Standard (EADGBE)

|2 4 2 2 2 2|

(add9) |x 0 2 2 2 0|

or |x 0 2 2 0 0|

(b5)|x x 1 2 2 2|

|x x 0 2 2 2|

|x 2 4 2 4 2|

|0 2 2 1 0 0|

|x 2 4 4 3 2|

/ |x 4 2 2 2 4|

|x 4 6 4 7 4|

|x 4 6 4 6 4|

|2 4 4 2 2 2|

/ |0 4 4 2 2 2|

/ |x x 1 2 0 2|

/ |x x 3 4 2 4|

/|x 4 2 2 0 0|

(9)/|x 2 4 2 2 2|

One of the trickiest fingerings is the B7/D# - C#7/F. I play it using this fingering:

With the B7(9)/F#, you could probably just play a B7/F# and fill in the (9) with other

parts if you like.

-Intro.

-Verse 1

Aishi-teta to nageku ni wa

Amari ni mo toki wa sugi te shimatta

Mada kokoro no hokorobi o

Iyasenumama kaze ga fuiteru

Verse 2

same as v.1)

Hitotsu no me de asu o mite

Hitotsu no me de kinou mitsumeteru

Kimi no ai no yurikagode

Mo ichido yasurakani nemuretara

-Pre-Chorus

Kawaita hitomi de dareka na itekure

-Chorus

The real folk blues

Honto no kanashimi ga shiritaidake

Doro no kawa ni sukatta jinsei mo warukuwanai

Ichido kiri de owarunara

Verse 3

same as v.1)

Kibou ni michita zetsuboto

Wanagashikakerareteru kono chansu

Nani ga yoku te warui no ka

Koin no omoi to kuramitaita

-Pre-chorus 2.

Dore dake ikireba iyasareru no darou

-2nd Chorus

The real folk blues

Honto no yorokobi ga shiritai dake

Hikaru mono no subete ga ougen to wa kagiranai

Chorus

same as first chorus)

The real folk blues

Honto no kanashimi ga shiritaidake

Doro no kawa ni sukatta jinsei mo warukuwanai

Ichido kiri de owarunara

That's all she wrote. Literally.

Thanks!