When you see this:
|
This means that the part below the separate "|" is the underneath of the solo but above
Separate "|" means the solo.
Intro:
Both guitars
(12x)
| |
| |
| |
| 4 4 4 4 2~~ |
| 4 4 4 4 2~~ |
| 2 2 2 2 0~~ |
(4x)
| | | |
| | | |
| 4 | or | 4 |
| 5 4 3 5 4 3 5 4 3 5 4 4 | or | 2 5 4 3 2 5 4 3 2 5 4 3 2 5 4 4 |
| 5 4 3 5 4 3 5 4 3 5 4 2 | | 2 5 4 3 2 5 4 3 2 5 4 3 2 5 4 2 |
| 0 3 2 1 0 3 2 1 0 3 2 1 0 3 2 | | 0 3 2 1 0 3 2 1 0 3 2 1 0 3 2 |
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
| | |
| | |
| | 3/// | * slide up to solo here. |
| 5~~ | 0 h3 |
| 5~~ | |
| 3~~ | |
(16x)
| |
| |
| 12 9 11 9 11 12 9 11 9 11 |
| 12 12 |
| |
| |
|
| | | < |
| | | < |
| | | < | Play this bar |
| 2~~ 5~~ 7 | 10 7 | < | here at 1.30. |
| 2~~ 5~~ 7 | 10 7 | < |
| 0~~ 3~~ 5 | 8 5 | < |
(2x)
|
| |
| |
| 12 9 11 9 11 12 9 11 9 11 |
| 12 12 |
| |
| |
|
| |
| |
| 12 9 11 12 9 11 12 9 11 12 9 11 12 |
| |
| |
| |
|
| |
| |
| 12 9 11 9 11 12 9 11 9 11 12 9 11 9 11 |
| 12 12 12 |
| |
| |
|
| |
| |
| 12 9 11 12 9 11 12 9 11 12 9 11 12 9 11 |
| |
| |
| |
|
| |
| |
| 12 9 11 9 11 12 9 11 9 11 |
| 12 12 |
| |
| |
|
Both guitars
| |
| |
| 3 |
| 2 2 2 52 2 2 7 2 2 2 5 3 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 2 |
. . . . . . . . .
| |
| |
| 3 |
| 2 2 2 5 2 2 2 7 2 2 2 5 3 5 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 5 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 3 2 |
. . . . . . . . .
| |
| |
| 3 |
| 2 2 2 52 2 2 7 2 2 2 5 3 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 2 |
. . . . . . . . .
| |
| |
| 3 |
| 2 2 2 5 2 2 2 7 2 2 2 5 3 5 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 5 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 3 2 |
. . . . . . . . .
Make his fight on the hill in the early day,
Constant chill deep inside,
Shouting gun, on they run, through the endless grey,
On they fight, for they're right, yes but who's to say?
| |
| |
| |
| 5~~ 10 7 |
| 5~~ 10 7 |
| 3~~ 8 5 |
For a hill, men would kill, why? They do not know,
Suffered wounds test their pride.
Men of five, still alive, through the raging glow,
Gone insane from this pain that they surely know.
| |
| |
| |
| 5~~ 10 7 |
| 5~~ 10 7 |
| 3~~ 8 5 |
For whom the
| |
| |
| 3 |
| 2 2 2 52 2 2 7 2 2 2 5 3 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 2 |
. . . . . . . . .
Bell tolls! Oo! Time march-es
| |
| |
| 3 |
| 2 2 2 5 2 2 2 7 2 2 2 5 3 5 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 5 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 3 2 |
. . . . . . . . .
On! "I want it" For whom the
| |
| |
| 3 |
| 2 2 2 52 2 2 7 2 2 2 5 3 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 2 |
. . . . . . . . .
Bell tolls! "Absolutely!"
| |
| |
| 3 |
| 2 2 2 5 2 2 2 7 2 2 2 5 3 5 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 5 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 3 2 |
. . . . . . . . .
Interlude:
| |
| |
| 12 9 11 9 |
| 12 11 12 9 11 9 |
| 12 10 |
| |
|
Guitar 2 on own with symphony.
| |
| |
| 12 9 11 9 |
| 12 11 12 9 11 9 |
| 12 10 |
| |
|
| T H E |
| S Y M P H O N Y |
| A N D |
| D R U M S |
| N O |
| G U | T A R |
| |
| |
| 12 9 11 9 |
| 12 11 12 9 11 9 |
| 12 10 |
| |
|
| | | |
| 11b(12)~~ ^ | | 11b(12)~~ ^ |
| 9 9 11 9 11 12 | or | 12 9 11 9 11 12 9 11 12 |
| 9 11 12 9 11 12 12 | or | 12 |
| | | |
| | | |
| | | |
| 11b(12)****~~ ^ | | 11b(12)****~~ ^ |
| 9 9 11 12 | or | 12 9 11 9 11 12 9 11 12 |
| 9 11 12 9 11 1212 | or | 12 |
| | | |
| | | |
| | | |
| 11b(12)*^ 14 14b(17) | | 11b(12)^11 14b(17) |
| 99 11 12 11 | or | 12 9 11 9 11 12 12 |
| 9 11 12 9 11 12 12 | or | 12 |
| | | |
| | | |
Take a look to the sky, just before you die,
It's the last time you will.
Blackened roar, massive roar, fills the crumbling sky,
Shattered goal, fills his soul with a ruthless cry,
| |
| |
| |
| 5~~ 10 7 |
| 5~~ 10 7 |
| 3~~ 8 5 |
Stranger now are his eyes, to this mystery,
He hears the silence so loud.
Crack of dawn, all is gone, except the will to be,
Now they will see what will be, blinded eyes to see.
For whom the
| |
| |
| 3 |
| 2 2 2 52 2 2 7 2 2 2 5 3 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 2 |
Bell tolls! Whoa! Time march-es
| |
| |
| 3 |
| 2 2 2 5 2 2 2 7 2 2 2 5 3 5 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 5 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 3 2 |
On! "Give it to me" For whom the
| |
| |
| 3 |
| 2 2 2 52 2 2 7 2 2 2 5 3 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 2 |
Bell tolls! "You bet ya!"
| |
| |
| 3 |
| 2 2 2 5 2 2 2 7 2 2 2 5 3 5 4 |
| 2 2 2 5 2 2 2 7 2 2 2 5 1 5 4 |
| 0 0 0 3 0 0 0 5 0 0 0 3 3 2 |
*I couldn't quite put the timing in so I've left it for you to handle - it's not too
I just couldn't co-ordinate them together to look played at the same time.
**This is to be played throughout the outro - this is what I couldn't quite co-ordinate.
Outro:
| |
| |
| |
| 2~ 2 2 2~ 2 2 2 2 2~ 2 2 2~ 2 2 2 2 2 |
| 2~ 2 2 2~ 2 2 2 2 2~ 2 2 2~ 2 2 2 2 2 |
| 0~ 0 0 0~ 0 0 0 0 0~ 0 0 0~ 2 2 2 2 2 |
. . . . . . . . . . . .
)\\ )\\
/ \\ / \\
| } | 15b(17) | { |
| } | 17b(20)^ 1717b(20) 17 17b(20) | { |
| } | | { |
| } | | { |
| } | | { |
| } | | { |
| } | ^12151215121512151215 | { |
| } | /1917151917151917154/5 | { |
| } | | { |
| } | | { |
| } | | { |
| } | | { |
| } | 15/2012/1912/1912/19 | { |
| } | /1354/5/13 17 18 | { |
| } | | { |
| } | | { |
| } | | { |
| } | | { |
| } | 20 19 | { |
| } | 18b(20) * ^\\\\\\\\\\\\\\\\\\\\\\\\0 | { |
| } | | { |
| } | | { |
| } | | { |
| } | | { |
Legend:
b = Bend
^ = Release bend
. = Palm mute
~ = Let it ring out
/ or \\ = Slide / = up \\ = down
* = Either a note or repeat note that has been produced as of a bend.
}{ = Mess around with wah pedal here.
)\\
/ \\ = bend the trem. bar to a way you want to or you think sounds good.
Metallica is my favorite band, so I will be making lots of tabs for them.
Hope you like it.