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Guns N' Roses
—
One In A Million
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Acoustic + solo
—
Acoustic Guitar (steel)
Difficulty
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d#
A#
F#
C#
G#
D#
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1
Intro
=136
D#
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0
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2
0
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1
2
2
0
play these two while sliding up
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2
2
0
9
7
9
9
7
4
4
2
D#5
9
9
7
9
9
7
these palm mutes are not really…
7
9
9
7
9
7
9
7
…palm mutes
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C#5
7
7
5
5
7
7
5
5
but just play them while switching chords
5
7
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5
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7
5
4
G#
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7
4
4
6
7
4
4
4
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7
4
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7
4
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luckily for you (and me), the acoustic guitar part
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2
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0
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0
9
7
9
9
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6
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7
repeats alot through the verses
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9
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7
(unlike the distorted guitar..)
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5
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5
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3
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3
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10
3
5
5
3
3
3
3
F#5
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5
3
3
3
C#
7
7
7
5
0
0
11
Verse 1
Basically, the guitar part starts repeating here
G#
2
2
2
0
G#sus4
3
2
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2
0
0
B
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1
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2
3
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12
3
through the whole song, with a few
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13
exceptions time to time, which are not
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1
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14
so important. However, I've added lyrics
3
0
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X
X
3
3
1
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X
5
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X
X
15
so you can try to sing along :)
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1
0
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16
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3
0
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1
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3
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1
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5
5
3
X
(lyrics)
X
19
2
2
2
0
3
2
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0
guess I
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nee-
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3
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-ded
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21
some
time to
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get
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a-
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-way
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1
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23
2
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I nee-
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-deed some peace
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24
of
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mind
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some peace of mind that'll stay
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So
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thum-
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-bed
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in
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29
down to sitxh in
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L.
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A.
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1
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May
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be
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a
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grey-
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3
-hound
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33
could
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be
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in
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my
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way
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Po
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lice
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and
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ni-
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3
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-ggers
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that's right
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get
3
out
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of
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my
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way
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1
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39
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Don't need to buy
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40
3
none
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of
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your
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41
gold
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chains
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3
to
3
day
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1
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0
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43
2
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n' I don't need no bra-
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44
3
-celet
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45
clamped in front of my back
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1
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just need my ti-
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48
3
-cket
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'till
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then
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49
won't you cut me some slack
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1
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3
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51
Chorus (first)
B
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1
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you're one in a mill-
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F#5
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0
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3
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52
-ion
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53
C#
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yea that's what you are
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0
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X
G#m
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F#
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55
0
1
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3
0
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you're one in a mill-
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2
3
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1
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3
0
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3
3
3
0
0
X
3
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-ion
babe
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3
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3
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57
you're a
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2
0
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3
2
0
2
0
shooting
2
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0
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3
2
0
star
2
2
0
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0
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3
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0
1
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3
maybe
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1
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3
2
3
someday
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1
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3
we'll
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X
3
see
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3
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3
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60
you
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0
61
be-
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2
0
-fore
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2
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you
2
0
make us
2
3
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3
2
0
cry
2
2
0
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2
2
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X
1
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2
0
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3
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X
63
you know
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1
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1
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3
we
2
3
tried
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2
3
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1
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3
to reach
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X
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3
3
0
0
X
3
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64
you
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3
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3
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3
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3
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65
but
2
3
2
0
you were
2
3
2
0
2
0
much too
2
3
2
0
0
2
3
2
0
hiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii…
D#
0
0
1
2
2
0
…
66
Bridge (first)
2
3
¼
0
2
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh
3
¼
0
C#5
7
7
5
67
7
5
0
G#
6
7
4
much too high
2
3
¼
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68
2
3
¼
0
2
3
¼
0
7
7
5
69
7
5
0
6
7
4
much too
2
3
¼
hiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh…
0
…
70
2
3
¼
0
2
3
¼
0
7
7
5
71
7
5
0
6
7
4
much too hiiiiiiiiiii
2
3
¼
0
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72
iiiiiii
iiiiiii
2
aaaaa
3
¼
iiiiiii
0
aaaaa
2
iiiiiii
3
¼
aaaaa
0
7
7
5
73
iiiiiii
aaaaa
7
5
iiiiiii
0
igh
6
7
4
yea
7
4
ow!
6
7
4
X
X
P. M.
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74
Verse 2
2
2
2
0
3
2
2
0
immigrants and faggots
0
0
2
0
0
0
1
0
2
3
75
3
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1
0
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3
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3
0
3
3
0
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0
3
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0
X
3
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they make no
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0
X
3
3
sense
0
3
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0
0
X
3
to
3
me
2
3
3
1
77
3
0
3
1
X
X
3
3
1
X
X
5
5
3
X
X
P. M.
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78
2
2
2
0
3
2
2
0
they come to
0
0
2
0
our co-
0
0
1
0
2
3
79
3
-untry
0
1
0
2
3
2
3
2
3
0
3
3
0
2
3
0
3
0
0
X
3
P. M.
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and think they'll do as they please
0
0
0
X
3
3
0
3
0
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3
3
2
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3
1
81
3
0
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1
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X
3
3
1
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X
5
5
3
X
X
P. M.
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2
2
2
0
3
2
2
0
like start some mini
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0
2
0
0
0
1
0
2
3
83
Iran
3
0
1
0
2
3
2
3
2
3
0
3
3
0
2
3
0
3
0
0
X
3
P. M.
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84
or spread some fuckin' disease
0
0
0
X
3
3
0
3
0
0
0
X
3
3
2
3
3
1
85
3
0
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1
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X
3
3
1
X
X
5
5
3
X
X
P. M.
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86
2
2
2
0
they talk so many god-
3
2
2
0
0
0
2
0
0
0
1
0
2
3
87
-damn
3
0
1
0
2
3
ways
2
3
2
3
0
3
3
0
2
3
0
3
0
0
X
3
P. M.
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88
it's
all
0
0
0
X
3
3
Greek
0
3
0
0
0
X
3
to
3
me
2
3
3
1
89
3
0
3
1
X
X
3
3
1
X
X
5
5
3
X
X
P. M.
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90
2
2
2
0
3
2
2
0
well some say I'm la-
0
0
2
0
0
0
1
0
2
3
91
3
-zy
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1
0
2
3
2
3
2
3
0
3
3
0
2
3
0
3
0
0
X
3
P. M.
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92
and
others
0
0
0
X
3
3
say that's just me
0
3
0
0
0
X
3
3
2
3
3
1
93
3
0
3
1
X
X
3
3
1
X
X
5
5
3
X
X
P. M.
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94
2
2
2
0
3
2
2
0
0
some say I'm cra-
0
2
0
0
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1
0
2
3
95
3
-zy
0
1
0
2
3
2
3
2
3
0
3
3
0
2
3
0
3
0
0
X
3
P. M.
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96
I
guess I'll allways
0
0
0
X
3
3
0
3
0
0
0
X
3
3
be
2
3
3
1
97
3
0
3
1
X
X
3
3
1
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X
5
5
3
X
X
P. M.
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98
2
2
2
0
but it's
3
2
2
0
0
been such a lo-
0
2
0
0
0
1
0
2
3
99
-ng
3
time
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1
0
2
3
2
3
2
3
0
3
3
0
2
3
0
3
0
0
X
3
P. M.
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100
since I knew right from wrong
0
0
0
X
3
3
0
3
0
0
0
X
3
3
2
3
3
1
101
3
0
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1
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3
1
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X
5
5
3
X
X
P. M.
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102
2
2
2
0
3
2
2
0
it's
0
all
0
the
2
0
0
means
0
1
0
2
3
103
to an
3
end
0
1
0
2
3
2
3
2
3
0
3
3
I
0
2
3
0
3
0
0
X
3
P. M.
P. M.
P. M.
104
I
keep it
0
0
0
X
3
3
mo
0
3
vin'
0
0
0
X
3
along
3
2
3
3
1
105
aaaa
3
0
3
1
aaaa
X
X
3
3
1
aaaaaa
X
X
5
5
3
aaaaaaaaaiia
X
X
let ring
let ring
106
Chorus (second)
