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Led Zeppelin
—
Communication Breakdown
Revisions
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Jimmy Page w/ wah
—
Distortion Guitar
Track difficulty
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e
B
G
D
A
E
P. M.
1
Intro
=175
0
0
0
0
0
0
0
0
4
4
2
0
7
7
7
5
5
6
7
7
5
7
7
7
5
P. M.
P. M.
3
0
0
0
0
0
0
0
0
4
0
7
7
7
5
5
6
7
7
5
7
7
7
5
5
0
0
0
0
0
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0
P. M.
P. M.
6
0
7
7
7
5
5
6
7
7
5
7
7
7
5
7
0
0
0
0
0
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8
0
7
7
7
5
5
6
7
7
5
7
7
7
5
P. M.
P. M.
9
1st Verse
0
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0
0
10
0
7
7
7
5
5
6
7
7
5
7
7
7
5
11
0
0
0
0
0
0
0
0
P. M.
P. M.
12
0
7
7
7
5
5
6
7
7
5
7
7
7
5
13
0
0
0
0
0
0
0
0
14
0
7
7
7
5
5
6
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7
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7
5
P. M.
P. M.
15
0
0
0
0
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16
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7
7
7
5
5
6
7
7
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7
7
7
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17
0
0
0
0
0
0
0
0
P. M.
P. M.
18
0
7
7
7
5
5
6
7
7
5
7
7
7
5
19
0
0
0
0
0
0
0
0
20
0
7
7
7
5
5
6
7
7
7
7
7
5
P. M.
P. M.
21
0
0
0
0
0
0
0
0
22
0
7
7
7
5
5
6
7
7
5
7
7
7
5
23
0
0
0
0
0
0
0
0
P. M.
24
0
7
7
7
5
5
6
7
7
5
7
7
7
5
0
25
Chorus
Semi P.M. - - - - - - - - - - - - -|
7
5
7
5
9
5
7
5
7
5
9
5
X
X
5
5
6
5
7
5
26
Semi P.M. - - - - - - -|
7
5
9
5
7
5
7
5
9
5
5
5
6
5
7
5
27
Semi P.M. - - - - - - - - - -|
7
5
9
5
7
5
7
5
7
5
9
5
5
5
6
5
7
5
28
Semi P.M. - - - - - - - - - - - - - - - - - - - -
7
5
9
5
7
5
7
5
7
5
9
5
7
5
29
- - - - - - - - - - - - - - - - - - -|
9
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9
7
11
7
9
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11
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9
7
30
Semi P.M. - - - - - - - -|
9
7
11
7
9
7
9
7
9
7
11
7
7
7
8
7
9
7
31
Semi P.M. - - - - - - - - - -|
9
7
11
7
9
7
9
7
9
7
9
7
11
7
7
7
8
7
9
7
P. M.
P. M.
32
Semi P.M. - - - - - - - -|
9
7
11
7
9
7
9
7
9
7
11
7
0
33
34
35
36
37
2nd Verse
0
9
9
9
7
X
X
X
9
7
0
9
9
7
9
9
7
9
9
7
9
9
7
P. M.
Harm.
P. M.
P. M.
P. M.
P. M.
38
9
9
7
7
0
0
7
0
7
7
0
39
X
X
X
9
9
7
X
X
X
9
9
7
X
X
X
9
9
7
X
X
X
9
9
7
40
X
X
X
0
Rake
0
0
0
0
P. M.
P. M.
P. M.
41
X
X
9
7
X
X
9
7
9
7
9
7
9
7
X
X
9
7
9
7
42
9
7
0
0
0
P. M.
P. M.
P. M.
43
X
X
9
7
X
X
9
7
9
7
9
7
9
7
X
X
9
7
44
X
X
0
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
45
X
X
9
7
X
X
9
7
X
X
9
7
X
X
9
7
46
X
X
0
0
0
47
X
X
9
7
X
X
9
7
X
X
9
7
X
X
9
7
P. M.
P. M.
P. M.
P. M.
48
X
X
0
0
0
0
49
X
X
9
7
X
X
9
7
X
X
9
7
X
X
9
7
50
X
X
0
0
0
0
P. M.
P. M.
P. M.
P. M.
51
X
X
9
7
X
X
9
7
X
X
9
7
X
X
9
7
52
X
X
0
5
0
53
Chorus
Semi P.M. - - - - - - - -|
7
5
5
5
7
5
7
5
9
X
X
5
5
6
5
7
5
54
Semi P.M. - - - - - - - - - -|
7
5
9
5
7
5
7
5
7
5
9
5
5
5
6
5
7
5
55
Semi P.M. - - - - - - - - - -|
7
5
9
5
7
5
7
5
7
5
9
5
5
5
6
5
7
5
56
Semi P.M. - - - - - - - - - - - - - - - - - - - -
7
5
9
5
7
5
7
5
7
5
9
5
7
5
57
9
7
- - - - - - - - - - - - - - - - -|
9
7
11
7
9
7
9
7
9
7
11
7
7
7
8
7
9
7
58
Semi P.M. - - - - - - - - - -|
9
7
11
7
9
7
12
7
9
7
11
7
7
7
8
7
9
7
59
7
7
8
7
9
7
Semi P.M. - - - - - -|
11
7
9
7
9
7
9
7
11
7
7
7
8
7
9
7
60
7
7
8
7
9
7
Semi P.M. - -|
11
7
9
7
9
7
X
X
5
5
7
7
61
62
63
Guitar solo
*FF*
12
14
full
12
(With wah fixed in treble position)
15
12
12
14
14
full
14
12
15
12
12
12
64
14
full
12
15
12
12
14
12
14
full
12
15
12
12
14
65
12
14
full
12
15
14
12
14
full
12
15
12
12
66
12
14
full
With fingers and pick
12
14
full
14
12
14
67
14
12
½
14
12
14
12
14
full
12
68
12
15
12
15
12
12
69
8va - - - -|
15
full
15
12
15
12
14
full
70
12
12
14
full
(14)
12
14
14
12
3
3
71
12
9
9
9
12
9
9
12
9
9
11
full
72
(11)
PO
9
11
11
9
11
9
9
11
full
73
9
PO
11
full
9
11
11
9
9
10
full
74
10
10
full
Hold bend
10
full
10
10
full
(10)
8
9
75
10
8
9
8
9
12
X
0
76
9
9
9
9
9
9
9
9
9
7
7
7
7
7
7
0
0
0
77
Chorus
*F*
11
full
9
9
12
full
10
10
13
full
11
78
14
full
12
15
full
13
16
full
14
17
full
15
79
18
full
16
8va - - - - - - - - - - - - - - - - - - - - - - -
19
full
17
20
17
19
full
17
17
80
- - - - - - - - - - - - - - - - - - - - - - - -
19
full
17
20
full
20
full
17
(0)
- - - - - -…
19
…- - - - - - - - - - - - - - - - - - -
81
17
19
1½
19
- - - - - - - - - - - - - - - - - - - - - - - - -
18
82
17
20
19
17
18
- - - - - - - - - - - - -…
17
19
full
…- - - - - - - - - - - -
83
19
19
17
18
- - - - - - - - - - - - - - - - - - - - - - - - -
17
17
19
17
84
- - -
*Staccato
22
full
- - - - - - - - - - - - - - - - - - - -
22
full
(22)
full
85
Feedback Pickslide
22
22
18
18
14
14
10
10
6
6
2
2
0
0
X
X
(*Microphone feedback 5 beats)
86
87
- - -|
88
89
Outro
90
*MF*
X
X
X
Semi P.M. - - - - - - - - - - - - - - - - - -
9
7
0
X
X
X
9
7
0
X
X
X
9
7
0
X
X
X
9
7
0
P. M.
91
9
7
0
- - - - - - - - - - - - - - - - - - - - -|
9
7
0
X
X
X
9
7
0
9
7
0
9
7
0
9
7
0
9
7
0
9
7
0
92
9
7
0
7
5
7
7
5
7
5
93
Semi P.M. - - - - - - - - - - - - - - - - - - - -
9
7
0
9
7
0
X
X
X
9
7
0
9
7
0
9
7
0
9
7
0
9
7
0
- - - - - - - -|
9
7
0
94
9
7
0
7
5
7
7
5
7
5
95
9
7
0
9
7
0
X
X
X
9
7
0
9
7
0
9
7
0
9
7
0
9
7
0
9
7
0
96
*Semi P.M.
9
7
0
7
5
7
7
5
7
5
P. M.
P. M.
P. M.
97
9
7
0
9
7
0
X
X
X
9
7
0
9
7
0
9
7
0
9
7
0
9
7
0
9
7
0
98
*Semi P.M.
9
7
0
7
5
7
7
5
7
5
99
X
X
X
9
7
0
X
X
X
9
7
0
X
X
X
9
7
0
9
7
0
100
0
7
5
7
5
101
9
9
7
0
9
9
7
0
9
9
7
0
9
9
7
0
9
9
7
0
7
7
5
7
7
5
*F*
14
full
102
12
14
full
12
14
full
12
14
full
(14)
12
(14)
103
14
14
12
¼
12
¼
14
12
14
12
0
8va - - - Hold bend- - - - - - -
104
19
full
20
19
full
Hold bend
19
full
- - - - -|
20
19
full
3
105
0
8va - - - - - - - (Even…
15
full
…release) - - - - - - - - -
106
22
full
107
22
full
22
½
- - - - - - - - - - - - - - - - - - - - - - - - -
20
¼
22
½
20
½
22
full
108
- - - - - - - - - - - - - - - - - - - - - - - - -
20
17
19
17
20
17
19
- - - - - - - - - - - - - -…
17
20
17
19
3
3
…- - - -|
109
17
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Change tuning (R)
