You have so many opportunities, so much time, so much space,
so much room to breathe, and
you
| E | 0 | 1p0 0 0 | | |
| B | 3 | 3 3 | 3 1 | 1 |
| G | 2 | 2 | 0 0 | 0 0 |
| D | 0 0 0 0 | 0 0 | 2 2 | |
| A | | | 0 | 3 2 2s3 |
| D | | | | |
So much
| E | 0 | 1p0 0 0 | | |
| B | 3 | 3 3 | 3 1 | 1 |
| G | 2 | 2 | 0 0 | 0 0 |
| D | 0 0 0 | 0 0 | 2 2 | |
| A | | | 0 | 3 2 2s3 |
| D | 0 | | | |
time etc.
| E | 0 | 1p0 0 0 | | | Repeat this |
| B | 3 | 3 3 | 3 1 | 1 | line until |
| G | 2 | 2 | 0 0 | 0 0 | the end of |
| D | 0 0 0 0 | 0 0 | 2 2 | | the verse. |
| A | | | 0 | 3 2 2s3 |
| D | | | | | Then |
And come hand help
| E | | | | |
| B | 3 1 | 3 1 | 3 1 | 3 1 |
| G | 0 0 | 0 0 | 0 0 | 0 0 |
| D | 2 | 3 3 3 | 2 2 2 | 3 3 |
| A | 3 3 | | | |
| D | | | | |
stand help stand
| E | | | | |
| B | 3 1 | 3 1 | 3 1 | 3 1 |
| G | 0 | 0 | 0 0 | 0 |
| D | | | | 3 |
| A | 3 3 | 0 | 3 3 | 0 0 |
| D | 2 5 | 3 | 5 | 3 |
And lead peace times
| E | | | | |
| B | 3 1 | 3 1 | 3 1 | 3 1 |
| G | 0 0 | 0 0 | 0 0 | 0 0 |
| D | 2 | 3 3 3 | 2 2 2 | 3 3 |
| A | 3 3 | | | |
| D | | | | |
weak times weak
| E | | | | |
| B | 3 1 | 3 1 | 3 1 | 3 1 |
| G | 0 0 | 0 | 0 0 | 0 |
| D | | 3 3 | | 3 3 |
| A | 3 3 | 0 | 3 3 | 0 0 |
| D | 5 | 3 | 5 | 3 |
And space ranged hold
| E | | 1 | | |
| B | 3 1 | 1 3 1 | 3 1 | 3 1 |
| G | 0 0 | 0 | 0 0 | 0 0 |
| D | 2 | 3 3 | 2 2 2 | 3 3 3 |
| A | 3 3 | | | |
| D | | | | |
change offer change
| E | | | | |
| B | 3 1 | 3 1 | 3 1 | 3 1 |
| G | 0 | 0 | 0 0 | 0 |
| D | 0 | 3 3 | 2 2 | 3 |
| A | 3 | 0 | | 0 0 |
| D | 0 0 | 3 | 0 | 3 |
So whis ear chase
| E | | | | |
| B | 3 1 | 3 1 | 3 1 | 3 1 |
| G | 0 0 | 0 0 | 0 0 | 0 0 |
| D | 2 | 3 3 3 | 2 2 2 | 3 3 |
| A | 3 3 | | | |
| D | | | | |
fears chase fears
| E | | | | |
| B | 3 1 | 3 1 | 3 1 | |
| G | 0 0 | 0 | 0 0 | |
| D | | 3 | | 3 s2 |
| A | 3 3 | 0 0 | 3 3 | |
| D | 5 | 3 | 5 | 3 s2 |
| E | 0 |
| B | 3 |
| G | 2 | And back into the first section for an instrumental. |
| D | 0 0 0 |
| A | |
| D | 0 |
I haven't worked out the bridge or the ending yet.
Enjoy.