CIRCLES
As recorded by Pain Of Salvation
(From the 1997 Album ENTROPIA)
Music by D.Gildenlow
Gtr I (E A D G B E) - 'Acoustic 1'
Gtr II (E A D G B E) - 'Acoustic 2'
Bass
Q=175 Q=170H.=H Q=105H=H
4/4 2/4
Gtr I
Wx14 Q H. H H H
Guitar Arpeggio 0:24
Q=136
Dmadd9add11
7/8
Gtr I
E E E E E E E E E E E E E E E E E E E E E E E E E E E E
| 0 | 0 | 0 | 0 |
| 6 8 6 | 6 8 6 | 6 8 6 | 6 8 6 |
| 7 7 | 7 7 | 7 7 | 7 7 |
| 8 | 8 | 7 | 7 |
| | | | |
| | | | |
|
| Gtr II
| E E E E E E E E E E E E E E E E E E E E E E E E E E E E
| 0 | 0 | 0 | 0 |
| 6 8 | 6 8 | 6 8 | 6 8 |
| 7 7 | 7 7 | 7 7 | 7 7 |
| 8 8 | 8 8 | 7 7 | 7 7 |
| | | | |
| | | | |
C6add11 Dmadd9add11
6/8 7/8 6/8
E E E E E E E E E E E E E E E E E E E E E E E E E E
| 0 | 0 | 0 | 0 |
| 8 8 | 6 8 6 | 6 8 6 | 6 8 6 |
| 9 10 9 | 7 | 7 7 | 7 |
| 10 | 8 | 7 | 7 |
| | | | |
| | | | |
|
| E E E E E E E E E E E E E E E E E E E E E E E E E E
| 0 0 | 0 | 0 | 0 |
| 3 | 3 1 | 6 8 | 6 8 |
| 5 5 | 3 3 | 7 7 | 7 7 |
| 5 5 | 3 | 7 7 | 7 |
| | | | |
| | | | |
Dmadd9add11
7/8
E E E E E E E E E E E E E E E E E E E E E E E E E E E E
| 0 | 0 | 0 | 0 |
| 6 8 6 | 6 8 6 | 6 8 6 | 6 8 6 |
| 7 7 | 7 7 | 7 7 | 7 7 |
| 8 | 8 | 7 | 7 |
| | | | |
| | | | |
|
| E E E E E E E E E E E E E E E E E E E E E E E E E E E E
| 0 | 0 | 0 | 0 |
| 6 8 | 6 8 | 6 8 | 6 8 |
| 7 7 | 7 7 | 7 7 | 7 7 |
| 8 8 | 8 8 | 7 7 | 7 7 |
| | | | |
| | | | |
H.=H Q=90H=H
C6add11
6/8 4/8
E E E E E E E E E E E E E E E E E
| 0 | 0 | 0 |
| 8 8 | 6 8 6 | 6 |
| 9 10 9 | 7 | 7 |
| 10 | 8 | 8 |
| | | |
| | | |
|
| E E E E E E E E E E E E E E E E E
| 0 0 | 0 | |
| 3 | 3 1 | 1 |
| 5 5 | 3 3 | 3 3 |
| 5 5 | 3 | 3 |
| | | |
| | | |
Q=120 H.=H Q=60
A Bm7add11
4/4 2/4
E E E E E E E E E E E E E E Q +H
| 0 | 5 | * |
| 5 5 | 3 3 | * |
| 6 6 6 | 2 2 | (2) * |
| 7 7 | 4 | * |
| | 2 | * |
| | | * |
|
| E E E E E E E E E E E E E E Q +H
| 0 | 0 | * |
| 2 2 | 3 3 | * |
| 2 2 2 | 2 2 | * |
| 2 2 | 4 4 | (4) * |
| | | * |
| | | * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers -
<e .="">
= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths