To Live is to Die
Metallica
sl. sl. H P
| 7 7 /12 | 12 12 8 7 10 7^10^7 |
| 8 8 | 12 12 12 0 5 0 7 |
| 9 9 7 7 /9 | 12 9 9 0 0 |
| | 14 14 9 |
| /9 7 | 14 10 |
| 0 | 0 0 |
(end Rhy. Fig. 1)
Rhy. Fig. 2
| | | | |
| 2 2\ x x | 3 3 x x 3\2 | 2 2\ x x | 5 5 5\3 3\2 |
| 3 3\ x x | 4 4 x x 4\3 | 3 3\ x x | 6 6 x 6\4 4\3 |
| 4 4\ x x 2 4 | 5 5 x x 5\4 | 4 4\ x x 2 4 | 7 7 x 7\5 5\4 |
| 4 4\ x x 2 4 | 5 5 x x 5\4 | 4 4\ x x 2 4 | 7 7 7\5 5\4 |
| 2 2\ 0 2 | 3 3 3\2 | 2 2\ 0 2 | 5 5 5\3 3\2 |
(end Rhy. Fig. 2)
Rhy. Fig. 3
| | | |
| | | |
| | % | |
| | | |
| 4 4 4 5 5 5 4 4 4 7 7 7 | | 4 5 4 7 4 5 4 7 |
| 2 2 2 3 3 3 2 2 2 5 5 5 | | 2 3 2 5 2 3 2 5 |
pm----------------------| pm pm pm pm
| |
| |
| |
| |
| |
| 2 3 2 5 2 3 2 5 2 3 2 5 2^3 2^3 |
pm------------------------------|
(end Rhy. Fig. 3)
Rhy. Fig. 4
| | | | |
| | | | |
| 11\ 6 4 6 | 7\ 4 4 6 | 6\ 3 3 3 | 2 |
| | | | |
| 9\ 4 2 4 | 5\ 2 2 4 | 4\ 1 1 1 | 0 |
| | | | |
(end Rhy. Fig. 4)
Rhy. Fig. 5
| | | |
| | | |
| | 2 | |
| 2 5 4 2 | 2 | x x 6 4 4 |
| 4 4 0 4 3 2 0 | 4 0 | 4 x x 4 3 2 |
| 2 2 2 | 2 | 2 x x |
pm---| pm pm pm
| | | |
| | | |
| | 2 | |
| 2 5 4 2 | x x x 2 | x x 6 4 4 |
| 4 4 0 4 3 2 0 | 4 x x x 0 | 4 x x 4 3 2 |
| 2 2 2 | 2 x x x | 2 x x |
pm---| pm pm pm
Rhy. Fig. 6
full ~~~~~~~ full ~~ rake full ~~~~ ~~~ ~~~~ H P sl. H P
| /\ | /\ | /\ | |
| 5' ` 2 | 6' ` 3 | x/ 5' `(5) 2 | |
| | | 2 | 2 2^4^2\1 1^2^1 |
| 4 | (4) 5 | 4 4 | 4 |
| | | | |
| | | | |
(end Rhy. Fig.6)
Rhy. Fig. 7
Am E G E Em E F F G Am C G D C
| 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 |
| 2 8 8 2 8 8 2 8 8 4. 8 4 2 8 8 2 8 8 |
| | 3 3 | 0 0 | 1 | | 3 |
| 5 5 | 3 3 | 0 0 | 1 | 5 5 | 3 |
| 5 5 | 4 4 | 0 0 | 2 | 5 5 | 4 |
| 7 7 | 5 5 | 2 2 | 3 | 7 7 | 5 |
| 7 7 | 5 5 | 2 2 | 3 | 7 7 | 5 5 3 |
| 5 5 0 | 3 3 0 | 0 0 0 | 1 1 3 | 5 5 8 | 4 |
pm pm pm pm pm pm---|
1. || 2.
