| 7 8 7h8p7/5 | 7 5/3 0 |
| 0 0 | 0 |
| 0 | |
| | |
| | |
| 0 | |
9.Of Wolf & Man
1a) Jaymes
| E |
| B |
| G |
| D 2 2 2 2 2 2 2 2 |
| A 2 2 2 2 2 2 2 2 |
| E 0 0 0 0 0 0 0 0 |
1b) Kirk
| E |
| B |
| G |
| D 9 10 11 12�9 10 11 13 9 10 11 12 9 3 3 3 |
| A 7 8� 9 10�7 8� 9� 11 7 8� 9 �10 7 3 3 3 |
| E |
2) Jaymes
| E |
| B |
| G |
| D 4 3 |
| A 3 2 2� 1 |
| E 0 0 0 1 0� 0� 0 |
3) Both
| E |
| B |
| G |
| D 4 3 |
| A 3 2 2 1 |
| E 0 0 0 1 0 0 0 0 |
4a) Jaymes
| E |
| B |
| G |
| D |
| A 3 2 9 8~~~~~~~~ |
| E 0 0 0 1 0 0 7 0 6~~~~~~~~ |
4b) Kirk
| E |
| B |
| G |
| D |
| A 3 2 9 8 5h7p5p0 5h7 5 7 7\ |
| E 0�0 0 1 0 0 7 0 6� 5 7 |
5) Both | Twice |
| E | | |
| B | | |
| G | | |
| D 4 3 | 4 3 | 6 5 6� 5 |
| A 2 1 | 2 2 3 2� 2 1 | 2 2 3 2� 4� 3� 4 4 5 4 4� 3 |
| E 0 0 | 0 0 1 0 0 0 | 0 0 1 0 0� 0 2 2 3 2 0� 0 |
6) Both
| E |
| B |
| G |
| D |
| A 5 4 5 4 4 4 4 |
| E 2 2 2 3 2 2 2 2 3 2 2 2 2 14\ |
7a) Jaymes 3 times | |
| E | | |
| B | | |
| G | | |
| D | | 4� 3~~~~ 6 5 5 6 7 8 |
| A 3 2 | 5� 5� 3 3 | 2 2 3 2 2� 1~~~~ 4 3 3 4 5 6 |
| E 0 0 0 1 0 0 0 0 0 0 0 | 3� 3� 1 1 | 0 0 1 0 0 0 |
| E |
| B |
| G |
| D |
| A 3 2 9 8 5h7p5p0 5h7 5 7 7\ |
| E 0�0 0 1 0 0 7 0 6� 5 7 |
7b) Kirk
| |
| |
| 4p2p0 0 4p2p0 0 4p2p0 |
| 2 2 2p0 |
| |
| |
| |
| |
| 4p2p0 4p2p0 4p2p0 |
| 4p2p0 4p2p0 4p2p0 |
| 4p2p0 4p2p0 |
| |
| |
| |
| 12 14 14b(16) |
| 12h14 |
| 2p0 3p0 4p0 5p0 6p0 p7p0 8p0 9p0 9p0 10p0 11p0 12p0 12h14 |
| |
| | | |
| 12 15 12 15p12 | | 12h15p12 |
| 12 9s14 14b(16) | | 14 |
| 14 | | | x8 |
| | | |
| | | |
~~~~~~~~~~~~
| 12 12 |
| 15b(17) 15b(17) (17) 15p12 12 15p12 |
| 14b(16) |
| |
| |
| |
| 12 12 |
| 15p12 12 15p12 |
| 14b(16) 14b(16) 14p12 12 14b (16) |
| 14 |
| |
| |
~~~~~~~~~~~ *
| | |
| | 15 15 15 15 15 17p15 15 15 15 |
| 12 | 15 15 15 15 15 17p15 15 15 15 |
| 14 (14)\8/17 | 17 |
| | |
| | |
| |
| 17p15 |
| 17p15 15 17p15 15 17p15 15\ |
| 17 17 17 15 17 |
| |
| |
*
| |
| 8 8 |
| 8 8 10 8 10 10 |
| 10 8 10 10 |
| |
| |
| 8 |
| 11b(13) 11p8 8 11p8 11b(13) [13] [13] [13] [13] [13] [13] |
| 10b(11) |
| |
| |
| |
| |
| [13] [13] [13] [13] [13] [13] [13] [13] [13] [13] |
| |
| |
| |
| |
~~~~~~~~~
| | | | | |
| 14p12 | | 12 | (12) 12 | (12) (12)\ |
| 12h14p12 | | 12h14p12 12 | (12) 12 | (12) (12)\ |
| 14 14 | x4 | 14 12 14 | | |
| | | | | |
| | | | | |
8a) Both
| E | | |
| B | | |
| G | | |
| D | 6 5 | 4 5 6 7�5 6 7 8 |
| A 3 2 | 5 4 4 3 | 2 3 4 5�3 4 5 6 |
| E 0 0 0 1 0�0 0 0 0 0�0 | 2 2 2 3 2 2 2 2 | |
10.The God That Failed
| Eb | | | | |
| Bb | | | | |
| Gb | 12(12\9) | 12(12\9) | 16(16\9) | |
| Db | | | | |
| Ab | 10(10\7) | 10(10\7) | 14(14\7) | 2/ |
| Eb | | | | |
Guitar 2 plays the response to guitar1
| Eb | | | | |
| Bb | | | | |
| Gb | 16(16\9) | | 12(12\9) | 12(12\9) |
| Db | | | | |
| Ab | 14(14\7) | | 10(10\7) | 10(10\7) 10\ |
| Eb | | | | |
Guitars 1&2 play together (Riff A) P.M
(End Riff A)
| Eb | | | | |
| Bb | | | | |
| Gb | | | | |
| Db | 99 | 9 7 | | 9—454 |
| Ab | 10107 7 | 10107 7 10107 7 | 10107 557 | 10107 72—754\203 |
| Eb | 0 0 | | 0 0 | 0 5 |
Both guitars
P.M.... P.M.... P.M.... P.M.... P.M.... P.M.... P.M.... P.M...
Rhy fill 1
| Eb | | | | |
| Bb | | | | |
| Gb | | | | |
| Db | | | | |
| Ab | 22 2— 3 22 2 | 322 5 2 322 2 | 322 2 322 2 | 322 5 2 322 2 |
| Eb | 2 00 0— 1 00 0 | 100 3 0 100 0 | 100 0 100 0 | 100 3 0 100 0 |
1st and 2nd verses, but 2nd time substitute for Rhy fill 1
P.M.... P.M.... P.M.... P.M.... P.M.... P.M.... P.M.... P.M...
Rhythm figure 1 end rhythm figure 1
| Eb | | | |
| Bb | | | |
| Gb | | | |
| Db | | | |
| Ab | 3 2 2 2 3 2 2 2 | 3 2 2 5 2 3 2 2 2 | 3 2 2 2 3 2 2 2 |
| Eb | 1 0 0 0 1 0 0 0 | 1 0 0 3 0 1 0 0 0 | 1 0 0 0 1 0 0 0 |
P.M.... P.M.... P.M.... P.M.... P.M.... P.M.... P.M.... P.M...
| Eb | | | |
| Bb | | | |
| Gb | | | |
| Db | | | |
| Ab | 3 2 2 5 2 2 3 3 3 | 3 3 3 3 3 3 | 3 3 /5 5 3 3 3 |
| Eb | 1 0 0 3 0 0 1 1 1 | 1 0 1 1 1 0 1 1 | 1 0 1 /3 0 3 0 1 1 1 |
P.M.... P.M.... P.M.... P.M.... P.M....
| Eb | | | |
| Bb | | | |
| Gb | | | |
| Db | | | 9 9 |
| Ab | 3 3 3 3 3 3 | 3 3/5 5 5 2 | 10 10 7 7 |
| Eb | 1 0 1 1 1 0 1 1 | 1 0 1/3 0 3 3 00 0/7 | 0 0 |
Chorus
| Eb | | | |
| Bb | | | |
| Gb | | | |
| Db | 9 7 | 9 9 | 9 |
| Ab | 10 10 7 7 10 10 7 | 10 7 7 7 7 10 7 7 7 | 7 5 |
| Eb | 3/7 | 0 | 0 3 |
Rhythm Figure 2
| Eb | | | |
| Bb | | | |
| Gb | | | |
| Db | | | 9 9 |
| Ab | 9 9 | 9 7 | 10 7 7 7 7 10 7 7 7 |
| Eb | 10 7 7 7 7 10 7 7 7 | 7 5 | 0 |
End Rhythm Figure 2
| Eb | | | |
| Bb | | | |
| Gb | | | |
| Db | 9 | | |
| Ab | 7 5 | 9 9 | 9 9 |
| Eb | 0 3 | 10 7 7 7 7 10 7 7 7 7 | 11 7 7 7 7 11 7 7 7 7\ |
The next bit is simple and played with Riff A
| Eb | | | |
| Bb | | | |
| Gb | | | |
| Db | | | |
| Ab | 5 | | |
| Eb | 3 (3/7) | | |
(Guitars 1&2 continue in slashes)
Guitar 3
Tr Tr Tr ~
| Eb | | | |
| Bb | | | |
| Gb | | | 12 |
| Db | | | (12/14) 14 |
| Ab | 5 | 7(10) | 7(9) 6(9) |
| Eb | 3 | | |
Now comes the greatest Metallica Solo ever and a killer to learn, have fun and
Listen to the CD to get the exact timing for the solo because sometimes on this
tab at the end of my bars Kirk's still playing. Also adapt the tab to your own
playing, I found that hammering on a lot of the faster stuff helped get it better
Because some of the techniques are insane! Also later in the solo I don't have space
to type the bars with spaces so you'll just have to work it out, its simple once you see it.
(For Rhythm play Riff A for the 1st and 2nd bars only)
B~
| Eb | | | 0 0 0 0 0 0 0 0 |
| Bb | 12 111211 | \7 7 7 7 9 9 \ | 5/7/8/10/12\10\8\7 |
| Gb | 1416 1412111211 | 9 | |
| Db | 14 | | |
| Ab | | | |
| Eb | | | |
With Riff A (1st 2 bars only)
B R B R B R
| Eb | 0 0 0 0 0 0 0 0 | /12 12\1/12 12\ | |
| Bb | /8\7\5\4/5/7/8/10 | /12 12\1/12 12\ | |
| Gb | | | 1214(16)1412—(16)1412(16)1412 |
| Db | | 7/ | 14 14 |
| Ab | | | |
| Eb | | | |
B A.H
| Eb | | | |
| Bb | 15 | | |
| Gb | 12(16) | 9/11/12/14/16\ 14\12/16 X X 14—X X 12 11 9 | 9 7 5 5 <7> |
| Db | 14 | | 9 |
| Ab | | 7/9 /10/12/14\ 12\10/14 X X 12—X X 10 9—7 | |
| Eb | | | |
With Riff A (1st 2 bars only)
Tremolo pick this bit for the speed
| Eb | 141514 14 15 17 | 19 1919191919 191919 19 19191919 19 |
| Bb | 141514 14 15 17 17 | |
| Gb | 16 | |
| Db | | |
| Ab | | |
| Eb | | |
| Eb | 19191919 | 19191715 19 19171519 191715 15171917151715 151719 |
| Bb | | 17 17 |
| Gb | | |
| Db | | |
| Ab | | |
| Eb | | |
| Eb | 191715 191715 191715 191715 15 | 191715\14 171514\12 151412\10 |
| Bb | 17 17 17 17 | |
| Gb | | |
| Db | | |
| Ab | | |
| Eb | | |
| Eb | 141210\9 12 10 9\7 10 9 7 7 |
| Bb | 8 8 |
| Gb | |
| Db | |
| Ab | |
| Eb | |
That's the first part of the solo followed by this breakdown
(With rhythm fill 2) (With rhythm fill 1)
Guitar 1 Guitar 3
P.M.... P.M.... P.M.... P.M....QB B R B R B ~
| Eb | | 24 2224 22242224 1922 |
| Bb | | |
| Gb | | |
| Db | 4 5 4 4 5 4 | |
| Ab | 7 5— 4\2 7 5— 4\2 | |
| Eb | 5 3 5—3 | |
With 2nd bar of Rhythm figure 1
QB QB QB QB QB QB
| Eb | 19 22 19 19 19 19 19 19 19 19 |
| Bb | 22 24 24 24 24 24 24 |
| Gb | |
| Db | |
| Ab | |
| Eb | |
With first bar of rhythm figure 1
B R
| Eb | 22 19 1922192219 1922192219 192219 1922192219 19 |
| Bb | 22 22 22 22 2222242219 |
| Gb | |
| Db | |
| Ab | |
| Eb | |
QB B hold bend R
| Eb | | |
| Bb | 24 22 19 | |
| Gb | 21 19 19 23 (23) (23) (23) (23) (23) | (23) (23) (23) (23) |
| Db | 21 | |
| Ab | | |
| Eb | | |
T.B Rhythm Fill 2 Guitar 2
P.M....
| Eb | | | |
| Bb | | | |
| Gb | 21 19 | | |
| Db | 21 | 7 9 7 | |
| Ab | | 10 9 7 5 4 | 2 3 2 2 2 |
| Eb | | 7 | 5 3 3 0 1 0 0 0 |
Then just play the tab for the chorus with Rhythm Figure 2 until the words
'Follow the god that failed' when the first part of the song is played.
