DISSIDENT AGGRESSOR
As recorded by Slayer
(From the 1988 Album SOUTH OF HEAVEN)
Transcribed by Fenian
Words and Music by Glenn Tipton, Robert Halford & Kenneth Downing
Gtr I (Eb Ab Db Gb Bb Eb) - 'Untitled'
Gtr II (Eb Ab Db Gb Bb Eb) - 'Untitled'
Gtr III (Eb Ab Db Gb Bb Eb) - 'Untitled'
Intro
Q.=136
12/8
Gtr I
W. +W.
|
| Gtr II
| PM PM PM PM PM PM PM PM
| Q E Q E Q E Q E Q E Q E Q E Q E
| | |
| | |
| | |
| | |
| 2 2 2 2 | 2 2 2 2 |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
+W. W.
|
| PM PM PM PM PM PM PM PM
| Q E Q E Q E Q E Q E Q E Q E Q E
| | |
| | |
| | |
| | |
| 2 2 2 2 | 2 2 2 2 |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
Gtrs I, II
PM----| PM----| PM----| PM
Q E E E E E E E E E E Q E E E E E E E Q. 4x
| | |
| o | o |
| | |
| | 2 |
| o 2 | 2 0 o |
| 0 0 0 0 0 3p0 0 0 0 0 | 0 0 0 0 0 3p0 0 |
Verse 1,2 & 3
$
PM----| PM----| PM----| PM
Q E E E E E E E E E E Q E E E E E E E Q.
| | |
| o | |
| | |
| | 2 |
| o 2 | 2 0 |
| 0 0 0 0 0 3p0 0 0 0 0 | 0 0 0 0 0 3p0 0 |
PM----| PM----| PM----| PM
Q E E E E E E E E E E Q E E E E E E E Q.
| | |
| | |
| | |
| | 2 |
| 2 | 2 0 |
| 0 0 0 0 0 3p0 0 0 0 0 | 0 0 0 0 0 3p0 0 |
PM----| PM----| PM----| PM
Q E E E E E E E E E E Q E E E E E E E Q.
| | |
| | |
| | |
| | 2 |
| 2 | 2 0 |
| 0 0 0 0 0 3p0 0 0 0 0 | 0 0 0 0 0 3p0 0 |
PM----| PM
Q E E E E E E E Q. Q. E E E H.
| | |
| | |
| | |
| 5 | 4 4p2p0 4 |
| 2 | 2 |
| 0 0 0 0 0 3p0 0 | |
Chorus
Gtrs I, II
PM----| PM---------| PM----|
Q E E E E Q E E E E Q E E E E Q E +E Q
| | |
| | |
| | |
| | |
| 2 2 | 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 5 6 (6) 7 |
|
| Gtr III
| ~~~~~~~~~~~ ~~~~~~~~~~~
| Q. Q E +Q. +Q. Q. Q E +Q. +Q.
| 12 (12) (12)\ | 12 (12) (12)\ |
| 15b17 (15) (15)r\ | 15b17 (15) (15)r\ |
| | |
| | |
| | |
| | |
Gtrs I, II
PM----| PM----|
Q E E E E Q E E E E E Q Q E E Q Q E
| | |
| | |
| | |
| | 5 |
| 2 2 | 5 5 7 |
| 0 0 0 0 0 0 0 0 0 0 | 5 6 7 7 |
Gtrs I, II
PM----| PM---------| PM----|
Q E E E E Q E E E E Q E E E E Q E +E Q
| | |
| | |
| | |
| | |
| 2 2 | 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 5 6 (6) 7 |
|
| Gtr III
| ~~~~~~~~~~~ ~~~~~~~~~~~
| Q. Q E +Q. +Q. Q. Q E +Q. +Q.
| 12 (12) (12)\ | 12 (12) (12)\ |
| 15b17 (15) (15)r\ | 15b17 (15) (15)r\ |
| | |
| | |
| | |
| | |
1.
To Coda
Gtrs I, II
PM----| PM----|
Q E E E E Q E E E E E Q Q E E Q Q E
| | |
| | o |
| | |
| | 5 |
| 2 2 | 5 5 7 o |
| 0 0 0 0 0 0 0 0 0 0 | 5 6 7 7 |
2.
Gtrs I, II
E Q Q E E Q Q E E Q Q E E Q Q E
| | |
| | |
| | 5 |
| 5 | 5 5 7 |
| 5 5 7 | 5 6 7 7 |
| 5 6 7 7 | |
Guitar Solo
Gtr III
\1.5________/ \1.5 \1.5_______________
Q. +Q. a +E a +Q +Q.
| |
| |
| [3] ([3]) ([3]) ([3]) ([3]) ([3]) ([3]) |
| |
| |
| |
|
| Gtrs I, II
| PM----------| PM--------|
| Q E E E E Q E E E E
/ \2.5
~~~~~ ~
a +H. +Q. +E Q
| |
| |
| ([3]) ([3]) ([3]) ([3]) |
| |
| 0 |
| |
|
| PM----|
| Q E E E E Q E +E Q
\1__________________\3.5 \5___
~~~~~~~~~~~~~~~~~~~~~~~~~
+E Q Q. Q. Q E +Q. +Q +E +Q. +Q E
| | |
| | |
| 19\ x\ x\ x/ 11 | (11) (11) (11) (11) (11) 0 |
| | |
| (0) | |
| | |
|
| PM-----| PM-----|
| Q E E E E Q E E E E E Q Q E E Q Q E
| | |
| | |
| | 5 |
| 2 2 | 5 5 7 |
| 0 0 0 0 0 0 0 0 0 0 | 5 6 7 7 |
| | |
/ \4
~~~~~~~~~~~~~~~~~
+W. H. +Q +E +Q.
|
| PM----| PM----| PM----|
| Q E E E E Q E E E E Q E E E E Q E +E Q
| | |
| | |
| | |
| 2 2 | 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 5 6 (6) 7 |
| | |
\6/ \6_____/ \6______/ \6_____/ \6
a Q. a Q. a Q. a Q.
|
| PM---------| PM--------|
| Q E E E E Q E E E E
\0.5
~~~~~~~~~~~~~~~~~ ~
H. +Q +E +Q E
|
| E Q Q E E Q Q E
/0.5\ \1
~~~ ~~~~~~~~~~
+Q. +E E +E +E Q +E Q +W.
| | |
| | |
| <4> (<4>) (<4>) <4> (<4>) | |
| | |
| (0) (0) 0 | (0) |
| | |
|
| PM-----------| PM--------| PM----|
| Q E E E E Q E E E E Q E E E E Q E +E Q
| | |
| | |
| | |
| 2 2 | 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 5 6 (6) 7 |
| | |
\1.5____________/ \1.5 \3.5
H. +E +Q +Q. +E Q +Q. +Q. Q E
| | |
| | |
| 0 (0) (0) (0) | (0) <4> (<4>) (<4>) |
| | |
| | x [0] |
| | |
|
| PM----| PM--------|
| Q E E E E Q E E E E E Q Q E E Q Q E
| | |
| | |
| | 5 |
| 2 2 | 5 5 7 |
| 0 0 0 0 0 0 0 0 0 0 | 5 6 7 7 |
| | |
\4____/ \5.5 /1.5\
~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~
a +W. +E Q +Q. +Q. +E E E
| 17 (17) | (17) 20 (20) (20) (20) 17 |
| | 18 |
| | |
| | |
| | |
| | |
|
| PM----| PM----| PM-------|
| Q E E E E Q E E E E Q E E E E Q E +E Q
| | |
| | |
| | |
| 2 2 | 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 5 6 (6) 7 |
| | |
| \1.5 /0.5\ \0.5/ /0.5\ \0.5/ /0.5\ \0.5/ |
| ~~~~~~~~~~~~~ |
+Q. +Q. +E a +Q a +Q a +E
| (17) (17) (17) |
| |
| <4> (<4>) (<4>) (<4>) (<4>) (<4>) |
| |
| |
| |
|
| PM---------| PM--------------------------|
| Q E E E E Q E E E E
/ \1.5
Q. Q. +H.
|
| E Q Q E E Q Q E
Gtr I
Q. Q E +E E E Q. Q. Q E +E E E Q.
| | |
| o | |
| | |
| 9 7 9 (9) | 9 7 9 (9) |
| o 7 5 7 (7) | 7 5 7 (7) |
| | |
|
| Gtr II
| PM-------| PM-------|
| Q. Q E +E E E E E E Q. Q E +E E E E E E
| | |
| o | |
| | |
| 9 7 9 (9) | 9 7 9 (9) |
| o 7 5 7 (7) | 7 5 7 (7) |
| 0 0 0 0 0 | 0 0 0 0 0 |
Q. Q E +Q +E Q.
| |
| |
| |
| 9 7 9 (9) (9)\ 4 |
| 7 5 7 (7) (7)\ 2 |
| |
|
| Q. Q E +Q +E Q.
| |
| |
| |
| 9 7 9 (9) (9)\ 4 |
| 7 5 7 (7) (7)\ 2 |
| |
1. 2.
D.S. al Coda
PM---| PM--|
Q. E E E Q. Q. Q. E E E Q. Q.
| | |
| o | |
| | |
| 5 | 5 |
| 3 5 4 o | 3 5 4 |
| 0 0 0 3 2 | 0 0 0 3 2 |
|
| PM--|
| Q. Q. Q. Q. Q. E E E Q. Q.
| | |
| o | |
| | |
| 5 12 11 | 5 12 11 |
| 3 10 9 o | 3 3 3 3 10 9 |
| | |
&
Gtrs I, II
E Q Q E E Q Q E E Q Q E E Q Q E
| | |
| | |
| | 5 |
| 5 | 5 5 7 |
| 5 5 7 | 5 6 7 7 |
| 5 6 7 7 | |
Gtr III
|----------------------7:6----------------------|
Q Q Q Q Q Q Q
| 19 19 19 19 19 19 19 |
| 22b24 22b24 22b24 22b24 22b24 22b24 22b24 |
| |
| |
| |
| |
|
| Gtrs I, II
| E Q Q E E Q Q E
|----------------------7:6----------------------|
Q Q Q Q Q Q Q Q. Q. H.
| 19 19 19 19 19 19 19 | 19\ * |
| 22b24 22b24 22b24 22b24 22b24 22b24 22b24 | 22b24\ * |
| | * |
| | * |
| | * |
| | * |
|
| E Q Q E E Q Q E Q. Q. H.
| | * |
| | * |
| | * |
| 5 | * |
| 5 6 7 5 | 7\ * |
| 5 6 7 | * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash