DEDICATION
As recorded by Pain Of Salvation
(From the 2000 Album THE PERFECT ELEMENT PART I)
Words and Music by D.Gildenlow
Transcribed by Luca Abete
Gtr I (D A D G B E) - 'Clean L'
Gtr II (D A D G B E) - 'Clean R'
Gtr III (D A D G B E) - 'Piano'
Intro
Q=71
Gadd9 D/F#
7/8
Gtr I
S S S E. S S S E. +E
| |
| o |
| 4\ 2 (2) |
| 0 0 |
| o 0 0 |
| /5 /4 |
|
| Gtr II
| H..
Emadd9 Gadd9 D/F#
4/4
S S S E S H 3x S S S E. S S S E. +Q
| | |
| o | |
| 0 | 4\ 2 (2) |
| 4 4 | 0 0 |
| 2 2 o | 0 0 |
| 2 | /5 /4 |
|
| S S S E S H 3x W
Amadd9 D/A F6add9/A Am
6/8
|-3-|
S S S E. S S S E. S S S E. S S S S T T T +S
| | |
| 1 3 | 3 0 1 0 1 0 (0) |
| 4 2 | 0 |
| 2 4 | 3 2 |
| 0 0 | 0 0 |
| | |
|
| H. H E. S
Amadd9 D/A F6add9/A
S S S E. S S S E. S S S E S E E E
| | 0 |
| 1 3 | 3 3 |
| 4 2 | 0 0 |
| 2 4 | 3 3 |
| 0 0 | 0 |
| | |
|
| H. +Q. Q.
Amadd9 D/A F6add9/A Am
|-3-|
S S S E. S S S E. S S S E. S S S S T T T S
| | |
| 1 3 | 3 1 0 1 0 |
| 4 2 | 0 2 2 |
| 2 4 | 3 2 |
| 0 0 | 0 0 |
| | |
|
| E. Q.. +E H.
Amadd9 D/A Dmadd9add11
S S S E. S S S E. S S S E S E E E
| | 0 |
| 1 3 | 3 3 |
| 4 2 | 0 0 |
| 2 4 | 3 3 |
| 0 0 | |
| | 0 |
|
| E. E. Q. H.
Verse 1
Cadd9
4/4
S S S E S S E. E E E
|
| S S S S +H.
G/B Am7
15/16
S S S E S S S +H S S S E S S E E E S S
| 0 (0) | 0 |
| 3 | 1 3 1 0 |
| 0 0 | 0 0 (0) |
| 0 0 | 2 2 |
| 2 | 0 |
| | |
|
| S S S S +H. S S S H.
Fsus2 C Gsus4 C G6 Emaj7
17/16 7/8
S S S S S S S S S S S S S E S S S S S E E S E E E
| 0 | 0 0 |
| 1 (1) 1 3 3 | 4 4 4 |
| 0 0 0 0 0 | 4 4 4 |
| 3 2 0 | 2 |
| 3 2 | |
| | |
|
| E. E E. E Q.. S S S E. +H
Dmaj7sus2 Amaj7 Dmaj7sus2 Amaj7
17/16
S S S E S S S S S E E E S S S S E S S S S S E E E S
| 0 0 | 0 0 |
| 2 2 2 | 2 2 2 |
| 2 2 1 1 | 2 2 1 1 |
| 0 2 2 | 0 2 2 |
| 0 | 0 |
| | |
|
| E. +Q H E E. +Q H E
| ^14 (14) | ^14 (14) |
| ^15 (15) | ^15 (15) |
| ^14 (14) (13) | ^14 (14) (13) |
| | |
| | |
| | |
Verse 2
Cadd9
4/4
S S S E S S E. E E S S
|
| S S S S +H.
G/B Am7
15/16
S S S E S S S +H S S S E S S T S. E E S S
| 0 (0) | 0 |
| 3 | 1 1h3 1 0 |
| 0 0 | 0 0 (0) |
| 0 0 | 2 2 |
| 2 | 0 |
| | |
|
| S S S S +H. S S S H.
