Murmur Chords

Standard (EADGBE)

For the "Beside yourself.." part:

(play 2x)

ABeside yourself if radio's gonDna sEtay.

AReason: it could polish up Dthe Egrey.

APut that, put that, put that up Dyour wEall

AThat this isn't country Dat aEll

F♯ A (EEAE) F♯ A B

Raving station, beside yourself

Keep me out of country in the word

Deal the porch is leading us absurd.

Push that, push that, push that to the hull

That this isn't nothing at all.

Straight off the boat, where to go?

ECalling on iAn transit, Ecalling on in tAransit

ERadio AFree Europe E A

Beside defying media too fast

Instead of pushing palaces to fall

Put that, put that, put that before all

That this isn't fortunate at all

Raving station, beside yourself

Calling on in transit, calling on in transit

Radio Free Europe, radio.

Bsus4Decide yC♯ourself, calling allBsus4 of the medias toC♯o fast

Keep me out of country in the word

Disappoint is into us absurd

Straight off the boat, where to go?

Calling on in transit, calling on in transit

Radio Free Europe

RADIO FREE EUROPE

"A": x02xxx

"E": 02(2)xxx

"A" "D" "E" E

Beside yourself if radio's gonna stay, etc.

PILGRIMAGE

Take a turn, take a turn

Take our fortune, take our fortune

They called the clip a two-headed cow

Your hate clipped and distant, your luck, pilgrimage

Rest assured this will not last, take a turn for the worst

Your hate clipped and distant, your luck a two-headed cow

C C C The FpilgrimageG has gained momentum

FTake a Gturn, take a turn

FTake our Gfortune, Ftake our Gfortune

Pilgrimage

C / / / C Bbass / / / Bb / / / G

Speakin' in tongues, it's worth a broken lip

Your hate clipped and distant, your luck, pilgrimage

Rest assured this will not last, take a turn for the worst

Your hate clipped and distant, your luck a two-headed cow

The pilgrimage has gained momentum

Take a turn, take a turn

Take our fortune, take our fortune

Pilgrimage. Pilgrimage.

Speakin' in tongues, it's worth a broken lip

Your hate clipped and distant, your luck

Rest assured this will not last, take a turn for the worst

Your hate clipped and distant, your luck two-headed

The pilgrimage has gained momentum

Take a turn, take a turn

Take our fortune, take our fortune

Pilgrimage. Pilgrimage.

The pilgrimage has gained momentum

Take a turn, take a turn

Take our fortune, take our fortune

Take a turn, take a turn

Take our fortune, take our fortune

LAUGHING

C♯mLaocoon and her two Esons

C♯mPressured storm, tried to Emove

C♯mNo other more, emotion Ebound

C♯mMartyred, misEconstrued

ALigh-Eted C♯m Ain a ErooC♯mm C♯mla--Bnky EroEsus4om E

F♯mLigh--G♯mted F♯mligh--G♯mted F♯mlaugG♯mhingEsus4 iEn tune A E

Lighted lighted laughing

Laocoon and her two sons

Run the gamut, sated view

Know them more, emotion bound

Martyred, misconstrued

ALigh-Eted C♯m Ain a ErooC♯mm C♯mla--Bnky EroEsus4om E

F♯mLigh--G♯mted F♯mligh--G♯mted F♯mlaugG♯mhingEsus4 iEn tune A E

Lighted lighted laughing

Lighted, lighted, laughing

Laocoon and her two sons

Ran the gamut, settled new,

Find a place fit to laugh,

Lock the doors, latch the room

Lighted in a room, lanky room

Lighted, lighted, laughing in tune

Lighted, lighted, laughing in tune

Lighted, lighted, laughing in tunes

Lighted, lighted, laughing in tunes

Note: the F#m and G#m are arpeggiated barre forms

with high B and E strings open (i.e. XX4200 and XX6400)

TALK ABOUT THE PASSION

This is like A, Asus, and a variation on E-minor

The fourth verse begins the same way as the other three and fades out

repeating the A / Em stuff.

Intro

Empty prayer, empty mouths, combien reaction

Empty prayer, empty mouths, talk about the passion

Not everyone can carry the weight of the world

Not everyone can carry the weight of the world

Talk about the passion

Talk about the passion

Empty prayer, empty mouths, combien reaction

Empty prayer, empty mouths, talk about the passion

Combien, combien, combien de temps?

Talk about the passion

Talk about the passion

Not everyone can carry the weight of the world

Not everyone can carry the weight of the world

Combien, combien, combien de temps?

Talk about the passion

Talk about the passion

Talk about the passion

Talk about the passion

Talk about the passion

Talk about the passion

MORAL KIOSK

Intro

Esus4

Dadd9Scratch the scandals A/C♯in the twilight E

Dadd9Trying to shock A/C♯but instead E

Dadd9Idle hands all A/C♯orient to her E

Dadd9Pass a magic A/C♯pillow under head E

F♯mIts so much G♯mmore attractive E B

F♯mInside the G♯mmoral kiosk E B

Esus4Inside, cold, dark, fire, twilight

Esus4Inside, cold, dark, fire, twilight

Dadd9They scratch the scandals A/C♯in the twilight E

Dadd9She was laughing A/C♯like a Horae E

Dadd9Put that knee A/C♯in dour landslide E

Dadd9Take this step to A/C♯dash a roveing eye E

F♯mIts so much G♯mmore attractive E B

F♯mInside the G♯mmoral kiosk E B

Esus4Inside, cold, dark, fire, twilight

Esus4Inside, cold, dark, fire, twilight

Dsus2 A/C♯ B (x 2)

Dadd9Scratch the scandals A/C♯in the twilight E

Dadd9Trying to shock A/C♯but instead E

Dadd9Idle hands all A/C♯orient to her E

Dadd9Pass a magic A/C♯pillow under head E

F♯mIts so much G♯mmore attractive E B

F♯mInside the G♯mmoral kiosk E B

Esus4Inside, cold, dark, fire, twilight

Esus4Inside, cold, dark, fire, twilight

(The interlude is a play on the G chord)

Esus4Inside, cold, dark, fire, twilight

Esus4Inside, cold, dark, fire, twilight

F F/GPut your haDir back, Fwe gFetG to lGeave

F F/GEleven gallDows on your slGeeve

F SF/Ghallow figDure, wFinFneGr's paGin

F EF/Gleven shDadows wFay out of pGlace F Dm7

SCtanding too sFoon, shoulders Chigh in the Dmroom

SCtanding too sFoon, shoulders Chigh in the Dmroom

CStanding too Fsoon, shouldersC high in theF room

Pull your dress on and stay real close

Who might leave you where I left off?

A perfect circle of acquaintances and friends

Drink another, coin a phrase

Heaven assumed, shoulders high in the room

Heaven assumed, shoulders high in the room

Heaven assumed, shoulders high in the room

Try to win and suit your needs

Speak out sometimes but try to win

Standing too soon, shoulders high in the room

Standing too soon, shoulders high in the room

Standing too soon, shoulders high in the room

Standing too soon, shoulders high in the room

Standing too soon, shoulders high in the room

CATAPULT

"G" xx09(10)9

Catapult

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

GOohhhEm, we were littlDe boys

GOohhhEm, we were littlDe girlAsus4s

It's Gnine o'clock, don'tEm try to turn it Doff

GCowered in a Emhole, Dugly mouth Asus4

We in step, in hand, your mother remembers this.

Hear the howl of the road, a question:

FDid Cwe miss Danything? FDid Cwe miss Danything?

FDid Cwe miss Danything? FDid Cwe miss Danything? A

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

G5(add E) D G5(addE) D A

Porch could be darker.

G5(add E) D G5(addE) D A

Much could be darker.

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

GOohhhEm, we were littlDe boys

GOohhhEm, we were littlDe girlAsus4s

It's Gnine o'clock, don'tEm try to turn it Doff

GCowered in a Emhole, Dugly mouth Asus4

We in step, in hand, your mother remembers this.

Hear the howl of the road, a question:

FDid Cwe miss Danything? FDid Cwe miss Danything?

FDid Cwe miss Danything? FDid Cwe miss Danything? A

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

CataDpuDsus2lt D A C♯ass

SITTING STILL

Intro/Chorus :

Verse

The 'Up to par...' part :

Bridge

I'm not 100% sure about this last chord

Outro

B:|-intro/--|-0-***-0-0-0-***-|-intro/--|-0-***-0-***-0---|

This name I got we all agreed

See could stop stop it will rid

We could bind it in the cist

We could gather, throw a fit

Up to buy, Katie buys a kitchen-size, but not me in

Setting trap for love, making a waste of time, sitting still

I'm the sign and you can read.

I'm the sign and you're not deaf.

We could bind it in the cist.

We could gather, throw a fit.

Up to buy, Katie buys a kitchen-size, but not me in

Setting trap for love, making a waste of time, sitting still

I can hear you. I can hear you. I can hear you.

This name I got we all agree

See could stop stop it will rid

We could bind it in the cist

We could gather, throw a fit.

Up to buy, Katie buys a kitchen-size, but not me in

Setting trap for love, making a waste of time, sitting still

I can hear you. I can hear you. I can hear you.

You can gather when I talk, talk until you're blue

You could get away from me. Get away from me.

Up to buy, Katie buys a kitchen-size, but not me

Setting trap for love, making a waste of time, sitting still

I can hear you. I can hear you. I can hear you.

I can hear you. I can hear you. I can hear you.

Can you hear me?

9-9 (Last Updated: 8/23/96)

(There are three versions of this song in this file. First the lyrics.

I'll try to "pretty" it up when I have the time. - Chris)

Lyrics:

Steady repetition is a compulsion mutually reenforced.

Now what does that mean?

Is there a just contradiction?

Nothing much.

Now I lay me down to sleep, I pray the Lord my soul to keep.

If I should die before I wake, I pray the Lord, hesitate.

