BLOOD, MILK AND SKY
As recorded by White Zombie
(From the 1995 Album ASTROCREEP 2000)
Transcribed by Marooned
Words and Music by White Zombie
Arranged by White Zombie
E5
0 2 2 0 0 0
G5
x x 2 2 x x
E5/B
x 2 2 x x x
G#5/Eb
x x 1 1 x x
E
0 2 2 1 0 0
Am/E
0 x 2 2 1 x
Esus4
0 2 2 2 0 x
F#m7/A
x 0 2 2 5 2
Gtr I (C# F# B E G# C#) - 'Rhy Guitar 1'
Gtr II (C# F# B E G# C#) - 'Rhy Guitar 2'
Gtr III (C# F# B E G# C#) - 'Vol. Swell Guitar 1'
Gtr IV (Db Gb B E Ab Db) - 'Vol. Swell Guitar 2'
Gtr V (Db Gb B E Ab Db) - 'Strings'
Intro
Q=69
E5
4/4
Gtrs I, II
Wx5 S S S S e S S S S e Q S S S S e S S S S e Q
| | | |
| | | |
| | | |
| | 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| | 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| | 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
|
| Gtr III
| < > <
| Wx5 H Q Q +H Q Q
|
| Gtr IV
| < > <
| Wx5 H E Q. +H E Q.
E5
S S S S e S S S S e Q S S S S e S S S S e Q
| | |
| | |
| | |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
|
| > < > <
| +H Q Q +H H
| (13) h15 | (15) |
| (7) h7 | (7) h12 |
| | h12 |
| | h12 |
| | |
| | |
|
| > < >
| +H E Q. +Q Q H
Verse 1, 2, 3
$
E5
S S S S e S S S S e Q S S S S e S S S S e Q
| | |
| o | |
| | |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| o 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
|
| > < > <
| +H Q Q +H Q Q
| 15 | (15) h13 |
| o (12) 7 | (7) h7 |
| (12) | |
| (12) | |
| o | |
| | |
|
| < > <
| H E Q. +H E Q.
E5
S S S S e S S S S e Q S S S S e S S S S e Q
| | |
| | |
| | |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
|
| > < > <
| +H Q Q +H H
| (13) h15 | (15) |
| (7) h7 | (7) h12 |
| | h12 |
| | h12 |
| | |
| | |
|
| > < >
| +H E Q. +Q Q H
E5
S S S S e S S S S e Q S S S S e S S S S e Q
| | |
| | |
| | |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
|
| > < > <
| +H Q Q +H Q Q
| 15 | (15) h13 |
| (12) 7 | (7) h7 |
| (12) | |
| (12) | |
| | |
| | |
|
| < > <
| H E Q. +H E Q.
To Coda
E5
S S S S e S S S S e Q S S S S e S S S S e Q
| | |
| | |
| | |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
|
| > < > <
| +H Q Q +H H
| (13) h15 | (15) |
| (7) h7 | (7) h12 |
| | h12 |
| | h12 |
| | |
| | |
|
| > < >
| +H E Q. +Q Q H
Pre-Chorus
E5 N.C. N.C.
PM-----------------| PM----------------|
S S S S e S S S S e S S S S S S S S e S S S S S S S S S S
| | |
| | |
| 0 0h1 | 0 0 0 |
| 0 2 0 1 | 0 0 2 0 |
| 2 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
|
| >
| +Q Q H W
E5 N.C. N.C.
PM----------------| PM----------------|
S S S S e S S S S e S S S S S S S S e S S S S S S S S S S
| | |
| | o |
| 0 0h1 | 0 0 0 |
| 0 2 0 1 | 0 0 2 0 |
| 2 2 2 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 2 2 2 o |
| 0 0 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 0 0 |
Chorus
E Am/E
Gtrs I, II
W W
|
| Gtr III
| ~~~ ~~~~~~
| |-3-|
| E.T T T E a a E +Q. e E E E S S +S S S S +S S E
| /4h5p4p3h4 4s7 7 (7) \4 | 2 2 2 (2) |
| | 1 1 1 (1) 1 1 1 1 |
| 4 (4) | |
| | |
| | |
| | |
E Esus4
W W
|
| ~~~ ~
| |-3-|
| E.T T T E a a E +Q. e Q T +T +T T E Q E E
| /4h5p4p3h4 4s7 7 (7) \4 | |
| | 7b9 (7)r(7)p5 7\ |
| 4 (4) | 5 |
| | |
| | |
| | |
E Am/E
W W
|
| ~~~ ~~~~~~
| |-3-|
| E.T T T E a a E +Q. e W
| /4h5p4p3h4 4s7 7 (7) \4 | |
| | |
| 4 (4) | |
| | |
| | |
| | |
E Esus4
W W
|
| ~~~ ~~~~~~
| |-3-|
| E.T T T E a a E +Q. e Q T +T +T T E Q E E
| /4h5p4p3h4 4s7 7 (7) \4 | |
| | 7b9 (7)r(7)p5 7\ |
| 4 (4) | 5 |
| | |
| | |
| | |
Bridge
E5
Gtrs I, II
PM| PM PM--| PM| PM| PM PM--| PM|
S S S S S S S S S S S S Q S S S S S S S S S S S S Q
| | |
| o | |
| | |
| 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 |
| o 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
|
| Gtr V
| Q E E E E E E E E E S S +S E S E E
| | |
| o 5 7 5 2 7 8 7 | 8 10 8 7 8 (8) 10 8 10 12 |
| /x | |
| x | |
| o /7 9 7 4 9 10 9 | 10 12 10 9 10 (10) 12 10 12 14 |
| | |
1.
