Van Halen - 316 (Live) Tab

For thoes who haven't been to fretplay here is the entire song.

KEY
<#> = Artificial harmonic - if preceded by a number, that
      number is fretted and the number inside the brackets
      is tapped with the pick hand, otherwise it is an
      artificial hrmonic played by picking the note and almost
      simultaneously hitting it with some part of your thumb
      (most people use the tip of their thumb, I use the
      knuckle).
(#) = Number inside is tapped with pick hand
^^^ = Vibrato
/\  = Slide
___ = underscore after a bend indicates approximate length
      of time to hold the bend
bq  = bend up a quarter step
bh  = bend up a half step
bf  = bend up a full step
bt  = bend up two steps
bT  = bend up one and a half steps - Three half steps
rb  = release bend
pb  = pre bend - the bend has been applied prior to
      striking the note
pm  = palm mute
p   = pull-off
h   = hammer-on
p.h.= pick hand
f.h.=fret hand

General Notes
You can figure out much of the tapping stuff by listening
to the record if you know what tapping sounds like to begin
with.  You can also watch the video to find out where his

Hands are (beware the solo is slightly different in the

video as compared to the record [this is because the recording for the concert was made on two separate nights and the video and record are edited differently} but not enough to make a huge difference). Sometimes the stretch for the tapping parts is pretty big. You can get around this by transposing the notes to a lower string, and, thus, frets that are closer together. He holds the pick two different ways (watch to see when). The first is the classical index finger-thumb. The other

Is the middle finger-thumb leaving his index finger

sticking out to tap. He seems to switch from tapping to picking and back very quickly. Yes, it's because he's good, but what he does quite often is move the pick into his hand, wedging it

Between the second knuckle of the middle finger and the

place on the palm where the finger joins it. This way, he doesn't have to waste time going up to his mouth or even to a mic stand if he doesn't want to. One other thing before we start. This is just a rough approximation. He plays some parts so damned fast it's hard to distinguish between notes sometimes. I hope nothing in here is too inconsistent. Also, you must listen to the actual recording to hear what I've written down. x3
E E
B 2 3 3/5 2 2 3 2 0 0 0 B
G 2 2 2/4 2 2 2 2 1 1 1 G
D 2 4 4/6 2 2 4 2 2 2 2 D
A 0 0 0 0 A
E E
x2
E E
B 2 2 3 3/5 B
G 1 2 2 0 2 2 2 2/4 G
D 2 0 0 0 2 2 4 4/6 D
A 0 0 A
E 2 2 2 2/3 2p3 E
E E
B 2 2 3 2 0 0 0 2 B
G 2 2 2 2 1 2 1 1 2 2 G
D 2 2 4 2 2 1 2 2 0 0 D
A 0 0 0 A
E 2 2 E
E E
B 2 3 3/5 2 2 B
G 0 2 2 2 2/4 2 2 G
D 0 2 2 4 4/6 2 2 D
A 0 0 0 A
E 2 2/3 2p0 E
E E
B 3 2h3p2h3p2 0 0 0 2 B
G 2 2 1 1 1 1 2 2 G
D 4 2h4p2h4p2 2 2 2 2 0 0 D
A 0 0 0 A
E 2 2 2 E
x2
E E
B ^^^^^^ ^^^^^^ B
G 0 2 5 5 5 5 G
D 0 2 4 4 3 3 D
A 0 0 0 0 A
E 2/3 2p0 E

Repeat the main riff again then go on to the tapped

harmonics
E 0<12> E
B 0<12> B
G 2<14> 2<14> G
D 2 2<14> D
A 0 3bq 3 0 0<12> A
E E
For this part, you tap the two upper strings w/your pick hand index finger and the lower string w/your pick hand thumb, kind of like a bass guitar. The muting is accomplished with your fret hand. Practice to the album and you'll get the feel of it. x6
E 12 12 12 12 E
B 12 12 12 12 B
G G
D x x x x x x D
A x x x x x x A
E x 12 x x 12 12 x 12 x x 12p0 E
For the tapping part here, I think he frets the lowest fret (ex 9) w/his index finger of fret hand, taps the highest note (ex 18) w/his index finger of pick hand, and hammers

On middle note (ex 12) w/middle finger of fret hand.

