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Gazette
—
The Social Riot Machine
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Aoi - Guitar 2
—
Distortion Guitar
Difficulty
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d
A
F
C
G
D
1
Intro
=120
0
1
0
1
0
1
3
2
1
0
3
1
0
4
4
2
0
1
0
1
0
1
3
2
1
0
3
1
0
3
0
1
0
1
0
1
3
2
1
0
3
1
0
P. M.
P. M.
4
0
1
0
1
0
1
3
2
1
5
Main Riff
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
P. M.
P. M.
P. M.
P. M.
6
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
2
2
0
2
2
0
7
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
P. M.
P. M.
P. M.
P. M.
8
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
3
2
1
9
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
P. M.
P. M.
P. M.
P. M.
10
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
2
2
0
2
2
0
11
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
12
0
0
0
2
0
0
0
3
0
0
0
3
1
0
13
=170
0
14
Verse
11
10
15
X
X
X
X
X
X
X
X
X
X
X
X
4
2
16
11
10
17
X
X
X
X
X
X
X
X
X
X
X
X
4
2
18
11
10
19
X
X
X
X
X
X
X
X
X
X
X
X
4
2
20
11
10
21
X
X
X
X
X
X
X
X
X
X
X
X
4
2
22
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
23
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
24
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
25
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
26
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
27
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
28
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
29
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
30
=120
2
4
31
Bridge
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
4
4
32
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
33
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
34
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
35
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
36
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
37
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
38
2
2
0
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
X
X
X
3
3
1
39
Verse
=170
11
10
40
X
X
X
X
X
X
X
X
X
X
X
X
4
2
41
11
10
42
X
X
X
X
X
X
X
X
X
X
X
X
4
2
43
11
10
44
X
X
X
X
X
X
X
X
X
X
X
X
4
2
45
11
10
46
X
X
X
X
X
X
X
X
X
X
X
X
4
2
47
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
48
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
49
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
50
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
51
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
52
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
53
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
54
11
10
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
2
55
=120
2
4
56
Main Riff
0
1
0
1
0
1
3
2
1
0
3
1
0
4
4
57
0
1
0
1
0
1
3
2
1
0
3
1
0
58
0
1
0
1
0
1
3
2
1
0
3
1
0
59
0
1
0
1
0
1
3
2
1
0
3
1
0
60
Chorus
X
X
X
X
X
X
2
1
2
1
X
X
X
X
X
X
2
1
2
1
61
X
X
X
X
X
X
2
1
2
1
X
X
X
X
X
X
2
1
2
1
62
X
X
X
X
X
X
2
1
X
X
X
X
X
X
5
1
63
X
X
X
X
X
X
2
1
X
X
X
X
X
X
5
1
64
X
X
X
X
X
X
2
1
2
1
X
X
X
X
X
X
2
1
2
1
65
X
X
X
X
X
X
2
1
2
1
X
X
X
X
X
X
2
1
2
1
66
X
X
X
X
X
X
2
1
X
X
X
X
X
X
5
1
67
X
X
X
X
X
X
2
1
X
X
X
X
X
X
68
Break
2
2
0
69
70
let ring
71
72
0
1
0
2
1
1
73
0
1
0
3
2
1
let ring
74
0
1
0
2
1
1
75
0
1
0
(2)
2
4
76
77
Bridge
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
4
4
78
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
79
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
80
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
81
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
82
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
83
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
84
2
2
0
X
X
X
3
2
1
X
X
X
3
2
1
0
1
2
85
2
2
0
2
2
0
2
2
0
2
2
0
P. M.
P. M.
P. M.
P. M.
86
Main Riff
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
87
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
2
2
0
2
2
0
P. M.
P. M.
P. M.
P. M.
88
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
89
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
3
2
1
P. M.
P. M.
P. M.
P. M.
90
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
91
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
2
2
0
2
2
0
P. M.
P. M.
92
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
93
0
0
0
2
0
0
0
3
0
0
0
3
1
0
94
Verse
=170
11
10
95
X
X
X
X
X
X
X
X
X
X
X
X
4
2
96
11
10
97
X
X
X
X
X
X
X
X
X
X
X
X
4
2
98
11
10
99
X
X
X
X
X
X
X
X
X
X
X
X
4
2
100
11
10
101
X
X
X
X
X
X
X
X
X
X
X
X
4
2
102
=120
2
4
103
Chorus
X
X
X
X
X
X
2
1
2
1
X
X
X
X
X
X
2
1
2
1
4
4
104
X
X
X
X
X
X
2
1
2
1
X
X
X
X
X
X
2
1
2
1
105
X
X
X
X
X
X
2
1
X
X
X
X
X
X
5
1
106
X
X
X
X
X
X
2
1
X
X
X
X
X
X
5
1
107
X
X
X
X
X
X
2
1
2
1
X
X
X
X
X
X
2
1
2
1
108
X
X
X
X
X
X
2
1
2
1
X
X
X
X
X
X
2
1
2
1
109
X
X
X
X
X
X
2
1
X
X
X
X
X
X
5
1
110
X
X
X
X
X
X
2
1
X
X
X
X
X
X
2
X
X
111
2
1
X
X
X
X
X
X
2
1
X
X
X
X
X
X
112
2
1
X
X
X
X
X
X
2
1
X
X
X
X
X
X
113
2
1
X
X
X
X
X
X
2
1
X
X
X
X
X
X
114
X
X
X
X
X
X
X
X
X
X
X
X
2
1
2
1
2
1
2
1
P. M.
P. M.
P. M.
P. M.
115
Outro
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
116
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
2
2
0
2
2
0
P. M.
P. M.
P. M.
P. M.
117
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
118
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
3
2
1
P. M.
P. M.
P. M.
P. M.
119
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
120
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
2
2
0
2
2
0
P. M.
P. M.
P. M.
P. M.
121
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
122
X
X
X
2
2
0
2
(3)
2
(5)
2
(3)
X
X
X
2
2
0
2
2
0
3
2
1
P. M.
123
0
1
0
0
7
0
0
1
0
0
0
Track can be converted to a standard tuning (R)