E5
PM| PM PM--| PM| PM| PM PM---| PM|
S S S S S S S S S S S S Q S S S S S S S S S S S S Q
| | |
| | o |
| | |
| 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 |
| 2 2 2 2 2 2 2 2 | 2 2 2 2 2 2 2 2 o |
| 0 0 0 0 0 0 0 0 | 0 0 0 0 0 0 0 0 |
|
| Q E E E E E E E E E E E E E E
| | |
| 5 7 5 2 7 8 7 | 8 10 8 10 12 10 10 7 o |
| /x | |
| x | |
| /7 9 7 4 9 10 9 | 10 12 10 12 14 12 12 9 o |
| | |
Out-Chorus
2.
D.S. al Coda &
E5 E
Gtrs I, II
PM| PM PM---| PM|
S S S S S S S S S S S S Q W
| | |
| | 0 |
| | 1 |
| 2 2 2 2 2 2 2 2 | 2 |
| 2 2 2 2 2 2 2 2 | 2 |
| 0 0 0 0 0 0 0 0 | 0 |
|
| E E E E E E E E W
| | |
| 8 10 8 10 12 10 10 7 | |
| | |
| | |
| 10 12 10 12 14 12 12 9 | |
| | |
Esus4 E F#m7/A E
W W W W
| | | 2 | |
| 0 | 0 | 5 | 0 |
| 2 | 1 | 2 | 1 |
| 2 | 2 | 2 | 2 |
| 2 | 2 | 0 | 2 |
| 0 | 0 | | 0 |
|
| Gtr III
| ~~~ ~~~~~~
| |-3-|
| W W W E.T T T E a a E +Q. e
| | | | /4h5p4p3h4 4s7 7 (7) \4 |
| | | | |
| | | | 4 (4) |
| | | | |
| | | | |
| | | | |
Esus4 E F#m7/A
W W W
| | | 2 |
| 0 | 0 | 5 |
| 2 | 1 | 2 |
| 2 | 2 | 2 |
| 2 | 2 | 0 |
| 0 | 0 | |
|
| ~~~ ~~~~~~
| |-3-|
| W E.T T T E a a E +Q. e W
| | /4h5p4p3h4 4s7 7 (7) \4 | |
| | | |
| | 4 (4) | |
| | | |
| | | |
| | | |
Outro
E Am/E
Gtrs I, II
W W
|
| Gtr III
| ~~~ ~~~~~~
| |-3-|
| E.T T T E a a E +Q. e W
| /4h5p4p3h4 4s7 7 (7) \4 | |
| o | |
| 4 (4) | |
| | |
| o | |
| | |
|
| Gtr IV
| < > <
| H E Q. +H E Q.
E Esus4
W W 4x
|
| ~~~~ ~~~~~~
| |-3-|
| E. T T T E a a E +Q. E W 4x
| /4h 5p4p3h4 4s7 7 (7) \4 | |
| | o |
| 4 (4) | |
| | |
| | o |
| | |
|
| > < >
| +Q Q E Q. +H H 4x
E Am/E
W W
|
| ~~~ ~~~~~~
| |-3-|
| E.T T T E a a E +Q. e W
| /4h5p4p3h4 4s7 7 (7) \4 | |
| o | |
| 4 (4) | |
| | |
| o | |
| | |
|
| < > <
| H E Q. +H E Q.
E Esus4
W W 4x
|
| ~~~~ ~~~~~~
| |-3-|
| E. T T T E a a E +Q. E W 4x
| /4h 5p4p3h4 4s7 7 (7) \4 | |
| | o |
| 4 (4) | |
| | |
| | o |
| | |
|
| > < >
| +Q Q E Q. +H H 4x
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers -
<e .="">
= BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths