Standard (EADGBE)

| Chord | Full (Roots) | Play Suggestions |

| G#m/E | 0-11--x-13-12-11 | 0-11--x-13(12)-x |

There are no versions with lyrics, chords, or even in song context (references to sections),

so I'm attempting to provide that, while also adding a fuller version that sounds great if

playing solo on acoustic. The real version is played mostly on only the bottom 2 strings

(E and A). That sounds awesome, but this is an alternative style that I've started using

because it sounds the same, but way better when playing without the bass, drums, electric

effects, and smoking hot chick (err...gay-sounding dude) singing it. It is also hopefully a

more knowledgable version where after seeing the root chords, you can decide whether to

add/remove the 5ths and 7ths yourself.

Main Riffs:

Riff 1 is the same with a different F#m/E at start of 2nd measure.

The Am/E Am is the quick slide or bend to the A note (if playing only 2 strings) or shown

here as a slide to Am.

Riff 1a

|----(1a)----|

G|-13(13-13-13)13(13-13-13)|-11----11-11-13-13/14\13-|

A|-11-11-11-11-11-11-11-11-|-9-----9--9--11-11/12\11*|

Riff 1b

G|-13(13-13-13)13(13-13-13)|(11\9-/11)13-13-13/14\13-|

A|-11-11-11-11-11-11-11-11-|-9-\7-/9--11-11-11/12\11*|

Riff 1c

G|-13(13-13-13)13(13-13-13)|---------(13)13-13/14\13-|

A|-11-11-11-11-11-11-11-11-|(9)-------11-11-11/12\11*|

Riff 2

(varies in use, but this demonstrates the regular approach)

Okay, now let's attack the song...

Intro

| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |

|/ |/E(1a) / | (x3) - w/ Riff 1a

|/ |/E(1b) / | (x1) - w/ Riff 1b

|C#m |B | (x1) - w/ Riff 2

|/ |/E(1c) / | (x4) - w/ Riff 1c

4) I've been...

Verse 1

|/ |/E(1a) / | (x1) - w/ Riff 1a

waiting... I've been

|/ |/E(1b) / | (x1) - w/ Riff 1b

waiting for this moment all... my...

|C#m |B | (x1) - w/ Riff 2

life... but it's not quite

|/ |/E(1c) / | (x2) - w/ Riff 1c

1)right.

2) And this...

Verse 2

1)"real"... it's im-

2)-possible, if possible at who's blind...

word... so clear but so un-(heard)

Start solo 1

1 (over this pass and a half)

1)-heard.

2)

Solo 1

Then...

Play solo 1

2 (over these 4 measures)

I've been...

Solo 1

(I've been...)

Verse 3

1)waiting... I've been

2)waiting for this silence all... night...

long... it's just a matter of

* play Solo 2 here (its short)

time. To appear...

Solo 2

(To appear...)

Verse 4

1)sad... with this

2)same ol' decent lazy eye fixed to rest on

you... aim free and so un-(true)

Middle section

NICE):

A|-11-11-x-x-9--9--9--x-x-/|-11-11-11-9-\7-(11/12\11)|

Every-

-one is so int-i-mately rearanged...

2) Every-

-one can fo-cus clearly with such

* Solo 3 played over the next 8 measures

1)shine.

Every-(one)

Solo 3

(Sorry haven't worked out or confirmed yet - when I don't know the solos, I just play the

Riff 1a

c's using full chords and it sounds awesome, though doesn't match cd. Try it out)

-one is so int-i-mately re--a--(ranged...)

-ranged...

Every-

-one can fo-cus clearly with such

Middle section

ANGRY THEN SWEET):

1) shine!!! Lost and

2) loaded!! Still the

3) same ol' decent lazy eye straight thru your

4) gaze!!!! That's why I said that I have to re-

-late!!! I said it really, its so fun to re-

1)-late!

2) It's the...

SPACEY INTERLUDE SECTION: (Adlib solos over repeated sets of Riff 1a, 1b, and 2)

Solo 4 here, played over:

Background 1:

Or

Background 2:

Solo 4

then...

into...

then back to...

Outro

(Back to familiarity to finish up...)

4) I've been...

1)waiting... I've been

2)waiting for this moment...

3)

This song is addicting, be careful/enjoy!

-C.Hall (6/25/09)