Porcupine Tree - How Is Your Life Today Tab

HOW IS YOUR LIFE TODAY?
As recorded by Porcupine Tree
(From the 2000 Album LIGHTBULB SUN)

Transcribed by Johannes Zetterberg L.

Words and Music by Steven Wilson
Arranged by Porcupine Tree

Gtr I (E A D G B E) - 'S. Wilson - Piano'
Gtr II (E A D G B E) - 'S. Wilson - Hammered Dulcimer'
Gtr III (E A D G B E) - 'S. Wilson - Clean Guitar'
Gtr IV (E A D G B E) - 'R. Barbieri - Fairground'
Gtr V (E A D G B E) - 'S. Wilson & C. Maitland - Vocal Harmonies'
Gtr VI (E A D G B E) - 'S. Wilson & C. Maitland - Vocal Harmonies #2'

Intro

Q=149 (Cm) (Eb/G) (Cm+5) (Ab5) 3/4 Gtr I Q Q Q Q Q Q Q Q Q Q Q Q
3 3 3 3 4 4 4 4
4 4 4 4 4 4 4 4
5 6
3 3
H. H. H. H. (B) (B/F#) (B) (B/F#) Q Q Q Q Q Q Q Q Q Q Q Q
2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
4 4
2 2
H. H. H. H.

Verse #1 & 2

$ (Cm) (Eb/G) (Cm+5) (Ab5) Q Q Q Q Q Q Q Q Q Q Q Q
3 3 3 3 4 4 4 4
o 4 4 4 4 4 4 4 4
5 6
o 3 3
H. H. H. H. (B) (B/F#) (B) (B/F#) Q Q Q Q Q Q Q Q Q Q Q Q
2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 o
4 4 4 4 4 4 4 4
4 4
2 2 o
H. H. H. H.

To Coda

(Bb) (Bb/F) (Bb) (Bb/F) Q Q Q Q Q Q Q Q Q Q Q Q
1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3
1 1
H. H. H. H.

Chorus #1

(Dm) (Dm/A) (Am) (Am/E) Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 5 5 5 5
o 6 6 6 6 5 5 5 5
7 7 7 7 5 5 5 5
0 7
o 0 7
H. H. H. H.

D.S. al Coda

(Gadd9) (Bm7/D) (G) (G/D) Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 3 3 3 3
3 3 3 3 3 3 3 3 o
4 4 4 4 4 4 4 4
5 5 o
3 3
H. H. H. H.

Vocal Harmony Interlude

& (Dm) (Dm/A) (Am) (Am/E) Gtr V W Q. E Q +E E Q. E Q Q Q
7 9
5 7 9 10
5 7 8 (8)
| | Gtr VI | W W H. +Q Q Q
7 (7) 5 4
5 7 8 7 5
8
| Q Q Q Q Q Q | | Gtr I | Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 5 5 5 5
6 6 6 6 5 5 5 5
7 7 7 7 5 5 5 5
0 7
0 7
H. H. H. H. (Gadd9) (Bm7/D) (G) (G/D) Q. E Q +H +E E H. +H.
7
10 9 (9) (9) 7 5 (5)
| | Q Q Q +H. H. H Q
6
5 4 7 5
5 (5) (5)
5 5 (5) (5) 8 7
8
| Q. E Q +H. +H. Q Q Q | | Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 3 3 3 3
3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4
5 5
3 3
H. H. H. H. (Dm) (Dm/A) (Am) (Am/E) W Q Q Q H Q Q Q Q
7 9 10 7 7 9 10
| | H. +H Q H. +H.
7 (7) 7 (7)
5 (5) 5 7 8 7 5
8
| H. +H. Q Q Q Q Q Q | | Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 5 5 5 5
6 6 6 6 5 5 5 5
7 7 7 7 5 5 5 5
0 7
0 7
H. H. H. H. (Gadd9) (Bm7/D) (G) (G/D) > Q. E Q +H. +H. W
9 7 5 (5) (5)
| | > | +H. +H. +H. W
(7) (7) (7)
5 (5) (5)
| H. +H. +H. | | Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 3 3 3 3
3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4
5 5
3 3
H. H. H. H.

