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Avenged Sevenfold
-
Remenissions
Guitar Tab
Revisions
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Lead [Synyster Gates]
-
Distortion Guitar
Track difficulty (Rhythm)
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e
B
G
D
A
D
P. M.
P. M.
let ring
1
X's on the vocals are screamed
=91
2
4
2
Intro
0
0
3
0
0
0
0
1
1
0
0
5
3
2
4
4
3
0
0
3
0
0
0
1
Tremolo pick dead…
X
…note
4
Fast Intro
Oooooo
0
0
With
0
0
this
2
2
ink
2
2
in
3
3
my
3
3
skin,
2
2
we've
2
2
sealed
5
5
our
5
5
fate
3
3
and
3
3
the
2
2
axe
2
2
comes
0
0
ear-
0
0
5
ly.
4
4
So,
4
4
what
0
0
does
0
0
that
2
2
mat-
2
2
ter?
5
5
There's
5
5
a
4
4
bed
4
4
of
0
0
skel-
0
0
e-
2
tons
wait-
in'
6
for
1
1
me
1
1
on
0
0
the
0
0
oth-
3
3
er
3
3
side.
3
3
They're
3
3
wait-
3
3
ing
3
3
for
0
0
my
0
0
next
1
1
move.
1
1
Hu-
0
0
man
0
0
7
lives,
0
0
to
0
0
me,
4
4
seem
4
4
so
2
2
un-
2
2
real.
4
4
You
4
4
can't
0
see
through
the
fog,
see
past
the
8
ster-
0
0
e-
0
0
o-
2
2
type.
2
2
Be-
3
3
lief,
3
3
struc-
2
2
ture
2
2
built
5
5
up
5
5
in
3
3
you.
3
3
I'll
2
2
tear
2
2
you
0
0
down
0
0
9
and
4
4
the
4
4
one
0
0
who
0
0
cre-
2
2
at-
2
2
ed
5
5
you.
5
5
If
4
4
they
4
4
did-
0
0
n't
0
0
have
2
One,
how
would
10
they
1
1
act?
1
1
If
0
0
we
0
0
did-
3
3
n't
3
3
have
3
3
hope,
3
3
how
3
3
would
3
3
we
0
0
be-
0
0
have?
1
1
Would
1
1
they
0
0
still
0
0
P. M.
11
feel
0
0
re-
0
0
morse
4
4
if
4
4
they
2
2
slaught-
2
2
ered
4
4
in-
4
4
no-
0
cent
be-
ings?
Or
is
hope
the
12
Weird Intro
on-
0
0
ly
0
0
thing
0
0
that
0
3
2
P. M.
P. M.
13
keeps
0
0
you
0
0
sane?
0
A
3
3
0
14
good
0
0
friend
0
0
once
0
told
2
3
0
15
me
5
5
3
you
P. M.
P. M.
16
Verse
are
0
0
a
0
mem-
0
o-
3
3
ry,__
2
2
__
0
__
0
0
0
with-
0
out
0
them
3
3
we
2
2
e-
0
0
P. M.
P. M.
17
qual
3
1
noth-
0
ing.
0
All
0
0
I
5
can
0
see
3
1
is
1
a
0
place
0
I
0
wan-
5
0
P. M.
P. M.
P. M.
P. M.
18
na
2
3
be._
3
_
3
_
0
Sud-
3
den-
2
ly,
0
my
2
life
3
0
0
_
19
was
3
1
0
0
so
5
5
free.
5
3
0
0
Leaves
2
0
2
0
2
0
2
0
P. M.
P. M.
20
at
0
0
my
0
feet,
0
they're
3
3
blown
2
2
to
0
the
0
0
0
ground.
0
_
0
_
3
3
Thier
2
2
ech-
0
0
P. M.
P. M.
21
oes
3
1
are
0
reach-
0
ing
0
0
my
5
ears.
0
Night's
3
1
com-
1
in'
0
fast,
0
the
0
sun's
5
0
P. M.
P. M.
P. M.
P. M.
22
go-
2
3
ing
3
_
3
_
0
but
3
keep
2
a-
0
way
2
from
3
0
0
down.
23
me.
3
1
0
0
Keep
5
5
a-
5
3
0
0
way
2
0
2
0
2
0
2
0
P. M.
P. M.
24
from
0
0
me.
0
0
Keep
0
0
a-
0
0
12
25
way
0
0
from
0
me,
0
_
3
3
_
2
2
Keep
0
a-
0
0
0
way
0
from
0
me,
3
3
_
2
2
_
0
0
P. M.
P. M.
26
_
3
1
_
0
Keep
0
a-
0
0
way
5
from
0
me,
3
1
_
1
_
0
_
0
We
0
may
5
0
P. M.
P. M.
P. M.
P. M.
27
have
2
3
cre-
3
ed
3
the
0
be-
3
gin-
2
ning
0
men-
2
tal-
3
0
0
at-
28
ly
3
1
0
0
We
5
5
may
5
3
0
0
have
2
0
2
0
2
0
2
0
P. M.
P. M.
29
cre-
0
0
at-
0
ed
0
the
3
3
be-
2
2
gin-
0
ning
0
0
0
phys-
0
i-
0
c'ly.
3
3
To
2
2
the
0
0
P. M.
P. M.
30
end
3
1
of
0
our
0
hu-
0
0
man
5
ex-
0
ist-
3
1
ence.
1
ulh!
0
I
0
see
0
through
5
0
P. M.
P. M.
P. M.
P. M.
31
you
2
3
the
3
that's
3
in
0
your
3
eyes,
2
_
0
woah.
