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Metallica
-
Moth Into Flame
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Kirk Hammett (Lead)
-
Distortion Guitar
Track difficulty (Rhythm)
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e
B
G
D
A
E
1
Intro
=179
12
13
12
10
4
4
2
2
2
0
3
8
12
8
7
4
2
2
0
2
2
0
5
12
13
12
10
6
2
2
0
7
8
12
8
7
8
2
2
0
2
2
0
9
12
13
12
10
10
9
10
9
7
9
11
12
9
7
9
12
10
9
7
9
13
12
9
7
7
7
5
5
P. M.
P. M.
14
Transition
1
0
0
0
0
0
0
0
15
1
0
0
0
0
1
0
0
1
0
0
P. M.
P. M.
16
1
0
0
0
0
0
0
0
17
1
0
0
0
0
1
0
0
1
0
0
P. M.
P. M.
18
1
0
0
0
0
0
0
0
19
1
0
0
0
0
1
0
0
1
0
0
P. M.
P. M.
20
1
0
0
0
0
0
0
0
21
1
0
0
1
5
6
5
7
8
P. M.
P. M.
P. M.
P. M.
22
7
0
0
2
2
0
0
0
3
3
1
3
3
1
23
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
24
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
25
2
2
0
0
0
5
6
5
7
8
P. M.
P. M.
P. M.
P. M.
26
7
0
0
2
2
0
0
0
3
3
1
3
3
1
27
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
28
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
29
2
2
0
0
0
5
6
5
7
8
P. M.
P. M.
30
Verse
Blacked
1
0
0
out,
0
0
0
0
pop
0
31
1
0
queen,
0
0
am-
0
phe-
1
0
ta-
0
mine
1
0
The
0
P. M.
P. M.
32
screams
1
0
0
crashed
0
0
in
0
to
0
si-
0
33
1
0
lence
0
1
5
6
5
7
8
P. M.
P. M.
34
Tapped
1
0
0
out,
0
0
0
0
doused
0
35
1
0
in
0
0
the
0
ga-
1
0
so-
0
line
1
0
The
0
P. M.
P. M.
36
high
1
0
0
times
0
0
go-
0
ing
0
time-
0
37
1
0
less
0
1
5
6
5
7
8
P. M.
P. M.
38
De-
1
0
ca-
0
dence,
0
0
0
0
death
0
39
1
0
of
0
0
the
0
in-
1
0
no-
0
cence
1
0
The
0
P. M.
P. M.
40
path-
1
0
0
way
0
0
starts
0
to
0
spi-
0
41
1
0
ral
0
1
5
6
5
7
8
P. M.
P. M.
42
In-
1
0
fa-
0
my,
0
0
0
0
all
0
43
1
0
for
0
0
pu-
0
bli-
1
0
ci-
0
ty
1
0
De-
0
P. M.
P. M.
44
stru-
1
0
0
ction
0
0
go-
0
ing
0
vi-
0
45
1
0
ral
0
1
5
6
5
7
8
P. M.
P. M.
46
Pre-Chorus
Light
9
7
it
0
0
up,
0
0
0
0
0
0
ah,
0
7
8
5
47
9
7
it
0
0
up
0
0
0
0
0
0
0
7
8
A-
5
P. M.
48
no-
7
ther
3
hit
5
e-
0
ras-
4
2
es
4
2
all
the
49
pain
2
0
0
0
0
0
0
0
0
0
0
7
8
5
P. M.
P. M.
50
Bul-
9
7
let-
0
0
proof,
0
0
0
0
0
0
ah,
0
7
8
5
51
9
7
the
0
0
truth
0
0
0
0
0
0
0
7
8
YouâÂÂre
5
P. M.
52
fal-
7
ling
3
but
5
you
0
think
4
2
youâÂÂre
4
2
fly-
ing
53
high
2
0
0
0
0
0
0
0
High
0
0
0
7
a-
7
7
54
Pre-Chorus + Transition
gain
12
15
17
15
14
55
17
14
15
14
56
12
15
17
15
14
57
17
14
15
58
12
15
17
15
14
59
17
14
15
14
60
12
12
12
14
61
12
16
12
14
62
Chorus
Sold
your
soul
63
64
12
Built
a
high-
65
er
wall
66
14
Yes-
ter-
day
67
68
12
Now
youâÂÂre
thrown
69
13
15
a-
way
Same
70
End of Chorus
rise
17
fall
and
P. M.
P. M.
P. M.
71
0
0
0
0
0
0
0
0
0
0
0
7
Who
8
5
72
cares
9
7
0
0
0
0
at
9
7
0
0
0
0
all ?