Fsus2 C Gsus4 C G6 Emaj7
17/16 7/8
S S S S S S S S S S S S S E S S S S S E E S E E E
| 0 | 0 0 |
| 1 (1) 1 3 3 | 4 4 4 |
| 0 0 0 0 0 | 4 4 4 |
| 3 2 0 | 2 |
| 3 2 | |
| | |
|
| E. E E. E Q.. S S S E. +H
Interlude1
Dmaj7sus2 Amaj7 Dmaj7sus2 Amaj7
17/16
S S S E S S S S S E E E S S S S E S S S S S E E E S
| 0 0 | 0 0 |
| 2 2 2 | 2 2 2 |
| 2 2 1 1 | 2 2 1 1 |
| 0 2 2 | 0 2 2 |
| 0 | 0 |
| | |
|
| Q.. H E E. +E s S H E
| 14 7 | 14 (14) 17 7 |
| 14 9 | 14 (14) 9 |
| 14 | 14 (14) |
| 7 | 7 |
| | |
| | |
Dmaj7sus2 Amaj7 Dmaj7sus2 Amaj7
S S S E S S S S S E E E S S S S E S S S S S E E E S
| 0 0 | 0 0 |
| 2 2 2 | 2 2 2 |
| 2 2 1 1 | 2 2 1 1 |
| 0 2 2 | 0 2 2 |
| 0 | 0 |
| | |
|
| Q.. S +Q S E. S E. +E s S H E
| 14 7 (7) | 14 (14) 17 7 |
| 14 9 (9) 14 12 | 14 (14) 9 |
| 14 | 14 (14) |
| 7 (7) | 7 |
| | |
| | |
Bridge
Gadd9 D/F#
7/8
S S S E. S S S E. +E
| |
| o |
| 4\ 2 (2) |
| 0 0 |
| o 0 0 |
| /5 /4 |
|
| H..
|
| Gtr III
| S S S E. S S S S +Q
Emadd9 Gadd9 D/F#
4/4
S S S E S H 3x S S S E. S S S E. +Q
| | |
| o | |
| 0 | 4\ 2 (2) |
| 4 4 | 0 0 |
| 2 2 o | 0 0 |
| 2 | /5 /4 |
|
| S S S E S H 3x W
|
| S S S E S H 3x S S S E. S S S Q..
| 2 3 2 | 7 5 |
| 0 0 o | 3 3 |
| | 4 2 |
| 2 | 5 4 |
| o | |
| | |
Pre-Chorus
Amadd9 D/A F6add9/A Am
6/8
|-3-|
S S S E. S S S E. S S S E. S S S S T T T +S
| | |
| 1 3 | 3 0 1 0 1 0 (0) |
| 4 2 | 0 |
| 2 4 | 3 2 |
| 0 0 | 0 0 |
| | |
Amadd9 D/A F6add9/A
S S S E. S S S E. S S S E S E E E
| | 0 |
| 1 3 | 3 3 |
| 4 2 | 0 0 |
| 2 4 | 3 3 |
| 0 0 | 0 |
| | |
Amadd9 D/A F6add9/A Am
|-3-|
S S S E. S S S E. S S S E. S S S S T T T S
| | |
| 1 3 | 3 1 0 1 0 |
| 4 2 | 0 2 2 |
| 2 4 | 3 2 |
| 0 0 | 0 0 |
| | |
Amadd9 D/A Dmadd9add11
S S S E. S S S E. S S S E S E E E
| | 0 |
| 1 3 | 3 3 |
| 4 2 | 0 0 |
| 2 4 | 3 3 |
| 0 0 | |
| | 0 |
Chorus
C G/B
7/8
Gtr I
S S S E. S S S S +Q
|
| Gtr II
| S S S E. S S S S +Q
| 12 10 (10) |
| o 8 8 |
| 9 7 |
| 10 9 |
| o |
| |
|
| Gtr III
| S S S E. S S S S +Q
| 12 10 (10) |
| o 8 8 |
| 9 7 |
| 10 9 |
| o |
| |
Amadd9 C G/B
4/4
S S S E S H 3x S S S E. S S S Q. T T
| | |
| 1 o | 5 3 6 6 |
| 4 4 | 0 0 7 7 |
| 2 2 | 2 0 0 |
| 0 o | 3 2 |
| | |
|
| S S S E S H 3x S S S E. S S S Q..
