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Schism
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Adam Jones (Guitar I)
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Distortion Guitar
Track difficulty (Rhythm)
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B
G
D
A
D
1
Intro I
=67
12
8
2
8
8
3
=108
12
8
4
Intro II - Bass
5
8
5
7
8
6
5
8
7
Fade in
0
0
0
7
8
P. M.
8
5
8
9
7
8
10
5
8
11
0
3
5
7
8
3
P. M.
12
Intro III - with Band
3
0
2
0
0
3
5
5
8
3
13
3
0
2
0
5
0
0
3
5
7
8
3
P. M.
14
3
0
2
0
0
3
5
5
8
3
15
3
0
2
0
5
0
0
3
5
7
8
3
P. M.
16
3
0
2
0
0
3
5
5
8
3
17
3
0
2
0
5
0
0
3
5
7
8
3
P. M.
18
3
0
2
0
0
3
5
5
8
3
19
3
0
2
0
5
0
0
7
8
20
Verse 1
I
7
0
the
know
_
5
8
21
pie-
'cause
ces
fit,
7
8
22
I
them
_
watched
5
8
23
fall
_
a
way
7
8
24
_
dewed
mil-
5
8
25
_
and
smol-
7
8
26
der
ing
5
8
27
fun-
da-
7
8
let ring
28
men-
7
5
tal
0
dif-
5
8
29
ing
fer
7
8
30
pure
ten-
in-
5
8
let ring
31
ta-
tion
_
jux-
7
8
32
8
posed
7
_
0
that
0
5
8
33
sets
two
lo-
7
8
let ring
P. M.
34
vers'
10
_
7
souls
0
in
0
5
8
35
_
dis-
0
10
12
mo-
tion
7
8
3
36
10
0
in-
9
0
te-
0
10
12
5
8
3
P. M.
37
10
gra-
0
9
0
ting
12
as
0
it
0
10
12
7
8
3
38
goes
10
0
_
9
tes-
0
0
10
12
5
8
3
P. M.
39
ting
10
our
0
_
9
0
com-
12
0
mu-
0
10
12
7
8
3
40
10
ni-
0
9
ca-
0
0
10
12
5
8
3
P. M.
41
tion/the
10
0
light
9
0
that
12
fuel-
0
0
10
12
7
8
3
42
10
led
0
our
9
fi-
0
0
10
12
5
8
3
P. M.
43
10
0
re
9
then
0
_
12
0
has
0
10
12
7
8
3
44
10
0
9
0
0
0
10
12
6
8
3
P. M.
45
10
0
9
0
12
0
0
10
12
7
8
3
46
10
0
9
0
0
0
10
12
6
8
3
47
10
0
9
0
12
0
0
10
12
7
8
3
48
10
0
9
0
0
10
12
6
8
3
49
10
0
9
0
12
0
0
10
12
7
8
3
50
10
0
9
0
0
0
10
12
6
8
3
P. M.
51
10
0
9
0
12
0
0
10
12
7
8
3
52
burnt
10
0
a
9
hole
0
_
0
10
12
5
8
3
P. M.
53
be-
10
0
9
0
tween
12
0
us
0
10
12
7
8
3
54
so
10
_
0
We
9
0
can-
0
10
12
5
8
3
P. M.
55
10
not
0
seem
9
_
0
to
12
reach
0
0
10
12
7
8
3
56
an
10
0
end
9
0
0
10
12
5
8
3
P. M.
57
_
10
0
crip-
9
0
pl-
12
0
ing
0
10
12
7
8
3
58
our
10
com-
0
9
mu-
0
0
10
12
5
8
3
P. M.
59
10
ni-
0
9
0
ca-
12
0
tion
0
10
12
7
8
3
60
_
10
_
0
I
9
know
0
0
10
12
5
8
3
P. M.
61
_
10
the
0
pie-
9
0
ces
12
fit,
0
0
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12
7
8
3
62
'cause
10
I
0
_
9
watched
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10
12
5
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3
P. M.
63
them
10
0
tum
9
0
12
ble
0
_
0
10
12
7
8
3
64
down
10
_
0
No
9
fault,
0
0
10
12
5
8
3
P. M.
65
none
10
0
to
9
_
0
blame;
12
_
0
0
10
12
7
8
3
66
it
10
does-
0
9
n't
0
0
10
12
5
8
3
P. M.
67
mean
10
I
0
don't
9
_
0
de-
12
0
0
10
12
7
8
3
68
10
0
9
0
0
0
10
12
6
8
3
69
10
0
9
0
12
0
0
10
12
7
8
3
70
10
0
9
0
0
10
12
6
8
3
71
10
0
9
0
12
0
0
10
12
7
8
3
72
10
0
9
0
0
10
12
6
8
3
73
10
0
9
0
12
0
0
10
12
7
8
3
74
10
0
9
0
0
0
10
12
6
8
3
Harm.