Chorus #2

(Dm) (Dm/A) (Am) (Am/E) Gtrs II, III Q E E E E Q Q Q Q E E E E Q Q Q
10 9 10 9 9 10 9 9 9
12 12 12 10 12
| | Gtrs V, VI | W W H. +Q Q Q
7 (7) 5 4
| | Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 5 5 5 5
6 6 6 6 5 5 5 5
7 7 7 7 5 5 5 5
0 7
0 7
H. H. H. H. (Gadd9) (Bm7/D) (G) (G/D) Q E E E E Q Q Q Q E E E E Q Q Q
12 10 12 10 9 10 12 12 10 12 10 9 10 12
| | Q Q Q +H. +H. +Q Q Q
5 4
5 (5) (5) (5)
8 7
| | Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 3 3 3 3
3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4
5 5
3 3
H. H. H. H. (Dm) (Dm/A) (Am) (Am/E) Q E E E E Q Q Q Q E E E E Q Q Q
10 9 10 9 9 10 9 9 9
12 12 12 10 12
| | H. +H Q H. +H.
7 (7)
5 (5)
| | Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 5 5 5 5
6 6 6 6 5 5 5 5
7 7 7 7 5 5 5 5
0 7
0 7
H. H. H. H. (Gadd9) (Bm7/D) (G) (G/D) Q E E E E Q Q Q Q E E E E Q Q Q
12 10 12 10 9 10 12 12 10 12 10 9 10 12
| | > | +H. +H. +H. W
(7) (7) (7)
| | Q Q Q Q Q Q Q Q Q Q Q Q
5 5 5 5 3 3 3 3
3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4
5 5
3 3
H. H. H. H.

Outro

(Cm) (Eb/G) (Cm+5) (Ab5) Gtr IV H. H. H. H.
12 13
10 10
| | Gtr I | Q Q Q Q Q Q Q Q Q Q Q Q
3 3 3 3 4 4 4 4
4 4 4 4 4 4 4 4
5 6
3 3
H. H. H. H. (B) (B/F#) (B) (B/F#) H. H. +H. +H.
11
9 (9) (9)
| | Q Q Q Q Q Q Q Q Q Q Q Q
2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
4 4
2 2
H. H. H. H. (Cm) (Eb/G) (Cm+5) (Ab5) H. Q Q Q H. Q Q Q
12 13
10 10 10
10 11 10
| | Q Q Q Q Q Q Q Q Q Q Q Q
3 3 3 3 4 4 4 4
4 4 4 4 4 4 4 4
5 6
3 3
H. H. H. H. (B) (B/F#) (B) (B/F#) H. H. +H. +H.
9 (9) (9)
9
| | Q Q Q Q Q Q Q Q Q Q Q Q
2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
4 4
2 2
H. H. H. H. (Cm) (Eb/G) (Cm+5) (Ab5) H. +H Q H. +H.
12 13 (13)
10 (10)
| | Q Q Q Q Q Q Q Q Q Q Q Q
3 3 3 3 4 4 4 4
4 4 4 4 4 4 4 4
5 6
3 3
H. H. H. H. (B) (B/F#) (B) (B/F#) H. H Q H. +H.
12
11
9
9 (9)
| | Q Q Q Q Q Q Q Q Q Q Q Q
2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
4 4
2 2
H. H. H. H. (Cm) (Eb/G) (Cm+5) (Ab5) H. H Q H. H E E
12 13
10 10
10 11 10
| | Q Q Q Q Q Q Q Q Q Q Q Q
3 3 3 3 4 4 4 4
4 4 4 4 4 4 4 4
5 6
3 3
H. H. H. H. (B) (B/F#) (B) (B/F#) H. H. +H. +H.
9 (9) (9)
9
| | Q Q Q Q Q Q Q Q Q Q Q Q
2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
4 4
2 2
H. H. H. H. (B) (B/F#) (B) (B/F#) (B) 6/4 W W W W W
*
*
*
*
*
*
| | Q Q Q Q Q Q Q Q Q Q Q Q +W.
2 2 2 2 2 2 2 2 (2) *
4 4 4 4 4 4 4 4 (4) *
4 4 4 4 4 4 4 4 (4) *
4 4 *
2 2 2 *
*
H. H. H. H. W. Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

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