CHORD VOICINGS (chords not shown are played in open position)
F#m7 G#dim C#m7 D D#dim C Bm7 Fdim Bbdim G# C# F#
| E 4 4 2 |
| B 5 7 7 5 3 2 4 6 2 |
| G 2 4 4 7 5 5 2 1 0 5 6 3 |
| D 2 3 6 7 7 5 4 0 2 6 6 4 |
| A 4 5 4 5 6 3 2 2 1 6 4 4 |
| E 2 4 1 4 2 |
(intro - 4x: last time - drum fill)
F#m7 G#dim
| / / / / | / / / / |
(piano part - 8x: over intro chords)
F#m7 F#m7/F F#m7/E F#m7/Eb
| / / / / | / / / / |
(Theme 1)
3/4 time 4/4 time
N/C F#m7 C#m7 N/C
| E | | 9 | | |
| B | 9 10 12 | 12 10 | 12 10 9 | 10 12 9 |
| G | 11 | | | 9 |
| D | 11 | | | |
| A | 9 13 | | | |
| E | | | | |
(Eric Berman note: I think it may go like this:
N/C F#m7 C#m7 N/C
| E | | 9 | | |
| B | 9 10 12 | 12 10 | 12 10 9 | 10 12 9 |
| G | 11 | | | 9 9 9 9 |
| D | 12 | | | 9 |
| A | 13 | | | |
| E | 14 | | | |
G#dim F#m7
| E | | | | |
| B | | 9 | | |
| G | | 10 | 11 | |
| D | 12 11 9 11 | 12 11 9 12 | 11 | |
| A | | | | |
| E | | | | |
G#dim F#m7
| E | | 10 | 9 |
| B | | 9 10 | |
| G | | 9 11 | |
| D | 9 12 9 11 9 8 11 | 9 11 12 | |
| A | | | |
| E | | | |
Em A D D#dim D
| E | 9 12 | 10 9 | 10 9 10 |
| B | | | 12 10 12 |
| G | | | |
| D | | | |
| A | | | |
| E | | | |
C#m7 C Bm7 A
| E | 9 | 9 9 | |
| B | | 12 12 10 9 10 | 12 10 |
| G | | 11 | |
| D | | | |
| A | | | |
| E | | | |
G#dim Fdim F#m7
| E | | |
| B | 12 10 9 9 | | repeat Theme 1, hold the |
| G | 11 10 | 11 | last F# note and chord |
| D | | | for an additional bar, |
| A | | | then proceed to Theme 2. |
| E | | |
Theme 2
Bm E A
| E | 14 10 | 14 10 12 | 9 9 10 |
| B | 12 | 12 10 9 | 12 |
| G | 11 | | |
| D | | | |
| A | | | |
| E | | | |
Bbdim A G# C# F#
| E | 12 | 14 | | 13 | |
| B | | | 16 | | 14 |
| G | | | | | |
| D | | | | | |
| A | | | | | |
| E | | | | | |
Em A D
| E | 10 | 9 | 9 |
| B | 12 12 | 12 | 10 |
| G | | | |
| D | | | |
| A | | | |
| E | | | |
D#dim D C#m7 G#dim Fdim F#m7
| E | | | | |
| B | 12 10 | 9 9 10 | 9 | |
| G | | | 10 | 11 |
| D | | | | |
| A | | | | |
| E | | | | |
Repeat theme 1, then intro chords to end.
And that's it! Note that I tried to represented note lengths fairly
accurately,but I could't think of a good way to notate triplets and
odd-length notes. The general rule is each dash represents a 16th note,
but I stretched the rule to accomodate double-digit fret numbers 'n'
stuff...let your ears be your guide!
Also, in places where the chords are G#dim -> Fdim, you can just hold
the G#dim if you want, since Fdim is just another inversion of the same
chord.
| / slide up
| \ slide down
| h hammer-on
| p pull-off
| ~ vibrato
| + harmonic
| x Mute note
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