| 12 | 12 10 |
| 10 o | 8 8 |
| 12 12 | 9 7 |
| 10 | 10 9 |
| 12 o | |
| | |
|
| S S S E S H 3x S S S E. S S S Q..
| 7 8 7 | 12 10 |
| o | 8 8 |
| 9 9 | 9 7 |
| 7 | 10 9 |
| o | |
| | |
Breakdown
Dm Dm6 Dm+5 Dm7+5
6/8
Gtr I
|--3---|
E S S S S S S S S S S S S S S S S S S S S T T T S
| | |
| 6 6 6 8 | 8 6 5 6 5 |
| 7 7 7 7 7 7 7 7 | 7 5 5 5 5 5 5 (5) (5) 5 |
| 0 0 0 0 0 0 9 9 9 | 8 8 8 8 7 7 7 (7) (7) |
| 0 0 0 0 0 0 0 | 0 0 0 |
| 0 0 0 | 0 0 |
Dm Dm6 Dm+5 Dm7+5
S S S S S S S S S S S S S S S S S S E E S T T
| | |
| 5 6 5 8 | 8 |
| 7 5 5 7 7 7 7 | 7 7 7 7 5 5 5 5 5 |
| 7 7 7 0 9 9 9 | 0 8 8 8 8 8 8 8 8 |
| 0 0 0 0 | 0 0 0 0 0 |
| 0 0 | 0 0 |
1. 2.
Dm Dm6 Dm+5 Dm7+5 Dm+5 Dm7+5
E S S S S S S S E S S S S E S E E S T T S S S E S E E E
| | | |
| o 6 6 6 6 6 6 6 | 6 6 6 6 6 6 6 o | 6 6 6 6 6 6 |
| 7 7 7 7 7 7 7 7 7 7 | 7 7 7 7 7 5 5 5 5 5 | 7 7 7 7 7 5 5 5 |
| 7 7 7 7 9 9 9 9 9 | 8 8 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 |
| o 0 0 0 0 0 0 | 0 0 0 0 0 0 o | 0 0 0 0 0 0 |
| 0 0 0 0 0 0 | 0 0 0 0 0 | 0 0 0 0 0 |
Interlude 2
Cadd9 G/B
4/4
S S S E S S E. E E E S S S E S S S +H
| 0 | 0 (0) |
| 3 3 | 3 |
| 0 0 0 | 0 0 |
| 2 2 2 | 0 0 |
| 3 | 2 |
| | |
|
| Gtr II
| S S S S +H. S S S S +H.
| 10 (10) | 7 (7) |
| 13 13 | 8 |
| 12 | 7 |
| | |
| | |
| | |
|
| Gtr III
| S S E. S S Q.. E E S E S E +H
| | |
| | |
| 17 17 17 17 17 | 19 16 16 16 |
| 17 17 | 17 (17) |
| | |
| | |
Am7
15/16
S S S E S S E E E S S
|
| S S S H.
|
| S S S E S S E S S S S S S
| |
| |
| 12 14 16 16 17 16 |
| 9 10 10 12 12 14 |
| |
| |
Fsus2 C Gsus4 C G6
17/16
S S S S S S S S S S S S S E S S
| 0 |
| 1 (1) 1 3 3 |
| 0 0 0 0 0 |
| 3 2 0 |
| 3 2 |
| |
|
| E. e E. e Q..
|
| |--3--|
| E. E E. S +T T T Q..
Emaj7
7/8
S S S E E S E E E
|
| E S E. +H
|
| E S S S S S Q..