These guitars like in the intro are played simultaneously.
Guitar 1
| Eb | | |
| Bb | | |
| Gb | 12 (12\9) | 12 (12\9) |
| Db | | |
| Ab | 10 (10\7) | 10 (10\7) |
| Eb | | |
Guitar 2
| Eb | | |
| Bb | | |
| Gb | 16 (16\9) | |
| Db | | |
| Ab | 14 (14\7) | |
| Eb | | |
Guitar 1 Hey!
| Eb | | |
| Bb | | |
| Gb | 16 (16\9) | 9 |
| Db | | 2 |
| Ab | 14 (14\7) | 7 2 |
| Eb | | 0 |
Guitar 2
| Eb | | |
| Bb | | |
| Gb | 12 (12\9) | 12 (12\9) |
| Db | | 9 |
| Ab | 10 (10\7) | 10 (10\7) 7 |
| Eb | | 0 |
Then comes the third verse, which you just play with Rhythm figure 1 (twice)
Just before the last 'Follow the god that failed' you have the coda. Listen
to the cd for perfect timing.
P.M....
| Eb | | |
| Bb | | |
| Gb | | 12 (12\9) |
| Db | | |
| Ab | 5 | 10 (10\7) |
| Eb | 3 (3/10) | 7p0 0 3p0 0 0 0 0 |
P.M.... P.M....
| Eb | | |
| Bb | | |
| Gb | | |
| Db | | |
| Ab | 2 | 9 |
| Eb | 3p0 0 0 0 3p0 0 0 0 0 | 10p7 7 7 7 7 10p7 7 7 7 7 |
P.M....
| Eb | | | |
| Bb | | | |
| Gb | | | |
| Db | 9 9 | 9 9 | 9 9 |
| Ab | 10p7 7 7 7 10p7 7 7 7 | 10p7 7 7 7 10p7 7 7 7 | 10777 77710777 777 |
| Eb | | | |
Guitar 1( the two guitars are played at the same time)
P.M.... P.M.... P.M.... P.M.... P.M.... P.M.... let it ring
| Eb | | 0 |
| Bb | | 0 |
| Gb | | 0 |
| Db | 45p4 45p4 | 45p4 2 |
| Ab | 7 5 (4\2) 7 5 (4\2) | 7 5 (4\2) 2 |
| Eb | 5 3 5 3 | 5 3 0 |
Guitar 2 P.M.... P.M.... P.M....
| Eb | | |
| Bb | | |
| Gb | | |
| Db | 79p7 | 79p7 |
| Ab | 10 9 (7\5) 4 | 10 9 (7\5) 4 |
| Eb | 7 | 7 |
11.My Friend Of Misery
Repeated chord over bass and in some middle parts.
/
Next part over chord and bass.
| | |
| | |
| | |
| 3 3 3 3 | 2 2 2 2/7 |
| 5 0 5 0 | 3 0 3 |
| | |
Verse riff..............................................................
| |
| |
| 4 4 |
| 2 7 7 7 4 4 2 |
| 4 4 0 2 3 4 2 7 7 7 4 4 0 2 3 4 2 |
| 2 2 0 0 5 5 5 2 2 0 0 |
Chorus (repeated x2).................................................... x2
| | |
| | 5 5 |
| 2 2 3 4 | 5 7 5 7 |
| 2 2 3 4 2 2 | 7 7 |
| 0 0 1 2 2 2 | |
| 0 0 | |
.................... Trippy middle intelude (use volume knob to get effect)
bend x2
bend
| 0/ \ 0 |
| 3 3 3 1 |
| 2 2 0h2 2 |
| 2h3 0h2 2 |
| 0 0 |
| |
Acoustic after trippy intelude.
12.The Sruggle Within
guitarI:
starting 3 Bars only with drums B5
*****************************************************************
GuitarI w/Fill1 3x
P.M. ........................................