9
7
P. M.
P. M.
P. M.
73
0
0
0
0
0
0
0
0
0
0
0
7
Se-
8
5
74
duced
9
7
0
0
0
0
by
9
7
0
0
0
0
fame
9
7
P. M.
P. M.
75
A
5
moth
6
in-
5
to
7
the
8
76
Transition
flame
7
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
P. M.
77
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
78
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
79
2
2
0
0
0
5
6
5
7
8
80
7
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
P. M.
81
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
82
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
83
2
2
0
0
0
5
6
5
7
8
84
Verse
Twis-
1
0
0
ted
0
0
0
0
back-
0
P. M.
P. M.
85
1
0
stab-
0
0
bing
0
wi-
1
0
cked
0
The
1
0
de-
0
86
lu-
1
0
0
sion
0
0
ab-
0
so-
0
lu-
0
P. M.
P. M.
P. M.
87
1
0
tion
0
1
5
6
5
7
8
88
Per-
1
0
ju-
0
rer
0
0
0
0
fame
0
P. M.
P. M.
89
1
0
is
0
0
the
0
mur-
1
0
de-
0
rer
1
0
Se-
0
90
duce
1
0
0
you
0
0
in-
0
to
0
ru-
0
P. M.
P. M.
91
1
0
in
0
1
5
6
5
7
8
92
Pre-Chorus
Light
9
7
it
0
0
up,
0
0
0
0
0
0
ah,
0
7
8
5
P. M.
93
9
7
it
0
0
up
0
0
0
0
0
0
0
7
8
A-
5
94
no-
7
ther
3
hit
5
e-
0
ra-
4
2
ses
4
2
all
the
P. M.
P. M.
95
pain
2
0
0
0
0
0
0
0
0
0
0
7
8
5
96
Bul-
9
7
let-
0
0
proof,
0
0
0
0
0
0
ah,
0
7
8
5
P. M.
97
9
7
the
0
0
truth
0
0
0
0
0
0
0
7
8
YouâÂÂre
5
98
fal-
7
ling
3
but
5
you
0
think
4
2
youâÂÂre
4
2
fly-
ing
P. M.
99
high
2
0
0
0
0
0
0
0
High
0
0
0
7
a-
7
7
100
Pre-Chorus + Transition
gain
12
15
17
15
14
101
17
14
15
14
102
12
15
17
15
14
103
17
14
15
104
12
15
17
15
14
105
17
14
15
14
106
12
12
12
14
107
12
16
12
14
108
Chorus
Sold
your
soul
109
110
12
Built
a
high-
111
er
wall
112
14
Yes-
ter-
day
113
114
12
Now
youâÂÂre
thrown
115
13
15
a-
way
Same
116
End of Chorus
rise
17
fall
and
P. M.
P. M.
P. M.
117
0
0
0
0
0
0
0
0
0
0
0
7
Who
8
5
118
cares
9
7
0
0
0
0
at
9
7
0
0
0
0
all ?
9
7
P. M.
P. M.
P. M.
119
0
0
0
0
0
0
0
0
0
0
0
7
Se-
8
5
120
duced
9
7
0
0
0
0
by
9
7
0
0
0
0
fame
9
7
121
A
5
moth
6
in-
5
to
7
the
8
122
flame
7
123
Burn !
3
3
1
5
3
7
5
P. M.
124
Interlude
8
6
2
0
0
0
0
0
0
0
125
0
0
0
0
0
0
5
3
7
5
P. M.
126
8
6
2
0
0
0
0
0
0
0
127
0
0
0
0
0
0
5
3
7
5
P. M.
128
8
6
2
0
0
0
0
0
0
0
129
0
0
0
0
0
0
5
3
7
5
P. M.
130
8
6
2
0
0
0
0
0
0
0
131
0
0
0
0
0
0
0
0
P. M.
132
5
7
7
7
7
7
5
7
6
133
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
134
8
6
7
5
0
7
5
0
5
3
5
3
5
3
135
2
0
0
0
0
0
0
0
P. M.
136
5
7
7
7
7
7
5
7
6
137
0
0
0
0
0
0
0
P. M.
P. M.
P. M.
138
8
6
7
5
0
7
5
0
5
3
5
3
5
3
139
0
0
0
0
0
5
3
7
5
P. M.
140
Gua-
8
6
ran-
2
0
tee
0
your
0
name
0
you
0
go
0
and
0
141
kill
0
your-
0
self
0
0
0
0
5
3
7
5
P. M.
142
(The) vul-
8
6
2
0
tures
0
0
feast
0
0
a-
0
0
143
round
0
0
you
0
0
still
0
0
5
3
7
5
P. M.
144
O-
8
6
ver-
2
0
dose
0
on
0
shame
0
and
0
in-
0
se-
0
145
cu-
0
ri-
0
ty
0
0
0
0
5
3
7
5
P. M.
146
(If) one
8
6
2
0
wonâÂÂt
0
0
do
0
0
that
0
0
147
fist-
0
0
ful
0
0
will
0
0
0
9
7
148
Solo
9
7
9
7
9
7
9
7
9
7
9
7
12
10
149
12
10
12
10
12
10
12
10
12
10
12
10
14
12
150
14
12
14
12
14
12
14
12
14
12
14
12
15
13
151
15
13
15
13
17
15
17
15
19
17
152
9
7
9
7
9
7
9
7
9
7
9
7
9
7
12
10
153
12
10
12
10
12
10
12
10
12
10
12
10
14
12
154
14
12
14
12
14
12
14
12
14
12
14
12
15
13
155
15
13
15
13
17
15
156
Solo 2nd Part
15
14
12
12
157
14
12
12
12
12
158
14
12
12
12
12
14
12
14
full
159
(14)
15
14
full
(14)
160
15
14
12
12
161
14
12
12
12
12
162
14
12
12
12
12
14
12
12
12
12
14
12
12
163
14
12
12
12
12
12
12
14
164
14
full
12
15
12
15
12
14
12
15
12
15
12
14
12
15
12
15
12
3
3
3
165
14
12
15
12
15
12
14
12
12
12
14
3
166
15
14
12
14
12
14
12
14
12
14
12
14
12
13
15
167
15
12
14
12
14
12
14
12
14
12
14
12
14
12
168
12
14
12
14
12
14
12
14
12
14
12
14
3
3
169
12
14
12
14
12
14
12
14
12
14
12
14
3
3
170
12
14
12
14
12
14
12
14
12
14
12
14
3
3
171
14
12
14
12
14
12
14
12
14
12
10
12
172
12
14
12
14
full
15
14
full
173
12
14
12
14
full
15
14
full
174
12
14
12
15
full
15
15
full
175
12
14
12
15
full
15
15
full
176
15
14
12
12
15
14
12
12
15
14
12
12
15
14
12
12
177
17
15
12
12
17
15
12
12
17
15
12
12
17
15
12
12
178
15
14
12
12
17
15
12
12
15
14
12
12
17
15
12
12
179
15
14
12
12
17
15
12
12
15
14
12
12
17
15
12
12
180
15
14
12
12
15
14
12
12
15
12
12
12
15
12
12
12
181
15
14
12
12
15
14
12
12
15
14
12
15
14
15
14
12
182
17
15
12
17
15
17
15
12
17
15
12
17
15
17
15
12
183
12
15
12
15
12
12
12
12
15
14
full
184
15
14
full
15
full
14
full
15
full
14
full
185
15
15
full
(15)
186
(15)
187
188
(15)
189
(15)