X3 x3
E 12 12 E
B 12 12 B
G 18p9 G
D x x x D
A ^^^ x x x h12 A
E /10\3 x 12 x x 12 12 h3 3/ E
x3 x3 x2 x6
E 12 12 E
B 0 12 12 B
G 20p11 21p12 23p14 G
D x x x D
A h14 h15 h17 x x x A
E x 12 x x1212E
E 12 12 E
B 12 12 B
G G
D x x x D
A x x x A
E x 12 x x 0 0 E
For the following section, all tapped harmonics, <>, are tapped on the indicated frets with the p.h. while the

Previous note is fretted by the f.h. Ex: after this riff

below, your f.h. is on the seventh frets of the E and A and all tapped harmonics are relative to this seventh fret, until the pull of to 0 and hammer on to 5, then all tapped harmonics are relative to the fifth fret, and so on. The not in parenthesis symbolizes that the note is already fretted and sounding. (To save room, I've only included the necessary strings.)
E E
B B
G G
D D
A h7 A
E 15\7p0h7 E
E E
B B
G G
D D
A <14> <12>(7) p 0 h 5 <12> <10>(5) p 0 7 A
E E
E E
B B
G G
D ^^^^^^^^ D
A <14>(7)p0 h 5 <12>(5)p0 h 7 <14> <19> <7> p 0 h A
E E
E E
B B
G G
D D
A 7 <14> <12>(7)p 0 h 5 <12> <10>(5) p 0 h 3 A
E E
E E
B B
G G
D ^^^^^^^^^ D
A <10> <8> <7> h 3 0 7 <14> <12>(7) p A
E E
E E
B B
G G
D D
A 0 5 <12> <10>(5) p 0 ^^^^^^^^ A
E h7 <14> <12> <10> E
E E
B B
G G
D D
A ^^^^^^^ A
E <12>(7) p 0 h 5 <12> <10> <9> <10>(5) p 0 E
E E
B B
G G
D D
A A
E h 3 <10> <8> <7>bf rb <8>(3)/5 <12> <10> E
E E
B B
G G
D D
A h 3 <10> <8> <7> <7>bhA
E <9>bf rb <10> (5) p 0 E
E E
B B
G G
D D
A <8> <10> (3)/5 <12> <10> <9>bf <10> (5)\3 <10>A
E E
E E
B B
G G
D D
A <8> <7> <7>bf <8> <10> (3)/5 <12> <10> <9> A
E E
E E
B B
G G
D D
A <9>bh <10> <12> <9>bh <10> <12> <9>bh <10> A
E E
E E
B B
G G
D D
A<12> (5)/7 <14> <12> <11> <10> <11> <12> <14> A
E E
E E
B B
G G
D D
A<12>bh <12>bf <14>bf <12>bf <14>bf <12>bf <11>bhA
E E
E E
B B
G G
D ^^^^^^^D