0
1
0
2
3
0
1
0
2
3
you're one in a mill-
2
3
0
1
0
2
3
0
X
3
3
3
0
0
X
3
107
-ion
0
0
3
0
0
0
X
3
mmmmmmmm
0
0
3
0
0
0
X
3
0
0
3
0
0
0
X
3
0
0
P. M.
P. M.
P. M.
P. M.
108
you're a
2
3
2
0
2
3
2
0
2
0
shooting
2
3
2
0
0
2
3
2
0
star
2
2
0
109
0
2
2
0
X
X
1
2
2
0
X
X
3
0
0
2
X
X
let ring
let ring
110
0
1
0
2
3
0
1
0
2
3
you're one in a mill-
2
3
0
2
3
0
1
0
2
3
0
X
3
3
3
0
0
X
3
111
-ion
babe
0
0
3
0
0
0
X
3
0
0
3
0
0
0
X
3
0
0
3
0
0
0
X
3
0
0
P. M.
P. M.
P. M.
P. M.
112
2
3
2
0
2
3
2
0
you know that you are
2
0
2
3
2
0
0
2
3
2
0
2
2
0
113
0
2
2
0
X
1
2
2
0
X
3
0
0
2
X
let ring
let ring
114
0
1
0
2
3
maybe
0
1
0
2
3
2
3
someday
0
2
3
0
1
0
2
3
we'll
0
X
3
see
3
3
0
0
X
3
115
you
0
0
3
0
0
0
X
3
mmmmmmm
0
0
3
0
0
0
X
3
0
0
3
0
0
0
X
3
0
0
P. M.
P. M.
P. M.
116
be-
2
3
2
0
-fore
2
3
2
0
you
2
0
make us
2
3
2
0
0
2
3
2
0
cry
2
2
0
117
2
2
0
X
1
2
2
0
X
3
0
0
2
X
let ring
let ring
118
you know
0
1
0
2
3
0
1
0
2
3
we
2
3
tried
0
2
3
0
1
0
2
3
to reach
0
X
3
3
3
0
0
X
3
119
you
0
0
3
0
0
0
X
3
0
0
3
0
0
0
X
3
0
0
3
0
0
0
X
3
0
0
120
but
2
3
2
0
you were
2
3
2
0
2
0
much too
2
3
2
0
0
2
3
2
0
hiiiiiiiiii
D#
0
0
1
2
2
0
121
bridge (second)
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
2
3
¼
0
2
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh
3
¼
0
C#5
7
7
5
122
7
5
0
G#
6
7
4
much too high
2
3
¼
0
123
2
3
¼
0
2
3
¼
0
7
7
5
124
7
5
0
6
7
4
much too hiiiiiii
2
3
¼
0
125
aaaaiiiaaaiiiiigh
2
3
¼
0
2
3
¼
0
7
7
5
let ring
126
7
5
0
6
7
4
much too hiiiiiiiiiiiaaaaaaiiiiiiiiiiaaaaaaa
2
3
¼
0
127
2
3
¼
0
iiiii
2
iiiiiii
3
¼
aaaaa
0
aaaaaaaiigh…
7
7
5
…
P. M.
128
7
5
0
no
6
7
4
no
7
4
no!
6
7
4
X
X
129
Solo
7
5
130
7
8
7
5
8
7
P. M.
131
7
5
7
5
7
7
132
5
7
5
8
7
8
7
133
5
5
8
10
8
10
10
½
10
134
8
10
8
10
11
10
8
10
8
135
12
11
11
10
10
8
10
10
136
10
7
8
7
10
9
8
10
137
This took ages to tab, and I'm pretty sure
6
8
6
5
3
6
3
5
6
5
3
that the tab half is correct, but not so sure
5
3
4
5
4
3
138
3
4
3
1
4
about the rythmical half, but at such…
3
1
3
2
5
4
…a velocity
139
5
4
5
4
you can't really play it 100% as it's written :)
2
4
0
3
3
0
2
140
0
2
3
5
7
5
3
2
5
3
2
0
3
2
0
3
141
0
3
¼
5
3
5
½
5
142
3
5
3
5
7
5
7
let ring
let ring
let ring
143
5
5
5
5
7
5
5
8
144
5
5
8
(lyrics again)
5
8
10
10
8
145
Verse 3
12
10
radicals and racists
10
146
147
don't
point your finger at me
13
X
13
X
12
148
10
10
I'm a small town white boy
149
10
P. M.
P. M.
P. M.
150
151
just tryin' to make ends meet
0
0
0
X
3
3
0
3
0
0
0
X
3
3
2
3
3
1
152
3
0
3
1
X
X
3
3
1
X
X
5
5
3
X
X
P. M.
P. M.
let ring
P. M.
P. M.
153
2
2
2
0
3
2
2
0
don't need your re
0
0
2
0
0
li-
0
1
0
2
3
154
3
-gion
0
1
0
2
3
2
3
2
3
0
3
3
0
2
3
0
3
0
0
X
3
P. M.
P. M.
P. M.
155
don't watch that much
0
0
0
X
3
3
0
3
0
0
0
X
3
T
3
V
2
3
3
1
156
3
0
3
1
X
X
3
3
1
X
X
5
5
3
X
X
P. M.
P. M.
let ring
P. M.
P. M.
157
2
2
2
0
3
2
2
0
just makin' my li-
0
0
2
0
0
0
1
0
2
3
158
3
-vin'
0
1
0
2
3
2
3
2
3
baby
0
3
3
0
2
3
0
3
0
0
X
3
P. M.
P. M.
P. M.
159
well
that's enough for
0
0
0
X
3
3
0
3
0
0
0
X
3
3
me
2
3
3
1
160
3
0
3
1
X
X
3
3
1
X
X
5
5
3
X
X
let ring
let ring
P. M.
161
Chorus (third)
