Standard (EADGBE)

Intro

Using straight forward fingerpicking rolls, but you can vary this).

The intro then moves back to open position C. With your picking hand, move the bass line

with your thumb and pick the treble strings with your first or second (or both)

fingers(again you can vary the picking pattern if you like as this is an approximation):

The rest of the chords are as follows (I tried to put the changes where they occur, but

you can listen to the recordings and watch the videos to work out the exact timing):

I made a promise to not let go

Our tug of war has only made me want you more

Steeped in hard luck and doomed to roam

My love is braver than you know

My forefathers, they worked this land

And I was schooled in the tyranny of nature's plans

Dressed in thunder a cloud came around

Oh, in the shape of a lion a hand came down

Chorus

Now, damn this valley and damn this cold

Well, take so long to let me know

It's plant and reap and plow and sow

But tell me, will it grow?

Play the intro again before the next verse:

Dig my ditches in the golden sun

I'd be robbing these trains if I could catch me one

Now, Sunday, Monday and Tuesday's gone

Got me stone cold sober in a drought so long

Boarded mansions and ghost filled yards

There's a boy in a water tower counting cars

Steel trap open in empty stalls

Now there's a well-worn saddle but the horse is gone

Repeat Chorus

Break

Jet black starlit midnight rolls

I am down in the garden where I let you go

Up on the surface the earth looks round

But it's a godless city of cold flat ground

Chorus

(Use the same chords as in the break for the final refrains. The embellished "oh" sound

in "Will it Grow" moves right through the chord progression.)

Will it grow oh grow oh oh x2

Will it grow?

The last line is slightly more subdued than the preceding two, but the chords stay the same.

End on the intro.

A couple of the chords you might not be familiar with:

Notes on the chords used in the break and final chorus:

If you're a good fingerpicker, you can really embellish on the F chord here to find a

lot of the trademark notes. What I try to do is distill some of what the second guitar

plays into this little break. This is one of the only points where I deviate from

Jakob's use of the Fmaj7 chord in order to free up the pinkie on my left hand to play some of the

other embellishment notes.