E5/ ! / / / / / / / ! / / !! / / / ! / / / / / D5/ ! / / ! B5
| | | | |
| | | | |
| * | | | 7 * |
| 2 | | | 7 9\ |
| *2 | | | 5 9\ * |
| 0 | | | 7\ |
Fill1 (guitarIII) H ~~~~~~~~~~
3x
guitarII ~~~~~~~~~~~~
| | | | |
| | 7 8 7 | 7 8 7 7 8 | 10 |
| * 7 | 7 9 7 | 9 | * |
| /7 9 5 9 | | 9 | 9 |
| */5 7 7 | | | 9 * |
| | | | 7 |
Between this star lines is everything played together!!
|
|
*****************************************************************
guitarI
E5/ ! / / / / / / / ! / ~~~~~~~~~~~~~~~
FROM HERE EACH BAR MEANS TWO BEATS
Rhy.fig I (end rhy.fig.I)
E5 / ! / / / / / w/Rhy.fig.I(play 4 times)
P.M. .........................
verse1
Reaching out for something you`ve got-ta feel__
(rhy.fig.1 played for the 4th) E5 / ! / / / /.
You`re clutching to what you had thought was re-al
GuitarI&II Rhy.fig2
E5 / ! / / / G5 E5 / ! / / / F#5slG5
P.M.................... P.M....................
Kick-ing at a dead horse pleas-es you__
E5 / ! / / / F#5slG5 E5 / ! / / / G5
P.M................... P.M...........
No way of showin` your grat-i- tude___
(end Rhy.Fig2) Rhy.fig3
E5 / ! / / / F5 E5 / ! / / / F#5slG5
P.M................. P.M..................
| | | | |
| | | | |
| | | | |
| 2 | 3 | 2 | 4/5 |
| 2 | 3 | 2 | 4/5 |
| 0 | 1 | 0 | 2/3 |
______ S______________ so man - y
E5 / ! / / / F#5slG5 E5 / ! / / / G5
P.M.................. P.M....................
| | | | |
| | | | |
| | | | |
| 2 | 4/5 | 2 | 5 |
| 2 | 4/5 | 2 | 5 |
| 0 | 2/3 | 0 | 3 |
things you don`t wan-na do_______ What is it,
E5 / ! / / / G5 E5 / ! / / / F5
P.M................. P.M....................
what have you got_ to lose?____________________
(end Rhy.Fig.3) Rhy.Fig.4
E(open)F5 E F5 E5 / ! / / / F#5slG5 E5 / ! /
P.M................... P.M..............
| 0 0 | | | |
| 0 0 | | | |
| 1 1 | | | |
| 2 3 2 3 | 2 | 4/5 | 2 |
| 2 3 2 3 | 2 | 4/5 | 2 |
| 0 1 0 1 | 0 | 2/3 | 0 |
(What the hell?)What the hell?____
(end Rhy.Fig.4)
E5 / F#5slG5 E5 / ! / / / G5 E G5 E G5
P.M... P.M.................. P.M. P.M.
| | | | 0 0 |
| | | | 0 0 |
| | | | 1 1 |
| 2 4/5 | 2 | 5 | 2 5 2 5 |
| 2 4/5 | 2 | 5 | 2 5 2 5 |
| 0 2/3 | 0 | 3 | 0 3 0 3 |
What is it you think you`re gon-na find?________________
E5 / ! / / / G5 E5 / ! / / / G5
P.M.................. P.M..................
(Hyp-o-crite.) Hyp - o- crite. Bore-dom sets
E5 / ! / / / G5 E G5 E G5
P.M.................. P.M. P.M. P.M. (1/2 beat pause)
| | | 0 0 | |
| | | 0 0 | |
| | | 1 1 | |
| 2 | 5 | 2 5 2 5 | |
| 2 | 5 | 2 5 2 5 | |
| 0 | 3 | 0 3 0 3 | |
into the bor - ing mind._________________________
GuitarII
Rhy.Fig.5B
| | | | |
| | | | |
| | | | |
| 5 5 5/7 | 3 3 5/7 | 5 5 5/7 | 3 3 5/7 |
| 5 5 | 3 3 | 5 5 | 3 3 |
| 3 3 | 1 1 | 3 3 | 1 1 |
GuitarI&II
Rhy.Fig.6 (end Rhy.Fig.6) w/Rhy.Fig.6 (3 times)�
F#5 (let ring) E5 (let ring)
It suits fine__ Your ru - in.
(Struggle within) (Struggle within)
(Rhy.Fig.6 played for the 3rd time)
You seal your own coffin. The struggling within.
(Struggle within) (Struggle within)�
*******************************************************************
GuitarI
Rhy.fig.5C H H
| | | | |
| | | | |
| | | | |
| 5 5 4^5 | 3 3 4^5 | 5 5 3/5 | 3 3 3/5 |
| 5 5 | 3 3 | 5 5 | 3 3 |
| 3 3 | 1 1 | 3 3 | 1 1 |
GuitarII
w/Rhy.fig.5B
�
*****************************************************************
w/Fill2 GuitarII
GuitarI w/Rhy.Fig1(2½
times)
| | | | |
| | | | |
| | | | |
| 2 2 | (2) | (2) | (2) |
| 2 2 | (2) | (2) | (2) |
| 0 0 | (0) | (0) | (0) |
GuitarII
Fill2 H
| | | |
| | 3^5 | (5) (5)\ |
| | X | |
| 2 2 | X | |
| 2 2 | | |
| 0 0 | | |
******************************************************************
GuitarI
| | | | |
| | | | |
| | | | |
| (2) | (2) | (2) | (2) |
| (2) | (2) | (2) | (2) |
| (0) | (0) | (0) | (0) |
Verse2
GuitarI&II
w/Rhy.Fig2
E5 G5 E5 F#5 G5 E5
Home is not a home,it be- comes a hell__________
Substitute Resume Rhy.Fig2
by Rhy.Fill 1 E5 G5 E5
Turn-ing it in-to a pris-on cell._________
Rhy.Fill 1 (both guithars)
F#5 G5 E5 G5 E5
hand-ed out.______ While you struggle in-
G5 E5 F5 E F5 E F5
side your hell,_____________________________ow.
GuitarI&II
w/Rhy.Fig.4(2 times)
E5 F#5 G5 E5 F#5 G5
(Reaching out.) Reaching out______ Grab - bing for
E5 G5 E G5 E G5 E5
something you`ve got to feel._______ (Clo-s-ing in.)
F#5 G5 E5 F#5 G5 E5
Clo-s-ing in.____ The pres-surw up - on you is
F#5 G5 E5 G5 E5 G5 N.C.
so un- real.____________________
GuitarI&II
w/Rhy.figs.5A&5B
G5 F5 G5 F5
�
CHORUS
GuitarI&II
w/Rhy.fig.6
F#5 E5 F#5 E5
It suits you fine. Your ru - in.___
(Struggle within) (Struggle within)
F#5 E5 F#5 E5
You seal your own coffin S-truggl-ing within._
(Struggle within) (Struggle within)
GuitarI&II
w/Rhy.Figs.5B&5C
G5 F5 G5 F5
*****************************************************************
Guitar I
| | | | |
| | | | |
| | | | |
| 2 2 | (2) | (2) | (2) |
| 2 2 | (2) | (2) | (2) |
| 0 0 | (0) | (0) | (0) |
GuitarII feedback
Fill3 H ~~~~~~~~~~~~~~~~~~~~~~~~~~~
| | | | |
| | 3^5 | (5) | (5) (5)\ |
| | X | | |
| 2 2 | X | | |
| 2 2 | | | |
| 0 0 | | | |
| 12 12 12 12 | 12 12 12 12 12 |
| 15F X 15F 15F 15F | 15F 15F X 15F |
| | |
| | |
| | |
| | | � |
~~~~~~~~~
| 12 12 12 12 12 | 17FR 17F |
| 15F 15F X 15F | |
| | X\ |
| | |
| | |
| | |
P P P P P P P P P P P P P P P
| | |
| /10^8^7 10^7^0 10^8^7 | 10^8^7^0 10^8^7 |
| | 9^7^0 9^7^0 |
| | |
| | |
| | |
P P P P P P P P P P
| | |
| 10^8^7 | |
| 9^7^0 9^7^0 | |
| 9^7^0 | 9^7^0 |
| | 10 7 (7)/14 |
| | |
| 17 19 15 19 14 19 19 | 19 19 14 19 15 19 |
| 17 | 15 17 |
| | |
| | |
| | |
| | |
�
P P P P H P H
| 19^17^15 17^15^14^15 14 | |
| 17 17 15^14^15 14 15 17/19 X 8/ |
| | 16 |
| | |
| | |
| | |
P H P P P P P
| | |
| 15 18^15 14^17^15 18^15 17^14 | 18^15 17^14 18 18F 18 |
| X 16 16 16 | 16 16 |
| | |
| | |
| | |
�
P P
| | |
| | |
| 3 | 3 |
| 5'^0 5'^0 5 3 | 3 5 5 (5)/ |
| 5 | |
| | |
w/wah efects wah off P
| | |
| 14 14 14 14 | (14) 14 14 14 |
| 14 14 14 14 | (14) 14 14 14 |
| | |
| | 16^14 |
| | | � |
P
| | |
| 14 16 | 14 17^14 16' |
| (14) 16 14 14 | 16F 16 14 14 16F |
| 16 16 | 16 |
| | |
| | |
| | |
| (16) 16' | (16) |
| (16) 14 14 16F | (16) 14 |
| 16 | 16 16 |
| | |
| | | � |
H ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
| | |
| | 17 |
| 14 14 16F | (16) |
| (16) 14^16 16 | |
| | |
| | |
P P P P
| 18^15 15 | |
| 18 18 15 18^15 15 | |
| 18 17 15 | 17^15 15 15 |
| | 17 15 17^15 15 |
| | 17 17 15 |
| | | � |
P P H
| | |
| | 15 15 (15)\ |
| | 17 15 15 (15)\ |
| 15^17 | (17) |
| 17^15 13 15^13 13 15/17 | |
| 15 | |
w/wah effects wah off
| | 15 15 15 | | |
| X | 16F 16 16F | | 18F 18 18 |
| X | | | |
| | | | |
| | | | |
| | | | |
H P.M.... H P.M.... H P.M.....
| | | | |
| | | | |
| * | | | * |
| 2 2 2 2 2 | 2 2 2 2 2 | 2 2 2 2 2 | 7\6 5 5\4 3 |
| *2^5 2 2 2 2 2 | 2^5 2 2 2 2 2 | 2^5 2 2 2 2 2 | 7\6 5 5\4 3 * |
| 0^3 0 0 0 0 0 | 0^3 0 0 0 0 0 | 0^3 0 0 0 0 0 | 5\4 3 3\2 1 |
�
Verse3
w/Rhy.fig.3(both guitars)
P.M..... E5 F#5 G5 E5 F#5 G5
Reaching out for something you`ve got to feel.___
E5 G E5 G5
While clutching to what you had thought was real._
w/Rhy.fig.4(2 times)
E5 F5 E5 F#5 G5
What the hell?_______
E5 F#5 G5 E5 G5
What is it you think you`re gonna find?____
E5 F#5 G5 E5
____________ Hypo-o-crite_______
F#5 G5 E5 G5
Bore-dom sets in-to the bor-ing mind.____________________
w/Rhy.Figs.5A&5B(both guitars)
N.C G5 F5 G5
w/Rhy.fig.6(both guitars)
F5 F#5 E5 F#5
It suits you fine. Your
(Struggle within) (Struggle within)
E5 F#5 E5 F#5
ru - in. You seal your own coffin._____ S--
(Struggle within) (Struggle wiithin)
E5 E5 G5 F5
truggling within.__________________
G5 F5
*****************************************************************
Guitar I
| | | | |
| | | | |
| | | | |
| 2 2 | (2) | (2) | (2) |
| 2 2 | (2) | (2) | (2) |
| 0 0 | (0) | (0) | (0) |
GuitarII H
| | | | |
| | 3^5 | (5) (5)\ | |
| | X | | |
| 2 2 | X | | 2 2 2 |
| 2 2 | | | 2 2 2 |
| 0 0 | | | 0 0 0 |
Guitar II
| | | |
| | | |
| | | |
| 2 2 2 2 | 2 2 2 | 2 2 2 2 |
| 2 2 2 2 | 2 2 2 | 2 2 2 2 |
| 0 0 0 0 | 0 0 0 | 0 0 0 0 |
GuitarsI&II
P.M............................................
| | | | |
| | | | |
| | | | |
| 2 2 2 | 2 2 2 2 | 2 2 2 | 2 |
| 2 2 2 | 2 2 2 2 | 2 2 2 | 2 |
| 0 0 0 | 0 0 0 0 | 0 0 0 | 0 |