A <12>bf <14>bf <19>bT <19>bf <19>bt rb (7) A
E E
E E
B B
G G
D^^^^^^^^^^^^^^^^^^^^^^^^ D
A /10\ A
E /8 \ 3 E
For the next part, this is all two handed tapping with some slides and continues until more tapped harmonics that will be noted.
E E
B B
G 12 5 9 12 G
D 12 5 9 12 5 9 D
A 3 5 9 12 5 9 12 5 9 A
E E
E E
B B
G 5 9 12 5 9 12 5 9 12 5 9 12 5 9 12 5 9 12 5 9 G
D D
A A
E E
E E
B B
G 12 4 9 12 4 9 12 4 9 12 4 9 12 4 9 12 4 9 12G
D D
A A
E E
E E
B B
G 4 9 11 4 9 11 4 9 11 4 9 11 4 9 11 4 9 11 4 9 G
D D
A A
E E
E E
B B
G 11 4 9 11 4 8 11 4 8 11 4 8 11 4 8 11 4 8 11 4G
D D
A A
E E
E E
B B
G 8 11 4 8 11 4 8 G
D 11 3 7 11 3 7 D
A 10 3 7 10 3 7 A
E E
E E
B B
G 11 3 7 11 3 7 11 3 7 11 3 7 10 3 7 10 3 7 10 3G
D D
A A
E E
E E
B B
G 7 10 3 7 9 3 7 10 3 7 12 3 7 10 3 7 10/12 3 7 G
D D
A A
E E
E E
B B
G 13 3 7 12 3 7 10 3 7 9 2 7 9 2 7 9 2 7 9 2 7 G
D D
A A
E E
E E
B B
G 9 2 7 9 2 7 9 2 7 9 2 6 9 2 6 9 2 6 9 2 6 9 2G
D D
A A
E E
E E
B B
G 6 9 2 6 9 2 6 9 2 G
D 6/7 D
A 12 5 9 12 5A
E 12 5 9 12 5 9 E
E E
B B
G G
D 12 5 9 12 5 9 12 5 9 12 5 9 5 11 5 9 12 5 9 D
A 9 A
E E
E E
B B
G G
D 14 5 9 12 5 9 12/14 5 9 15 5 9 12/14 5 9 12 5 9D
A A
E E
E E
B B
G G
D 12 5 9 11 4 9 11 4 9 11 4 9 11 4 9 11 4 9 11 4D
A A
E E
B B
G G
D 9 11 4 9 11 4 9 11 4 8 11 4 8 11 4 8 11 4 8 D
A A
E E
E E
B B
G G
D 11 4 8 11 4 8 D
A 12 5 9 12 5 9 12 5 9 12 5 9 12 5A
E E
E E
B B
G G
D D
A 9 12 5 9 12 4 9 12 4 9 12 4 9 12 4 9 12 4 9 A
E E
E E
B B
G G
D D
A 12 4 8 10 3 7 10 3 7 10 3 7 10 3 7 10 3 7 10 3A
E E
E E
B B
G G
D D
A 7 10 2 7 10 2 7 10 2 7 10 2 7 10 2 7 10 2 7 A
E E
E E
B B
G G
D D
A 9 2 7 9 2 7 9 2 7 9 2 7 9 2 7 9 2 7 9 2 7 9 2A
E E
E E
B B
G G
D D
A 7 9 2 7 9 2 7 9 2 7 9 2 7 9 2 6 9 2 6 9 2 6 A
E E
E E
B B
G G
D D
A 9 2 6 9 2 6 9 2 6 9 2 6 9 2 6 9 2 6 9 2 6 9 2A
E E

You play the first little riff below 26 times gradually

speeding up at first, then slowing down until the second

Riff and then the tapped harmonics mentioned before.

E E
B B
G G
D D
A 9 6 2 0 2 6 9 9 6 2 0 A
E h 3 p 2 p 0 E
E 0<12> E
B 0<12> 0<12> B
G 2<14> 2<14> G
D 2<14> 2<14> D
A 2<14> 2<14> A
E E

Now break out the delay pedal and fool around with it until

you get the effect he has on the record (it's about half a second). You need a good trem system for this part, too.
E 0 0 0 0 0 E
B 0 1 0 0 0 B
G 0 2 0 5 4 G
D 2 3 2 3 4 (4) D
A 3 3 3 3 2 (2) A
E 3 3 E
Now, dive down with the bar somewhere in the neighborhood of three-three and a half steps, and while down there, grab the bottom strings with your thumb and pull and release them while muting with your p.h. palm. Now, while sliding up (see below) release the bar and when you strike the c note on the G string, dive down again about three steps go back to normal and up one step, then down a lot more than three steps (I have no idea how many), and back up. Then play the chords following that C on the G string.
E 0 0 0 E
B 0 1 0 B
G 5 0 2 0 5 G
D 2 3 2 5 D
A 3 3 3 3 A
E 5/8\ 3 3 E
E E
B B
G (5)/9 (9)/5 4/5 4 G
D (5)/9 (9)/5 4/5 4 D
A (3)/7 (7)/3 2/3 2 A
E E
Now, the next part is some crazy shit with harmonics and dives and general whackiness. I wouldn't even bother to learn it let alone try to tab it out. Do something really weird, run around and jump up and down and play with your nose hairs or whatever. We've skipped over the craziness. This is from Cathedral. Your delay pedal should be already set up. This part is all hammer-ons and pull-offs with your f.h. Use volume swells continuously until this entire part is over. Spin the vol. Knob back and forth pretty fast. Play to the record and you'll get it.
E E
B 4 8 B
G 4 4 8 8 G
D 4 4 8 8D
A 2 2 4 6 A
E E
E E
B 12 B
G 12 12 G
D 12 12 D
A 8 8 10 10 12 14 A
E E
E E
B 16 12B
G 16 16 12 G
D 16 16 12 D
A 14 12 10 A
E E
E E
B 7 10 B
G 12 7 7 10 G
D 12 7 7 10 D
A 5 8 A
E E
E E
B 5 8 B
G 10 5 5 8 8 G
D 10 5 5 8 D
A 3 6 A
E E
E E
B 3 6 B
G 3 3 6 6 G
D 8 3 3 6 6 D
A 1 4 A
E E
E E
B 8 12 B
G 8 8 12 12 G
D 8 8 12 12D
A 6 10 A
E E
E E
B 12 12 15 B
G 12 12 15 15G
D 12 12 15 D
A 13 A
E E
E E
B 18 12B
G 18 18 12 G
D 15 18 18 12 D
A 16 10 A
E E
E E
B 15 B
G 12 15 15 9 G
D 12 15 15 9 D
A 13 7 A
E E
E E
B 9 12 B
G 9 12 12 6 G
D 9 12 12 6 D
A 10 4 A
E E
E E
B 6 6 6 8 B
G 6 6 6 8 G
D 6 6 6 8 D
A 6 A
E E
E E
B 8 8 10 B
G 8 8 8 10 G
D 8 8 8 10 D
A 8 A
E E
E E
B 12 B
G 10 12 12 14G
D 10 12 12 14 D
A 10 12 A
E E
E E
B 14 15 B
G 14 15 15 G
D 14 15 15 17D
A 13 15 A
E E
E E
B 17 17 17 B
G 17 17 17 17 G
D 17 17 17 D
A 17A
E E
B 19 19 19 B
G 19 19 19 19 G
D 19 19 19 19D
A A
E E
E E
B 19 19 19 19 B
G 19 19 19G
