Pain Of Salvation - Dedication Tab

                                   DEDICATION
                        As recorded by Pain Of Salvation
                (From the 2000 Album THE PERFECT ELEMENT PART I)

Words and Music by D.Gildenlow
Transcribed by Luca Abete

Gtr I (D A D G B E) - 'Clean L'
Gtr II (D A D G B E) - 'Clean R'
Gtr III (D A D G B E) - 'Piano'

Intro

Q=71 Gadd9 D/F# 7/8 Gtr I S S S E. S S S E. +E
o
4\ 2 (2)
0 0
o 0 0
/5 /4
| | Gtr II | H..
o
o
Emadd9 Gadd9 D/F# 4/4 S S S E S H 3x S S S E. S S S E. +Q
o
0 4\ 2 (2)
4 4 0 0
2 2 o 0 0
2 /5 /4
| | S S S E S H 3x W
14
12 o
14 14
12
14 o
Amadd9 D/A F6add9/A Am 6/8 |-3-| S S S E. S S S E. S S S E. S S S S T T T +S
1 3 3 0 1 0 1 0 (0)
4 2 0
2 4 3 2
0 0 0 0
| | H. H E. S
<12>
Amadd9 D/A F6add9/A S S S E. S S S E. S S S E S E E E
0
1 3 3 3
4 2 0 0
2 4 3 3
0 0 0
| | H. +Q. Q.
<12> (<12>)
Amadd9 D/A F6add9/A Am |-3-| S S S E. S S S E. S S S E. S S S S T T T S
1 3 3 1 0 1 0
4 2 0 2 2
2 4 3 2
0 0 0 0
| | E. Q.. +E H.
<12> <7> (<7>)
Amadd9 D/A Dmadd9add11 S S S E. S S S E. S S S E S E E E
0
1 3 3 3
4 2 0 0
2 4 3 3
0 0
0
| | E. E. Q. H.
<7>
<5>
<7>

Verse 1

Cadd9 4/4 S S S E S S E. E E E
0
3 3
0 0 0
2 2 2
3
| | S S S S +H.
10 (10)
13
12
G/B Am7 15/16 S S S E S S S +H S S S E S S E E E S S
0 (0) 0
3 1 3 1 0
0 0 0 0 (0)
0 0 2 2
2 0
| | S S S S +H. S S S H.
7 (7) 5
8 8
7 (5)
Fsus2 C Gsus4 C G6 Emaj7 17/16 7/8 S S S S S S S S S S S S S E S S S S S E E S E E E
0 0 0
1 (1) 1 3 3 4 4 4
0 0 0 0 0 4 4 4
3 2 0 2
3 2
| | E. E E. E Q.. S S S E. +H
10 8
10 9 7 1 (1)
2
2
2
Dmaj7sus2 Amaj7 Dmaj7sus2 Amaj7 17/16 S S S E S S S S S E E E S S S S E S S S S S E E E S
0 0 0 0
2 2 2 2 2 2
2 2 1 1 2 2 1 1
0 2 2 0 2 2
0 0
| | E. +Q H E E. +Q H E
^14 (14) ^14 (14)
^15 (15) ^15 (15)
^14 (14) (13) ^14 (14) (13)

Verse 2

Cadd9 4/4 S S S E S S E. E E S S
0
3 3
0 0 0
2 2 2 2
3
| | S S S S +H.
10 (10)
13
12
G/B Am7 15/16 S S S E S S S +H S S S E S S T S. E E S S
0 (0) 0
3 1 1h3 1 0
0 0 0 0 (0)
0 0 2 2
2 0
| | S S S S +H. S S S H.
7 (7) 5
8 8
7 (5)
Fsus2 C Gsus4 C G6 Emaj7 17/16 7/8 S S S S S S S S S S S S S E S S S S S E E S E E E
0 0 0
1 (1) 1 3 3 4 4 4
0 0 0 0 0 4 4 4
3 2 0 2
3 2
| | E. E E. E Q.. S S S E. +H
10 8
10 9 7 1 (1)
2
2
2

Interlude1

Dmaj7sus2 Amaj7 Dmaj7sus2 Amaj7 17/16 S S S E S S S S S E E E S S S S E S S S S S E E E S
0 0 0 0
2 2 2 2 2 2
2 2 1 1 2 2 1 1
0 2 2 0 2 2
0 0
| | Q.. H E E. +E s S H E
14 7 14 (14) 17 7
14 9 14 (14) 9
14 14 (14)
7 7
Dmaj7sus2 Amaj7 Dmaj7sus2 Amaj7 S S S E S S S S S E E E S S S S E S S S S S E E E S
0 0 0 0
2 2 2 2 2 2
2 2 1 1 2 2 1 1
0 2 2 0 2 2
0 0
| | Q.. S +Q S E. S E. +E s S H E
14 7 (7) 14 (14) 17 7
14 9 (9) 14 12 14 (14) 9
14 14 (14)
7 (7) 7

Bridge

Gadd9 D/F# 7/8 S S S E. S S S E. +E
o
4\ 2 (2)
0 0
o 0 0
/5 /4
| | H..
o
o
| | Gtr III | S S S E. S S S S +Q
7 5 (5)
o 3 3
4 2
5 4
o
Emadd9 Gadd9 D/F# 4/4 S S S E S H 3x S S S E. S S S E. +Q
o
0 4\ 2 (2)
4 4 0 0
2 2 o 0 0
2 /5 /4
| | S S S E S H 3x W
14
12 o
14 14
12
14 o
| | S S S E S H 3x S S S E. S S S Q..
2 3 2 7 5
0 0 o 3 3
4 2
2 5 4
o

Pre-Chorus

Amadd9 D/A F6add9/A Am 6/8 |-3-| S S S E. S S S E. S S S E. S S S S T T T +S
1 3 3 0 1 0 1 0 (0)
4 2 0
2 4 3 2
0 0 0 0
Amadd9 D/A F6add9/A S S S E. S S S E. S S S E S E E E
0
1 3 3 3
4 2 0 0
2 4 3 3
0 0 0
Amadd9 D/A F6add9/A Am |-3-| S S S E. S S S E. S S S E. S S S S T T T S
1 3 3 1 0 1 0
4 2 0 2 2
2 4 3 2
0 0 0 0
Amadd9 D/A Dmadd9add11 S S S E. S S S E. S S S E S E E E
0
1 3 3 3
4 2 0 0
2 4 3 3
0 0
0

Chorus

C G/B 7/8 Gtr I S S S E. S S S S +Q
o 5 3 (3)
0 0
2 0
o 3 2
| | Gtr II | S S S E. S S S S +Q
12 10 (10)
o 8 8
9 7
10 9
o
| | Gtr III | S S S E. S S S S +Q
12 10 (10)
o 8 8
9 7
10 9
o
Amadd9 C G/B 4/4 S S S E S H 3x S S S E. S S S Q. T T
1 o 5 3 6 6
4 4 0 0 7 7
2 2 2 0 0
0 o 3 2
| | S S S E S H 3x S S S E. S S S Q..
12 12 10
10 o 8 8
12 12 9 7
10 10 9
12 o
| | S S S E S H 3x S S S E. S S S Q..
7 8 7 12 10
o 8 8
9 9 9 7
7 10 9
o

Breakdown

Dm Dm6 Dm+5 Dm7+5 6/8 Gtr I |--3---| E S S S S S S S S S S S S S S S S S S S S T T T S
6 6 6 8 8 6 5 6 5
7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 (5) (5) 5
0 0 0 0 0 0 9 9 9 8 8 8 8 7 7 7 (7) (7)
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0
Dm Dm6 Dm+5 Dm7+5 S S S S S S S S S S S S S S S S S S E E S T T
5 6 5 8 8
7 5 5 7 7 7 7 7 7 7 7 5 5 5 5 5
7 7 7 0 9 9 9 0 8 8 8 8 8 8 8 8
0 0 0 0 0 0 0 0 0
0 0 0 0
1. 2. Dm Dm6 Dm+5 Dm7+5 Dm+5 Dm7+5 E S S S S S S S E S S S S E S E E S T T S S S E S E E E
o 6 6 6 6 6 6 6 6 6 6 6 6 6 6 o 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 7 7 7 7 7 5 5 5
7 7 7 7 9 9 9 9 9 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
o 0 0 0 0 0 0 0 0 0 0 0 0 o 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Interlude 2

