Standard (EADGBE)

Verse

In the cool shade of a banana tree

On the rugged trail towards the balcony

A child of the twentieth century

A dried up goliath and a weasel named Fee

(same chords for each verse)

Far away in another place

A fading beauty named Milly Grace

A gospel singer with pocks on her face

And a bamboo cane to help her keep the pace

Fee was a buddhist prodigy

Long past the age of maturity

Someday he knew it would set him free

Like it did for Floyd the chimpanzee

Chorus

Oh, Fee you're trying to live a life

Thats completly free

You're racing with the wind

You're flirting with death

So have a cup of coffe

And catch your breath

Piano solo after the chorus:

Fee first met Milly in a bar in Peru

His heart was jumping like a kangaroo

Like a beast in a cage in an old Dutch zoo

It was hopping and jumping in wooden shoes

But Floyd was jealous and alone

He wanted Milly for his one

A desperate craving in his bones

"Thier love," he said "I Will not condone."

Then one day on a ship to quebec

Floyd found Fee,and Milly on a lover's trek

He picked up a bottle and broke off the neck

It sliced through the air and Fee hit the deck

Oh, Fee, you're trying to live a life

That's completely free

You want to so stay with Milly

Until you're dead

But you just got a bottle

Upside your head

Milly turned and began to scream at Floyd

She said "You think you're pretty mean"

And though she was a thin as a small string bean

She slammed him in the face with a nectarine

Floyd fell back over the edge of the ship

Until he hung by the rail by his fingertip

Milly said "Floyd i'll make you lose your grip

With this tiny peice of paper i will make you slip

So Milly took the paper and did the deed

Floyd hit the water with astonishing speed

And as the sharks circled in and began to feed

Milly knew her weasel was finally freed

Oh, Fee, you're trying to live a life

That's completely free

Floyd is dead; he's nothing but a ripple

Cause Milly took that paper and sliced him on the nippleMuch Credit to David Douglas McCallum.

When recorded in Junta, they played this in a different key. Since then

they have dropped it one step lower and is the reason for all the flats.