D 19 19 19 19 D
A A
E E
E E
B 19 19 19 19B
G 19 19 19 G
D 19 19 19 19 D
A A
E E
E E
B 19 21 B
G 19 19 21 21 G
D 19 19 21 21D
A 19 A
E E
E E
B 21 21 21 21 B
G 21 21 21 21G
D 21 21 21 D
A A
E E
E E
B 21 B
G 21 21 21 G
D 21 21 21 D
A 19 21 17 19A
E E
D D
A 15 17 14 15 17 14 15 12 14 10 12A
E E
D D
A 14 10 12 9 10 7 9 5 7 3 5 2 A
E E
E E
B B
G 7 G
D 7 D
A 3 7 5 10 9 7 5 A
E 3 2 0 0 E
E E
B B
G 7 G
D 7 D
A 7 5 7 5 7 5 10 A
E 3 2 0 0 E
E E
B B
G G
D D
A 9 7 5 7 9 10 9 7 5 7 5 7 5 A
E E
E E
B B
G G
D D
A 7 5 7 5 7 5 7 5 7 5 7 5 7 A
E E
E E
B B
G G
D D
A 5 7 5 7 5 7 5 7 5 7 5 7 5 A
E E
After the (7) below turn the delay pedal off!
E E
B B
G G
D D
A 7 5 7 (7) A
E E
There's more nutty note dives and harmonics and stuff after you turn the delay pedal off. Pm--------|
E E
B B
G 2 5 7 <7>bh p 5 5bf G
D 2 ^^^^^ 5 7 7 D
A 0 /7 A
E 13\3 E
E E
B B
G G
D 7 <7>p5 5 <7>p5 <5> D
A 5\3 5bf p 3 <3>bq A
E 5 E
E E
B B
G G
D D
A <3>bq <3>bq <3>bq 3 (3)bh A
E 5p3 5p3 5 E
E E
B 17bT rb p14 ^^^^ 2/4B
G 14 17bf 17 17pbh bf (17)\ G
D /10\5 /16 D
A A
E E
This next is two-handed tapping until noted.
E 10 5 8 10 5 8 10 5 8 E
B 8 8bh 10 5 8 10 5 8 10 5 8B
G 10 5 G
D D
A A
E E
E10 5 8 10 5 8 10 5 8 10 5 8 E
B 10 5 8 10 5 8 10 5 8 10 5B
G G
D D
A A
E E
E E
B 8 10 5 8 10 5 10 8bh 10 5 10 8bh 10 8 5 B
G G
D D
A A
E E
|-Hold this bend until here-|
E E
B B
G 7bf 10 7 12 7 10 7 (7) (7) p 5 h 7bf rb p 5 p 0 G
D D
A A
E E
End tapping after the vib.
E E
B B
G G
D ^^^^^^ D
A 12 7 12 6 12 5 12 3 12 5 12 3bf 12 5 3 0 A
E E
E <5> 5E
B 5 5 B
G 4 4 4 4 4 /6 G
D 7 4 h 5 7 D
A 3/5 5 A
E E
E 5 h 7 8 <8> 8 10 7 8 10 12p8 8h10h12 E
B 5 5/7 8 10 B
G G
D D
A A
E E
E 14 10 12 15 12 12h13h15p12 12 13E
B 10 12 12 12 B
G 12 0 G
D D
A A
E E
E 15p13p12h15 5 E
B 13\5 6 6 8p6h8 5 B
G 8p7p5 7 7 5h7 4 4G
D 7 D
A A
E E
E 15 15 0 17 17 20 E
B 15 15 17 17 B
G 4p5h4 4 5 5 4 4h5h7p5 4 4/ G
D 7 D
A A
E E
E 20 (20)p17p14h20p17p14h E
B 20 8/ 14h17h19 19 B
G 19\ G
D D
A A
E E
On the first three 20's here, bend down a half step using the trem bar.
E20p17p14h20p17h20p17p14 20 E
B 10 17p14 18h20p17p14 18h20B
G G
D D
A A
E E
E E
B 14 20 16h17p16p14 14 14 14 B
G 17 17 17bT (17)\ 14 G
D 8/16 D
A A
E E
E E
B 17bf (17)bt rb (17)p14 14 17bf B
G 17bh (17)p14 G
D D
E 17 E
B (17)bt rb (17)p14 17 B
G 14 14 17 p 14\8h10/19 G
D D
A A
E E
E 20 ^^^^^^^^^^ E
B 20bt 20bf rb p 17 20bf 20p17B
G G
D D
A A
E E
E E
B 20bT (20)p17 20bf rb 17 B
G 19 19 19h21 19\ 5h7 7p5G
D D
A A
E E
E E
B B
G G
D 5h7 7p5 ^^^ D
A 7 p 6\4 5 3 5 5bf 5 3 5 ^^^^^^ A
E 5 5/10\5 E
E E
B B
G 7bh (7) p 5 G
D D
A A
E E
Two-handed tapping returns here and continues until the A chord is struck. Below, hold full bend of the 7 while tapping and releasing the notes that follow with index finger of the p.h. until noted (|---|). |------------------------------------------|
