Status Quo - April Spring Summer And Wednesdays Tab

April, Spring, Summer and Wednesdays
Status Quo

Intro:

(clean guitar) 1 + 2 + 3 + 4 + (4x)
E (. short)
B* *
G 6/7 This last slide has to be
D 7 7 7 7 6/7 played real quick. As it's
A*7 7 7 7 7 7 7 7 7 7 4/5 * just for the effect, the
E 5 5 5 5 5 5 time for the first chord
. . . (C#5) should be very short. d u d u d d u d u d d

Verse:

1 + 2 + 3 + 4 +
E
B* *
G 6/7 4x
D 7 7 7 7 6/7
A*7 7 7 7 7 7 7 7 7 7 4/5 *
E 5 5 5 5 5 5
. . . d u d u d d u d u d d (guitar with overdrive) 1 + 2 + 3 + 4 + What really is important here, is
E that this rhythm guitar holds
B 7 5 this C chord until the second
G 7 5 half of the first beat of the
D 7 5 next bar. t's not starting with
A7 7 7 7 7 7 7 7 7 5 3 that rhythm again immediately on
E5 5 5 5 5 5 5 5 5 the first beat. t's the other
(C) rhythm guitar that just goes on, on the first beat. That's why 1 + 2 + 3 + 4 + (6x) I've placed the chord between
E brackets. Don't strike it but
B*(5) 7 5 * just let it ring. advise
G (5) 7 5 you to listen to the last
D (5) 7 5 bars on the record (CD time
A*(3) 7 7 7 7 7 7 7 5 3 * 346/357). You can hear it
E 5 5 5 5 5 5 5 very clear on that spot (this
guitar is panned on the right) as there is no sing- ing. Another thing that you have to do, while playing this chord, is pulling the strings a bit downward with your fretting hand, to make the pitch a bit higher like Francis is also doing with his voice. 1 + 2 + 3 + 4 +
E
B(5)
G(5)
D(5)
A(3) 7 7 7 7 7 7 7 7
E 5 5 5 5 5 5 5 5 0
The nanana part: This a beatiful Hendrix-like backing with slides and hammer-ons from pass-on-notes to chordnotes. 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B5 5
G5 5 4
D5 5/7 5 5 5
A3 5 3h5 5 7 7 7 7 7 7 7 7 7 7 x
E 3 5 5 5 5 5 5 5 5 5 5 x
. . . 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B5 5
G5 5
D5 5/7 5 5 5 5 3h5 5 5 7 7 7
A3 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7
E 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 0
. 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B5
G5 5
D5 5/7 5 5 5 5 7 7 7 7 x 7
A3 3/5 5 5 5 7 7 7 7 7 7 7 7 7 x 7
E 3 3 3 3 3 5 5 5 5 5 5 5 5 5 x 5 0
. 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B5 5
G5 5
D5 5
A3 5 5 5 5 5 7
E 3 3 3 3 3 3 5

Repeat the whole thing from the beginning (inluding the intro) for

Verse 2, and verse 3 after the break.

Break:

1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + E|--------------------------------|--------------------------------|
B 7 7 9
G2 2 2 2 4 x 7 7 9 6 6 6 6 7 7 8 8 9
D3 3 3 3 5 x 8 8 10 7 7 7 7 7 7 9 9 9
A3 3 3 3 5 x 8 8 10 7 7 7 7 5 9 9 7
E1 1 1 1 3 x 6 6 8 5 5 5 5 7 7
d u d u d u d u d d u d u d u d u d 1 + 2 + 3 + 4 +
E
B
G6 6 6 6 6
D7 7 7 7 7
A7 7 7 7 7
E5 5 5 5 5
d u d u d 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B 7 7 9
G2 2 2 2 4 x 7 7 9 6 6 6 6 7 7 8 8 9
D3 3 3 3 5 x 8 8 10 7 7 7 7 7 7 9 9 9
A3 3 3 3 5 x 8 8 10 7 7 7 7 5 9 9 7
E1 1 1 1 3 x 6 6 8 5 5 5 5 7 7
d u d u d u d u d d u d u d u d u d

Outro:

After Verse 3, the break is repeated and then follows the outro, that

starts with a change of time-signature. The 4/4 time changes in 3/4 time for one bar: 1 + 2 + 1 + 2 + 3 + 4 +
E
B 7 5
G6 6 6 6 6 6 6 6 6 6 6 6 6 6 7 5
D7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5
A7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 3
E5 5 5 5 5 5 5 5 5 5 5 5 5 5
d u d u d 1 + 2 + 3 + 4 +
E
B*(5) 7 5 *
G (5) 6 6 6 6 6 6 6 7 5 3x
D (5) 7 7 7 7 7 7 7 7 5
A*(3) 7 7 7 7 7 7 7 5 3 *
E 5 5 5 5 5 5 5
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B 7 5 7 5 (5) \\\
G 7 5 7 5 (5) \\\ /(5)
D 7 5 7 5 (5) \\\(3) //(5)
A 5 3 5 3 (3) \\(3) ///(3)
E \(1) ///
This last chord rings on til the end of the next bar and it's making a dive to an F-chord and back to C again. It might be a tremolo-bar but I don't think so. Do you? It had to be played on a stratocaster then? I think they did that effect later. Second rhythm guitar: ===================== This guitar is given some more low while treble is turned a bit down. It is panned left on the record.

Eight bars rest (Intro and first lines of the verse).

1 + 2 + 3 + 4 +
E
B* 7 5 *
G 7 5
D 7 5 7x
A*7 7 7 7 7 7 7 7 7 5 3 *
E 5 5 5 5 5 5 5 5 5 5 3
1 + 2 + 3 + 4 +
E
B
G
D
A7 7 7 7 7 7 7 7 7 7 7
E5 5 5 5 5 5 5 5 5 5 5 0
Nanana-part 1 + 2 + 3 + 4 +
E
B*
G 5 5 5 5 5 4 4 4 4 4 4
D 5 5 5 5 5 5 5 5 5 5 5
A*3 3 3 3 3 5 5 5 5 5 5
E 3 3 3 3 3 3 3 3 3 3 3
d u d u d d u d u d u 1 + 2 + 3 + 4 +
E
B *
G 3x
D
A7 7 7 7 7 7 7 7 7 7 7 *
E5 5 5 5 5 5 5 5 5 5 5 0
d u d u d d u u d u d d 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B*
G 5 5 5 5 5 4 4 4 4 4 4
D 5 5 5 5 5 5 5 5 5 5 5 7
A*3 3 3 3 3 5 5 5 5 5 5 7
E 3 3 3 3 3 3 3 3 3 3 3 5
d u d u d d u d u d u

Break:

Rhythm guitar 1 starts the break. This guitar comes in on bar 2.

1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B
G REST 6 6 6 6 7 7 8 8 9
D 7 7 7 7 7 7 9 9 9
A 7 7 7 7 5 5 9 9 7
E 5 5 5 5 7 7
d u d u d u d u d Note that chromatic line on the G-string. 1 + 2 + 3 + 4 +
E
B
G6 6 6 6 6
D7 7 7 7 7
A7 7 7 7 7
E5 5 5 5 5
d u d u d 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E
B
G REST 6 6 6 6 7 7 8 8 9
D 7 7 7 7 7 7 9 9 9
A 7 7 7 7 5 5 9 9 7
E 5 5 5 5 7 7

Outro:

Notice the change in time-signature (from 4/4 to 2/4 for 1 bar) like described for guitar 1. 1 + 2 + 1 + 2 + 3 + 4 +
E
B * 7 5 *
G6 6 6 6 6 /14\ 7 5
D7 7 7 7 7 7 5
A7 7 7 7 7 *7 7 7 7 7 7 7 7 7 5 3 *
E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
d u d u d 1 + 2 + 3 + 4 +
E
B 7 5 7 5 (5)
G 7 5 7 5 (5)
D 7 5 7 5 (5)
A 5 3 5 3 (3) /10
E 5 3 5 3 (3) 8

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