0
1
0
2
3
0
1
0
2
3
you're one in a mill-
2
3
0
2
3
0
1
0
2
3
0
X
3
3
3
0
0
X
3
162
-ion
0
0
3
0
0
0
X
3
0
0
0
0
0
0
X
3
3
0
0
0
X
3
0
0
3
P. M.
P. M.
P. M.
P. M.
163
2
3
2
0
2
3
2
0
yea that's what you are
2
0
2
3
2
0
0
2
3
2
0
2
2
0
164
0
2
2
0
X
X
1
2
2
0
X
X
3
0
0
2
X
X
let ring
P. M.
let ring
P. M.
165
0
1
0
2
3
0
1
0
2
3
you're one in a mill-
2
3
0
2
3
0
1
0
2
3
3
3
3
0
0
X
3
166
-ion
0
0
3
0
0
0
X
3
babe
0
0
0
0
0
0
X
3
3
0
0
0
X
3
0
0
3
P. M.
P. M.
P. M.
P. M.
167
2
3
2
0
you're a shooting
2
3
2
0
2
0
2
3
2
0
0
2
3
2
0
star
2
2
0
168
0
2
2
0
X
1
2
2
0
X
3
0
0
2
X
let ring
let ring
P. M.
169
0
1
0
2
3
maybe
0
1
0
2
3
2
3
someday
0
2
3
0
1
0
2
3
we'll
0
X
3
see
3
3
0
0
X
3
170
you
0
0
3
0
0
0
X
3
0
0
0
0
0
0
X
3
3
0
0
0
X
3
0
0
3
P. M.
P. M.
P. M.
171
be-
2
3
2
0
-fore
2
3
2
0
you
2
0
make us
2
3
2
0
0
2
3
2
0
cry
2
2
0
172
2
2
0
X
2
2
0
X
2
2
0
X
let ring
let ring
P. M.
173
you know
0
1
0
2
3
0
1
0
2
3
we
2
3
tried
0
2
3
0
1
0
2
3
to reach
0
X
3
3
3
0
0
X
3
174
you
0
0
3
0
0
0
X
3
0
0
0
0
0
0
X
3
3
0
0
0
X
3
0
0
3
175
but
2
3
2
0
you were
2
3
2
0
2
0
much too
2
3
2
0
0
2
3
2
0
hiiiiiiiiii
D#
0
0
1
2
2
0
176
Bridge (third)
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
2
3
¼
0
2
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
3
¼
0
C#5
7
7
5
177
7
5
iiiiii
0
G#
6
7
4
iiiiiiii
2
iiiiii
3
¼
0
178
iiiiiiiiiiiiiiiaaaiiaaiigh
2
3
¼
0
2
3
¼
0
7
7
5
179
7
5
0
6
7
4
much too hiiiiiii
2
3
¼
0
180
aaaaiiiaaaiiiiiaaaiiiiiiaaaaaiiiiaaaaaaaiiii
2
3
¼
0
2
3
¼
0
aaaaaiiiiiiaaaaaiiiiiiiggggghhhh…
7
7
5
…
let ring
181
7
5
0
6
7
4
yeeeeaaaaeeeaaa
2
3
¼
0
182
aaaeeeaah
2
3
¼
0
2
3
¼
0
ow!
7
7
5
183
7
5
0
6
7
4
much too hiiiiiiiiiiiiiigh
2
3
¼
0
184
Outro
2
3
¼
0
2
3
¼
0
7
7
5
185
7
5
0
6
7
4
much too hiiiiiii
2
3
¼
0
186
iiiigh
2
3
¼
0
2
3
¼
0
7
7
5
187
7
5
0
6
7
4
much too hiiiiiiiiiiiiieeeeeiiiiiiiieeeeeiiiiiiii
2
3
¼
0
188
2
3
¼
0
eeeeeiiiiiiieeeeeeiiiiiiieeeeeiiiiii
2
3
¼
0
7
7
5
189
eeeiiiiiiieeeeeiiiiiiieeeeeiiii
7
5
0
6
7
4
2
3
¼
0
190
eeeiiiiiiiiigh
2
3
¼
0
2
3
¼
0
ow!
7
7
5
191
7
5
0
6
7
4
much too high
2
3
¼
0
192
2
3
¼
0
2
3
¼
0
7
7
5
193
ow
7
5
0
6
7
4
much too high
2
3
¼
0
194
2
3
¼
0
2
3
¼
(whispering now)
0
7
7
5
195
7
5
0
6
7
4
much to high
2
3
¼
0
196
2
3
¼
0
2
3
¼
0
ah
7
7
5
197
7
5
0
6
7
4
much to high
2
3
¼
0
198
2
3
¼
0
2
3
¼
0
7
7
5
199
7
5
0
6
7
4
much too high
2
3
¼
0
200
2
3
¼
0
ow
2
3
¼
0
7
7
5
201
7
5
0
6
7
4
much too high
2
3
¼
0
202
2
3
¼
0
2
3
¼
0
7
7
5
203
Track can be converted to a standard tuning (R)