Em D G G
| 1 1 1 1 1 1 1 1 1 1 R |
| 4. 8 8 8 4. 16 16 4 2 8 8 |
~~~
| 0 0 0 | 3 3 3 3 | 3 3 |
| 0 0 0 | 3 3 3 3 | 3 3 |
| 0 0 0 | 4 4 4 4 | 4 4 |
| 2 2 2 | 5 5 5 5 | 5 5 |
| 2 2 2 5 | 5 5 5 5 | 5 5 |
| 0 0 0 | 3 3 3 3 | 3 3 |
(end Rhy. Fig. 7)
Rhy. Fig. 8
Am G Em Dm/F
| | | | |
| 1 0^1^0 | 0 | | |
| 2 2 | 2 0 | 0 0 | 0^2 |
| 2 | | 2 | 0 |
| 0 | | 2 | 0 |
| | 3 3 3 | 0 0 | 1 |
Am G Em G
| | | | |
| 1 3 | 3 0 | 0 | (0) 3 |
| 2 | 0 | 0 0 | 0 |
| 2 | | 2 | 0 |
| 0 | | 2 2 | 2 0 |
| 0 | 3 3 0 | 0 | 3 |
(end Rhy. Fig. 8)
Rhy. Fig. 9
1 1 1 1
4 2 4 4
| |
| 2 2 2 2 |
| 3 3 3 3 |
| 4 4 4 4 |
| 4 4 4 4 |
| 2 2 2 2 |
Rhy. Fig. 1 (3-1/2 times)
Rhy. Fig. 2 (3 times)
Rhy. Fig. 3 (once)
Rhy. Fig, 2 (2 times)
Rhy. Fig. 3 (once)
Rhy. Fig.'s 2 & 4 (simultaneously, 2 times each)
Rhy. Fig. 5 (once)
Rhy. Fig.'s 2 & 6 (simultaneously, 2 times each)
Rhy. Fig. 3 (once)
Rhy. Fig. 2 (2 times) }
Rhy. Fig. 3 (once) }-1st solo
Rhy. Fig. 2 (2 times) }
Then play:
full ~~~~ full ~~~~ full P ~~~~ full P H P P
/\
| /\ | /\ | /\ | 3' `(3)^0 | |
| 5' ` 2 | 6' ` 3 | 3' `(3)^0 | | |
| | | | 2^4^2^ | ^0 |
| 4 | 5 | 2 | | |
| | | | | |
| | | | | |
w/ Rhy. Fig. 7
H ~~~ H H P ~~~~~ sl.~~~~~ ~~~~~~~~
| | | | |
| | | | |
| 4^5 4^5 4^5^ | ^4 | | |
| | 7 5 | 7\5 5 5 5 | 7 |
| | | | |
| | | | |
H ~~~~~ ~~~~~
| | | | |
| | | | |
| 4^5 5 5 7 | 7 4 | 4 | % |
| | 5 | 5 5 5 5 | |
| | | | |
| | | | |
H H H P ~~~~~ ~~~~~ ~~~~~~~~
| | | | |
| 3^5 3^5 3^5^ | ^3 | | |
| 4^5 4^5 4^5^ | ^4 5 4 | 4 4 4 | 5 |
| | 7 5 | 5 5 5 | 7 |
| | | | |
| | | | |
H ~~~~~ ~~~~~~
| 3 | 3 | | |
| 3^5 5 5 | 5 3 | 5 | 3 |
| 4^5 5 | 4 4 | 4 4 4 4 4 | 4 |
| | 5 | 5 5 5 5 | 5 |
| | | | |
| | | | |
play Rhy. Fig. 8 alone (once), then
w/ Rhy. Fig. 8(2 times)
1. || 2. || 3. || 4.
~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~
| | | | | | | |
| | | | | | | |
| 5 | 7 | | | 4 | | 4 |
| | 5 | 5 | 7 | | 5 | |
| 7 | | | | 5 | | 5 |
| | | 7 | 8 | | 7 | |
w/Rhy. Fig. 8 (2 times)
H~~~~ sl. H P H P sl.~~~ H
| | | | |
| ^ | | | |
| 7^9 9 7\5 | 5^7^4 2 0^2 | 4 5 5 4 0 5 | 5^4 |
| | | | 5 5/7 5^7 |
| | | | |
| | | | |
sl. sl. sl. H ~~~ H P sl. sl. H P ~~~ H P
| | | | |
| ^ ^ | | ^ ^ | |
| 4/5 5 5/7 7 7/9 9 9^10 | 9 9 10 9^10^9 | 7\5 5\4 4^5^4 | |
| | | 5 | 5 5^7^5 |
| | | | |
| | | | |
H~~~ H P H P sl. ~~~ full 1/2 sl.
| | | | |
| | ^ | /\ | |
| 4^5^4 | 4^5^4 4 5 7 7/9 | 7 9 9' ` | 7 /\ ^ |
| 5^7 7 7 5 | | | 9' ` 7 5/9 |
| | | | |
| | | | |
pm-|
H~~~~ H P H ~~~~ H P H P
| | |
| 12^13^12 | 12^13 12 12^15^12 12^13^12 |
| 12^14 14 14 12 | 12 |
| | |
| | |
| | |
~~~~ P full
| | |
| 13^12 | 15 13 12 /\ |
| 12 12 12 | 12 14' ` |
| | |
| | |
| | |
w/ Rhy. Fig. 7(1st 1/2 only, 2 times)
H P ~~~~ sl.~~~ ~~~~
| | | | | | |
| | | | | ^ | |
| 5 5 4^5^ | ^4 | | | 4/5 5 7 | 7 4 |
| | 7 5 | 5 5 5 | 7 | | 5 |
| | | | | | |
| | | | | | |
H~~~~ H H P ~~~~ ~~~~ ~~~~~
| | | | | | |
| | | 3^5 3^5 3^5^ | ^3 | | |
| 4 | % | 4^5 4^5 4^5^ | ^4 5 4 | 4 4 4 | 5 |
| 5 5 5 5 | | | 7 5 | 5 5 5 | 7 |
| | | | | | |
| | | | | | |
H~~~~ ~~~~ ~~~~
| 3 | 3 | | |
| 3^5 5 3 | 3 3 | 5 | 3 |
| 4^5 5 | 4 4 | 4 4 4 4 4 | 4 4 4 4 4 |
| | 5 | 5 5 5 5 | 5 5 5 5 |
| | | | |
| | | | |
In the folloing, one guitar plays the chords listed above the tab, while
another plays the tab.
60str.0 3
A5 E G
|: 1 1 1 1 % 1 1 1 1 1 1 1 1 1 % :|
4. 8 8 8 4. 8 8 8 4 8 8 8 8
| | | 3 3 | | ^ |
| . | 5 5 | 5 5 5 5 5 | 3 3 3 3 5 | 5/6 6 6 8 . |
| . 5 | 5 5 5 | 5 5 5 | 4 4 4 4 5 | 5/7 7 7 9 . |
| 7 7 7 | 7 | | 5 5 5 | |
| 7 7 | | | | |
| | | | | |
6str. 5str. 6str.
2 0 2 4
B5 F# A B5 F# G# A
| 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 |
| 8 4 8 8 8 % 4 8 8 8 8 4 8 8 8 8 8 8 8 8 8 8 |
~~~ ~~~ pm-| ~~~~~ sl.~~~~
| | | 5 5 | | ^ |
| | 7 7 | 7 7 7 7 7 | 5 5 5 7 | 7/8 8 8 10 |
| 7 7 | 7 7 7 7 | 7 7 7 | 6 6 6 7 | 7/9 9 9 11 |
| 9 9 9 9 | 9 9 | | | |
| 9 9 | | | | |
| | | | | |
B5
1 1 1 1 1 % 1 1 1 1 % %
8 4 8 8 8 4. 8 8 8
| | | | | |
| | 7 7 | | | 7 7 |
| 7 7 | 7 7 7 7 7 | 7 7 | 7 7 | 7 7 7 7 7 |
| 9 9 9 9 9 | 9 9 9 | 9 9 9 9 9 | 9 9 9 9 9 | 9 9 9 9 9 |
| 9 9 9 | | 9 9 9 | 9 9 9 | 9 9 9 |
| | | | | |
B5 F#5^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
1 1 1 1 1 1 1 sl. 1
4. 8 8 8 2. sl. 2. 2. ^ 2.
| 7 7 | | | 9 9 9 9/10 | (9) |
| 7 7 7 7 7 | ^ | 11 | 11 11 11 11/12 | (10) |
| 7 7 7 7 7 | 11 11 11 11 11/12 | 11 | | |
| 9 9 9 9 9 | 11 11 11 11 11/12 | 11 | (11) | (11) |
| 9 9 9 | 9 9 9 9 9 | 9 | (9) | (9) |
| | | | | |
Now, finally, the spoken part comes in. Play Rhy. Fig. 2 twice during this
part.
Spoken part:
When a man lies, he murders some part of the world.
These are the pale deaths which men miscall their lives.
All this I cannot bear to witness any longer.
Cannot the kingdom of salvation take me home?
F#5 G5 F#5 A5 sl.G5 sl.F#5
| 1 1 1 1 1 1 1 1 1 1 |
| 4 4 4 8 8 sim. 2 8\8 8\8 |
full full ful ~~ H P sl. H P
| /\ | /\ | /\ | |
| 5' `2 | 6' `3 | 5' `(5) 2 | |
| | | 2 | 2 2^4^2\1 1^2^1 |
| 4 4 4^2 | 5 5^4^2 | 4 | 4 |
| 4 | 4 | | |
| | | | |
F#5 G
1 1 1 1 1 R 1
2 4 2 4 4. 8 4 w/Rhy. Fig. 2(2 times)
full ~~~~ full ~~~~ full P ~~~~
| /\ | /\ | /\ | | |
| 5' ` 2 | 6' ` 3 | 3' `(3)^0 | | |
| | | | | REST |
| 4 | 5 | 2 | 4 | 7 |
| | | | 7\ | MEASURES |
| | | | | |
Rhy. Fig. 9(3 times)
Rhy. Fig. 9(4 times, fading out) & Rhy. Fig. 1(once, fading in)
Rhy. Fig. 1(1-1/2 times)
Segue to "Dyer's Eve"