Beautiful song, awesome Australian band; a shame the Middle East has disbanded so early
in their music career.
INTRO AND PART ONE
| |
| 1 |
| 0 0 0 | x4 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
Those steady eyes and that ready smile
| 0 |
| 1 1 1 |
| 0 0 0 0 | x2 |
| 3 3 3 3 3 3 3 3 |
| |
| |
Can contain the turmoil deep inside
For a while and then you crack
| |
| 1 |
| 0 0 0 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
Like us all your nose will run
| |
| 1 |
| 0 0 2 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
Like a tap onto the floor
| |
| 0 0 |
| 0 0 0 0 |
| 0 0 0 0 |
| |
| 3 3 3 3 3 3 3 |
| 3 |
| 0 0 1 |
| 0 0 |
| 0 0 0 0 |
| |
| 3 3 3 3 3 3 3 |
0:28 CHORUS CHORDS
| |
| 1 1 |
| 0 0 2 0 |
| 2 0 2 2 |
| 3 2 0 2 |
| 3 0 |
And that will be the
| |
| 1 1 0 |
| 2 2 |
| 3 3 0 0 |
| 3 3 2 2 |
| 1 3 3 |
grossest thing of
| |
| 1 1 |
| 0 0 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
all
| |
| 1 |
| 0 0 0 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
0:40 PART THREE
| |
| 1 |
| 0 0 0 | x2 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
The speeding dial and those
Flashing lines
| 0 |
| 1 1 1 |
| 0 0 0 0 | x2 |
| 3 3 3 3 3 3 3 3 |
| |
| |
Only assimilate the feeling
Of beating time
| |
| 1 |
| 0 0 0 |
| 0 0 0 0 |
| 2 2 2 2 2 2 2 2 |
| |
In this race
| |
| 1 |
| 0 0 0 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
0:58 CHORUS CHORDS
| |
| 1 1 |
| 0 0 2 0 |
| 2 0 2 2 |
| 3 2 0 2 |
| 3 0 |
Everything else
| |
| 1 1 0 |
| 2 2 |
| 3 3 0 0 |
| 3 3 2 2 |
| 1 3 3 |
catches up with you
| |
| 1 1 |
| 0 0 | x2 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
| |
| 1 1 |
| 0 0 2 0 |
| 2 0 2 2 |
| 3 2 0 2 |
| 3 0 |
And there’s just one thing
| |
| 1 1 0 |
| 2 2 |
| 3 3 0 0 |
| 3 3 2 2 |
| 1 3 3 |
Left that you can do
| 3 |
| 0 |
| 0 0 |
| 0 0 0 0 |
| 2 2 2 2 2 2 2 2 |
| |
| 3 |
| 0 1 |
| 0 |
| 0 0 0 0 |
| 2 2 2 2 2 2 2 2 |
| |
1:21PART FOUR
| |
| 1 |
| 0 0 0 | x2 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
Cause what we have
Is good as gold
| |
| 1 |
| 2 2 2 |
| 3 3 3 3 |
| 0 0 0 0 0 0 0 0 |
| |
Malleable
| |
| 0 |
| 0 0 0 |
| 0 0 0 0 |
| 2 2 2 2 2 2 2 2 |
| |
Good to hold
| |
| 1 |
| 0 0 0 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
| |
Moulding is good
| |
| 0 1 0 1 |
| 0 0 |
| 2 2 2 |
| 3 3 3 3 3 3 3 |
| |
(1:36) Cause life is change
| |
| 1 |
| 2 2 2 |
| 2 2 2 2 |
| 0 0 0 0 0 0 0 0 |
| |
And change is good
| |
| 1 |
| 1 1 |
| 3 3 3 0 |
| |
| 1 1 1 1 1 1 1 |
And you are good
(repeat x2)
On the first repeat, the last bar is:
| |
| 0 |
| 0 0 |
| 0 |
| 2 2 2 2 |
| 3 3 3 3 3 3 3 3 |
On the second repeat, the last bar is omitted, and the guitar harmony ceases entirely.
Very quietly, it enters in again at 2:20 very quietly, with a crescendo to full at 2:32
2:30 PART FIVE
During this section I can hear a guitar doing this
| |
| 1 |
| 0 2 0 |
| 2 2 2 0 |
| 3 3 3 3 3 3 3 2 |
| |
And you’re changing me
| |
| 1 1 |
| 2 0 |
| 2 2 2 2 0 |
| 0 0 0 0 0 0 0 |
| |
Changing me
(Repeat x3)with a few variations.
2:50 PART SIX (END)
| |
| 1 1 |
| 2 2 0 |
| 2 2 2 |
| 3 3 3 3 3 3 3 2 |
| |
| 0 |
| 1 1 1 |
| 0 0 0 0 | x2 |
| 3 3 3 3 3 3 3 3 |
| |
| |
Anddddd during the last bar, another guitar finishes off with this.
Enjoy!