Got to punch

Right on target

Twisting tongues

Gotta stripe down his back

all nine yards down her back

Give me a couple,

Don't give me a couple of pointers,

Turn to lies and conversation fear

Got to punch

Right on target

Twisting tongues

Gotta stripe down his back

all nine yards down her back

Give me a couple,

Don't give me a couple of pointers,

Turn to lies and conversation fear

What is my mind?

What is my mind?

Steady repetition is a compulsion mutually reenforced.

Now what does that mean?

Is there a just contradiction?

Nothing much.

Now I lay me down to sleep, I pray the Lord my soul to keep.

If I should die before I wake, oh come on, hesitate, hesitate.

Got to punch

Right on target

Twisting tongues

Gotta stripe down his back

all nine yards down her back

Give me a couple,

Don't give me a couple of pointers,

Turn to lies and conversation fear

Conversation fear. Conversation fear. Conversation fear.

intro is of course strings and notes, but if you play an A chord it

sounds good. Then after the intro before the song kicks in I think

it is a B or B5. From what I can tell the verse is E then B (orB5) and the

last line of the verse is E and the chorus goes B//A// and there may be a G

in there somewhere but maybe it's just the bass playing a G.

I'm not certain about the intro so here's my best shot:

E:-2-3-5-3s2-2 that's the bassline....

Verse

A two punch.............right on target........

E Esus4 E Bm 7th fret harmonics-s-5th fret harmonics

Chorus

Give me a couple of, don't give me a couple of pointers turn to lies and

B A G A B A G

Conversation fear.

A B 7th fret harmonics-s-5th fret harmonics

Version 3 (Added 8/23/96)

Subject: 9-9 by REM

This is 9-9 by REM. I'm not certain about the intro so here's my best

shot:

E:-2-3-5-3s2-2 that's the bassline....

Verse

A two punch.............right on target........

E Esus4 E Bm 7th fret harmonics-s-5th fret harmonics

Chorus

Give me a couple of, don't give me a couple of pointers turn to lies and

B A G A B A G

Conversation fear.

A B 7th fret harmonics-s-5th fret harmonics

SHAKING THROUGH

DCould it be that Bmone small voice dDoesn't count in the Bmworld?

EmYellow like a geisha Agown,Em denial all the Away

Could this by three be turned? Honor marches on.

EmYellow like a geisha Agown,Em denial all the Away

DShAaking GthrouAgh, DoppoArtuGne. DShAaking GthrouAgh, DoppoArtunGe.

Are we grown way too far?

Taking after rain

EmYellow like a geisha Agown,Em denial all the Away

DShAaking GthrouAgh, DoppoArtuGne. DShAaking GthrouAgh, DoppoArtunGe.

EmIn my lAife Em A

Is that a steal?

Children of today on parade,

EmYellow like a geisha Agown,Em denial all the Away

DShAaking GthrouAgh, DoppoArtuGne. DShAaking GthrouAgh, DoppoArtunGe.

DShAaking GthrouAgh, DoppoArtuGne. DShAaking GthrouAgh, DoppoArtunGe.

On Shaking through,(murmer)

the line

Emyellow like a geisha gowAn

it is actually...

Asus4

- - 3 - - - - - - - -

Emyellow like a geisha gown A Asus4 A

WE WALK

[The song is tuned up 1/4 step]

UCp the stairs tAmo the landing uCp the stairs intoAm the hallC Am C Am

TCake oaAmsis, MCarat's baAmthing C Am Em

WFe wF7Malk thDmrough the wood wFe wGalk

UCp the stairs tAmo the landing uCp the stairs intAmo the hall C Am C Am

TCake oaAmsis, MCarat's baAmthing C Am Em

WFe wF7Malk thDmrough the woods wFe waGlk

Am F A♯ C Am F A♯ C Am F A♯ C Am F A♯

Take oasis take oasis take oasis take oasis

A♯ B UCp the stairs tAmo the landing uCp the stairs intAmo the hall C Am C Am

TCake oaAmsis, MCarat's baAmthing

We walk through the world we walk

Up the stairs to the landing, up the stairs into the hall

Take oasis, Marat's bathing

Up the stairs to the landing, up the stairs into the hall

Take oasis, Marat's bathing

Up the stairs to the landing, up the stairs into the hall

Into the hall

WEST OF THE FIELDS

EmLong gone, intuitDion to assume aFre gGone wFhen we try. G

EmDream of a living jungDle in my way bacFk home whGen we die. F G

EmWest of the fields. West of the fields. West of the fields. West of the fields.

EmLong Ggone. EmLong Ggone. EmLong Ggone. EmLong Ggone. EmWest of the fields.

Dreams of Elysian, to assume are gone when we try

Tell now what is dreaming

When we try to listen with your eyes oversimplify

EmThe Fanimals, how strDmange. G C Dm Try,F try to stick it in.G

EmThe Fanimals, how strDmange. G C Dm Try,F try to stick it in.G

Dreams of Elysian, to assume are gone when we try

Tell now what is dreaming when we try.

Listen through your eyes when we die.

West of the fields. West of the fields. West of the fields. West of the fields.

Long gone. Long gone. Long gone. Long gone. West of the fields.