Cadd9 G/B 4/4 S S S E S S E. E E E S S S E S S S +H
0 0 (0)
3 3 3
0 0 0 0 0
2 2 2 0 0
3 2
| | Gtr II | S S S S +H. S S S S +H.
10 (10) 7 (7)
13 13 8
12 7
| | Gtr III | S S E. S S Q.. E E S E S E +H
17 17 17 17 17 19 16 16 16
17 17 17 (17)
Am7 15/16 S S S E S S E E E S S
0
1 3 1 0
0 0 (0)
2 2
0
| | S S S H.
5
8
7
| | S S S E S S E S S S S S S
12 14 16 16 17 16
9 10 10 12 12 14
Fsus2 C Gsus4 C G6 17/16 S S S S S S S S S S S S S E S S
0
1 (1) 1 3 3
0 0 0 0 0
3 2 0
3 2
| | E. e E. e Q..
7\ 5 3
7 5
| | |--3--| | E. E E. S +T T T Q..
14 12 10 9 (9) 10 9
12
Emaj7 7/8 S S S E E S E E E
0 0
4 4 4
4 4 4
2
| | E S E. +H
1 (1)
2
2
| | E S S S S S Q..
12
12 12
9 9
9
Dmaj7sus2 Amaj7 17/16 S S S E S S S S S E E E S
0 0
2 2 2
2 2 1 1
0 2 2
0
| | Q.. H E
14 7
14 9
14
7
| | E S S S S S E S S S. T +Q
10 10 12
10 14 14 12
11 14 (14)
14
Dmaj7sus2 Amaj7 S S S E S S S S S E E E S
0 0
2 2 2
2 2 1 1
0 2 2
0
| | E. +E s S H E
14 (14) 17 7
14 (14) 9
14 (14)
7
| | E S S S S S E E E S S S S
17 14 17 16 14
14 17 17 17 14 12 17 15
16
Dmaj7sus2 Amaj7 S S S E S S S S S E E E S
0 0
2 2 2
2 2 1 1
0 2 2
0
| | Q.. S +Q S E. S
14 7 (7)
14 9 (9) 14 12
14
7 (7)
| | E S S S T T S S E S S S S T. T. T. T.
21 19 17
14 17 19 21 19 17 15 17 14
16 14 16 13
16
Dmaj7sus2 Amaj7 S S S E S S S S S E E E S
0 0
2 2 2
2 2 1 1
0 2 2
0
| | E. +E s S H E
14 (14) 17 7
14 (14) 9
14 (14)
7
| | E +T E S. E E. E T T T T T T s
5
5
6 4
14 (14) 12 11 7 6 4
14

Verse 3

Cadd9 4/4 S S S E S S S +H
0 (0)
3 3 (3)
0 0 0 (0)
2 2 2 (2)
3
| | E S Q S +H
10 10 (10)
13 13 (13)
12 12 (12)
| | Q H.
7
G/B Am7 15/16 S S S E S S S +H S S S E S S T S. E E S S
0 (0) 0
3 1 1h3 1 0
0 0 0 0 (0)
0 0 2 2
2 0
| | W H.. S
| | W H.. S
Fsus2 C Gsus4 C G6 9/8 S S S S S S S S S S S S S E S S S
0
1 (1) 1 3 3
0 0 0 0 0
3 2 0 0
3 2
| | E. e E. e H
/10 8
10 9 7
7 5
8 7 5
Cadd9 G/B 4/4 S S S E S S E. E E E S S S E S S S +H
0 0 (0)
3 3 3
0 0 0 0 0
2 2 2 0 0
3 2
| | S S S S +H. W
10 (10)
13
12
Am7 15/16 S S S E S S T S. E E S S
0
1 1h3 1 0
0 0 (0)
2 2
0
| | H.. S
H.=H Q=50 Fsus2 C Gsus4 C G6 9/8 2/4 S S S S S S S S S S S S S E S S S +H
0 *
1 (1) 1 3 3 *
0 0 0 0 0 *
3 2 0 0 (0) *
3 2 *
*
| | E. e E. e H +H
*
/10 8 *
10 9 7 (7) *
7 5 *
8 7 5 (5) *
*
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend
| - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno

& - Coda

Tempo markers - <e .=""> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

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