THE INVINCIBLE
As recorded by Therion
(From the 2000 Album DEGGIAL)
Transcribed by unregistered
Words and Music by Christofer Johnsson
Gtr I (E A D G B E) - 'tiszta'
Gtr II (C F A# D# G C) - 'torzítós'
Gtr III (E A D G B E) - 'torzítós2 normál hangolás'
Intro
Q=120
$
Em
4/4
Gtr I
H. E S S E E H. +Q E E +E E +E S S
| 0 0 | 0 0 0 | (0) 2 0 (0) 0 0 |
| 0 0 | o 0 0 0 | (0) 0 (0) 0 0 |
| 0 0 | 0 0 0 | (0) 0 0 |
| 2 2 | 2 2 2 | (2) 2 2 |
| 2 2 | o 2 2 2 | (2) 2 2 |
| 0 0 | 0 0 0 | (0) 0 0 |
|
| Gtr II
| H. E E E E H. +H. E E
| | | |
| | o | |
| | | |
| | | |
| 2 | o 2 2 2 | (2) 2 |
| 0 | 0 0 0 | (0) 0 |
E E H. +H. +E S S
| 0 0 0 | (0) (0) 0 0 |
| 0 0 0 | (0) (0) 0 0 o |
| 0 0 0 | (0) (0) 0 0 |
| 2 2 2 | (2) (2) 2 2 |
| 2 2 2 | (2) (2) 2 2 o |
| 0 0 0 | (0) (0) 0 0 |
|
| E E H. +W
Pre-Verse
G#5 F#5 G#5 F#5 E5
Gtr II
PM| PM|
E E E E H Q Q H E E E E H Q Q Q Q
| | | | |
| o | | | o |
| | | | |
| | | | |
| o 6 6 6 | 4 4 4 | 6 6 6 | 4 4 2 2 o |
| 4 4 4 4 4 | 2 2 2 | 4 4 4 4 4 | 2 2 0 0 |
Verse
F#m Em
Gtr I
Q Q Q E S S Q Q Q E S S 3x Q Q Q E S S 4x
| 2 2 2 2 | 2 2 2 2 2 2 | | 0 0 0 0 0 0 |
| o 2 2 2 2 2 | 2 2 2 2 2 2 o | | o 0 0 0 0 0 0 o |
| 2 2 2 2 2 2 | 2 2 2 2 2 2 | | 0 0 0 0 0 0 |
| 4 4 4 4 4 4 | 4 4 4 4 4 4 | | 2 2 2 2 2 2 |
| o | o | | o o |
| | | | |
F#m Em
Q Q Q E S S Q Q Q E S S 3x Q Q Q E S S 4x
| 2 2 2 2 | 2 2 2 2 2 2 | | 0 0 0 0 0 0 |
| o 2 2 2 2 2 | 2 2 2 2 2 2 o | | o 0 0 0 0 0 0 o |
| 2 2 2 2 2 2 | 2 2 2 2 2 2 | | 0 0 0 0 0 0 |
| 4 4 4 4 4 4 | 4 4 4 4 4 4 | | 2 2 2 2 2 2 |
| o | o | | o o |
| | | | |
Chorus
C5
Gtr III
E E E E S S E S S E E E E E S S E S S E
| | |
| o | |
| 5 5 5 5 | 5 5 5 5 |
| 5 5 5 5 5 5 | 5 5 5 5 5 5 |
| o 3 3 3 3 0h2 3 0h2 3 | 3 3 3 3 0h2 3 0h2 3 |
| | |
E5 E5/B C/E E5
E E E E E E E E E E E E E E E E
| | |
| | o |
| 9 9 9 9 9 9 9 9 | 9 9 9 9 9 9 9 9 |
| 9 9 9 9 7 7 7 7 | 10 10 10 10 9 9 9 9 |
| 7 7 7 7 7 7 7 7 | 7 7 7 7 7 7 7 7 o |
| 0 0 0 0 | |
Pre-Verse
C5 N.C. C5 Am/C
PM| PM| PM| PM| PM| PM| PM| PM|
E S S E S S E S S E S S E S S E S S E S S E S S
| | |
| o | |
| | |
| 5 5 4 4 | 5 5 7 7 |
| o 3 3 3 3 3 3 3 3 3 3 3 3 | 3 3 3 3 3 3 3 3 3 3 3 3 |
| | |
E5 A5/E C/E E5
PM| PM| PM| PM| PM| PM| PM| PM|
E S S E S S E S S E S S E S S E S S E S S E S S
| | |
| | o |
| 4 4 2 2 | 5 5 4 4 |
| 2 2 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 2 2 |
| | o |
| | |
Bridge
C5 E5
Gtr III
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
| | | |
| o 0 2 4 2 0 0 2 4 2 0 | 0 2 4 2 0 0 2 4 2 0 | 0 2 4 2 0 0 2 4 2 0 |
| 4 2 4 4 2 4 | 4 2 4 4 2 4 | 4 2 4 4 2 4 |
| | | |
| o | | |
| | | |
|
| Gtr I
| E E E E E E E E E E E E E E E E E E E E E E E E
| | | |
| o | | |
| 5 5 5 5 5 5 5 5 | 5 5 5 5 5 5 5 5 | |
| 5 5 5 5 5 5 5 5 | 5 5 5 5 5 5 5 5 | 9 9 9 9 9 9 9 9 |
| o 3 3 3 3 3 3 3 3 | 3 3 3 3 3 3 3 3 | 7 7 7 7 7 7 7 7 |
| | | 0 0 0 0 0 0 0 0 |
1. 2.
D.S. al Coda
D.S. al Coda
S S S S S S S S S S S S S S S S S S S S S S S S S S S S E S S
| | 0 0 |
| 0 2 4 2 0 0 2 4 2 0 o | 0 2 4 2 0 0 2 4 2 0 0 0 |
| 4 2 4 4 2 4 | 4 2 4 0 0 |
| | 2 2 |
| o | 2 2 |
| | 0 0 |
|
| E E E E E E E E E E E E E E E E
| | |
| o | |
| | |
| 9 9 9 9 9 9 9 9 | 9 9 9 9 9 9 9 9 |
| 7 7 7 7 7 7 7 7 o | 7 7 7 7 7 7 7 7 |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
Outro
&
Em
Gtr I
E E H. +Q E E +E E +E S S E E H.
| 0 0 0 | (0) 2 0 (0) 0 0 | 0 0 0 |
| 0 0 0 | (0) 0 (0) 0 0 | 0 0 0 |
| 0 0 0 | (0) 0 0 | 0 0 0 |
| 2 2 2 | (2) 2 2 | 2 2 2 |
| 2 2 2 | (2) 2 2 | 2 2 2 |
| 0 0 0 | (0) 0 0 | 0 0 0 |
|
| W W W
Em
H. +E S S W
| 0 (0) 0 0 | 3 * |
| 0 (0) 0 0 | 5 * |
| 0 (0) 0 0 | 4 * |
| 2 (2) 2 2 | 2 * |
| 2 (2) 2 2 | 2 * |
| 0 (0) 0 0 | 0 * |
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers -
<e .="">
= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths