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W A R N I N G
-
W A T C H I N G F R O M A D I S T A N C E
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Tune Down 2 Full Steps
C F A# D# G C
Tempo = 58 BPM
Time Signature = 4/4
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Transcribed by
Version 1.0
29th September 2009
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p - Pull-Off
h - Hammer-On
(/) - Legato Slide (Blank space indicates length of slide)
\ - Slide Down to/Down From (Blank space indicates length of slide)
/ - Slide Up To/Up From (Blank space indicates length of slide)
( ) - Ghost Note/Tied Note/Implied Note
9b10 - Bend Note
10r9 - Release Bend
|---| - Let Ring
|____[1,2,3] - Alternative Endings
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Section 1: Guitars 1 & 2 with Heavy Distortion (Play twice)
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* Let notes ring wherever possible *
| | | |
| | 0 | |
| 0 0 0 | 0 | |
| 9 10 10 | 2 | 4 2 0 |
| 7 8 | 3 | 2 4 0 |
| | | |
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Section 2.1: Guitar 1 (Play twice)
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| | | | | |
| | | | | |
| | 3 | | 4 | |
| | / | | / | |
| 0 0 | 4 | 2 3 2 2 | 4 | 0 2 |
| 0 0 | | | | |
| | | | |
| | | | |
| | | 3 | |
| | | / | |
| 3 2 | 0 0 | 4 | 2 3 2 2 |
| | 0 0 | | |
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Section 2.2: Guitar 2 (Play twice)
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| | | | | |
| | | | | |
| | 3 | | 4 | |
| | / | | / | |
| 0 0 | 4 | 5 7 2 2 | 4 | 3 5 |
| 0 0 | | | | |
| | | | |
| | | | |
| | | 3 | |
| 2 4 | | / | |
| | 0 0 | 4 | 5 7 2 2 |
| | 0 0 | | |
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Section 2.3: Guitars 3 & 4 w/ Heavy Distortion (Play twice)
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| | | |
| | | |
| | 3 | 0 (0) |
| 10 9 | / | |
| 0 10~~ \ 7 | 4 | 5 7 9 7 |
| | | |
| [1] |
| | | |
| | | |
| 4 | | |
| / | | |
| 4 | (10/12) 10 9 | 7 5 / 9 10~~ |
| | 8~~ | |
| [2] |
| | | |
| | | |
| | | * |
| | | * |
| 12 9 | 10 (10/12) (12/14) | |
| 8~~ | | |
During the last bar of the second ending, guitar 3 plays the following instead:
| | |
| | |
| | * |
| | * |
| 10 9 h 10 (10/12) (12/14) | |
| | |
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Section 3: Guitars 1 & 2 (Play 7 times) [ Tempo = 68 BPM ]
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|------------|
| | | | | | |
| | | | | | |
| 4 | | 3 | | | |
| / | 2 (2/5) 9 | / | (9) 2 | 3 | 5 |
| 4 | 0 7 | 4 | (7) 2 | 3 | 5 |
| | 7 | | (7) 0 | 1 | 3 |
|----------|
| [1 6] |
| | | | | |
| | | | | |
| | | 9 | (9) | * |
| 2 | 5 | 10 | (10) | * |
| 3 | 2 | 0 | (0) | |
| | | | | |
In bars 5 and 6 Guitar 1 takes the high notes and Guitar 2 takes the low
Guitar 2 rests for the first half of the first bar before joining in
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Section 4: Guitars 1 & 2 (Play 4 times)
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| | | | |
| | | | |
| | | | |
| | 7 | | |
| 10 8 7 8 \ | 7 | 7 5 3 2 | 2 3 |
| | 5 | | 3 0 |
| | | 0 | |
| | | 1 | |
| | | 0 | 9 |
| 3 | 5 | 2 | 9 |
| 3 | 5 | 3 | 7 |
| 1 | 3 | | 7 |
During the 4th repeat, ignore the last two bars
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Guitars 1 & 2 play Section 3 five times, ignoring the alternative ending
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Section 5.1: Guitars 1 & 2 (Play 4 times)
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Section 5.2: Guitar 3 (Play twice)
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This part enters after Section 5.1 has repeated twice
|___________________________[1]
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Section 7.1: Guitars 1 & 3 (Play 4 times) [ Tempo = 70 BPM ]
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During bars 2 and 3, Guitar 1 takes the high notes and Guitar 2 takes the low
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Section 7.2: Guitar 3 (Play 4 times)
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Outro: Guitars 1 & 2 (Play 5 times) [ Tempo = 78 BPM ]
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| | | |
| | | |
| | | * |
| | | * | x 4 |
| 8 | (8) 5 5 / | |
| | 3 3 / | |
| | | |
| | | R |
| | | E |
| | | S | x 1 |
| 9 | 10 | 10 8 T |
| 7 | 8 | 7 \ |
Guitar 2 mimics Guitar 1 for all but the 5th, 6th and 7th bars, for which it
substitutes the following:
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End
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Tab summary: Section 1 x 2
Section 2 x 2
Section 3 x 7
Section 4 x 4
Section 3 x 5
Section 5:
Part I x 4
Part II x 2
Section 7 x 4
Outro x 5
END