190
Crazy Transition
191
9
192
10
9
7
9
193
7
9
7
9
194
10
9
7
9
195
12
9
7
12
P. M.
P. M.
196
13
12
10
12
197
10
9
7
7
7
5
5
198
Verse
Death
1
0
0
scene,
0
0
0
0
black
0
P. M.
P. M.
199
1
0
hearse
0
0
the
0
li-
1
0
mou-
0
sine
1
0
A
0
200
grave
1
0
0
filled
0
0
with
0
se-
0
duc-
0
P. M.
P. M.
P. M.
201
1
0
tion
0
1
5
6
5
7
8
202
Vac-
1
0
0
cine,
0
0
0
0
fame
0
P. M.
P. M.
203
1
0
does
0
0
the
0
mur-
1
0
der-
0
ing
1
0
She
0
204
builds
1
0
0
up
0
0
for
0
des-
0
truc-
0
P. M.
P. M.
205
1
0
tion
0
1
5
6
5
So,
7
8
206
Pre-Chorus
light
9
7
it
0
0
up,
0
0
0
0
0
0
ah,
0
7
8
5
P. M.
207
9
7
it
0
0
up
0
0
0
0
0
0
0
7
8
A-
5
208
no-
7
ther
3
hit
5
e-
0
ras-
4
2
es
4
2
all
the
P. M.
P. M.
209
pain
2
0
0
0
0
0
0
0
0
0
0
7
8
5
210
Bul-
9
7
let-
0
0
proof,
0
0
0
0
0
0
ah,
0
7
8
5
P. M.
211
9
7
ex-
0
0
cuse
0
0
0
0
0
0
0
7
8
YouâÂÂre
5
212
fal-
7
ling,
3
but
5
you
0
think
4
2
youâÂÂre
4
2
fly-
ing
P. M.
213
high
2
0
0
0
0
0
0
0
High
0
0
0
7
a-
7
7
214
gain
12
15
17
15
14
215
17
14
15
14
216
12
15
17
15
14
217
17
14
15
218
12
15
17
15
14
219
17
14
15
14
220
7
4
0
7
4
0
7
4
0
6
4
0
3
3
3
3
221
6
4
0
6
4
0
4
2
0
4
2
0
3
3
3
3
222
Chorus
2
Sold
your
soul
223
224
0
Built
a
high-
225
er
wall
226
2
Yes-
ter-
day
227
228
0
Now
youâÂÂre
thrown
229
1
3
a-
way
Same
230
End of Chorus
rise
5
and
fall
P. M.
P. M.
P. M.
231
0
0
0
0
0
0
0
0
0
0
0
7
Who
8
5
232
cares
9
7
0
0
0
0
at
9
7
0
0
0
0
all ?
9
7
P. M.
P. M.
P. M.
233
0
0
0
0
0
0
0
0
0
0
0
7
Se-
8
5
234
duced
9
7
0
0
0
0
by
9
7
0
0
0
0
fame
9
7
P. M.
P. M.
235
A
5
moth
6
in-
5
to
7
the
8
236
Transition
flame
7
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
P. M.
237
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
238
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
239
2
2
0
0
0
5
6
5
7
8
240
7
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
P. M.
P. M.
P. M.
241
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
242
2
2
0
0
0
2
2
0
0
0
3
3
1
3
3
1
P. M.
243
2
2
0
0
0
Ad-
5
dic-
6
ted
5
to
7
the
8
244
Ending
5
7
7
7
7
7
5
7
Fame
6
P. M.
P. M.
P. M.
245
0
0
0
0
0
0
0
246
8
6
7
5
0
7
5
0
5
3
5
3
5
3
P. M.
247
2
0
0
0
0
0
0
0
248
5
7
7
7
7
7
5
7
6
P. M.
P. M.
P. M.
249
0
0
0
0
0
0
0
250
8
6
7
5
0
7
5
0
5
3
5
3
5
3
P. M.
P. M.
P. M.
251
2
0
0
0
0
0
0
0
252
8
6
7
5
0
7
5
0
5
3
5
3
5
3
P. M.
253
2
0
0
0
0
0
0
0
254
8
6
7
5
7
5
5
3
5
3
5
3
255
2
0
3
3
1
3
3
1
256
Outro
9
10
9
7
9
257
12
9
7
12
258
13
12
10
12
259
10
9
7
7
7
5
5
260
9
7
7
261
262
263
264
265
Change tuning (R)