Khashoggi
—
Living In The Past
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Guitar II
—
Distortion Guitar
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e
B
G
D
A
E
B
Harm.
1
Intro
=108
4
4
2
3
4
5
6
7
8
X
X
5
X
5
9
1
3
0
1
3
0
1
0
10
0
2
0
0
2
0
0
0
11
1
3
0
1
3
0
1
0
12
0
2
0
0
2
0
0
0
13
1
3
0
1
3
0
1
0
14
0
2
0
0
2
0
0
0
Harm.
15
1
3
0
1
3
0
1
0
16
0
2
0
0
2
0
X
X
5
X
5
P. M.
P. M.
P. M.
P. M.
17
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
18
2
2
0
2
2
0
0
0
2
2
0
2
2
0
0
0
2
2
0
2
2
0
P. M.
P. M.
P. M.
P. M.
19
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
20
2
2
0
2
2
0
0
0
2
2
0
2
2
0
0
0
2
2
0
2
2
0
21
3
3
1
22
2
2
0
23
Verse I
24
25
26
27
28
29
30
31
32
33
34
35
36
37
Harm.
38
X
X
5
X
5
39
Chorus I
1
3
0
1
3
0
1
0
40
0
2
0
0
2
0
0
0
41
1
3
0
1
3
0
1
0
42
0
2
0
0
2
0
0
0
43
1
3
0
1
3
0
1
0
44
0
2
0
0
2
0
0
0
Harm.
45
1
3
0
1
3
0
1
0
46
0
2
0
0
2
0
X
X
5
X
5
47
1
3
0
1
3
0
1
0
48
0
2
0
0
2
0
0
0
49
1
3
0
1
3
0
1
0
50
0
2
0
0
2
0
0
0
51
1
3
0
1
3
0
1
0
52
0
2
0
0
2
0
0
0
Harm.
53
1
3
0
1
3
0
1
0
54
0
2
0
0
2
0
X
X
5
X
5
55
Verse II
0
3
5
0
3
5
0
5
56
3
2
5
3
2
5
3
5
57
1
0
5
1
0
5
1
5
58
3
3
5
3
3
5
3
5
59
0
0
2
0
0
2
0
2
60
3
0
2
3
0
2
3
2
61
2
0
2
2
0
2
2
2
62
3
0
2
3
0
2
3
2
63
0
5
2
0
5
2
0
2
64
3
4
2
3
4
2
3
2
65
1
2
2
1
2
2
1
2
66
3
5
7
3
5
7
3
7
67
0
2
4
0
2
4
0
4
68
3
2
4
3
2
4
3
4
69
2
2
4
2
2
4
2
4
70
3
2
4
3
2
4
3
4
P. M.
P. M.
P. M.
P. M.
71
Chorus II
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
72
2
2
0
2
2
0
0
0
2
2
0
2
2
0
0
0
2
2
0
2
2
0
73
1
3
0
1
3
0
1
0
74
0
2
0
0
2
0
0
0
P. M.
P. M.
75
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
76
0
2
0
0
2
0
0
0
P. M.
P. M.
Harm.
77
3
3
1
3
3
1
1
1
3
3
1
3
0
1
0
78
2
2
0
2
2
0
0
0
0
2
0
X
X
5
X
5
P. M.
P. M.
P. M.
P. M.
79
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
80
2
2
0
2
2
0
0
0
2
2
0
2
2
0
0
0
2
2
0
2
2
0
81
1
3
0
1
3
0
1
0
82
0
2
0
0
2
0
0
0
P. M.
P. M.
83
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
84
0
2
0
0
2
0
0
0
P. M.
P. M.
Harm.
85
3
3
1
3
3
1
1
1
3
3
1
3
0
1
0
86
2
2
0
2
2
0
0
0
0
2
0
X
X
5
X
5
87
Bridge
0
3
5
0
5
5
8
88
1
0
5
1
0
5
6
8
89
3
3
5
3
5
5
8
90
2
0
2
2
0
2
2
7
8
91
0
0
3
5
0
0
5
5
8
92
1
1
0
5
1
1
0
5
6
8
93
3
3
3
5
3
3
5
5
8
94
2
2
0
2
2
2
0
2
2
2
7
8
95
Verse III
0
3
5
0
3
5
0
5
4
4
96
3
2
5
3
2
5
3
5
97
1
0
5
1
0
5
1
5
98
3
3
5
3
3
5
3
5
99
0
0
2
0
0
2
0
2
100
3
0
2
3
0
2
3
2
101
2
0
2
2
0
2
2
2
102
3
0
2
3
0
2
3
2
103
0
3
5
0
3
5
0
5
104
3
2
5
3
2
5
3
5
105
1
0
5
1
0
5
1
5
106
3
3
5
3
3
5
3
5
107
0
0
2
0
0
2
0
2
108
3
0
2
3
0
2
3
2
109
2
0
2
2
0
2
2
2
P. M.
P. M.
110
3
0
2
3
0
2
3
2
111
Chorus III
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
P. M.
P. M.
112
2
2
0
2
2
0
0
0
2
2
0
2
2
0
0
0
2
2
0
2
2
0
113
1
3
0
1
3
0
1
0
P. M.
P. M.
114
0
2
0
0
2
0
0
0
115
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
P. M.
116
0
2
0
0
2
0
0
0
117
3
3
1
3
3
1
1
1
3
3
1
3
0
1
0
P. M.
Harm.
P. M.
P. M.
118
2
2
0
2
2
0
0
0
0
2
0
X
X
5
X
5
119
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
P. M.
P. M.
120
2
2
0
2
2
0
0
0
2
2
0
2
2
0
0
0
2
2
0
2
2
0
121
1
3
0
1
3
0
1
0
P. M.
P. M.
122
0
2
0
0
2
0
0
0
123
3
3
1
3
3
1
1
1
3
3
1
3
3
1
1
1
3
3
1
3
3
1
P. M.
124
0
2
0
0
2
0
0
0
125
3
3
1
3
3
1
1
1
3
3
1
3
0
1
0
P. M.
Harm.
126
2
2
0
2
2
0
0
0
0
2
0
X
X
5
X
5
127
3
3
1
128
=54
2
2
0
Change tuning (R)
