HOLD ON TO THE FLAME (Bassline)
As recorded by Nocturnal Rites
(From the 1999 Album THE SACRED TALISMAN)
Words and Music by Nocturnal Rites
Gtr I (E A D G B E) - 'Strings'
Gtr II (E A D G) - 'Bass'
Intro
Moderately Fast Rock Q=152
4/4
Gtr II
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 | |
| | 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 |
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 |
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 | 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 |
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S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 | 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 |
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S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 | 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 |
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S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 | |
| | 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 |
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S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 | |
| | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 |
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 |
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Pre-Verse
Gtr I
W +H +Q. E +W +H +Q. E
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| 2 | (2) (2) 3 | (3) | (3) (3) 0 |
| 2 | (2) (2) 2 | (2) | (2) (2) 1 |
| 4 | (4) (4) 4 | (4) | (4) (4) 2 |
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|
| Gtr II
| W W W W
+W +H +Q. E +W +H +Q. E
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| (0) | (0) (0) 2 | (2) | (2) (2) |
| (1) | (1) (1) 2 | (2) | (2) (2) |
| (2) | (2) (2) 4 | (4) | (4) (4) |
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|
| W W W E E Q Q E E
1st and 2nd Verses
Gtr II
+E E E E S S S S E E E E E E S S S S E E
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| o | |
| o 4 4 | 4 4 |
| (2) 2 0 2 2 2 2 2 | 0 2 0 2 2 2 2 2 |
E E E E S S S S E E E E E E S S S S E E
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| 5 5 | 5 5 |
| 0 2 0 2 2 2 2 2 | 0 2 0 2 2 2 2 2 |
E E E E S S S S E E E E E E S S S S E E
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| 4 4 | 4 2 4 |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 |
E E E E S S S S E E E E Q Q E E
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| 5 5 | |
| 0 2 0 2 2 2 2 2 | 0 2 2 2 0 2 |
+E E E E S S S S E E E E E E S S S S E E
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| 4 4 | 4 4 |
| (2) 2 0 2 2 2 2 2 | 0 2 0 2 2 2 2 2 |
E E E E S S S S E E E E E E S S S S E E
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| 5 5 | 5 5 |
| 0 2 0 2 2 2 2 2 | 0 2 0 2 2 2 2 2 |
E E E E S S S S E E E E E E S S S S E E
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| 4 4 | 4 2 4 |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 |
E E E E S S S S E E E E Q Q E E
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| 5 5 | 4 5 |
| 0 2 0 2 2 2 2 2 | 0 2 2 2 |
Pre-Chorus
E E E S S E S S E S S E S S E S S E E E E
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| 5 5 5 5 5 5 5 5 5 5 5 | 5 5 5 5 5 5 5p4 |
| | 5 2 |
+E E E S S E S S E S S E S S E S S E E E E
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| | 5 |
| (2) 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 0 2 |
+E E E S S E S S E S S E S S E S S E E E E
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| (5) 5 5 5 5 5 5 5 5 5 5 | 5 5 5 5 5 5 4h5p4 2 |
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Chorus
$
+E E E S S E S S E S S W
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| (2) 2 2 2 2 2 2 2 2 2 2 | |
| | 0 |
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 | |
| | 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 |
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 |
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 | 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 |
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S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 | |
| | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 |
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 | 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 |
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
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| 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 | 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 |
To Coda
W E S S E S S E S S E S S S S S S S S S S S S S S S S S S
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| 0 | 2 2 2 2 2 2 2 2 2 2 2 2 | 6 6 |
| | | 0 0 0 0 2 2 4 4 4 4 5 5 7 7 |
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1. 2.
Q. S S S S E +E E H S S S S Q
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| 7 o | 7 |
| 4h5p4 7 (7) o | 4h5p4 7 |
| 7 2 | 7 |
Guitar Solo I
E S S E S S E S S E S S E S S E S S E S S E S S
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| | 4 4 4 4 4 4 4 4 4 4 4 4 |
| 5 5 5 5 5 5 5 5 5 5 5 5 | |
E S S E S S E S S E S S E S S E S S E S S E S S
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| 5 5 5 5 5 5 5 5 5 5 5 5 | |
| | 0 0 0 0 0 0 0 0 0 0 0 0 |
E S S E S S E S S E S S E S S E S S E S S E S S
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| | 4 4 4 4 4 4 4 4 4 4 4 4 |
| 5 5 5 5 5 5 5 5 5 5 5 5 | |
E S S E S S E S S E S S E S S E S S E S S E S S
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| 5 5 5 5 5 5 5 5 5 5 5 5 | |
| | 0 0 0 0 0 0 0 0 0 0 0 0 |
Guitar Solo II
E S S E S S E S S S S S S E E S S S S E E S S S S
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| | 5 5 5 5 5 5 |
| 0 0 0 0 0 0 0 0 0 0 0 0 0 | 2 2 2 2 2 2 |
E E S S S S E E S S S S E E S S S S E E S S S S
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| 2 2 2 2 2 2 | 5 5 5 5 5 5 |
| 0 0 0 0 0 0 | 2 2 2 2 2 2 |
E E S S S S E E S S S S E E S S S S E E S S S S
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| 2 2 2 2 2 2 | 5 5 5 5 5 5 |
| 0 0 0 0 0 0 | 2 2 2 2 2 2 |
E E S S S S E E S S S S E E S S S S E E S S S S
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| 2 2 2 2 2 2 | 5 5 5 5 5 5 |
| 0 0 0 0 0 0 | 2 2 2 2 2 2 |
3/4
E E S S S S E E S S S S W +W +W +H.
| | | | | |
| | 0 | (0) | (0) | (0) |
| 2 2 2 2 2 2 | | | | |
| 0 0 0 0 0 0 | | | | |
4/4
E E E E S S S S E E E E E E S S S S E E
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| 4 4 | 4 4 |
| 0 2 0 2 2 2 2 2 | 0 2 0 2 2 2 2 2 |
D.S. al Coda
E E E E S S S S E E E E E E S S S S E E
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| 4 4 | 4 4 |
| 0 2 0 2 2 2 2 2 | 0 2 0 2 2 2 2 2 |
Outro
&
4/4
H S S S S Q W E S S E S S E S S E S S E E E E S S S S E E
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| 7 | | | |
| 4h5p4 7 | 5 | 7 7 7 7 7 7 7 7 7 7 7 7 | 4 4 |
| 7 | | | 0 2 0 2 2 2 2 2 |
E E E E S S S S E E E E E E S S S S E E Q Q H
| | | * |
| | | * |
| 4 4 | 4 4 | * |
| 0 2 0 2 2 2 2 2 | 0 2 0 2 2 2 2 2 | 2 * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash