The Brimstone Gate
Naglfar
intro gtr1-top gtr2-bottom
| | | | | |
| | | | | |
| | | | | 9999 9999 |
| | | | | |
| | | | | |
| | 12\ | 0000 0000 0000 0000 | 0000 0000 0000 0000 | |
| | | |
| | | | | |
| | | | | |
| | | | | 9999 9999 |
| | | | | |
| | | | 7777 7777 7777 7777 | |
| | 12\ | 0000 0000 0000 0000 | | |
| | |
| | |
| 9999 9999 | 9999 9999 |
| | 9999 9\ |
| | |
| |
| | |
| | |
| 9999 9999 | 9999 9999 |
| | 9999 9\ |
| | 9\ |
| | 7\ |
| | |
A)--killer fucking main riff
| | | |
| | | |
| | | |
| | 7/99 9999 9999 9999 | 9\55 555 5\44 477 |
| | 5/77 7777 7777 7777 | 7\33 333 3\22 255 |
| | 00 0000 0000 0000 | 0\ |
for riff B, I am not going to put the exact # of
times each note is played; this might throw you off if
I put what sounds to me like 4 notes but you thought it was 3,
or whatever.
For example, in riff A you might hear -999-999-
but if you listen closely the chord is played 4 times for
every beat, and when 2 guitars are harmonizing with
a lot of distortion it can be hard to tell how many times
a note is being played...am I making sense? I don't want
to fuck you up, I'll just let you figure it out for yourself.
The whole song is based around a simple triplet rhythm, I
don't know if that helps...
(B) (end riff B)
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| | | | | |
| | | | | | gtrs 1 & 2 |
| | | | | |
| | | | | |
| | 0 | 10 | 7 7 8 10 | 8 10 |
|
| | | | | |
| | | | | | gtr 3 |
| | | | | |
| | | 7 | 4 4 5 7 | 5 7 7\ |
| | 10 9 10 9 | | | |
| | 7 | | | |
| | |
| | | gtr2 doesn't palm mute this |
| | 7\ |
| | 2 222 222 222 7\ |
| | 2 222 222 222 333 333 5 |
| | 000 000 000 000 000 0 |
... ... ... ... ...
(C)
| | |
| | | E5 and C5 chords played |
| | | under this riff. |
| | 5 45 54 |
| | 3 3 5 57 |
| | 0 7 |
(D) killer chorus riff-I'm positive this one's all trem
picked
| |
(E)
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| | |
| | |
| | 5 4 9 7 5 xx 7 5 4 9\ |
| | 3 2 7 5 3 xx 5 3 2 2 |
| | 0 |
(F) not really. It's just riff D 2 frets higher.
Then play riff A 2 frets higher minus the open E...
I have no idea how they make those relatively high pitched
power chords sound so fucking heavy. There's not much
complicated technique or any lead to speak of on this song...
yet it still kicks ass.
/\ slide
. palm mute