75
10
0
9
0
12
7
8
76
0
0
si-
X
X
X
X
3
3
X
X
X
X
5
5
re
3
3
X
X
X
X
to
3
3
4
4
77
5
5
point
5
5
0
3
5
the
3
2
4
3
78
0
0
fin-
X
X
X
X
3
3
ger,
X
X
X
X
5
5
blame
3
3
X
X
X
X
_
3
3
4
4
79
5
5
the
5
5
0
3
5
_
3
2
4
3
80
0
0
o-
X
X
X
X
3
3
ther,
X
X
watch
X
X
5
5
the
3
3
X
X
X
X
tem-
3
3
4
4
81
5
5
5
5
ple
0
3
5
top-
3
2
4
3
82
0
0
X
X
X
X
ple
3
3
_
X
X
X
X
3
3
5
5
o-
3
3
X
X
X
X
3
3
4
4
83
5
5
ver,
5
5
to
0
3
5
bring
3
8
3
84
the
3
5
8
85
the double track…
12
12
10
pie-
7
8
…holds this out longer
P. M.
86
10
ces
0
back
9
to
0
0
10
12
5
8
3
87
10
0
ge-
9
0
12
0
ther,
0
10
12
7
8
3
P. M.
88
re-
9
0
dis-
7
0
0
10
12
5
8
3
89
co-
9
0
ver
7
com
0
10
0
0
10
12
7
8
3
P. M.
90
mu-
10
0
9
ni-
0
0
10
12
5
8
3
91
ca-
10
0
9
tion
0
_
12
0
0
10
12
7
8
3
P. M.
92
_
9
The
0
po-
7
0
0
10
12
5
8
3
93
e-
9
0
7
0
try
10
0
that
0
10
12
7
8
3
P. M.
94
comes
10
0
from
9
the
0
0
10
12
5
8
3
95
squa-
10
0
ring
9
off
0
be-
12
0
tween
0
10
12
7
8
3
P. M.
96
and
10
the
0
9
cir
0
0
10
12
5
8
3
97
10
0
9
0
cl-
12
0
0
10
12
7
8
3
P. M.
98
ing
10
is
0
worth
9
it,
0
fin-
0
10
12
5
8
3
99
10
0
ding
9
beau-
0
12
ty
0
_
0
10
12
7
8
3
P. M.
100
in
9
the
0
dis-
7
0
0
10
12
5
8
3
101
so-
9
0
7
nance
0
there
10
0
was
0
10
12
7
8
3
102
10
0
9
0
0
0
10
12
6
8
3
103
10
0
9
0
12
0
0
10
12
7
8
3
104
10
0
9
0
0
0
10
12
6
8
3
105
10
0
9
0
12
0
0
10
12
7
8
3
106
10
0
9
0
0
0
10
12
6
8
3
107
10
0
9
0
12
0
0
10
12
7
8
3
108
10
0
9
0
0
0
10
12
6
8
3
109
10
0
9
0
12
0
0
10
12
7
8
3
110
Bass Solo
10
0
9
0
12
0
0
10
12
3
111
10
0
9
3
8
112
0
12
0
0
10
12
10
0
6
8
3
113
9
0
2
8
114
12
0
0
10
12
10
0
9
6
8
3
115
0
12
0
0
10
12
10
0
3
116
9
0
2
8
117
12
0
0
10
12
10
0
9
6
8
3
118
0
12
0
0
10
12
10
0
3
119
9
0
2
8
120
12
0
0
10
12
10
0
9
6
8
3
121
0
5
4
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
122
Interlude
w/ delay
14
0
0
17
0
0
6
8
123
14
0
0
19
0
0
124
12
0
0
14
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
125
10
0
0
3
8
126
12
0
10
0
12
0
3
4
127
14
0
0
17
0
0
6
8
P. M.
P. M.
P. M.
P. M.
P. M.
128
14
0
0
19
0
0
129
12
0
0
14
0
0
130
10
0
0
3
8
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
131
12
0
10
0
12
0
3
4
132
14
0
0
17
0
0
6
8
133
14
0
0
19
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
134
12
0
0
14
0
0
135
10
0
0
3
8
136
12
0
10
0
12
0
3
4
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
137
14
0
0
17
0
0
6
8
138
14
0
0
19
0
0
139
12
0
0
14
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
140
10
0
0
3
8
141
12
0
10
0
12
0
3
4
142
14
0
0
17
0
0
6
8
P. M.
P. M.
P. M.
P. M.
P. M.
143
14
0
0
19
0
0
144
12
0
0
14
0
0
145
10
0
0
3
8
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
146
12
0
10
0
12
0
3
4
147
14
0
0
17
0
0
6
8
148
14
0
0
19
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
149
12
0
0
14
0
0
150
10
0
0
3
8
151
12
0
10
0
12
0
3
4
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
152
14
0
0
17
0
0
6
8
153
14
0
0
19
0
0
154
12
0
0
14
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
155
10
0
0
3
8
156
12
0
10
0
12
0
3
4
157
14
0
0
17
0
0
6
8
P. M.
P. M.
P. M.
P. M.
P. M.
158
14
0
0
19
0
0
159
12
0
0
Grace note
12
14
0
0
160
10
0
0
3
8
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
161
12
0
10
0
12
0
3
4
162
14
0
0
17
0
0
6
8
163
14
0
0
19
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
164
a
12
0
0
time
14
0
0
165
when
10
0
0
3
8
166
the
12
0
pie-
10
0
12
0
3
4
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
167
ces
14
0
0
17
0
0
6
8
168
14
0
0
19
0
0
169
12
0
0
14
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
170
10
0
0
3
8
171
fit,
12
0
but
10
0
I
12
0
3
4
172
_
14
0
0
watched
17
0
0
6
8
P. M.
P. M.
P. M.
P. M.
P. M.
173
14
0
0
19
0
0
174
12
0
0
14
0
0
175
10
0
0
3
8
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
176
them
12
0
fall
10
0
_
12
0
3
4
177
a
14
0
0
17
0
0
6
8
178
14
0
0
19
0
0
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
179
12
0
0
Grace note
12
14
0
0
180
10
0
0
3
8
181
12
0
way
10
0
_
12
0
3
4
P. M.
P. M.
P. M.
P. M.
P. M.
P. M.
182
mil-
14
Delay off
0
0
17
0
0
6
8
183
14
0
0
17
0
0
184
14
0
14
0
2
4
P. M.
P. M.
P. M.
P. M.
185
14
0
0
17
0
0
6
8
186
14
0
0
17
0
0
P. M.
187
14
0
14
0
10
12
10
0
9
0
4
4
3
188
14
0
0
17
0
0
6
8
189
14
0
0
17
0
0
190
14
0
14
0
2
4
191
14
0
0
17
0
0
6
8
192
14
0
0
17
0
0
193
14
0
14
0
2
4
194
8
10
3
5
6
8
195
10
12
0
3
8
196
7
7
7
dewed
14
0
0
6
8
197
_
17
0
0
and
14
0
0
198
smol-
17
0
0
14
0
14
0
7
8
199
der
8
10
3
5
6
8
200
10
12
0
3
8
201
7
7
7
14
0
0
6
8
202
ing,
17
stran-
0
0
14
0
0
203
gled
17
0
0
by
14
0
14
0
7
8
204
our
8
co-
10
3
5
6
8
205
10
12
0
3
8
206
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
6
8
207
12
¼
12
¼
12
¼
12
12
12
13
13
13
13
13
13
12
12
12
12
12
12
13
13
13
13
13
13
12
12
12
12
12
12
208
10
8
8
8
8
8
10
8
8
5
3
3
3
3
3
5
3
3
209
12
10
10
10
10
10
12
3
8
210
0
0
5
5
8
211
7
5
0
5
7
0
3
3
10
10
9
8
212
0
0
5
5
8
213
7
5
0
5
7
0
3
3
10
10
9
8
214
0
0
5
5
8
215
7
5
0
5
7
0
3
3
10
10
9
8
216
0
0
5
5
8
217
7
5
0
5
7
0
6
8
P. M.
218
ve-
3
3
0
2
2
ting
0
I've
0
5
8
219
done
3
3
0
the
2
2
0
math
5
5
0
0
7
8
220
e-
3
3
0
2
2
nough
0
to
0
5
8
P. M.
221
_
3
3
0
know
2
2
0
_
5
5
0
0
7
8
222
the
3
3
0
dan-
2
2
0
gers
0
5
8
P. M.
223
of
3
3
0
our
2
2
0
se-
5
5
0
0
7
8
224
3
3
0
cond
2
2
_
0
gues-
0
5
8
P. M.
P. M.
225
3
3
0
sing
2
2
0
doomed
5
5
X
X
X
X
X
X
X
X
X
X
X
X
7
8
226
to
3
3
X
X
X
X
X
X
crum-
2
2
X
X
X
X
X
X
ble
X
X
X
X
X
X
5
8
P. M.
227
un-
3
3
X
X
X
X
X
X
2
2
X
X
X
X
X
X
less
5
5
X
X
X
X
X
X
X
X
X
X
X
X
7
8
228
we
3
3
X
X
X
X
X
X
_
2
2
grow
X
X
X
X
X
X
_
X
X
X
X
X
X
5
8
P. M.
229
and
3
3
X
X
X
X
X
X
streng-
2
2
X
X
X
X
X
X
5
5
X
X
X
X
X
X
X
X
X
X
X
X
7
8
230
then
3
3
X
X
X
X
X
X
our
2
2
_
X
X
X
X
X
X
com-
X
X
X
X
X
X
5
8
P. M.
231
3
3
X
X
X
X
X
X
mu-
2
2
X
X
X
X
X
X
5
5
X
X
X
X
X
X
X
X
X
X
X
X
7
8
232
ni-
3
3
X
X
X
X
X
X
2
2
ca-
X
X
X
X
X
X
X
X
X
X
X
X
5
8
233
tion
3
3
X
X
X
X
X
X
_
2
2
X
X
X
X
X
X
_
5
5
0
0
3
3
5
5
0
0
3
3
5
5
7
8
3
3
P. M.
234
0
0
3
5
5
0
0
3
5
6
0
3
5
3
4
4
3
3
3
P. M.
235
0
0
3
5
5
0
0
3
5
6
0
3
5
3
3
3
3
P. M.
236
0
0
3
5
5
0
0
3
5
6
0
3
5
3
3
3
3
P. M.
237
0
0
3
5
5
0
0
3
5
6
0
3
5
3
3
3
3
P. M.
238
0
0
3
5
5
0
0
3
5
6
0
3
5
3
3
3
3
P. M.
239
0
0
3
5
5
0
0
3
5
6
0
3
5
3
3
3
3
P. M.
240
0
0
3
5
5
0
0
3
5
6
0
3
5
3
3
3
3
P. M.
241
0
0
3
5
5
0
0
3
5
6
0
3
5
3
3
3
3
Change tuning (R)