Dmaj7sus2 Amaj7
17/16
S S S E S S S S S E E E S
| 0 0 |
| 2 2 2 |
| 2 2 1 1 |
| 0 2 2 |
| 0 |
| |
|
| Q.. H E
|
| E S S S S S E S S S. T +Q
| 10 10 12 |
| 10 14 14 12 |
| 11 14 (14) |
| 14 |
| |
| |
Dmaj7sus2 Amaj7
S S S E S S S S S E E E S
| 0 0 |
| 2 2 2 |
| 2 2 1 1 |
| 0 2 2 |
| 0 |
| |
|
| E. +E s S H E
| 14 (14) 17 7 |
| 14 (14) 9 |
| 14 (14) |
| 7 |
| |
| |
|
| E S S S S S E E E S S S S
| 17 14 17 16 14 |
| 14 17 17 17 14 12 17 15 |
| 16 |
| |
| |
| |
Dmaj7sus2 Amaj7
S S S E S S S S S E E E S
| 0 0 |
| 2 2 2 |
| 2 2 1 1 |
| 0 2 2 |
| 0 |
| |
|
| Q.. S +Q S E. S
| 14 7 (7) |
| 14 9 (9) 14 12 |
| 14 |
| 7 (7) |
| |
| |
|
| E S S S T T S S E S S S S T. T. T. T.
| 21 19 17 |
| 14 17 19 21 19 17 15 17 14 |
| 16 14 16 13 |
| 16 |
| |
| |
Dmaj7sus2 Amaj7
S S S E S S S S S E E E S
| 0 0 |
| 2 2 2 |
| 2 2 1 1 |
| 0 2 2 |
| 0 |
| |
|
| E. +E s S H E
| 14 (14) 17 7 |
| 14 (14) 9 |
| 14 (14) |
| 7 |
| |
| |
|
| E +T E S. E E. E T T T T T T s
| 5 |
| 5 |
| 6 4 |
| 14 (14) 12 11 7 6 4 |
| 14 |
| |
Verse 3
Cadd9
4/4
S S S E S S S +H
| 0 (0) |
| 3 3 (3) |
| 0 0 0 (0) |
| 2 2 2 (2) |
| 3 |
| |
|
| E S Q S +H
| 10 10 (10) |
| 13 13 (13) |
| 12 12 (12) |
| |
| |
| |
|
| Q H.
G/B Am7
15/16
S S S E S S S +H S S S E S S T S. E E S S
| 0 (0) | 0 |
| 3 | 1 1h3 1 0 |
| 0 0 | 0 0 (0) |
| 0 0 | 2 2 |
| 2 | 0 |
| | |
|
| W H.. S
|
| W H.. S
Fsus2 C Gsus4 C G6
9/8
S S S S S S S S S S S S S E S S S
| 0 |
| 1 (1) 1 3 3 |
| 0 0 0 0 0 |
| 3 2 0 0 |
| 3 2 |
| |
|
| E. e E. e H
Cadd9 G/B
4/4
S S S E S S E. E E E S S S E S S S +H
| 0 | 0 (0) |
| 3 3 | 3 |
| 0 0 0 | 0 0 |
| 2 2 2 | 0 0 |
| 3 | 2 |
| | |
|
| S S S S +H. W
Am7
15/16
S S S E S S T S. E E S S
| 0 |
| 1 1h3 1 0 |
| 0 0 (0) |
| 2 2 |
| 0 |
| |
|
| H.. S
H.=H Q=50
Fsus2 C Gsus4 C G6
9/8 2/4
S S S S S S S S S S S S S E S S S +H
| 0 | * |
| 1 (1) 1 3 3 | * |
| 0 0 0 0 0 | * |
| 3 2 0 0 | (0) * |
| 3 2 | * |
| | * |
|
| E. e E. e H +H
| | * |
| /10 8 | * |
| 10 9 7 | (7) * |
| 7 5 | * |
| 8 7 5 | (5) * |
| | * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers -
<e .="">
= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths