Down one step

= 3x0033 (or 320033, open )

= 355433 ( barre)

Gm = 355333 (or use 365333, x11333)

= 2x0232

= 133211

= x32010

= xx023x (or xx0232)

= x3x030 (or x32033)

= x2x033 (or x20033)

Section breakdowns

Intro

v = down strum

u = up stoke

x = palm

t = tap/drum on acoustic (prior to verses)

Verses

|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |

// xxxx // xxxx // xxxx // xxxx // xxxx // xxxx (/=strum, x=mute, this is like radio version)

or

// x/// // x/// // x/// // x/// // x/// // x/// (on acoustic one mute does trick)

(over lyrics)

|1 . . . 2 . . . 3 . . . 4 . . . |

And I.. feel..... that

time's a wasted go.

So whereya going to to-

-morrow? And I see....... that

these are lies to come.

So would you even care?

Pre-chorus

|1 . . 2 . . 3 . . 4 . . |

// // // // // /

(over lyrics)

|1 . . 2 . . 3 . . 4 . . |

And I

fe-el it.. (it..)(it!)

Yeah I

fe-el it.. (it..)(it!)

Chorus

Part 1:

|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |

/ / x xxx / / x xxx / / x xxx / / x xxx

or

/ / x /// / / x /// / / x /// / / x ///

(note: same as verse rhythm, but spacing is shown better here)

(over lyrics) *

|1 . . 2 . . 3 . . 4 . . |1 . . 2 . . 3 . . 4 . . |

Where ya going for tomorrow?

Where ya goin w/that mask I found?

And I feel I feel when the dogs begin to smell her

Will she smell a-lo-oo-----------oo-one?

Chorus

Part 2:

|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |

/ / / /// / / / /// / / / /// / / / ///

/ / / /// / / / /// / / / /// / /

(over lyrics)

When the dogs do find her. Got time, time, to wait for

tomorrow... to find it, to find it, to find it.

When the dogs do find her. Got time, time, to wait for

tomorrow... to find it, to find it. (to find it.)

(Okay, here's the complete song... Enjoy!)

PLUSH

Intro

x2)

Verse 1

And I feel that time's a wasted go.

So where ya going to

tomorrow? And I see that these are lies to come.

Would you even care?

Pre-chorus

And I

feel it...(it....it!)

Yeah I

feel it...(it....it!)

Chorus

Part 1):

Where ya going for tomorrow?

Where ya going with that mask I found?

And I feel, and I feel when the dogs begin to smell her...

Will she smell alone?

Intro

x1)

Verse 2

And I feel, so much depends on the weather.

So is it raining in your

bedroom? And I see, that these are the eyes of disarray.

Would you even care?

Pre-chorus

And I

feel it...(it....it!)

And she

feels it...(it....it!)

Chorus

Part 1):

Where ya going for tomorrow?

Where ya going with that mask I found?

And I feel, and I feel when the dogs begin to smell her...

Will she smell alone?

Chorus

Part 2):

When the dogs do find her. Got time, time, to wait for

tomorrow... to find it, to find it, to find it.

When the dogs do find her. Got time, time, to wait for

tomorrow... to find it, to find it, to find it.

Intro

x3)

Chorus

Part 1):

Where ya going for tomorrow?

Where ya going with that mask I found?

And I feel, and I feel when the dogs begin to smell her...

Will she smell alone?

Chorus

Part 2):

When the dogs do find her. Got time, time, to wait for

tomorrow... to find it, to find it, to find it.

When the dogs do find her. Got time, time, to wait for

tomorrow... to find it, to find it, to find it.

Outro

over Intro deal):

To find it... (to find it)

then..

To find it!

Chord Notes:

The chords of contraversy are going to be the G barre and Gm. The closest tab shows a Eb7/G

(365333) played for both of these. Though, that didn't sound right and was hard to play

(maybe the later is why it sounded off to me). I think the Gm with the mellower Chorus 1

("where you going for tommorrow...") strumming and mutes sounds pretty cool (even if not

exact). Then switching to a regular G bar in the main Chorus ("when the dogs to find

her...") sounds just fine for rocking it out a bit more (changing things up, etc). Same

thing with the regular F barre, sounds just fine to me, and matches up with my Gm and G

barre nicely. If my chords are too simplified, tinker with them. But, I layout the song and

break it down it with good enough detail that this version should be useful.

-. Hall