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M Y D Y I N G B R I D E
-
L O V E ' S I N T O L E R A B L E P A I N
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Tune Down 1 & 1/2 Steps
C# F# B E G# C#
Tempo = 123 BPM
Time Signature = 4/4
-----------------------------
Transcribed by
Version 1.0
11th November 2009
-----------------------
p - Pull-Off
h - Hammer-On
P.M... - Palm Mute
\ - Slide Down to/Down From
/ - Slide Up To/Up From
( / ) - Legato Slide
( ) - Ghost Note/Tied Note/Implied Note
REST - Rest and sustain rest for duration of blank space
|_3_| - Triplet Notes
|__[1,2] - Alternative Endings
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Section 1: Guitars 1 & 2 with Heavy Distortion (Play 8 times)
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| | | |
| | | |
| | | * |
| | 1 1 1 | * |
| 5 5 5 5 5 5 2 2 | 2 1 1 1 1 1 1 1 | |
| 3 3 3 2 2 2 0 0 | 0 0 0 0 0 | |
.... .... ... ... .... ... ...
On the last repeat replace the last bar with the following:
Guitar 1:
| |
| |
| |
| 1 1 1 1 |
| 2 1 1 1 1 (1h3) (3p1) |
| 0 3 |
...
Guitar 2:
| |
| |
| |
| 1 1 1 1 1 |
| 2 1 1 1 1 1 |
| 0 3~~ |
...
The tempo gradually increases to 128 BPM during the last two repeats
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Section 2: Guitars 1 & 2 (Play 4 times)
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| | |
| | |
| | |
| 7 9 10 | (10)\ 5 5 5 5 |
| 5 7 8 | (8) \ 3 3 3 3 |
| 3 5 6 | (6) \ 1 1 1 0 |
// Let Ring \\
| | | |
| | | |
| | | * |
| 5 12 7 | 7 | * |
| 3 10 7 | 8 7 5 | |
| 1 0 8 0 5 | | |
... ...
Guitar 2 replaces the 3rd bar with the following:
| |
| |
| |
| 5 / 12 \ 7 |
| 3 / 10 \ 7 |
| 1 / 8 \ 5 |
It also replaces the last note of the last bar with a 7 in place of the 5
During this section, the last bar undergoes several variations for Guitar 1
which are tabbed below:
Variation #1:
Variation #2:
On the last repeat both guitars hold the last A chord for the duration of the
last bar
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Guitars 1 & 2 play Section 1 eight times
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Guitars 1 & 2 repeat Section 2 four times
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Section 3: Play 4 times
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| | | |
| | | |
| | | |
| 5 | | |
| 3 2 2 | (2) | |
| 3 0 0 | (0) 3 2 | 2 2 / 6 5 5 6 |
...
|________________[1,2,3]
| | | |
| | | |
| | | * |
| 8 5 | (5) 7 | * |
| 6 3 | (3) 5 | |
| 6 3 | (3) 5 | |
|____________________[4]
| | | | | |
| | | | | |
| | 3 | | | |
| (5) 7 | / | (7) | 7 | (7) |
| (3) 5 | 4 | (5) | 5 | (5) |
| (3) 5 | | (5) | 5 | (5) |
| | | | |
| | | | |
| | | | |
| 7 | (7) | 7 | (7) |
| 5 | (5) | 5 | (5) |
| 5 | (5) | 5 | (5) |
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Section 4a: Guitar 3 with Clean Tone (Play twice)
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|___3____| |___3_____|
| | | |
| | | |
| 4 | 14 \ 7 9 | 10 / 14 12 |
| / | | |
| 4 | | |
| | | |
|____3____|
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Section 4b: Guitar 4 with Clean Tone (Play twice)
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|_____3____| |___3_____|
|____3____|
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Section 4c: Guitar 5 with Clean Tone (Play twice)
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|__3_| |_3__| |__3_| |_3__| |_3__| |_3__| |_3__|
| | |
| | |
| 2 2 | 2 2 |
| 2 2 2 0 | 0 0 0 2 |
| 0 0 | |
| | 1 1 |
|__________________________________[1]
|__3_| |__3_| |__3_| |_3__| |_3__| |_3__| |_3__|
| | | |
| | | |
| 2 2 | 2 2 2 | * |
| 2 2 0 | 0 0 0 | * |
| 0 0 | | |
| | 1 1 | |
|______________________________[2]
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Section 5: Guitars 1 & 2 (Play 4 times) [ Tempo = 138 BPM ]
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|__3__| |__3__| |____3____|
| |
| |
| |
| 5 5 5 5 5 5 5 5 5 |
| 7 7 7 7 7 7 7 7 7 |
| 0 0 0 0 0 0 0 0 0 |
|___3____| |___3____| |______3_____|
| |
| |
| |
| |
| 10 10 10 10 10 10 10 10 10 |
| 8 8 8 8 8 8 8 7 8 |
|___3____| |___3____| |_____3______|
| |
| |
| |
| 9 9 9 9 9 9 9 9 9 |
| 10 10 10 10 10 10 10 10 10 |
| 10 10 10 10 10 10 10 10 10 |
|____3___| |____3___| |___3___| |____3___|
| | |
| | |
| | * |
| | * |
| 10 10 10 10 10 10 10 10 10 10 10 | |
| 7 7 7 7 7 8 8 8 8 8 8 | |
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Section 6a: Guitar 5 (Play 8 times)
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This section is a repeat of Section 4c with variations
|______________________[1,3,4,5,7,8]
|__3_| |_3__| |__3_| |_3__| |_3__| |_3__| |_3__|
| | |
| | |
| 2 2 | 2 2 2 |
| 2 2 2 0 | 0 0 0 |
| 0 0 | |
| | 1 1 |
|______________________________[2,6]
|_3__| |_3__| |_3__| |_3__|
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Section 6b: Guitar 6 with Heavy Distortion (Play twice)
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|____3_____| |_____3_____|
|_____3____| |____3____| |___3____|
|____3_____| |_____3_____|
|______3_____|
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Section 6c: Guitar 7 with Heavy Distortion (Play twice)
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|____3____| |____3_____|
|___3____| |____3____| |___3____|
|____3____| |____3_____|
|___3____|
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Guitars 1 & 2 repeat Section 5 four times while Guitar 7 plays the following
two times:
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|___3____| |___3___| |___3_____| |___3___|
| | |
| | |
| 9 9 h 10 p (9\7) 9 p 7 | 5 9 h 10 p (9\7) 9 p 7 |
| | |
| | |
| | |
|_________3____| |_________3_____|
| | |
| | |
| | (10/12) (10 \ 9) 10 (10/12) 10 |
| 9 | |
| | |
| | |
|___3____| |___3___| |___3_____| |___3___|
| | |
| | |
| 9 9 h 10 p (9\7) 9 p 7 | 5 9 h 10 p (9\7) 9 p 7 |
| | |
| | |
| | |
|_________3____| |_________3_____|
| | | |
| | | |
| | 10 | * |
| 9 | (10/12) (10 \ 9) (10 / 12) | * |
| | | |
| | | |
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Section 7a: Guitar 5 (Play once)
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1 2
| | |
| 7 h 8 7 | 7 h 8 7 |
| 9 9 | 9 |
| 9 9 | 7 |
| 7 | |
| | 8 |
3 4
| | 5 |
| 7 h 8 7 | 7 h 8 7 |
| 7 | 7 |
| 7 | 7 7 |
| 5 | |
| | |
5 6
| | |
| 7 h 8 7 | 7 h 8 7 |
| 9 9 | 9 |
| 9 | 7 |
| 7 | |
| | 8 |
7 8
| | 5 |
| 7 h 8 7 | 7 h 8 7 |
| 7 | 7 7 |
| 7 | 7 7 |
| 5 | |
| | |
9 10
| | |
| 7 h 8 7 | 7 h 8 7 |
| 9 9 | 9 |
| 9 | 7 |
| 7 | |
| | 8 |
11 12
| | 5 |
| 7 h 8 7 | 7 h 8 7 |
| 7 | 7 7 |
| 7 | 7 7 |
| 5 | |
| | |
13 14
| | |
| 7 h 8 7 | 7 h 8 7 |
| 9 9 | 9 |
| 9 | 7 |
| 7 | |
| | 8 |
15 16
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Section 7b: Guitar 7 (Play once)
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1 2 3
4 5 6
7 8 9
10 11 12
13 14 15
16
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Segue: Between Sections there is a backwards guitar effect which can be achieved
by volume swelling an Em chord
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Guitars 1 & 2 play Section 1 eight times [ Tempo = 123 BPM ]
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Guitars 1 & 2 play Section 2 four times with the following variations:
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Both guitars replace the last bar with the following:
| | | |
| | | |
| | | |
| 5 12 7 | (7) | (7) |
| 3 10 7 | (7) | (7) |
| 1 0 8 0 5 | (5) | (5) |
... ...
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End
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Tab summary: Section 1 x 8
Section 2 x 4
Section 1 x 8
Section 2 x 4
Section 3 x 4
Section 4 x 2
Section 5 x 4
Section 6:
6a x 8
6b x 2
6c x 2
Section 5 x 4 + Lead
Section 7 x 1
Section 1 x 8
Section 2 x 4
END