2
A
3
0
0
fear
32
good
3
1
0
0
friend
5
5
once
5
3
0
0
told
2
0
2
0
2
0
2
0
P. M.
P. M.
P. M.
33
Interlude
me
11
15
you
12
16
are
0
0
a
0
0
mem-
0
0
o-
0
0
ry,__
0
0
__
0
0
__
0
0
with-
0
0
out
0
0
P. M.
P. M.
P. M.
P. M.
34
them
11
15
we
12
16
e-
0
0
qual
0
0
noth-
0
0
ing.
0
0
All
0
0
I
0
0
can
0
0
see
0
0
is
0
0
a
0
0
place
0
0
I
0
0
5
4
P. M.
P. M.
P. M.
35
wan-
11
15
na
12
16
be._
0
0
_
0
0
_
0
0
_
0
0
Time-
0
0
less
0
0
my
0
0
life
0
0
was
0
0
4
4
P. M.
P. M.
P. M.
36
so
11
15
free
12
16
Leaves
0
0
at
0
0
my
0
0
feet
0
0
blown
0
0
to
0
0
the
0
0
ground
0
0
_
0
0
37
Pre-Chorus
_
0
0
38
their
3
1
39
ech-
5
5
40
oes
5
3
41
are
0
0
reach-
ing
my
ears.
Night's
com-
in'
fast,
sun's
go-
in'
down
_
_
_
42
con-
3
1
fused.
I
don't
know
the
an-
swers,
but
neith-
er
do
you.
Ulh!
Yeah
43
5
5
44
5
3
P. M.
45
Chorus
0
0
46
47
48
49
50
51
52
P. M.
53
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
P. M.
54
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
P. M.
55
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
P. M.
P. M.
56
3
3
3
3
3
3
3
3
2
0
0
0
0
0
0
0
P. M.
57
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
P. M.
58
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
P. M.
59
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
60
3
1
3
1
5
3
5
3
P. M.
P. M.
P. M.
P. M.
61
7
5
7
5
0
0
0
0
7
5
7
5
0
0
0
0
7
5
7
5
0
0
0
0
7
5
7
5
0
0
0
0
62
3
1
3
1
5
3
5
3
63
Quadruple-time feel
0
5
5
7
8
7
5
0
3
1
3
1
3
1
3
1
3
1
3
1
64
5
3
5
3
5
3
5
3
5
3
0
3
3
3
3
0
3
2
3
2
0
65
0
5
5
7
8
7
5
0
3
1
3
1
3
1
3
1
3
1
3
1
66
5
3
5
3
5
3
5
3
5
3
0
0
5
3
5
3
0
0
5
3
5
3
5
3
67
0
5
5
7
8
7
5
0
3
1
3
1
3
1
3
1
3
1
3
1
68
5
3
5
3
5
3
5
3
5
3
0
3
3
3
3
0
3
2
3
2
0
69
0
5
5
7
8
7
5
0
3
1
3
1
3
1
3
1
3
1
3
1
70
5
3
5
3
5
3
5
3
2
0
5
3
7
5
3
71
2
4
72
Bridge
7
X
5
7
X
5
9
X
7
9
X
7
10
X
8
10
X
8
9
X
7
9
X
7
4
4
73
3
X
1
3
X
1
7
X
5
7
X
5
10
X
8
10
X
8
15
X
13
15
X
13
74
2
0
75
7
X
5
7
X
5
9
X
7
9
X
7
10
X
8
10
X
8
9
X
7
9
X
7
76
3
X
1
3
X
1
7
X
5
7
X
5
10
X
8
10
X
8
15
X
13
15
X
13
77
2
0
78
9
X
7
10
X
8
79
7
X
5
9
X
7
P. M.
P. M.
80
6
X
4
81
82
0
0
0
0
0
0
83
0
0
84
0
0
0
0
0
0
P. M.
P. M.
85
0
0
86
Half-time Feel
0
0
0
0
0
0
87
0
0
88
0
0
0
0
0
0
89
0
0
90
Bridge
10
12
11
91
10
12
11
92
10
12
11
93
10
12
11
94
0
0
1
1
2
2
3
3
95
0
0
1
1
2
2
3
3
96
0
0
1
1
2
2
3
3
97
0
0
1
1
2
2
3
3
98
Guitar Solo
6
6
5
7
5
6
7
99
8
8
6
5
6
8
5
100
10
10
8
10
8
10
10
101
10
8
10
8
6
5
6
5
7
5
7
5
3
3
3
3
102
7
6
6
5
7
5
6
7
103
8
8
6
5
6
8
5
104
10
10
8
10
8
10
10
105
10
8
10
8
6
5
6
5
7
5
7
5
3
3
3
3
106
Chorus
0
0
107
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
108
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
109
3
3
3
3
3
3
3
3
0
2
0
2
4
110
0
0
111
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
112
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
113
3
3
3
3
3
3
3
3
0
2
0
2
4
114
0
0
115
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
116
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
117
3
3
3
3
3
3
3
3
0
2
0
2
4
118
0
0
119
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
120
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
P. M.
121
2
0
2
0
2
0
2
0
2
0
2
0
2
0
122
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
123
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
124
0
0
125
P. M.
126
Outro
=130
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
127
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
128
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
129
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
130
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
131
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
132
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
133
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
134
=130
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
135
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
136
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
137
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
138
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
139
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
140
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
P. M.
141
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
Change tuning (R)