B B
G 7bf 12 14 12 14 15 13/14 15 (7) p 5 h 7 G
D D
D D
A A
E E
E 10 5 8 E
B 10 5 8 10 5 8 10 8 6 B
G 11 7 5 0 7 G
D D
A A
E E
E E
B B
G 12 7 5 0 7 12 7 5 0 G
D 12 7 5 0 D
A 12 7 12 6 A
E E
E E
B B
G G
D D
A 12 5 12 3 12 5 12 5\3/7 12 6 12 5 12 3 12 5 A
E E
E E
B B
G G
D D
A 12 6 5 12 3/7 12 6 12 5 12 3bf 12 6 A
E E
E E
B B
G G
D ^^^^^ ^^^^^^^^^^^^^^^^^^^^^ D
A 12 3bf rb p 0 h 3 12 A
E E
Tapping ends here with the A chord.
E 3 2 2 2 3 3 3 3 3 E
B 3 3 3 3 3 3 3 3 3 B
G 2 0 2 2 2 2 2 2 2 2 G
D 2 0 0 0 0 0 0 0 0 0 D
A 3bh 0 A
E 3 E
E 3 2 E
B 3 3 B
G 2 2 G
D 0 0 ^^^^^^^^^^^^^^^ 5 <5> <5>D
A 0 3p0h4p0h5 (5) A
E E
Feedback starts with that last artificial harmonic and continues for about 20 seconds.
E E
B B
G G
D <5> <5> D
A <5> <5> A
E E
Depress the bar on this A note on the A string and try to get it like the record. At the D note on the B string (fret 15), two-handed tapping begins once again.
E ^^^^^^^ 17 12 15 E
B 15 17 12 15 17 12B
G G
D D
A 0 A
E E
E 17 12 15 17 12 15 17/18 12 15 E
B 15 17 12 15 17 12 15 B
G G
D D
A A
E E
E 19 12 15 17 12 15 17/18 12 15 E
B 17 12 15 17 12 15 B
G G
D D
A A
E E
E 17/19 12 15 12 15 17 12 19 12 15 E
B 15 17 12 B
G 16\15\14 G
D D
A A
E E
E 15 10 13 15 10 13 E
B 15 17 11 13 15 10 10 15 10 13 B
G G
D D
A A
E E
E 17 10 15 10 13 15 10 13 17 10 E
B 15 10 13 15 10 13 B
G G
D D
A A
E E
E 13 15 17 12 15 E
B 15 10 15/17p12 17/18 17/18 12 15 B
G G
D D
A A
E E
E 18 12 15 17 12 15 17 12 15 19 12 15 E
B 17 12 15 17 12 15 B
G G
D D
A A
E E
E 15 10 13 15 14 E
B 17 12 15 15 10 13 15 13 15 10 13 B
G G
D D
A A
E E
E 15 14 15 14 12 10 14 15 14 15 14 12 10 15 14 E
B B
For the next few parts, like some others prior, you are tapping the 12's w/your p.h. index finger while fretting the lower numbers w/your f.h.
E 15 14 12 10 14 E
B 12\12 p 8 12\11\10 12 7 B
G G
D D
A A
E E
E E
B 12 8 12 10 12 8 12 10 12 8 7 5 12 4 12 5/6 12 7 B
G G
E E
B 12 8 12 8/10 12 7 12 8 12 10 12 8 12 7 12 5 12 7 12B
G G
E ^^^^^^ E
B4 12 5 (5)/12 7 8 12 8 10 12 10 12 4/8 10 12 7B
G G
E ^^^^^^ E
B 8 12 8 12 10 12 8 12 7 0 7 12 7 12 4 12 5 B
G G
D D
A A
E E
E 12 5 12 7 8 12 8 12 8/10 12 7 12 8 12 10 12 8 12 7E
B B
G G
E 12 5 12 7 12 4 12 5 12 7 12 7 12 7/10 12 7 8 12 8 10E
B B
E 12 10 8 12 8 12 7 12 5 12 7 12 4 12 5/7 0 E
B 10 12 7 8 B
G G
D D
A A
E E
E E
B 12 8 12 8/10 12 7 8 12 8 12 10 8 12 10 8 7 8 10 12 B
G G
D D
A A
E E
E E
B10 8 7 8 10 12 10 8 7 8 10 12 10 8 7 8 10 12 10 8 7\6B
G G
D D
A A
E E
E ^^^^^^^^^ 12 7 8 12 8 E
B 12 6 12 7 12 4 12 5 12 3 B
G G
D D
A A
E E
E12 8/10 7 12 10 8 7 8 10 12 10 8 7 8 10 12 10 8 7 E
B 9 B
E 8 10 12 10 12 10 8 7 10 12 10 12 10 8 7 8 10 12 10E
B B
E 12 10 8 7 10 12 10 8 7 12 8 12 8 12 7 12 5 12 4 12 E
B B
^^^^^^^
E 5 E
B 12 5 7 12 7/8 12 7 12 8/10 12 7 12 8 12 B
G G
D D
A A
E E
E E
B 10 12 8 12 7 12 5 12 7 12 4 12 5 B
G 9 4 9 5 9 2 9G
D D
After that final pull off to zero on the A string, the two handed tapping ends and there is yet more crazy diving, allowing him time to grab another pick. Hang out around the first four frets on the G string; use lots of artificial harmonic stuff and vibrato with the bar as you dive and climb.
E E
B B
G 4 G
D 9 2 9 4 D
A 9 2 9p3/6/7\5/10\7 p 0 A
E E
The classic trem. picking from Eruption begins below. Just pick the notes as fast as you can. If you watch him, he is holding the pick lightly and flicking his wrist, as if he were ringing a bell, with his pinky partially extended. I think I once heard him refer to this style as "Humingbird Picking" because it's so damn fast. 5x
E 12 16 19 17 16 17 14 16 E
B B
Hold the 22 full bend and pick it like mad, add some vibrato if you like, for about six seconds.
E 12 14 16 17 19 21 22 22bf E
B B
This part below is all hammer-ons and pull-offs. The number in brackets is the original number picked. If the number following is higher than that preceding, it is a hammer on and if it is lower, it is a pull off. Tapping is not used and will not resume until noted.
E E
B {3} 5 3 0 5 3 0 5 3 0 5 3 {8} 7 {8} 7 3 0 {8} 7 3B
G G
E E
B 0 7 {8} 7 3 {8} 7 3 0 B
G G
Hold this bend and tap the notes that follow while indicated. |----------------|
E E
B {3} 5 3 0 5 3 0 B
G 2bf 7p2 5 2 p 0 h 2/4 p 2 G
D 5p2 D
A A
E E
E 3 3E
B 3 3B
G <2>bf p 0 0 0G
D 2 D
A <2> <0> ^^^^ 2 A
E <3> 3p0 3bf (3)bt 0 E
E E
B B
G 5 5 5 7 9 9 0 9 0 G
D 5h7 7 7 7 7 7 7 7 7 D
A 7/12 \ 4/7 A
E E
|--trill--|
E E
B ^^^^^^^ B
G 11 9 (11) 9 G
D 5 D
A 7/12 \ 5h7 7 7 7 7 A
E 3/7 E
|--trill--|
E E
B ^^^^^^^^ B
G 5 5p0h4 7 4 (8) 4 G
D 5 7p4 4 D
A 7 7 7 7 A
E E
E E
B 6 6 7 B
G 5 5p0 G
D 5h7 7 7 7 7 7 7 7 7 D
A 11 \ 4/7 A
E E
For this part, you can see him throw his pick into the crowd which tells us that he is now using just hammer-ons and pull-offs in a trill-like style and continues until noted.
E E
B 5 7 5 7 5 7 5 7 5 3 5 3 5 3 5 3 1 3 1 3 1 3 1 3 1 0 B
G G
E E
B 2 0 2 0 2 0 2 0 2B
G G
D D
A A
E E
This is where the finale begins. This is the final few seconds of Eruption. It is all two-handed tapping.
18x 8x 6x 2x 3x 7x
E E
B 9 2 5 10 2 5 10 4 7 12 4 7 12 5 9 15 7 10 B
G G
2x | 16x |
E E
B 17 7 10 17 9 12 17 12 15 17 12 15 17 11 14 17 11 B
G G
E E
B 14 17 10 13 17 10 13 17 10 12 17 9 12 15 10 13 15 10B
G G
E E
B 13 15 9 12 15 9 12 15 8 11 15 8 11 15 7 10 15 7 10 B
G G
E E
B 13 8 11 13 8 11 13 7 10 13 7 10 13 6 9 13 6 9 13 5 8B
G G
| 7x | 9x | 7x | 12x |
E E
B 13 5 8 12 4 7 12 5 8 12 4 7 12 5 8 12 4 7 5\ B
G G
D x\ D
A x\ A
E x\ E

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